Originally Posted by benbess
How does it look? Can't wait for The Gold Rush, City Lights, The Circus, etc.
The Great Dictator is next on the agenda, and it's coming very soon.
Originally Posted by benbess
How does it look? Can't wait for The Gold Rush, City Lights, The Circus, etc.
Originally Posted by benbess
Well, in general you are often right and your point is often valid, but....
George Feltenstein was one of the people who convinced WB to invest big in titles like Oz. He himself has said these titles will be (or even are) profitable, but it just takes longer than people think sometimes. I imagine they did take a permanent bath on A Star Is Born, which probably sold a small fraction of what Oz did, plus it probably cost just as much if not more to restore.
Maybe Feltenstein has been fired, but if so haven't I heard about it. Last I head the studio believes in and appreciates the work that he and his team is doing. Warner believes in its library.
But if he is fired (i hope not!) that would be a major support for your theory.
But even though I tend to be somewhat cynical and somewhat pessimistic, your point of view--again while making good points--is even more pessimistic than not only I am but maybe more pessimistic than what reality warrants right now.
Hard to tell. In any case, it's fun to discuss, and I enjoy reading your perceptive thoughts on all this...
Originally Posted by Ed Lachmann
The day I have to download movies I want from iTunes and wait the hundred or so years for a two hour plus 1080p feature to get there is the day I stop owning or collecting them at all. I would love Warner Archives to press or burn and sell me the blu-rays, however. I will never join the "hard drive" movie club, I'm afraid. Just me. Lost too many corrupted files and had too many hard drive break downs to put any faith in it.
Originally Posted by Ethan Riley
It's not really my theory--it's based upon the link in the OP which stated that Wizard of Oz was not profitable on blu-ray. My theory is based upon the fact that films are expensive to restore to a quality worthy of blu-ray and short-sightedness will kill that industry. If Warners is the exception, that's great; but based on the article, I'd have to guess that most studios are only in it for the immediate profit.
Originally Posted by Adam Gregorich
I think the reason GWtW and WoO didn't do as well was because when they were being advertised they were only sold in the "box of junk" version. If they had released it day and date with a "regular" version I bet it would have sold much better. If it wasn't profitable to release classic films on BD, Kino and Criterion wouldn't be doing it.
Originally Posted by Chas in CT
I wasn't online today till just now and this is the first thread I've read. I've kind of skimmed through the second half of these responses, so my question is: Did anyone take the time to read through the comments that followed that article? Most depressing thing I've done in quite a while.
Originally Posted by Ronald Epstein REVIEW ARCHIVES[/b]
Originally Posted by Ed Lachmann
The day I have to download movies I want from iTunes and wait the hundred or so years for a two hour plus 1080p feature to get there is the day I stop owning or collecting them at all. I would love Warner Archives to press or burn and sell me the blu-rays, however. I will never join the "hard drive" movie club, I'm afraid. Just me. Lost too many corrupted files and had too many hard drive break downs to put any faith in it.
Originally Posted by ReggieW
I really don't like what happened with The Ten Commandments. Paramount should've released a 3-disc version at the $59.95 price-point just as Lionsgate did for Apocalypse Now. I have no problem paying more for my favorite films when done properly, but asking me to fork over extra for an oversized box and a bunch of trinkets I don't want is another thing. I think that Bill Hunt nails it when he says that many execs in these studio marketing departments know nothing about these films. I mean, is there really that big of a market for The Ten Commandments to be packaged this way? The die-hard cinephiles definitely want the doc and the silent version, but imho, these are exctly the kind of people who don't want a big box of gimmicks to go along with it with a premium price. When Paramount releases a more realistic 3-disc version or if/when it turns up this way in the UK, then I'll buy it.