Al, I think that invoking the "executive decision" is at the core of the issue. If you want all your selections to count towards Seth's compiled Overall Top Ten Rankings, then your list needs to comply with the NY/LA Academy standard, since the intent of the overall ranked list is (or was) to compare HTF's choices with the Oscar winners.
If you want to put In the Mood for Love on your 2001 list, that is your prerogative, but it should not be mandated of everyone, anymore than people should be asked to remove Songs from the Second Floor or Dolce from their respective lists because they have not officially played in the US. The fact that people want to talk about In the Mood for Love already shows, at least in part, that some of my favorable comments about the film earlier this year reached a receptive audience, and I'm pleased with that.
If you are only interested in documenting your Top Ten list (like me) and are not particularly interested in comparing your list to the results of the Academy Awards then you should be able to use whatever standard works best for you. By invoking an "executive decision", the choice of a "whatever works for you" criteria, and the choice not to participate in the Overall Top Ten ranking are negated. For me, I had elected to opt out of the Overall Ranking list, so it does not matter what criteria I use. I only wanted to capture the highlights of my film viewing experience for 2000. Frankly, I wouldn't mind putting Decalogue on my 2000 list as well, since for most of us in the US, this was the first time that we were able to see this film on any format. At least, I tried to stay as close to a 2000 release date as possible.
This is my last statement on this topic as well. On topic, I will be catching Memento this weekend at the Angelika.
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Strictly Film School
If you want to put In the Mood for Love on your 2001 list, that is your prerogative, but it should not be mandated of everyone, anymore than people should be asked to remove Songs from the Second Floor or Dolce from their respective lists because they have not officially played in the US. The fact that people want to talk about In the Mood for Love already shows, at least in part, that some of my favorable comments about the film earlier this year reached a receptive audience, and I'm pleased with that.
If you are only interested in documenting your Top Ten list (like me) and are not particularly interested in comparing your list to the results of the Academy Awards then you should be able to use whatever standard works best for you. By invoking an "executive decision", the choice of a "whatever works for you" criteria, and the choice not to participate in the Overall Top Ten ranking are negated. For me, I had elected to opt out of the Overall Ranking list, so it does not matter what criteria I use. I only wanted to capture the highlights of my film viewing experience for 2000. Frankly, I wouldn't mind putting Decalogue on my 2000 list as well, since for most of us in the US, this was the first time that we were able to see this film on any format. At least, I tried to stay as close to a 2000 release date as possible.
This is my last statement on this topic as well. On topic, I will be catching Memento this weekend at the Angelika.
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Strictly Film School

















