For the first time in a LONG time, I didn't have any problem with the price sticker or the one from New Line about remastered video and sound. Came off incredibly easy and didn't leave any residue behind.
Jack, What version you're talking about? I've read that NoES's Infinifilm edition has a new modernized color timing. So if the version is truer to the color timing of the film I watched long time ago, I'm gonna order it instead.
The original DVD's transfer was supervised by Jacques Haitkin. The Infinifilm disc is different but I don't think it's bad. That being said, Haitkin knows better than me.
Since the transfer of the infinifilm's version is new, I guess it will be with us for a while. What I'm afraid of is the old transfer (which Haitkin approved) will never see the light of day again.
Yes. That's not important right now. For now I just want to see the film itself the way I have seen it before. I will miss director's commentary though. But that, too, can wait.
The original release from Newline's definintely a keeper; hang on to it like you hang on to the supervised transfer of Halloween (not the Divimax edition with botched color timing).
To my eyes, the re-jiggered timing on the Infinifilm is as dramatic a change, as significant a distortion of the original look of the film.
They tint some scenes differnetly and look like contrast level get boosted too much from the screencap. Overall it look like a modernized version. Not sure how much I can trust screencap though so I plan to buy Infinifilm edition also but will get original first 'cause I don't think they'll use the old transfer anymore. Now just can't order from Amazon. it's out of stock. All the buyers won't ship to my country. :frowning:
Voranand, youre in luck ! If youre looking for the old nightmare 1 dvd, its in stock brand new at play usa! They ship to almost anywhere in the world !
I believe it's a case of too much button at your hand. You're bound to use it eventually. Just saw Warner's Bullitt and the transfer is extraordinary. Warner is the one who know something about original look of filmstocks. Bravo to them!