Robert Anthony
Senior HTF Member
- Joined
- Aug 31, 2003
- Messages
- 3,218
But then again, all movies are about making money. otherwise they wouldn't be greenlit.
There's no rule that says a studio's attempts to make money should inhibit my enjoyment of that product. The quality of the product should be the only thing factoring into my enjoyment of it. So they re-edit the flick to get me back in the theater. I don't HAVE to go. But I do. Why? Because it's still that movie, even if there's like, 5 minutes changed. I don't feel "Dirty" or "Fooled" or "Taken advantage of" or whatever simply because the idea behind the re-cut was greenlit so the studio could make money on a re-release.
Most movies are made with the purpose of making money first and foremost. Even art flicks (reading "Spike, Mike, Slackers and Dykes" by John Pierson opened my eyes to a lot of that) aren't exempt from this.
Neil: I think you're letting your hardcore "DONT EVER TOUCH THE FILM" stance color your view of Ridley's remarks--there's been a couple that actually run the spectrum, and then there's the one that you posted that doesn't really sound like "I've all but disowned this cut" at all, actually. I could just as easily post quotes that says he's happy with this cut, and he enjoyed re-cutting it.
Whether the studio approaches the director or the director thinks of it himself, I'm open to any "Director's Cut" or "Special Edition" that's released or made available, simply because I like movies and I like film and I don't think it's a bad thing to watch different versions of movies. If the Special Edition isn't as good, then I'll say so. if the director's cut stumbles, I'll just make sure to not watch it again. But I'd rather have the choice, profit-inspired or not, to see what they did rather than completely shut out the idea altogether.
There's no rule that says a studio's attempts to make money should inhibit my enjoyment of that product. The quality of the product should be the only thing factoring into my enjoyment of it. So they re-edit the flick to get me back in the theater. I don't HAVE to go. But I do. Why? Because it's still that movie, even if there's like, 5 minutes changed. I don't feel "Dirty" or "Fooled" or "Taken advantage of" or whatever simply because the idea behind the re-cut was greenlit so the studio could make money on a re-release.
Most movies are made with the purpose of making money first and foremost. Even art flicks (reading "Spike, Mike, Slackers and Dykes" by John Pierson opened my eyes to a lot of that) aren't exempt from this.
Neil: I think you're letting your hardcore "DONT EVER TOUCH THE FILM" stance color your view of Ridley's remarks--there's been a couple that actually run the spectrum, and then there's the one that you posted that doesn't really sound like "I've all but disowned this cut" at all, actually. I could just as easily post quotes that says he's happy with this cut, and he enjoyed re-cutting it.
Whether the studio approaches the director or the director thinks of it himself, I'm open to any "Director's Cut" or "Special Edition" that's released or made available, simply because I like movies and I like film and I don't think it's a bad thing to watch different versions of movies. If the Special Edition isn't as good, then I'll say so. if the director's cut stumbles, I'll just make sure to not watch it again. But I'd rather have the choice, profit-inspired or not, to see what they did rather than completely shut out the idea altogether.