Race Bannon
Supporting Actor
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- Oct 21, 2015
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All of these ideas are essentially correct. But if the price was the same I would choose 2D. That can't be a good thing for 3 D.
Race Bannon said:All of these ideas are essentially correct. But if the price was the same I would choose 2D. That can't be a good thing for 3 D.
Also pointing out that for an individual viewer you can also use the viewmaster's equivalent for 3D in the HMD. No "dim image" or "color shift" playing 2D or discrete-3D movies. My personal favorite device when alone. Pleasurable and extremely relaxing when reclining in a lounge chair after several years of manipulation and handling the technology and while also wearing prescription glasses. The view never changing when you turn your head to another position. Find it to be a personal guilty-pleasure.Josh Steinberg said:Two quick comments:
- maybe one day "glasses free 3D" could be used for my example of a movie that's mostly 2D, but features some 3D moments.
- I wear glasses already, so for me, throwing on an extra pair of 3D glasses is no big deal - probably because I'm used to seeing the world through glasses anyway. But based on experiences with friends and family, I think I'm the only one who feels that way
Paul Hillenbrand said:Also pointing out that for an individual viewer you can also use the viewmaster's equivalent for 3D in the HMD. No "dim image" or "color shift" playing 2D or discrete-3D movies. My personal favorite device when alone. Pleasurable and extremely relaxing when reclining in a lounge chair after several years of manipulation and handling the technology and while also wearing prescription glasses. The view never changing when you turn your head to another position. Find it to be a personal guilty-pleasure.
If 3d was nurtured and promoted more by the studios things would be different. If you wear glasses there are polarized clip-on glasses that you can't even feel then on but producing these or even telling patron about the option would mean the theater chains and studios gave a shit about audience acceptance of 3D. And don't get me started on the roll out of 3D TV. It's usually to much work for the theater management to produce a bright focused picture in 2D let alone 3D. Any extra effort means paying someone and this is America in the 21st century where profit is king and the customer is almost an annoyance.Chuck Anstey said:So even if the cost was the same, wearing 3D glasses for a 95% 2D movie is pretty pointless and irritating, especially for those who already wear glasses. If you are going to make the audience suffer wearing those glasses, dim image, and color shift then you better make it worth the effort. 3D should not be ubiquitous but instead reserved for a few movies a year that make full use of the feature.
My local theater here in Brooklyn only shows animated fare and kids movies at night in 3D for just those reasons. My kids tire of 3D pretty quickly--as do I, when depth and forward projection are limited, as is too often the case, Star Wars being the latest typical example. (Not the worst but I'm unlikely to watch it again in 3D. We all enjoyed the SpongeBob movie, which had a more active presentation.) That said I don't know how many adults flock to those 3D evening shows for kid movies.RJ992 said:I'd assume it could be because the CGI animated kid flicks don't draw as well as live-action in 3D. Certainly on disc, the animated titles are always at the bottom of the sales charts while live-action movies do much better. Perhaps the kids are also less likely to stay calmly seated and keep the glasses on while they run up and down the aisles. While there may be exceptions, that's just my guess. .
Josh Steinberg said:I think that's just the way it is with some people and some technologies. Honestly, and it's probably heresy to admit this, I'm usually not that big on surround sound. I don't object to it in any way, but I also am usually perfectly content with just having the sound come from speakers in front of me. I remember listening once to an audio commentary with Robert Wise where he said he personally didn't like rear speakers because he felt it was distracting from what was on screen, and I kinda agreed. 9 times out of 10, I'll take my gimmicky stuff as visuals rather than audio. (There are exceptions, of course!)
(Ducking for cover..)
I agree with Robert Wise. At a showing of "The Man Who Fell to Earth" on its first release, the traffic noise in the street scenes was so distracting that it seems as though someone had left a street fire exit open.
