avroman
Stunt Coordinator
It's now the beginning of ATWIED's 60th Anniversary Year ! Who else is yearning for a beautiful restoration and subsequent Bluray by Year's end ?
I see a comment of someone asking TT at facebook if there will be more roadshow releases after Exodus, and TT responded "Yes".
Also another one later, asked if any of those roadshow is in Todd-AO and they said "they're working on it".
Could Around the World in 80 days be coming for its anniversary?
I would certainly hope so!
Of course other possibilities could be Doctor Doolittle and Star!
My assumption is Dr Dolittle as it's been released in other markets via license (Australia).I see a comment of someone asking TT at facebook if there will be more roadshow releases after Exodus, and TT responded "Yes".
Also another one later, asked if any of those roadshow is in Todd-AO and they said "they're working on it".
Could Around the World in 80 days be coming for its anniversary?
I would certainly hope so!
Of course other possibilities could be Doctor Doolittle and Star!
I see a comment of someone asking TT at facebook if there will be more roadshow releases after Exodus, and TT responded "Yes".
Also another one later, asked if any of those roadshow is in Todd-AO and they said "they're working on it".
Could Around the World in 80 days be coming for its anniversary?
I would certainly hope so!
Of course other possibilities could be Doctor Doolittle and Star!
DOLITTLE was mastered from a 35mm source . A TODD-AO transfer would look terrific.My assumption is Dr Dolittle as it's been released in other markets via license (Australia).
I asked them if any of those roadshows were in TODD-AO and they said 'were working on it'.I got the impression that TT's reply indicated a "roadshow" not specifically in Todd AO and therefore may not be from Fox.
Per TT The Alamo is not coming from them. Criterion? Kino?
No.
The film requires a ground-up restoration, which has nothing to do with home video. Once 4k data files exist...
We're running out of time for a 60th Anniversary celebration (typed with a bit of sardonic wit).
Still, it's interesting to read from The Widescreen Museum how the sound for the 24fps 35mm version ( I'm guessing the version most people saw) with 4 track magnetic stripe was sort of a 1950s version of Dolby EX (6.1), minus the .1. With use of the Perspecta Integrator, it was possible to split the surrounds into 3 channels: left, right and rear, since the front channels were discrete 3 channel stereo. I wonder if this was actually done at any theaters.
http://www.widescreenmuseum.com/widescreen/80page3.htm
Yes that was an interesting technique and it is a shame that even "normal" 4 track magnetic sound had to make way for optical sound after it was evident that theaters were unwilling to invest in it.
I can imagine that it could have been used in some theaters who were using perspecta for the front channels for VistaVision movies but how many theatres even implemented that?
I think the use of split surrounds was linked to the Cinestage presentations which use a 1.5 squeeze instead of the usual 2X squeeze used for Scope. All this to give a pseudo Todd AO presentation from 35mm..