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Blu-ray Review Hitchcock Blu-ray Review

Discussion in 'Blu-ray and UHD' started by Matt Hough, Mar 13, 2013.

  1. Matt Hough

    Matt Hough Well-Known Member

    Apr 24, 2006
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    Charlotte, NC
    Real Name:
    Matt Hough
    XenForo Template Sacha Gervasi’s Hitchcock is a docudrama about the life and times of Alfred Hitchcock detailing in particular a pivotal period in his career during the production of Psycho. The movie doesn’t pretend to be a tell-all nor does it worry too much about factual intricacies surrounding the making of one of the Master of Suspense’s true masterpieces. Instead, it’s attempting to capture the essence of truth in the relationship of one of the world’s most famous men and his almost unknown wife, and it’s partially successful in that regard and in presenting some background about Psycho. The problem is that neither aspect of the movie entirely rings true.

    Hitchcock (Blu-ray Combo Pack) Directed by Sacha Gervasi Studio: 20th Century Fox Year: 2012 Aspect Ratio: 2.40:1 1080p AVC codec Running Time: 98 minutes Rating: PG-13 Audio: DTS-HD Master Audio 5.1 English; Dolby Digital 5.1 French, Spanish Subtitles: SDH, Spanish

    Region: A MSRP: $ 39.99

    Release Date: March 12, 2013

    Review Date: March 13, 2013

    The Film

    3/5 With his long-time home studio Paramount unenthusiastic about backing his latest project Psycho, which was based in part on the horrific Ed Gein (Michael Wincott) murders of the 1940s, Alfred Hitchcock (Anthony Hopkins) decides to finance the film himself despite having to curtail the rather lavish lifestyle he and wife Alma (Helen Mirren) are accustomed to. Hitchcock is excited to be breaking new ground with the movie, but he’s fought every step of the way by Paramount chief Barney Balaban (Richard Portnow) and the MPAA production code head Geoffrey Shurlock (Kurtwood Smith). But he does have Alma’s support along with his agent Lew Wasserman (Michael Stuhlbarg) and his cast headed by Janet Leigh (Scarlett Johansson) and Anthony Perkins (James D'Arcy) though his longtime assistant Peggy Robertson (Tonu Collette) is less certain of success. But Alma gets excited by another project that doesn’t interest Hitch, a suspense script she begins working on with writer Whitfield Cook (Danny Huston), and his warm encouragement of her talent brings her to realize for the first time in years how under appreciated she is by her own husband. Screenwriter John J. McLaughlin uses some unusual motifs for the film including several subconscious encounters with Ed Gein as Hitchcock runs into problems with the film’s production. These fairly brief sequences never work (though the one with Gein at the beginning of the movie that serves as the kind of tongue-in-cheek trailer that Hitchcock might have made for the movie is fun) and are intrusive to the storytelling and the character development. And even with several books available on the making of this very famous Hitchcock movie, some facts are either wrong or misrepresented: it wasn’t shot at Paramount; it was shot at Universal with his TV crew which is why he was able to finance it so cheaply and pay for it himself. The film also takes cruel, cheap jabs at John Gavin that weren’t needed. We only see tiny bits and pieces of Psycho in production, but one of the film’s best moments occurs when Hitchcock, frustrated by the film’s problems and not getting the performance from Janet Leigh he wants in the shower, takes knife in hand and does the faux-stabbing himself striking out in a vivid psychological montage of people he feels are ganging up on him. Unquestionably director Sacha Gervasi’s most stylish moment in the film, it’s also Anthony Hopkins’ most effective scene as Hitchcock. For much of the rest of the movie we’re focused on the heretofore less well known wife Alma Reville who by this stage of his career had ceased even taking screen credit for her work behind-the-scenes on Hitch’s pictures. The troubled marriage and the flirtation with an affair with an old family friend give Alma the spotlight that was denied her mostly in life and work well. Care has been taken not to make either Anthony Hopkins or Helen Mirren duplicates of their real-life counterparts (in HBO’s concurrent The Girl, Toby Jones and Imelda Staunton are much closer physical matches for the two and seem a finer, truer Hitch and Alma) but merely to suggest them. Hopkins has the harder job since Hitchcock’s on-screen persona was so well known from years of movie and television appearances, and he works hard, but it doesn’t quite gel much of the time with his growing erotic attraction to his cool blondes introduced [font=" "Times New Roman"; font-size: 12pt; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 14.0pt; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"]titillatingly but not developed. Helen Mirren is lovely and vulnerable and makes the firmer impression of the two as the woman-behind-the-man; her explosive scene confronting him about her years in the shadows is exceptional. Scarlett Johansson as Janet Leigh and Jessica Biel as Vera Miles are both fine in unexceptionally written roles though never seem to be the least like their screen counterparts. On the other hand, you’ll almost swear that Anthony Perkins has returned from the grave with James D’Arcy’s impeccable impersonation making us wish he could have somehow been more a part of the film. Danny Huston gets to do his odious schemer once again to good effect, and Ralph Macchio is spot-on in his cameo of Psycho screenwriter Joseph Stefano. Michael Stuhlbarg, Toni Collette, Michael Wincott, Richard Portnow, and Kurtwood Smith all offer solid support.[/font]

    Video Quality

    4.5/5 The film is framed at its theatrical aspect ratio of 2.40:1 and is presented in 1080p using the AVC codec. On the whole the transfer is excellent with mostly consistent sharpness (with only an occasional soft shot) and good color reproduction. Skin tones are natural and appealing especially with the ladies unburdened by prosthetics. Black levels are just fine with good shadow detail. The film has been divided into 32 chapters.

