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MASTER BURN-IN THREAD: READ THIS FIRST! (And ask follow-ups here.) - Page 2

post #31 of 369
Yes, now that you all mention it it DOES look like magnetic interference is the cause. I will try to move the television around a bit. There may be something in the wall near where it is...

What's wierd is that it seems to be the most noticeable when something bright red is on the screen (like the menu screen of Amadeus)...

I will try moving the television and also look into getting it degaussed. Is there anyway that I can do the degaussing myself? The television is under warranty and I'm sure the people from Circuit City would be happy to come out and help but I'd like to see if I can take care of it myself first.

Thanks for the help!
post #32 of 369
Unplug it for a while, I believe the Sonys degauss themselves when unplugged and then plugged back in. Not sure though.

TimG
post #33 of 369
eh that's a directviews right?

youre gonna have trouble getting that thing to burn in...that's definitely interference. I get blue/purple hues with magnetic interference....
-ELMO
post #34 of 369
Okay, I will try unplugging the television. Thanks.

Yeah it's direct view elMalloc, and that's one of the reasons I got it over RPTV, to avoid burn in. But as I had never seen it, I wasn't sure what this was. But as you said and everyone else agrees on (including me), it most definitely is interference.

I'll try leaving it unplugged for a bit and then go from there!
post #35 of 369
The 34XBR800 is brand new, it's only been out for a few months. I highly doubt it's burn in. You could probably run in torch mode all day and night and not get burn in for a long time. I assume you weren't in torch mode and you haven't keept your set running 24/7 right? I highly doubt it's burn in.
post #36 of 369
If you have any speakers nearby, try moving them away from the set.

And, as others have suggested, try completely unplugging the set for awhile, leave it this way, and then plug it back in. I do not recall how long... (ten minutes? An hour? You could just do this overnight, to make certain.)

Some Sony's definitely degauss themselves if this is done, when you switch it back on (you may hear a weird "Phooomp!" sound).

There are also service techs who have a degaussing tool.

And, sometimes facing the TV in a different direction can solve this (not that this is usually convenient). Some sets even have a "north / south" and "east / west" switch configuration since the magnetic poles can make a difference, depending on the mineral content in the soil under you. The larger screen direct views often have such a switch... my 1987 35" Mits has this, although it is hidden under a flap, with a plastic cover over the top to minimize its use.

-Bruce in Chi-Town
post #37 of 369
It might be a faulty CRT.
post #38 of 369
hey everybody,

Ok, I've been searching and scouring this forum and other forums like crazy for the past couple days, and I still have a few lingering questions so I'm just going to ask people instead of trying to search more forums.

First off, people seem to make a big deal about burn-in on RPTV's. To my best knowledge, however, (and after searching on google) this seems to be a matter that only audio/videophiles really address. To the average joe user, calibration and burn-in and tuning down the contrast is unheard of.

Well then, is burn-in that apparent? I personally have a 62" Proscan RPTV at home (couple years old) and have played a good amount of N64, watched CNN/MSNBC, and watched widescreen DVD's, often at high contrast, and I can't really tell the difference (although the picture quality isn't that great to start out with).

My thoughts was to purchase a ~$1500 RPTV for my bedroom, and after the 100-hr. break-in period and calibration, I figured I'd tone down the contrast a bit for games, and wouldn't have to worry about burn-in without excessive video game playing. I wasn't sure if this was quite enough, as some people seem to think that any video games on RPTV's would cause burn-in. However, I'm still not fully convinced that even after taking the right precautions significant and noticeable burn-in will still result from video games, so if anybody could explain a bit more on how visible or sensitive burn-in is on RPTV's, it would be appreciated

Which brings me to my next topic; with a $1500 budget, what would be my best choice? I watch TV about 40%, DVD's 35%, and games 25% of the time (so about even on all 3), but I was mostly concerned about my DVD picture quality, so I'm looking to purchase a 16:9 widescreen TV. I was specifically looking to buy the Toshiba 40H80 or 42H82, and picture size beyond that would be overkill for my room. DLP tv's are beyond my budget, and FPTV's are kind of overkill for my room, so I'm choosing between RPTV's or a direct view HDTV. For my setup, I think RPTV should be fine, but if anybody could chime in with an opinion about burn-in, it would help me a lot in making my decision.

