John Hermes
Screenwriter
I think we who have differing opinions on Zulu and Funny Face should just let it go and move on to other topics. No one is convincing the other side here.
Someone's got to, it may as well be youMark Oates said:Would you like me to hold your coat, Mr Bruce?
Why just this thread?haineshisway said:I'm just a Guy named Bruce, and I'll just be a spectator in this thread from now on
Originally Posted by haineshisway /t/320526/funny-face-and-sabrina-eye-popping-blu-rays/90#post_3952525
Someone's got to, it may as well be you
I don't think it's a "personality" clash - I think it's a difference of opinion between The Man from Scotland and The Man from California. I know exactly what DNR does and looks like and I know exactly what edge enhancement does to compensate. I've been in the room and watched both being applied. That is all. My point was that someone posted a cap and the point was that heavy DNR had been applied. There was NO talk of EE at that point. I pointed out that I saw plenty of detail. Since that ran counter to the argument, then naturally EE entered into it and changed the argument. I should think that's the deflecting that's going on, but what do I know? I'm just a Guy named Bruce, and I'll just be a spectator in this thread from now on
You have something to say, something that adds to the debate. Don't be just a spectator.haineshisway said:I'm just a Guy named Bruce, and I'll just be a spectator in this thread from now on
I tried to be a spectator, but...FoxyMulder said:I made my position clear about the screencap, i watched the film first, the film has had a DNR makeover with selected scenes having EE applied, i then posted one of those scenes to challenge you to spot it, i posted a screencap loaded with EE, you failed to spot it, this confirmed to me that you don't know what EE on Zulu looks like or that you are stubbornly refusing to change your view on this Blu ray, one of the two, i have VIEWED the film on my projection setup, my website had the review printed long before i posted here on this thread and it has always mentioned DNR and edge enhancement, that review is dated 17th April 2010.
Remember this whole debate came about AFTER you made the comment about people with projection setups pressing their noses to the screen, tell you what though, i'd love to hear Robert A Harris and his views on this film, it's cheap from Amazon.co.uk, maybe he could review it for his A Few Words page.
Originally Posted by haineshisway /t/320526/funny-face-and-sabrina-eye-popping-blu-rays/90#post_3952793
I tried to be a spectator, but...
All I can tell you is having sat in a telecine room at FotoKem being shown how DNR gets applied and then how sharpening with EE works and how FAR you have to go with it for it to actually become evident, I see none of that in your cap. But again, I REALLY see none of that when I watch the film in motion. We have now both stated our positions. You lambast me for being stubborn as if I'm the only one being stubborn here. Stubborn, in this case, seems to be a two-way street, and I haven't resorted to being sarcastic about your screen name or your real name, have I?
Look at the black native's arm on the left. I can see knuckle wrinkles, variation in skin tone and even a light coating of dust on his forearm. Wouldn't that be the sort of thing obliterated by excessive grain smoothing? I can see sharp details like the straw wouldn't show that sort of thing up, but subtle variations like that all around the same value would be the first thing loss with grain smoothing. No?FoxyMulder said:Its what is on the disc, it is exactly what you are seeing, it looks nothing like a large format image harvest, the detail is not there.
All i see is a poor transfer, i don't see sharp, i see a smooth, filtered and undetailed encode with some edge enhancement, the EE obviously hasn't helped with the illusion of detail but it is there, it doesn't look film like to me and incidently i have seen enough poor transfers, also seen enough good transfers, we can't all be right on this.Originally Posted by bigshot /t/320526/funny-face-and-sabrina-eye-popping-blu-rays/90#post_3952834
Look at the black native's arm on the left. I can see knuckle wrinkles, variation in skin tone and even a light coating of dust on his forearm. Wouldn't that be the sort of thing obliterated by excessive grain smoothing? I can see sharp details like the straw wouldn't show that sort of thing up, but subtle variations like that all around the same value would be the first thing loss with grain smoothing. No?
Are we talking about edge enhancement or grain smoothing? Edge enhancement can create artifacts, but it doesn't generally reduce detail. It's designed to enhance detail. If I'm supposed to be looking at the dividing line between red coat and blue sky, that is flat out the most difficult thing for video to reproduce. Reds bleed very easily if they are highly saturated like that. There's a little edge sharpening there, but it isn't anywhere near bad. The dividing line there looks remarkably contained considering the extreme contrast of those brightly saturated hues. On the screen in motion, it looks sharp and clear.
Guy Haines is quite obviously a pseudonym. I suggest you take another look at Strangers On A Train. Some of us who pay attention to movies instead of grain, DNR and edge enhancement spot these things without difficulty.FoxyMulder said:. . . you state you are Guy Haines on one site but Bruce Kimmel here, it confuses me, after further research i see the Guy Haines name is connected with music as well as your website.
That is exactly what I was trying to recommend. The thread of Funny Face in this thread got lost in some way. Something I forgot to mention: The French Blu-ray is absolutely bare-bones, so keep your 2-DVD-edition in a safe place.OliverK said:Nice to see the argument about Zulu carried on, why not go over here to continue with it:
http://www.hometheaterforum.com/t/275095/zulu-on-bluray-uk/30
Why did I hear that in my head as Sean Connery?Some of us who pay attention to movies instead of grain, DNR and edge enhancement spot these things without difficulty.
That's a nice conclusion, but it doesn't address any of my points.FoxyMulder said:All i see is a poor transfer, i don't see sharp, i see a smooth, filtered and undetailed encode with some edge enhancement, the EE obviously hasn't helped with the illusion of detail but it is there, it doesn't look film like to me and incidently i have seen enough poor transfers, also seen enough good transfers, we can't all be right on this.
Originally Posted by bigshot /t/320526/funny-face-and-sabrina-eye-popping-blu-rays/90#post_3953743
That's a nice conclusion, but it doesn't address any of my points.
Originally Posted by bigshot /t/320526/funny-face-and-sabrina-eye-popping-blu-rays/90#post_3954722
It doesn't look like my points were addressed there either.
Possibly you are psychic or perhaps because Sean Connery played Mark Rutland in Marnie, and I believe - he can correct me if I'm wrong - Mr. Kimmel has in the past used Mark Rutland as a pseudonym.Mark Oates said:Why did I hear that in my head as Sean Connery?
You are quite correct Just once, though.Robin9 said:Possibly you are psychic or perhaps because Sean Connery played Mark Rutland in Marnie, and I believe - he can correct me if I'm wrong - Mr. Kimmel has in the past used Mark Rutland as a pseudonym.