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Our Top 10's of 2001 -- Time To Throw Down - Page 8

post #211 of 235
Here's one that would compete for my Worst Of:

Our Lady Of The Assassins a film that has quite a few good
reviews, but I found to be mostly awful. A writer returns to his home of
Medellin, Columbia where he hasn't been in 30 years and finds basically hell
on Earth. He picks up a teenage boy in a club and they begin a
relationship. The film proceeds from there in ponderous fashion, they take
walks through the streets as the man reminisces about locations from his
childhood and the boy alternates between killing anyone who threatens the
writer even slightly, and avoiding drive-by shootings by gangs that are
after him. Then there are "quiet" moments in restarants, churches or at the
writer's apartment where we hear the writer give banal, nihilistic speeches
on the emptiness of life, the non-existence of God, blah blah.......and then
there's the bizarre supernatural elements, a boy who can predict death,
dream/hallucinatory scenes of ghostly bikers with uzi's blazing.

This thing was a chore to sit through, I couldn't believe some of the
reviews I read. Maybe it's different on film in a theater, but transferred
directly from digvideo kills whatever sort of realism this film was going
for in my mind. It has the look of porn/Mexican TV soap operas/Baise Moi,
ie. overly bright video. It feels exactly like a movie, not the documentary
effect described in some of the reviews (Ebert, Village Voice). While the
naive might be shocked at the cheapness of life presented here, it's hardly
revelatory, similar scenes could be found in dozens of locales around the
world. It might have been better if they'd just dispensed with the awful
script and shot a straight documentary.

The DVD from Paramount is nice video wise, but has burned in subs and not so
much as a trailer.
post #212 of 235
Just updated my list with a Bottom 10 film (#10 overall): Baise Moi. It had some interesting moments, but overall, it was dead and drab and explicit only for the purpose of being explicit.

The only film I am still waiting on before my list is final is Mulholland Drive. Lynch has always been hot or cold for me so it wouldn't suprise me to love it or hate it.

Bruce
post #213 of 235
..
post #214 of 235
I put Donnie Darko in at 7.

For the year so far I could recommend about 40-50 films with a few others as more qualified recommendations. And we had 4 solid "big" films - FOTR, Potter, Shrek and Monsters Inc.

But mostly Summer got thumped by Winter in 2001.
post #215 of 235
Edited my list (and now made it finalized). Bully bullied its way into the No. 3 position. Very brutal film and one not easily digested or forgotten.

Bully
Mulholland Drive


Bruce
post #216 of 235
Y Tu Mama Tambien flies under the radar and ends up at #6 on my list for its brutally honest portrayal of the teenage male and its unapologetic portrait of the Mexico that lies between tourist destinations.
Y Tu Mama Tambien (out of 5)

Bully feels like Kids 2 with worse actors, more questionable sex scenes, and uninspired filmmaking. Seeing how old Larry Clark is gave me the chills when juxtaposed with his body of work.
Bully

The Anniversary Party feels overly melodramatic at points and tender at others. The drug scene felt forced, but the movie itself reaffirmed my belief in digital video.
The Anniversary Party

Heist felt like David Mamet fell asleep in the director's chair while the cast and crew made the movie around his slumbering body. WORST ... GUNFIGHT ... EVER.
Heist

Ben Kingsley is the only reason to see Sexy Beast. The first 25 minutes are extremely tedious.
Sexy Beast
post #217 of 235
You mean the dock gunfight? I agree, pretty poor. I thought most of it was a bit of a boring mess.

I agree on Anniversary Party too in regards to the use of digital video. It can be done in an artful way without drawing so much attention to itself.
post #218 of 235
I've heard good things about The Anniversary Party and I hope to see it. However, it's just another in a long list of films I can't find anywhere here. I wish I had the funds to open a specialty shop, mainly so I can see it go broke in two months and wonder aloud about the lack of film culture

Bruce
post #219 of 235
Finally saw Mulholland Drive and I have added it to my top ten list at number three. An excellent film, even if it is a bit fucked up. I must go out and buy the DVD so I can view the film again.
post #220 of 235
Just saw The Deep End and The Man Who Wasn't There but my top ten list remains unchanged.

While watching The Deep End, I couldn't help but make comparisons to In the Bedroom and ultimately finding The Deep End to be a weaker film overall. The straight thriller aspects of the film felt cheap (although it was intended to be in the spirit of a "post-war melodrama" according to the interviews on the DVD, which I am, alas, unfamiliar with) and Beau (the son) was too flat of a character for me to even care what happened to him. Tilda Swinton gives an amazing performance (with a very believable American accent), however, and really anchors the film by juggling a dead-body, house chores, a crotchety in-law, ballet, and soccer practice in a way that only a "single mom" can.

I really wanted to like The Man Who Wasn't There but ultimately, I could not connect with the film, unable to grasp what the filmmakers were trying to accomplish. It both hints at an ordinary man who finds himself in an extraordinary situation due to seemingly reasonable decisions (a la Blood Simple) and at the bizarre reality of life when closely scrutenized (crystalized in Freddy Riedenschneider's opening remarks deleted scene) - nevertheless, I was left with a profound sense of loss when I realized how close the Coen brothers had come to making another great film, and really felt that the X-files motif (especially in the third act) further detracted from the film's ability to achieve greatness. The film looks so good in black-and-white, however, that I wouldn't be surprised if it sparked a renaissance in monochromatic cinema, and commendations must be given to Roger Deakins for an amazing use of light and shadow in true noir fashion. Two scenes that left me inspired: the ten different haircuts for 10 year-old boys, and the scene where the two detectives tell Ed that his wife has been arrested.
"Well, you just missed visiting hours for today, but you could see her tomorrow."

