mark rush
Stunt Coordinator
- Joined
- Sep 14, 2002
- Messages
- 91
To make this easy, you have Klipsch speakers, they use the Monster Cable Z series wire on the Reference series, so go buy you some of that
I really want to fall in love with my equipment the first time around, and not worry that maybe it could sound better or worse or not know how it would sound if I had just stretched that bill just a little more.You do have a point.
But we can see speaker wires that sell from $0.35 - $70 per foot: a huge range and a non-trivial dollar ammount.
Think of it this way: You could drink some wine from:
- a paper cup
- a coffee mug
- a $4 grocery-store wine glass
- a $125 Waterford Crystal wine glass
In all cases the wine is the same/tastes the same. But there is a big jump in the experience from the paper/coffee mug to one of the wine glasses.
And while I'd prefer the Waterford Crystal, the money I'd save is better spent on more wine.
Speaker wires are like the glass: they are only the container for what should be the main focus: the sound.
And the wire can only ever damage/flavor/color the sound. It can never improve it and the most perfect wire in the world would be one that has zero effect on the signal.
You are not paying $$ for improvement, only for less damage.
These are the dominate reasons I suggest you buy a spool of good 12 ga wire and use it everywhere. For a music system, it will get you to within about 90% of what botique wires will for penniesExactly! But the "high end" stuff is all about getting that 10-15% improvement.
-rob
I will more than likely terminate these with some Ultralink banana plugs or spades.Edwin, go with the spades.
-rob
If there were another 10-15% of audible improvement to be gained by changing cables, wouldn't that have been fleshed out in at least one of the innumerable blind cable comparisons published over the last 20+ years? Remember, not one single solitary person has ever demonstrated an ability to identify differences in speaker wires of adequate gauge in a properly conducted blind test. Not one, though many have tried.Your right, what was I thinking?
Amplification doesn't matter either right?
This hobby get easier everyday!
-rob
Hrm, as far was what has lately been posted, 10-15% improvementKeep in mind, I was saying 10-15% increase but that increase is only over the home depot etc wire. Not 10-15% increase in total system performance.
-rob
Speaker wires are like the glass: they are only the container for what should be the main focus: the sound.Bob,
I love your wine glass analogy exept for one minor thing. The audiophile in me would argue that with the Waterford Crystal glass it lets more of the true wine taste through to your palate so you get more of the pleasure.
Of course, audiophiles would spend days arguing whether Waterford or Baccarat made the best crystal.
In other words, high end cables have a magical quality to disappear and let the music through.
And this can happen without spending $70 per foot. In fact one of my favorite budget cables of the past was Audioquest F-18 which was around $1.00-1.10 per foot.
If there were another 10-15% of audible improvement to be gained by changing cables, wouldn't that have been fleshed out in at least one of the innumerable blind cable comparisons published over the last 20+ years? Remember, not one single solitary person has ever demonstrated an ability to identify differences in speaker wires of adequate gauge in a properly conducted blind test. Not one, though many have tried.Walt,
I don't mean to start a DBT discussion as that has been flogged to death already, but I have two serious disagreements with your statement.
1. There have been documented scientific tests where people identified cable differences.
2. DBTs are extremely difficult to implement and often miss major subjective sound differences.
The best test I have discovered as an engineer is to drop in the new item, keep all else the same, and see if it floats your boat over the next 3-4 days.
DBTs are difficult to implement due to short listening sessions and complexity in arranging an audience of critical listeners.