    Audio Quality

    4/5 The DTS-HD Master Audio 5.1 sound mix only occasionally makes use of its entire soundfield (mostly in the music by Danny Elfman and the scenes set at the beach) with the majority of the film’s audio being directed to the front channels. Dialogue has been masterfully recorded and has been placed in the center channel.

    Special Features

    4/5 The audio commentary is by director Sacha Gervasi and author Stephen Rebello who wrote a definitive book on the making of Psycho. It’s a very talky commentary with the director effusive with praise for all his collaborators. All of the bonus featurettes are presented in 1080p. There is a deleted scene which runs 1 ¾ minutes. “Becoming the Master” is a 12 ½-minute series of interviews with a cross section of cast and crew including director Sacha Gervasi, stars Anthony Hopkins and Helen Mirren, costume designer Julie Weiss, production designer Judy Becker, and make-up artist Gregory Nicotero. “Obsessed with Hitchcock” is the primary production featurette, 29 ¼ minutes with most of the principal cast, director Sacha Gervasi, and cinematographer Jeff Cronenweth talking about what attracted them to the project, and the great amount of work that took place over the thirty-five day shooting schedule. Director Sacha Gervasi’s cell phone behind-the-scenes shots cover much of the shooting days in a catch-all montage that runs 13 ½ minutes. A funny cell phone public service announcement voiced by Hitch runs for ¾ minute. “The Story” is the first of a few brief EPK overviews of the movie, this one discussing the film’s two plots. It runs 4 minutes with brief words from stars Hopkins and Mirren and director Gervasi all talking about the appeal of the material for them. “The Cast” mentions this is the first time the two stars have ever performed together and also includes comments from Jessica Biel, Scarlett Johansson, Toni Collette, Danny Huston, and James D’Arcy. It runs 4 ½ minutes. “Danny Elfman: Maestro” is a brief 2 ¼ minutes of his score with behind-the-scenes shots of the composer conducting the orchestra. “Hitchcock and Alma” director Sacha Gervasi and actors Anthony Hopkins and Helen Mirren speculate on the real-life relationship between the director and his wife. It runs 3 ¼ minutes. “Remembering Hitchcock” gets brief comments from people who once worked with him including actors Jerry Mathers and Veronica Cartwright and author Stephen Rebello. It runs 4 ¾ minutes. The theatrical trailer runs 2 ½ minutes. The promo trailers include Stoker, The Sessions, The Best Exotic Marigold Hotel, Atlas Shrugged Part 2, Life of Pi, and Twixt. The second disc in the set is the combination DVD/digital copy of the movie.

    In Conclusion

    3.5/5 (not an average) An interesting if not altogether satisfying look at the behind-the-scenes professional and personal lives of Alfred Hitchcock and his wife Alma Reville, Hitchcock offers some fun views of a Hollywood long gone with some good acting and a very good Blu-ray representation of the feature film. Matt Hough Charlotte, NC

  2. Brian McP

    Brian McP Well-Known Member

    Jul 29, 2007
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    This movie may have not done much at the box office in the US but in Australia it was a hit and is still in theatres nearly 3 months later. I saw it in a full house audience and they got every joke, laughed at every aside and were genuinely entertained -- to me it was like a sitcom, "The Hitchcocks" and yes, saw every time dramatic licence took over, most notably concerning Universal and Paramount and the issues Matt brought up in his review -- I thought 'what is Lew Wasserman talking up Paramount for? Am I dreaming?' -- but overall, a feel good movie. Thought Anthony Hopkins and Helen Mirren was great but Scarlett Johansson and Jessica Biel were excellent as Janet Leigh and Vera Miles (I bet both Vera Miles and John Gavin will see this picture and start shaking their heads....) and thought the movie opened with a great gag that sent most of the senior audience I saw it with about 20 feet in the air.
  3. Ken Volok

    Ken Volok Well-Known Member

    Sep 27, 2012
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    Ken Volok
    If that's the story they wanted to make, they should've just gone full fiction instead of dragging the Hitchcocks through the mud.
  4. Moe Dickstein

    Moe Dickstein Filmmaker

    Jan 6, 2001
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    West Hollywood, CA
    Real Name:
    T R Wilkinson
    I think this tells a wonderful story of a complicated couple. How is this dragging them in mud? These people were people not saints...
  5. Will Krupp

    Will Krupp Well-Known Member

    Oct 2, 2003
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    Boston, MA
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    Of course they weren't saints, but how about telling their REAL story and not some stuff made up out of whole cloth?
  6. TravisR

    TravisR Well-Known Member

    Nov 15, 2004
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    The basement of the FBI building
    Wait, wait, wait- there's a movie based on a true story that takes liberties with the actual events? That must be the first time this happened.
  7. Lord Dalek

    Lord Dalek Well-Known Member

    Apr 4, 2005
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    Joel Henderson
    I am APPAULED about how Hitchcock glosses over the Canadian involvment in the making of Psycho! =P

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