- Joined
- Feb 8, 1999
- Messages
- 18,407
- Real Name
- Robert Harris
For a March, 1960 release, which would indicate the very worst period of Eastman Color negative productions, Fox's new DVD of Can-Can looks remarkably good.
With the exception of occasional problems and what appear to be some shot to shot color sync issues, possibly with mistimed sep masters (I have no real information on this) the new DVD looks and sounds remarkable.
While I wish it were a true classic musical, which it is not, the film will still be a major addition to the musical collections of many fans and DVD aficionados.
From a purely technical position, Can-Can finds itself an interesting historical oddity. Following the original Todd-AO 30 fps productions, Oklahoma! and Around the World... as well as the abortive, but technically interesting 55mm process which yielded both Carousel and King and I, Can-Can was one of the earliest 70mm / 5 perf productions, which while still called Todd-AO were actually the beginning of two decades of both standard spherical, as well as anamorphic Camera 65, Super Panavision 70 and Ultra Panavision 70.
If one has an overriding desire to own examples of all of the large format processes Can-Can should not be overlooked.
As a film, however...
Recommended.
RAH
With the exception of occasional problems and what appear to be some shot to shot color sync issues, possibly with mistimed sep masters (I have no real information on this) the new DVD looks and sounds remarkable.
While I wish it were a true classic musical, which it is not, the film will still be a major addition to the musical collections of many fans and DVD aficionados.
From a purely technical position, Can-Can finds itself an interesting historical oddity. Following the original Todd-AO 30 fps productions, Oklahoma! and Around the World... as well as the abortive, but technically interesting 55mm process which yielded both Carousel and King and I, Can-Can was one of the earliest 70mm / 5 perf productions, which while still called Todd-AO were actually the beginning of two decades of both standard spherical, as well as anamorphic Camera 65, Super Panavision 70 and Ultra Panavision 70.
If one has an overriding desire to own examples of all of the large format processes Can-Can should not be overlooked.
As a film, however...
Recommended.
RAH