I was thinking the same thing all evening -- go back and watch Creature again, but then return to House of Wax again. Compare and contrast. Get it under my belt.
When people come on here and say they remember how a film looked in detail thirty, forty, or fifty years ago, I have a hard time believing it. However, I do remember that opening credits/street scene from the early 1970s House Of Wax re-release. It looked fantastic. If the BD looks anything like that - wow!Johnny Angell said:I have just watched HoW and the movie is great and the 3D is better. I immediately noticed how deep the "D" was. This is extreme 3D and that is meant to be a complement. There is dimensionality is just about every single scene. When the opening credits were playing, I immediately noticed the the street really had depth.
On my Samsung 55" ES7100 I saw no ghosting. I suppose there could have been some but I became to immersed in the movie to notice any. Any ghosting would have been minor. BTW, my Samsung is still on its factory settings.
I enjoyed the obvious shots, the paddle-ball man, the can-can dancers. Otherwise the 3D was only noticeable because it was so good. I'm very happy with this release.
There was something I've never noticed before. When we see Vincent Price in the grotesque makeup, he has a stooped, somewhat crippled walk. When he gets up out of his wheel chair, looking quite handsome, he walks without a limp. In fact, I don't think he limped again in the movie. Was that an over site, that the disability wasn't continued, or a deliberate choice?
Women sure did faint easily in those days, didn't they?
I believe if modern 3D movies were as dimensional as HoW, they'd be more popular both in the theater and at home.
Now I'm going to have to watch CFTBL again and see how it compares to HoW. It's been a few months and I don't remember it being as good as HoW and I loved the 3D in Creature.
Great job WB!
Same here!John Hermes said:When people come on here and say they remember how a film looked in detail thirty, forty, or fifty years ago, I have a hard time believing it. However, I do remember that opening credits/street scene from the early 1970s House Of Wax re-release. It looked fantastic. If the BD looks anything like that - wow!
I forgot how creepy Bronson/Igor was in this film.Steve Tannehill said:I'm expecting no ghosting on my DLP display. Glad you enjoyed the 3d.My favorite 3d effect is when Charles Bronson runs into the scene from behind the camera. Very startling on the big screen.
Even though I had seen HoW many times in 2D, I wasn't prepared for the 3D shock effect where Mr. "Buchinsky" comes flying into the scene (you'll know it when you see it). This actually made me jump!Robert Crawford said:I forgot how creepy Bronson/Igor was in this film.
I can be positive about this recollection: I'm not sure if I ever saw HoW in 3D before last night. I would have been less than 10 if I did. I can also positively say the 3D I saw last night is stunning.John Hermes said:When people come on here and say they remember how a film looked in detail thirty, forty, or fifty years ago, I have a hard time believing it. However, I do remember that opening credits/street scene from the early 1970s House Of Wax re-release. It looked fantastic. If the BD looks anything like that - wow!
Those would certainly be my next two choices from them (unless they want to give us Hondo in 3D).Todd J Moore said:The print is too nice. I prefer watching a faded print with Japanese subtitles.
Just kidding. This is gorgeous and the 3D looks fantastic. Nice job, Warners. Now how about Kiss Me Kate and Phantom of the Rue Morgue?
That was a really cool effect when I saw it at a theater a few years ago- it really looked like he was coming up into the screen from the front row. Sadly this effect didn't work on my Sharp TV though- one of its faults is that the ghosting is worse in the very bottom portion of the screen. Hopefully the next generations of TVs will have less ghosting if not none at all.Even though I had seen HoW many times in 2D, I wasn't prepared for the 3D shock effect where Mr. "Buchinsky" comes flying into the scene (you'll know it when you see it). This actually made me jump!
When they played a revival of this back in the 70s, in a theater full of kids and adults, it scared me too! I thought someone in the row in front of me had jumped up from the floor and right into the screen. Ah, the joy of seeing it on the big screen where it was meant to be seen.Reed Grele said:Even though I had seen HoW many times in 2D, I wasn't prepared for the 3D shock effect where Mr. "Buchinsky" comes flying into the scene (you'll know it when you see it). This actually made me jump!
Just imagine what the screams from the audience must have been like back in 1953!
I believe that, luckily, CREATURE was tweaked a bit so that it would look great on most ALL displays, as opposed to only the few who have DLP setups. I'd wager that the 3-D Blu-ray of DIAL M FOR MURDER is unwatchable on the majority of 3-D setups (passive 3-D setups have had severe ghosting problems too, not just active), and that CREATURE looks great on most all of them.Dick said:It may be true that Warner Bros. made this the best 3-D disc possible, but then I have to ask: why does THE CREATURE FROM THE BLACK LAGOON, another classic from that same era, look resplendent on my t.v., with almost no ghosting, but the Warner releases are riddled with it? Has this something to do with differences in the original camera and projection process? I'm lost here.
Not true. I've talked to a number of people with passive display 3-D sets, and not one has had "severe ghosting issues" that you allude to with DIAL M.Jeffrey Nelson said:I'd wager that the 3-D Blu-ray of DIAL M FOR MURDER is unwatchable on the majority of 3-D setups (passive 3-D setups have had severe ghosting problems too, not just active), and that CREATURE looks great on most all of them.