LORD JIM was shot in Super Panivision 70 and not Todd-AO. So my guess is THE AGONY AND THE ECSTASY or CAN-CAN.Ken Koc said:"Todd-AO sleeper"? My interest is piqued! I can't imagine what that film would be...... "Lord Jim"?
. After re-reading the original post you are right that he was referring to that all time sleeper, CLEOPATRA!GMpasqua said:. I believe the "sleeper" the poster is referring to is "Cleopatra" coming next month
I noticed the color (more accurately the saturation level) fluctuations to be most pronounced in Barbra's purple dress but I chalk that up to the filming conditions (it appears more vibrant in the outdoor and filtered shots and colder inside Irene's store) and not an issue with the transfer.GMpasqua said:ther instances where blue may seem to disappear (as in Minnie's blue dress) - the color also changed on the DVD in the same spots.
You are right about watching this through for the first time in years. I have actually spun this thing 4 times from beginnig to end (One time just looking at the sky) since this arrived. How true about the tradgic loss of Danny Lockin. He is a ball if energy and humor in the film and I would love to have seen what he could have accomplished had he lived.Will Krupp said:I noticed the color (more accurately the saturation level) fluctuations to be most pronounced in Barbra's purple dress but I chalk that up to the filming conditions (it appears more vibrant in the outdoor and filtered shots and colder inside Irene's store) and not an issue with the transfer.It is such a gorgeous blu-ray, I think this is the first time I've sat and watched this all the way through in years. The movie is one of those we usually pop in to blast favorite musical numbers for a quick cheer-up ("Sunday Clothes" usually does the trick) but I enjoyed the hell out of it last night.Seeing what a great dancing talent (and absoulte cutie pie) Danny Lockin was always makes me sad, though.
trajan said:I agree, the whites needed to be tone down a bit.
Totally. See 16:25, 25:56 (no rain- the sun is out- yet the sky and the Hudson are a bloomin' arse white.trajan said:I agree, the whites needed to be tone down a bit.
Is the UK version of Hello Dolly bluray "french dubbed" and with french subtitles like the US version? Amazon.uk does not say anything on that.DP 70 said:I also have the UK version , it also says 2.35.1 on the back
Um, no. Someone else on the other thread posted a retort to this going shot by shot. Enough is really enough here. There are no blooming whites anywhere and if others are seeing such things you really need to recalibrate your TVs.noel aguirre said:Totally. See 16:25, 25:56 (no rain- the sun is out- yet the sky and the Hudson are a bloomin' arse white.
And the worse offender is at 2:24:45 all the mens suits look exactly the same washed out whitish color.
Fair enough and end of story. It's not as good as the original that I too saw but good enough no matter if it looks exactly like the most recent struck print that haineshisway saw and keeps raving about.GMpasqua said:I'm generally pleased with the disc, but I also think the contrast is a little too bright in some shots for my taste - just a slight bit. Sometimes skin tones appear too white. Of course the color is still there and the skies are blue when they're not cloudy. The detail and color is much improved.
There is nothing wrong with the print or the colors - they're great.
This whole blue/sky white/sky discuss is ludicrous - I think we all know the poster is saying the contrast is too bright, and in some instances he may be correct. I saw the film in 70MM twice in the last 10 years and do not remember thinking the whites were too bright, but I did feel the contrast was a little too strong in this transfer (just a hair) even after I adjusted it (on two different large screen TV sets) and only in some shots
Agree on all points, including the sad ones.Will Krupp said:Seeing what a great dancing talent (and absoulte cutie pie) Danny Lockin was always makes me sad, though.
I believe if you look at the posts here and elsewhere you will find that it wasn't me who was raving about the print. No, I just know what these things look like. You were making very specific charges against the transfer, which I and others refuted. That is all. Nothing more to be said about it.noel aguirre said:Fair enough and end of story. It's not as good as the original that I too saw but good enough no matter if it looks exactly like the most recent struck print that haineshisway saw and keeps raving about.
Which makes it doubly sad that Fox did not include his screen test footage as part of the extras. Thankfully, it is available elsewhere, but it would have been nice to have it all in one place.rsmithjr said:Agree on all points, including the sad ones.
In the big dancing numbers, Danny really stands out from the rest of the cast. That includes Michael Crawford and Tommy Tune. He has more energy, enthusiasm, and skill than all of the rest. Often he is strategically centered in the ensemble.
Thanks for pointing out his scene. I have been trying to locate him in the film but I was concentrating on the waiters to see if he was one of those.Mikey1969 said:Its also sad to notice Tucker Smith's fleeting appearance in the film. Six years earlier, he had a showy part in one of the biggest films of the year, playing Ice in West Side Story. He seemed to have a big career ahead of him, but it never happened. Some have said he was gay and refused to hide it, causing Hollywood to lose interest in him, forcing him to take small film roles and TV work where he could. You can spot him in Dolly on the train during the Put on Your Sunday Clothes number.