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Drive Blu-ray Review

post #1 of 10
Thread Starter 

Drive is a stylish, very exciting and extremely violent action film which grabs your attention from the opening shot and never lets go. Driver (Ryan Gosling) is a soft-spoken, nameless Los Angeles loner who is an auto mechanic by day but who moonlights as a getaway driver for criminals at night and occasionally as a stunt driver in the movies. Shannon (Bryan Cranston) is Driver's boss at the garage and finds work for him in movies. Shannon has noticed Driver's exceptional skill and he convinces a local crime boss, Bernie Rose (Albert Brooks), to finance the purchase and operation of a stock car for them to race.

 

LS

 

Drive

Studio: Sony
Year: 2011
Rated: R
Program Length: 100 minutes                         
Aspect Ratio: 2.40:1 1080p
Languages: English 5.1 DTS-HD MA
Subtitles: English, English SDH, Spanish

The Program

You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I'm yours, no matter what. Anything happens a minute either side of that, then you're on your own. Do you understand? Good. - Driver

Drive is a stylish, very exciting and extremely violent action film which grabs your attention from the opening shot and never lets go. Driver (Ryan Gosling) is a soft-spoken, nameless Los Angeles loner who is an auto mechanic by day but who moonlights as a getaway driver for criminals at night and occasionally as a stunt driver in the movies. Shannon (Bryan Cranston) is Driver's boss at the garage and finds work for him in movies. Shannon has noticed Driver's exceptional skill and he convinces a local crime boss, Bernie Rose (Albert Brooks), to finance the purchase and operation of a stock car for them to race.

Driver recently moved into a new building, where he befriends a neighbor, Irene (Carey Mulligan), and her son, Benecio (Kaden Leos). Irene is married, but her husband, Standard Gabriel (Oscar Isaac) is doing time in prison. The friendship threatens to get more serious, but before it can actually go anywhere Irene gets word that her husband is being released and will be home in a matter of days. Standard is paroled, but he quickly discovers that he is far from free. It seems that he became indebted to some other inmates while in prison, and now they want payback by having him conduct a heist at a pawn shop. Driver decides to help Standard by being his getaway driver. It seems like a routine job, but it does not go as planned and Driver discovers that he has inadvertently crossed Bernie Rose's partner, Nino (Ron Perlman). Driver's participation in the heist not only endangers himself, but also the lives of Irene and Benecio.

The director, Nicolas Winding Refn, is a Danish filmmaker whose approach to Drive clearly was influenced by the spaghetti westerns of Sergio Leone. On the surface Driver is a man of few words who has a very placid temperament and is able to keep his emotions in check, even when he finds himself in dicey situations. However, he also is capable of exceptional violence when it is necessary. Like Clint Eastwood's "Man With no Name," we learn nothing about where Driver is from, what motivates him, what he does with his ill-gotten gains, or what plans he has for the future. Drive is all about being in the moment. The film's opening is a dazzling ten-minute, action-packed sequence which is shot almost entirely from the inside of Driver's getaway car.

Ryan Gosling is perfectly cast as Driver, and many critics feel that Albert Brooks was unfairly snubbed when he did not receive an Academy Award nomination for his brilliant performance as a smooth but utterly evil gangster. Ron Perlman is appropriately thuggish as Nino, and Bryan Cranston does a nice job as the auto repair shop owner who gets in over his head. Carey Mulligan is equally effective as the mother who finds herself attracted to another man while her husband is locked up.

Drive is not a deep film. We get no brilliant insights into what motivates the characters and ultimately there are no moral lessons to be learned. It is nevertheless highly thrilling, with many moments of heart-pounding excitement. The one caveat I would offer up is that there are several very violent scenes which may be hard to take for squeamish viewers.

The Video

This is yet another exceptional Blu-ray presentation from Sony. The 2.40:1 1080p is flawless, featuring outstanding sharpness, vivid and accurate colors, and strong contrast throughout. Much of the action takes place at night, so the excellent shadow detail and inky black levels really stand out. The film includes several breathtaking shots of Los Angeles at night. The picture appears to be accurately framed, and there is no evidence of excessive DNR or other unwelcome digital manipulation. The overall experience is very film-like and satisfying.

The Audio

The lossless 5.1 DTS-HD MA soundtrack is every bit the equal of the video presentation. Dialogue is clear and understandable throughout. The film has a driving musical soundtrack which is given a wide soundstage and which does an excellent job of adding to the excitement. The surround channels come alive during the action scenes, including a couple of very impressive car chases.

The Supplements

The Blu-ray disc of Drive includes several enjoyable and informative extras.

"I Drive" is a five-minute featurette which focuses on the director's approach to making the film.

