Re: The official BLADE RUNNER SE thread. (Check out page 8 and #790.)
I watched only bits of the HD and SD versions. But what I have seen of the Final Cut is that the image quality is wonderfully improved and the sound perhaps even more of a revelation.
I also watched All Our Variant Futures. That plus a five disc HD release make a 28 dollar purchase a no brainer and I haven't even gotten to the extended documentary.
I was concerned about Ridley Scott messing around with the color palette particularly when reports came in that the established versions of the film may have been altered.
I took a look at the famous scene at Tyrell Corporation where Deckard meets Rachael.
Here are screen captures from a ported laserdisc with voiceover (at least I think it's a laserdisc source), 97 Director's Cut and Final Cut.
laserdisc (cropped to remove black top and bottom)

1997 Director's Cut

2007 Final Cut (btw, beautiful shot where you can now see crafts flying by in the background as the owl flies by)

Clearly the Final Cut is definitely much greener than the Director's Cut but interestingly while the image quality of the laserdisc port is poor, there was a lot of green in that version. This is only slightly helpful as a video release does not necessarily reflect any reality of a theatrical release. In my view though, there is no case to be made challenging the color palette. Now, would I have made it a little less green so that the bronze/copper tones along with facial tones are a little more warm? Yep, but it ain't my film.
One thing I wanted to check out was where the sun is shown as a fairly defined round object in the long shots but in the shot in between these two long shots is everything from fairly round to just a more diffused light.
Laserdisc

1997 Director's Cut

2006 Director's Cut

2007 Theatrical Cut (note: which is the exactly the same as the '07 DC and the '07 International Cut)

2007 Final Cut

It would seem that they made a change last year when they resumed work on this project.
The question is ... why? It's one thing to keep a continuity error because:
1. The director wants it there
2. It's not that big a deal
3. The filmmakers/fans are use to it and would be more concerned about the change then leaving it in.
But to
add a continuity error i.e. sun goes from round to diffused light to round again seems rather odd.
Charlie,
Can you help with an explanation?