chris winters
Second Unit
- Joined
- Nov 12, 1999
- Messages
- 274
As stated numerious times, the problem is not CGI, its what CGI is being blamed for , souless marketing tie-ins polished up and promoted as cinema. Of course CGI is not too blame for this, although its often sugested that Speilberg and Lucas are. CGI is not going anywhere. over 90% of all mainstream films have digital effects in them, just not obvious ones. Wire removal ( stuntmen) sky replacement, color correction/timing, bluescreen pulls/matte cleanup, etc... Movies are technically cleaner now that ever before because of all these tools. Creatures and splashy effects may get the glory, but these kinds of shots are many smaller post houses bread and butter. And dont blame CGI for the sins of crass buissiness men posing as artists.
Also if you took away and replaced a lot of the creatures done in CGI with puppets/suits/stopmotion whatever, they would not hold up to what our eyes are now used to. Its only through rose colored glasses that we look back and think superman looked great flying over metropolis or the rancor monster from return of the jedi was flawless. I love harryhausen animation as much as the next guy, but if you had that style of effect in a movie today, it would be laughed at. (not animation, just the technical look of the stop motion puppet). Does anyone really argue that the two headed dragon from willow, the rancor monster, the rubber dragons from dragon slayer, or countless other "analog" creations, woudnt look more sophisticated had they been done digital. There are exceptions of course. E.T. still holds up better as a practical rather then digital effect, as would say chewbacca ( imagine a CG chewbacca! i shiver at the thought !) Its just about knowing what is best given your filming situation, and using the tools with all their respective limitations accordingly.
The other issue is that directors are so accustomed to the "post process" fixing things, that there is real lazy filmaking going on these days. Directors dont understand the whole digital process, and then force post production facilities to correct a lot of things that could have been gotten right the first time on set, or at least prepare the shoot correctly to produce better results when it comes time to create the digital effect later. Thus the work suffers and facilities have to compromise by making polished garbage out of a no-win situation of footage.
Also if you took away and replaced a lot of the creatures done in CGI with puppets/suits/stopmotion whatever, they would not hold up to what our eyes are now used to. Its only through rose colored glasses that we look back and think superman looked great flying over metropolis or the rancor monster from return of the jedi was flawless. I love harryhausen animation as much as the next guy, but if you had that style of effect in a movie today, it would be laughed at. (not animation, just the technical look of the stop motion puppet). Does anyone really argue that the two headed dragon from willow, the rancor monster, the rubber dragons from dragon slayer, or countless other "analog" creations, woudnt look more sophisticated had they been done digital. There are exceptions of course. E.T. still holds up better as a practical rather then digital effect, as would say chewbacca ( imagine a CG chewbacca! i shiver at the thought !) Its just about knowing what is best given your filming situation, and using the tools with all their respective limitations accordingly.
The other issue is that directors are so accustomed to the "post process" fixing things, that there is real lazy filmaking going on these days. Directors dont understand the whole digital process, and then force post production facilities to correct a lot of things that could have been gotten right the first time on set, or at least prepare the shoot correctly to produce better results when it comes time to create the digital effect later. Thus the work suffers and facilities have to compromise by making polished garbage out of a no-win situation of footage.