RobertR
Senior HTF Member
- Joined
- Dec 19, 1998
- Messages
- 10,675
I think Stuart's review of the film is spot on. Once we saw the cartoon "look" put on film, it had nothing to say.
Produced at a time when stereo sound was still making a comeback in movie houses, Popeye features a surprisingly robust, modern soundtrack. The 5.1 and Dolby Surround mixes for the DVD were, presumably, derived from those originally created for the 70mm blow-up version.Nice review Stuart, but I have one question for you. Is it possible to get more indepth review on the movie soundtracks? I've read all your reviews so far, and this is the most detailed you have gotten. Sound is 50% of the movie experience, so detailed analysis of the quality/depth/bass response....LFE/use of surrounds/etc of the mixes would be greatly appreciated. To give you an idea, here are some snippets of Ron's sound reviews:
"The mono sound is very clear, although I had to
add a bit of volume to my receiver to bring the
sound up to proper level. There's a slight hint
of background hiss, but unless you really listen
for it, you wouldn't know it exists." - Sunset Boulevard (1950)
"Though the film features a brand-new 5.1 Dolby
Digital soundtrack, the results aren't necessarily
ground breaking. Though this film may not have the
dynamic range of modern releases, audio comes across
very clean, without distortion and with well
integrated dialogue that sits firmly in the center
channel. There is exceptional stereo separation
across the front channels. As for the rears? Well,
it seems that Disney opted to extend audio to the
rear channels mostly for its most impressive visual
sequences. Highlights include Captain Nemo playing
Toccata and Fugue D Minor on the organ as
well as the film's climatic explosions. Now and
then you'll hear the film score creeping into the
rears as well. What is most impressive here is the
.LFE response to the engine hums of the Nautilus
craft where bass was deep enough to feel vibration
beneath me." - 20,000 Leagues Under the Sea (1954)
" As I usually
expect from most DTS tracks, the sound has a very
spacial quality to it -- not sounding the least
compressed. This is one hell of an aggressive mix
with sound that is extremely accurate and detailed.
The rear channels are nearly always active throughout,
and there's tremendous LFE channel support that adds
booming floor-shaking response. This is one of the
strongest sounding LFE tracks in memory -- so strong
in fact that I was very concerned about blowing out
my subwoofer." - Lord of the Rings (2001)
I think the bad reputation it acquired over the years was due to a couple of things. . .I would have liked to have seen a documentary about that.
I'm no expert when it comes to high-end audio. I've jerry-rigged my home systems in the past for basic surround, but that's it. THX, DTS, etc., are certainly a nice things to have, but I'm content for now just having a big widescreen image.Other then that I really like reading the reviews. Very well done.
According to the list of 70mm releases in Widescreen Reviews "2001 Ultimate Widescreen Review DVD Movie Guide" Popeye never received a 70mm theatrical release.Well, I believe I saw it in 70mm 6-track sound in 1980. But then, I also saw "Altered States" that way and I think I even saw "Casino Royale" and "Goldfinger" in multi-track stereo as well (most think all those early Bond films were strickly mono). Are all those titles in that guide?
Surely they can't have every 70mm title listed in that guide, even IMDb doesn't get it right some of the time...
I don't want to get in a dispute with you, Stuart, but this film definetly did not have the reputation of a "disaster" when it opened.Just going on memory here, but I DO recall it being regarded very poorly at the time of its release. Actually, I always thought it earned some fanbase over the years - kids saw it on TV and video later and liked it. As I remember, the critics disliked it and the audiences were decent but not great at the time - I don't remember its original reception as being anything better than tepid, if that...
Well, I believe I saw it in 70mm 6-track sound in 1980. But then, I also saw "Altered States" that way and I think I even saw "Casino Royale" and "Goldfinger" in multi-track stereo as well (most think all those early Bond films were strickly mono). Are all those titles in that guide?Th www.in70mm.com page also does not list Popeye as a 70mm blow-up. Casino Royale had a 70mm engagement in Australia, US release is unconfirmed. Goldfinger was not shown in 70mm. "Multi-track stereo" was not confined to 70mm films at that time, so you probably saw 35mm magnetic stereo prints (though I've never heard of a Goldfinger mag print, Thunderball was issued in mag, however.). Altered States was blown-up to 70mm and presented in "MegaSound".
"The most unusual and daring picture made in Hollywood in many decades-A completely unique departure from any film in recent memory-Like no major motion picture ever produced" Vernon Scott, UPI
"The most magical and original film of the year!"
Bernard Drew...GANNETT PRESS
"In POPEYE, Miss Duvall is one of the uexpected treasures-POPEYE has other unexpected joys, including the fact that unlike most movies, it gets better and better as it goes along."
Vincent Canby..NY TIMES
It is interesting how time distorts our memories. I also have forgotten the actual reviews and have heard nothing but 'disaster' stories referred to this film over the years. Maybe because Altman and Williams didn't like it...(or was Williams just embarassed by the relatively 'negative press'?). Fortunately, my personal memories are nothing but positive and whenever I see it I recover some of the positive emotions from my first viewing. One of the most anticipated (though second tier) titles to hit DVD for me since I started collecting early in '98.
Joel