Thanks!
post #39 of 369
I think burn-in is a rarity. I don't have an RPTV so I'm not one to say anything at all, but you just said yourself..how did you get away with no burn in on your RPTV?

I'm guessing as long as we are cautious, everything will work out fine.

-ELmO
post #40 of 369
Phoomp!
post #41 of 369
I love the Tosh 42" RPTV. It would be great in a bedroom.

I wouldn't wait to turn down the contrast. Do it as soon as you get the set.

Jan
post #42 of 369

black letter box bars???

I have my Mitsubishi 65411. Why is it that most of my 16:9 movies must show a letter box if they are 16:9 movies??

It bothers me cause this can cause burn in.. Now just watching movies can cause problems!
post #43 of 369
If there are bars then it isn't a 16:9 movie. Read the back of the DVD box: you may be watching a 2.35:1 movie, which equates to something like 21:9. On a 16:9 TV, these movies leave small bars above and below the image.

Unless you watch the movie over and over, or keep the contrast and brightness set way too high the way they are when the TV is first turned on, burn-in won't be too big a progblem. There are plenty of posts here about burn-in which you can read to learn how easily to avoid it.
post #44 of 369
I've been watching 1.33 and 2.35 programing on my (calibrated) Toshiba for 2 years now and haven't even the faintest burn-in. Burn-in is something to lookout for, but people take it WAY too seriously.

Keep the contrast down, and you'll be just fine.
post #45 of 369
Quote:
It bothers me cause this can cause burn in.. Now just watching movies can cause problems!

People have watched letterboxed movies on 4:3 TV sets for many years without encountering major burn-in problems. What makes you think your experience will be any different?

M.
post #46 of 369
Just curious: just where SHOULD the contrast be set? I guess I need to find that VIDEO ESSENTIALS DVD and do a proper set up. I did turn it down from the level it was set when new, but still wonder if I have it too high.
post #47 of 369
greetings

Test discs do a good job at telling you where not to set contrast ... not so great on where "to set" contrast at.

The proper way is with a light meter on the 100 ire window box of one of these test discs. Set contrast to the point where lightoutput is about 15 to 20 ft-l.

Without a light meter, set it to about 30 to 35% ... as on most sets, this area usually gives about the same light output.

Regards
post #48 of 369
Navid,

You should read our Primer for Home Theater Newcomers .
http://www.hometheaterforum.com/htfo...threadid=55635

Specifically:
If I buy a 16x9 wide screen TV, will I get rid of the black bars forever? by Vince Maskeeper

-V
post #49 of 369
Currently movies are either "standard" (optimized for 4"3 TV sets) or "16:9 enhanced". The latter are optimized for 16:9 TV sets even though the picture does not fit the screen perfectly.

The current technology does not allow optimizing DVD's for any and all aspect ratios. That would require a continuously adjustable aspect ratio control on the TV where now there are just 4:3 and 16:9 settings and perhaps some modes that subtly stretch the sides more than the middle. And even so, the finished picture will be the same shape as today, not filling the screen perfectly for some movies.

Video hints:
http://members.aol.com/ajaynejr/video.htm
post #50 of 369
Without any tools, you should basically have the contrast set to the lowest point where the color white doesn't look gray. That should certainly be below 50% on most sets . The test disc will say to set it below the point of blooming, but that is generally going to be way too high (and on a lot of sets now, 100%.)

They do a nice job of getting brightness right, though.