Josh Steinberg said:I think that's just the way it is with some people and some technologies. Honestly, and it's probably heresy to admit this, I'm usually not that big on surround sound. I don't object to it in any way, but I also am usually perfectly content with just having the sound come from speakers in front of me. I remember listening once to an audio commentary with Robert Wise where he said he personally didn't like rear speakers because he felt it was distracting from what was on screen, and I kinda agreed. 9 times out of 10, I'll take my gimmicky stuff as visuals rather than audio. (There are exceptions, of course!)
(Ducking for cover..)
Josh Steinberg said:Hey Mike, are those clip-ons linear (IMAX 3D) or circular (RealD)?
I think bad 3D conversions are the biggest reason. Why pay extra for something that adds virtually nothing to a film.Todd Erwin said:Note: Reprint of my article recently published in Home Media Magazine
When CES 2014 ended, I half-expected to see an obituary for 3D from the press. While some TV manufacturers, such as Vizio, eliminated 3D as a feature on their 2014 models, others (like Panasonic) reduced the number of models with this feature. While the number of 3D movies being released to theatres hasn’t quite diminished, the number of screens and showings has, with some of the smaller exhibitors (36-screen Starlight Cinemas chain in Southern California) getting out of 3D altogether. Some say the nail in the coffin came with Disney’s decision to forego the release of a 3D Blu-ray edition of one of their most successful animated films in years, Frozen. How did we get to this point, and is 3D really dead?
3D-capable Televisions Arrived Too Late: Samsung and Panasonic debuted their 3D televisions in 2010. The problem was that close to 65% of US households had already upgraded to HDTV, and did not plan on upgrading again for at least another 5 years. It also did not help that most of the early 3D content on Blu-ray were tied up in long-term exclusive deals with TV manufacturers. Avatar, Coraline, and Ice Age 2 were available only if you purchased a Panasonic 3D TV. Dreamworks Animation signed a similar deal with Samsung, bundling Monsters vs. Aliens, How To Train Your Dragon, Megamind, and the Shrek franchise with pairs of Samsung 3D glasses.
High Cost of Active 3D Glasses With No Universal Standard: When 3D TV’s first arrived at retailers, most sets came with one pair of 3D glasses. Up until the 2013 model year, most Panasonic active 3D sets shipped without glasses. If a customer needed additional pairs, the cost was typically around $100 each. Costs have come down considerably for some manufacturers (Samsung’s glasses sell for $19.99 for battery operated, $49.99 for rechargeable), but Panasonic are still quite high at $69.99. What is worse is that many of the manufacturers, when they introduced a new and improved pair of glasses, they were not backwards compatible with prior model year TVs. Anyone who owns one of the last LG active 3D plasmas is pretty much out of luck if they need new or additional pairs, as those have all but disappeared.
Public Perception of Limited Content: When I tell people I have a 3D-capable TV, they often ask why I bothered, since there is little to no content. If you look, you will find it. Most people are unaware that Netflix has many movies available in 3D on their streaming service, and that is largely due to the fact that Netflix quietly began offering 3D content, and still offers it rather quietly. As of this writing, Netflix was offering The Croods, Beowulf, Joe Dante’s The Hole, etc. There are over a hundred titles available on 3D Blu-ray (but very few places to rent them). Wal-Mart’s streaming service, VUDU, has several titles available in 3D, as does PlayStation Network. Many cable and satellite services offer pay-per-view movies in 3D. None of this is very well publicized, hence the public perception. One thing that did get a lot of public attention, though, was the announcement of ESPN 3D going off the air, with most 3D naysayers proclaiming it was the public’s rejection of 3D. My opinion is that most people didn’t want to watch that same 2-3 year old football game or boxing match over and over again.
