| original Theatrical Cut of 1982 (also known as 'The Thinking Man's Version') |
We desperately need the 'Original Theatrical Cut' because, despite some occasional voice over segments, which almost comes across as a sarcastic narrative accompaniment (Ford sounds as uninterested and detached as the character he portrays), this version is actually ambiguous about its most debated theme. And it's precisely here where the 'Director's Cut' takes the audience by the hand. Scott has turned suggestion into statement, insinuation into fact, and he did it with one single, out of place scene. In comparison with the perhaps unintentional outcome of the 'Theatrical Cut', the 'Director's Cut' merely comes off as a M. Night Shyamalan movie, you know, those movies with a twist ending, a formula flick that invites people to guess its plot and indulges them with an answer. Also, by being conclusive (now that it's no longer open for debate), the so-called 'Director's Cut' suddenly becomes more vulnerable to possible plot holes. Can the made statement truly hold water? It probably can, but some explanations are bound to be quite a stretch, making the movie as a whole less plausible.
Alex