A fizzy if not wholly successful fantasy adventure film that mixes some real-life personalities and the cinematic tone of 1930s Hollywood with fictional protagonists and antagonists, Joe Johnston’s The Rocketeer remains a fun film even if it doesn’t quite achieve the same spirit of gung-ho adventure and unadulterated fun that Raiders of the Lost Ark, its obvious cinematic inspiration, generated. Its disappointing box-office performance quashed any hopes for a series, but the film has generated something of a cult following in the years since its release making this Blu-ray 20th Anniversary Edition, even without anything in the way of a tribute or movie memorabilia, an unexpected surprise.
The Rocketeer (Blu-ray)
Directed by Joe Johnston
Studio: Disney
Year: 1991
Aspect Ratio: 2.35:1 1080p AVC codec
Running Time: 109 minutes
Rating: PG
Audio: DTS-HD Master Audio 5.1 English; Dolby Digital 2.0 French
Subtitles: SDH, French
Region: A-B-C
MSRP: $ 26.50
Release Date: December 13, 2011
Review Date: December 14, 2011
The Film
3.5/5
Test pilot Cliff Secord (Bill Campbell) is surprised to discover a rocket pack stowed away on a plane belonging to his partner airplane designer Peevy (Alan Arkin). Designed but abandoned by Howard Hughes (Terry O'Quinn), the plans and the prototype were stolen and are now being sought by both the FBI and a bunch of mobsters led by Eddie Valentine (Paul Sorvino) working for box-office matinee idol Neville Sinclair (Timothy Dalton) who has his own nefarious reasons for wanting the rocket pack and plans. Once Cliff dons the rocket pack and appears before a cheering crowd amazing them with aerial stunts, he becomes “The Rocketeer,” thus making him and his beautiful movie extra girl friend Jenny (Jennifer Connelly) targets for both the feds and the mob.
In trying to capture the fanciful movie serial world of Flash Gordon and Buck Rogers, writers Danny Bilson and Paul De Meo don’t quite hit the mark keeping the audience waiting for forty minutes before finally launching Cliff skyward and not allowing him to do much derring-do as the cloud-skimming hero. In fact, his first two flying sequences are played more for slapstick comedy effect (none of it particularly inspired, just general destruction) than for any genuine heroics, and it’s only in the climax to the movie with the showdown on board the zeppelin that Secord gets to show his true mettle as a potential flying and fighting champion. Director Joe Johnston establishes a nice sense of 1930s Hollywood with occasional cameos from the likes of Gable and W. C. Fields imitators (though someone should be thrashed for making the film’s stalking thug in the image of the tragic Rondo Hatton who suffered from acromegaly, the disease which eventually killed him) and period clothes and big band music that put us right in the middle of 1938. He handles all of the special effects shots beautifully, too, which are continually astonishing knowing they weren’t done in a computer. Those who have seen the recent Captain America film, also helmed by Joe Johnston, understand why he’s adept at this kind of film set in the nostalgic American past.
Bill Campbell makes for a sturdy and wholesome hero, but he’s too stoic in the part, lacking the kind of gee-whiz, bubbling sense of amazement and enthusiasm that a Harrison Ford or Michael J. Fox would have brought to the project. Despite being a fine actor, his lack of genuine movie star glamour was likely one of the reasons the film wasn’t a bigger hit at the box-office. The young Jennifer Connelly as his love interest is a beautiful woman, and they make an exquisite looking couple (they were engaged at the time), but she, too, seems a little stiff (especially early in the film) to be an effective leading lady. Both leads fall by the wayside in comparison to the suave, effortless ease that Timothy Dalton brings to his Errol Flynn-like role of Neville Sinclair. Completely confident and oozing with charisma, Dalton’s smarmy charm masking an insidious nature is perfect for this kind of fantasy adventure. Alan Arkin is fine in the not-so-absent minded professor role of Peevy, and Terry O’Quinn is a solid Howard Hughes. In small roles are wonderful actors like Margo Martindale and Melora Hardin (as a knockout big band singer), while Paul Sorvino scores well as the threatening mob boss who may be crooked but who’s also a true-blue American.
Video Quality
4.5/5
The film’s Panavision theatrical aspect ratio of 2.35:1 is faithfully rendered in 1080p using the AVC codec. The image displays solid, sharp focus and excellent color saturation that offers realistic flesh tones and beautiful density of hues. Contrast could have been turned up a click for a more striking picture but as is offers the best compromise to the look of a previous era the film is portraying. Black levels aren’t the deepest you’ll see, but they’re more than adequate. The film has been divided into 15 chapters.
Audio Quality
5/5
The DTS-HD Master Audio 5.1 sound mix is surprisingly robust and tremendously effective, far surpassing theatrical exhibitions or previous home video releases. Sound effects have been fantastically placed in the soundstage to maximize their effectiveness with striking pans through the soundfield and really impressive bass content. James Horner’s dynamic music including a memorable main theme has also been spread through the fronts and rears to genuinely exciting effect. Dialogue has been recorded with precision and has been placed in the center channel.
Special Features
1/5
The theatrical trailer, with the picture cropped into a 4:3 frame, is presented in 480i and runs 2 ¼ minutes.
In Conclusion
3.5/5 (not an average)
While it hasn’t gotten an anniversary edition befitting its cult popularity, The Rocketeer has nevertheless received a superlative high definition transfer that by far constitutes the best it has ever looked on home video. Those who love the film will be glad to finally have it with a high quality sound and picture encode.
Matt Hough
Charlotte, NC