High Cost of Content: It is understandable that 3D Blu-ray titles, when the format first launched, were around $50. It is nearly 4 years later, and most 3D Blu-rays have remained with an MSRP of $49.99. Granted, most retailers rarely sell a movie at full sticker price, especially during pre-sales and the first week of release. After that, prices typically soar to prices that the public feels a bit out of reach, and that is likely tied to what little margin the retailer gets from the studio. Disney appears to be the largest offender (and not just with 3D titles). Iron Man 3 currently sells on Amazon for $35.99 (it was as low as $31.99 during its debut). The Lion King is $44.99 on Amazon, $29.99 its first week back in October 2011. But, then, there is Disney’s mis-step with the 3D-only Oz the Great and Powerful, which contained no bonus materials whatsoever, yet the 2d version was loaded with bonus material. And, quite recently, Disney has done it again with Frozen, by skipping a 3D Blu-ray release and offering the 3d version on VUDU and PSN only (at a cost of $34.99, again, with no bonus features unless you purchase the 2D/3D bundle for just a dollar more). If you check out Frozen’s Facebook page, and read the comments made by fans, you will see there is quite a high demand for a 3D Blu-ray release, but Disney is keeping quiet on this controversy.
3D Surcharge at the Local Cineplex: I still do not understand the reason for this, although I used to think it was to pay for the glasses. What is even more confusing is the variance in this surcharge. Most Regal Cinemas locations charge $4.00, as do AMC and Cinemark. But the smaller chains charge a lot less, some as low as $2.00. This surcharge often brings ticket prices in excess of $19.00.
Finally, Too Many Bad 3D Conversions: I’ve seen some really good 3D conversions of films originally shot in 2D. Nightmare Before Christmas, one of the first films to be converted and released theatrically in the Digital3D format, still stands as one of the best conversions I’ve seen. Star Trek: Into Darkness, Toy Story, and Gravity are in the same category. But then there was the rushed Clash of the Titans, poorly converted to 3D at the 23rd hour by Warner Bros as an attempt to squeeze a few extra bucks out of the box office. Other bad conversions include Star Wars Episode One: The Phantom Menace, Man of Steel, John Carter, The Last Airbender, Gulliver’s Travels, and Hoodwinked Too. These films, and many others, soured the 3D experience for many moviegoers, causing fewer screens and showtimes being devoted to 3D and eventually the perception by the studios that the public is now rejecting 3D. What the studios do not understand is that the public is rejecting BAD 3D, since Star Trek: Into Darkness, The Hobbit, Gravity, and (quite ironically) Frozen were embraced by true fans of 3D.
So, is 3D dead? It is definitely in a state of decline, but not out for the count. I prefer to say that 3D is going into hibernation, waiting for James Cameron’s much anticipated Avatar sequels to help give 3D its much deserved comeback. Until then, expect 3D to be on life support, and fans like myself will just have to wait out the storm.
So true but arent we still seeing manufacturers releasing 3D in Bluray players, televisions and projectors? I believe I saw several coming from CES. Also looking at future bluray releases Im seeing several titles on the horizon that i would definitely be interested in buying and they are in fact coming on BD3D. Im not seeing the abandonment in the software arena (except Disney). Talking about TV manufacturers they seem to be including but just as a regular option thats listed not hyped any more.SFMike said:I can't think of anything right now that shows the abandonment of 3D by the electronics manufacturers than the introduction of the new 4K discs with the release of many originally 3D titles without a 3D option. They act as if 3D never existed as a home viewing option hoping, I guess, for consumers to have short memories. Also, CES didn't do much to bolster the 3D is alive banner. It really stinks.
Towergrove said:Talking about TV manufacturers they seem to be including but just as a regular option thats listed not hyped any more.
Josh Steinberg said:There are so many 2K titles being put out on UHD with a 4K label, or hybrids like Amazing Spider-Man 2 where every effects shot is 2K, that I wouldn't shocked if we have a version of this thread in a couple years that just swaps out "3D" for "UHD BD" in the title.
SFMike said:I was at Best Buy, one of the few places you can see a diverse display of TVs left, and noted that the printed price/information tags on the sets did not state if the large screen monitors were 3D capable. The sales people, of course did not know (one offered to tell me how much he didn't like 3D), and we had to look the sets stats up on the store computer to find out. This is less than hype when it is not being listed by the stores as an available option. This happens all over.
Interdimensional said:My theory is that they're deliberately letting it take a backseat to features like UHD and HDR so that when autostereoscopic 3D is ready to sell to the masses they can reintroduce 3-D yet again, like it's a new thing.