I've screwed around with my set so much and have such a jerry-rigged switching method, I haven't the faintest idea where my contrast actually is. But it appears as 50% in my menu and maxes out at about 60% and essentially starts over, so I can never even accidentaly (or, more importantly, my guests) leave it set to high. (I was bored and playing with service/design mode.)
post #51 of 369

reversing 4:3 burn in

I understand the causes of burn in and have searched the burn-in topics. My question regards burn in from a widescreen being left in 4:3 mode on display, and whether there is a way to reverse that.

I only ask because I understand there is no real fix to static burn in, but some of the posts mentioned "you might be able to fix it if it was from the static bars for 4:3 content" but none elaborated beyond that.

My question stems from a local store selling a 2000 dollar panasonic for a few hundred dollars because it has the 4:3 burn in...and I was debating whether it might be worth it if there was a way to minimize the burn.
post #52 of 369
I would pass it up. Stores routinely leave the contrast set very high on display models, because they want the most attention-grabbing image possible. I suspect that burn-in is only part of the problem with this set; it's useful life has probably been reduced from overdriving the CRTs.

M.
post #53 of 369
Definately agree. You have to remember that CRT's have limited lives to begin with. Usually this isn't a huge problem since with normal use "limited life" normally means by the time it dies you're likely looking for a new set anyway. However, stores usually leave their sets on 24/7 (at least the big stores do while smaller boutiques likely have the set on 12 hours a day) so this may severely limit the life of the set. If the contrast is set too high (which if it has burn-in it likely was), this is a double whammy!

Steve
post #54 of 369
I agree with Michael and Steve completly...... however i would also look at how cheap.... i mean even if you only got a few eyars out of it it might not be that bad for 4:3 material. perhaps you are a gamer or your kids are for a few hundred dollars you could get a set that is big, in a very non-critical use and then who cares if your games and such burn it in, hehehehe its kinda like taking your old mountain bike when you want to go do really stupid stuff
post #55 of 369
Hey, why doesn't someone market a DVD that puts black where the picture was and a high-intensity image where the black bars were? Then you could crank up your contrast and burn everything in evenly.

Jan
post #56 of 369
thanks for the input! I was wondering if there in fact was a way to "bleach" the darkened areas back, for lack of a better word because it was hinted at in some posts.

I agree, it would be a poor choice if it was even half price due to the reasons you stated....but I might consider it if its down to just 3 or 4 hundred just as the post above stated, primarily for 4:3 material and not expect a miracle. If there was a way to reduce the burn or even it, that was going to push me to buy....but as is I suppose I will use that money elsewhere.

Thanks all!
post #57 of 369
Ok this is something I have wondered and here its been brought up. Why isn't there a DVD to fix certain burn in problems? I mean I don't see why it would be so hard. Create one with an option for a main black image and a brighter image on the sides for 4:3 burn in and a letterbox mode for 16:9 burn in (well several to compensate for the different aspect ratios). And it would allow people to watch 4:3 tv on their 16:9 RPTVs a lot more often. Sure burn in would happen, but with a little work and patience on evening out the burn in with the disk it wouldn't be that big of a deal. Why hasn't this happend yet?
post #58 of 369
I don't know others but my panny widescreen shows 4:3 material with gray bars on sides, to minimize uneven burn in.

how many people have 4:3 burn in on there widescreen set? or how many see letterbox burn in?
post #59 of 369
There are people who have used a PC to 'reverse burn', basically making their own patterns with a paint program.

One could definitely make a major improvement with some care, but you'll likely never wear it to match 100%, especially at the seam.
post #60 of 369
The paint program is a great idea. You could "feather in" the seam, I'd think, with an airbrush effect.

Ming Wang: I don't know how many, or what percentage. I think the problem is overstated, but it does happen, especially with sets that aren't properly calibrated that are still running on "torch" mode with the contrast turned up high (as they come from the factory).

The gray bars are better than black ones for reducing burn-in, but some people find them more distracting. That's why a good stretch mode is so important, so that for non-critical viewing you can fill the screen and avoid burn-in issues.

Jan
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