"Under the Hood" runs for twelve minutes and gives the principal actors and screenwriter Hossein Amini an opportunity to discuss their participation in the film.

"Driver and Irene" is a six-minute featurette which discusses the relationship between Driver and his female neighbor.

"Cut to the Chase" is a four-minute featurette about the making of the chase scenes.

Finally, "Drive Without a Driver" gives director Nicolas Winding Refn a platform to expound at length about how he made the film. It has a running time of 26 minutes.

Sony also has included trailers for The Rum Diary; London Boulevard; Meeting Evil; In the Land of Blood & Money; and Take Shelter.

In addition, there is a redemption code for downloading an UltraViolet version of the film.

The Packaging

The single disc comes in a standard Blu-ray keep case.

The Final Analysis

Drive offers plenty of thrills and it looks and sounds terrific. I have no doubt that many people who buy it will want to use it as a demonstration disc to show friends how spectacular the Blu-ray format can be.

Equipment used for this review:

Panasonic DMP-BD50 Blu-ray player
Panasonic Viera TC-P46G15 Plasma display, calibrated to THX specifications by Gregg Loewen
Yamaha HTR-5890 THX Surround Receiver
BIC Acoustech speakers
Interconnects: Monster Cable

Release Date: January 31, 2012

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post #2 of 10
I haven't seen this movie, but from your review the central character seems to be a reworking of the main character in Walter Hill's second movie The Driver.
post #3 of 10

My favorite action film of 2011.

 

Albert Brooks as you have never seen him before.

 

I would urge everyone see this film.

 

Thanks for the review, Rich.

 

post #4 of 10
Thread Starter 
Quote:
Originally Posted by Robin9 View Post

I haven't seen this movie, but from your review the central character seems to be a reworking of the main character in Walter Hill's second movie The Driver.

 

Interesting. I've never seen The Driver so I'll have to check it out.
 

 

post #5 of 10
Quote:
Originally Posted by Robin9 View Post

I haven't seen this movie, but from your review the central character seems to be a reworking of the main character in Walter Hill's second movie The Driver.


It's more like they are from the same tradition, one that goes back to Jean-Pierre Melville's "Le Samourai." "Drive" does its own variation on the theme of the loner, taciturn professional who breaks his personal code when he starts to care for a woman, an innocent in trouble. The style recalls eighties neon noir, like Michael Mann's "Thief" and William Friedkin's "To Live and Die in L.A.," and I can't help but think of Alan Rudolph's "Choose Me" in the smoothness of the direction and the music.

 

post #6 of 10
Quote:
Originally Posted by Ronald Epstein View Post

My favorite action film of 2011.


Funny, I loved this movie as well but I didn't think of it as an action film. It really only had 2 action sequences but I guess it depends how you define it.
Not sure what type of movie I'd classify it as - perhaps noir thriller or something like that.
Great performances all around except for Mulligan who I usually like. Just thought she was dull and rather emotionless.
And is Cranston great in everything he does or what?
post #7 of 10
I loved this film as well. We really haven't seen a no-nonsense thriller like this in a long time. It hits every note it needs to hit. It gets in, gets out, and is done, much like the Driver himself. The love affair between the leads is almost entirely non verbal. Hell, Gosling's whole performance is near silent, and it's brilliant. If this movie is for you, you'll know it. Enjoy.
post #8 of 10

Just finished watching it.  Great film.  I agree with Greg's comments about Gosling's performance.  The music added a lot to the film as well, actually almost acting as dialog in some places.  This is a perfect example of less it more. I'll have to watch it again soon.

post #9 of 10
Quote:
Originally Posted by SeanAx View Post



It's more like they are from the same tradition, one that goes back to Jean-Pierre Melville's "Le Samourai." "Drive" does its own variation on the theme of the loner, taciturn professional who breaks his personal code when he starts to care for a woman, an innocent in trouble. The style recalls eighties neon noir, like Michael Mann's "Thief" and William Friedkin's "To Live and Die in L.A.," and I can't help but think of Alan Rudolph's "Choose Me" in the smoothness of the direction and the music.

In the first 10 minutes I thought the same thing -- It was like Mann's Thief (brilliant movie, btw). Good call on To live and Die in L.A., as well. I did a blind buy on this -- so happy it.

An 80s B movie with A movie sensability.

5 stars.
post #10 of 10

I guess I don't get it... I just finished watching it and with all the hype a was expecting crazy good movie. I thought it was just OK at best glad I Netflixed it vs buy. I guess I don't get these new "stylized" movies. It was quite as boring as American Tourist" but almost. I would not call this movie a action movie by any stretch. 

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