The Deep End (out of 5)
The Man Who Wasn't There
post #221 of 235
Refined & Updated 11/10/02 (Now that I have seen every film from 2001 that I wish to see and have had a little more time to think it over, this is my final completed list for 2001)



01 Harry Potter and the Sorcerer's Stone


02 Princess and the Warrior


03 Mulholland Dr.


04 Ghost World


05 The Others


06 Josie and the Pussycats


07 A.I.


08 Moulin Rouge


09 The Road Home


10 Ginger Snaps
post #222 of 235

1. Shrek
2. Black Hawk Down
3. Shallow Hal
4. Rat Race
5. crazy/beautiful
6. The Royal Tenenbaums
7. The Hole
8. Mulholland Drive
9. Jay & Silent Bob Strike Back
10. The Gift
post #223 of 235
Mulholland Dr. & Waking Life enter my top 5, pushing Memento & No Mans Land off of my Top 10.
post #224 of 235
Well, I'm WAY late to this thread and I STILL won't be able to give you a definitive Top 10. I expect to revise this list many times as I have many films yet to see. I've seen many more films than the following six but I feel none besides these are worthy of being called favorites as I feel the others would just be replaced. Well, here ya go.

1: Lord of the Rings: The Fellowship of the Ring
Excellent movie. This is one of those films like Star Wars that will most definitely be remembered for years to come. Peter Jackson finally makes a movie better than Dead/Alive.
2: Memento
Amazingly original and innovative, this movie gets better everytime I watch it. Not only is it smart, well directed, and entertaining, but it's also pretty damn funny (atleast I thought so).
3: Black Hawk Down
One of the greatest war movies ever, and certainly the best looking one. Ridley Scott holds nothing back, showing all the brutalities of combat. Really captures the look and feel of Mogadishu, but what else would you expect from a Ridley Scott film?
4: Artificial Intelligence
Spielberg took a risk, and it payed off. I love the futuristic world that he and Kubrick created. Let's not forget Teddy, one of the coolest movie character ever.
5: A Beautiful Mind
Russell Crowe is brilliant as John Nash. He carries the movie through it's length easily. This movie didn't deserve Best Picture, but how Denzel beat out Russell is a mystery to me.
6: The Royal Tenebaums
Having finally seen this film I can appreciate all the fuss it's been getting around here. Very funny, very original style of comedy mixed in with a very stylized look.
7: Hannibal
Better than Silence of the Lambs which I thought was good but not as great as everyone says. Anthony Hopkins is BETTER in his role as Hannibal Lecter.
8: Blow
Johnny Depp is the only thing that holds this movie together. An un-interesting story made interesting by Johnny Depp's performance. This one is in the same boat as A Beautiful Mind, decent movie made good by a great performance. I expect this to be knocked off the list.
post #225 of 235
My favorite 10 of 2001:

1. A.I. Artificial Intelligence



2. Memento



3. Lost & Delerious

http://home.mindspring.com/~mattko/lost&delerious.jpg

4. Vanilla Sky



5. Waking Life



6. Lord of the Rings : The Fellowship of the Ring



7. Shrek



8. Black Hawk Down



9. Moulin Rouge



10. The Deep End

post #226 of 235
this will be quick

1) LOTR
2) The Royal Tenenbaums
3) Memento
4) the gift (was it 2001?)
5) Godsford park
6) Shreck
7) Amelie
8) Mulholland Drive
8) Monsters inc.
9) The Others
10) Ocean's eleven

worst (no particular order, they all suck...)
1) Not another teen...
2) Evolution
3) American pie
4) all the Freddie Prinz jr movies, teen-comedies all together
5) Planet of apes
6) Pearl harbour
7) JP III
8) Harry Potter
9) Freddy got fingered
10) Tomb Rider

A.I. is not the worst, but it's closer to negative mark than to positive...
post #227 of 235
Best Picture of 2001
- A.I. : Artificial Intelligence
1st Runner-Up - The Princess and the Warrior
2nd Runner-Up - Gosford Park
3rd Runner-Up - The Lord of the Rings : The Fellowship of the Ring
4th Runner-Up - Black Hawk Down
5th Runner-Up - The Others
6th Runner-Up - Hedwig and the Angry Inch
7th Runner-Up - Lagaan : Once Upon a Time in India
8th Runner-Up - Mulholland Drive
9th Runner-Up - Sexy Beast
10th Runner-Up - Ali

Best Director of 2001
- Steven Spielberg, A.I. : Artificial Intelligence
1st Runner-Up - Tom Tykwer, The Princess and the Warrior
2nd Runner-Up - Peter Jackson, The Lord of the Rings : The Fellowship of the Ring
3rd Runner-Up - Ridley Scott, Black Hawk Down, Hannibal
4th Runner-Up - Robert Altman, Gosford Park
5th Runner-Up - Michael Mann, Ali
6th Runner-Up - Alejandro Amenábar, The Others
7th Runner-Up - David Lynch, Mulholland Drive
8th Runner-Up - John Cameron Mitchell, Hedwig and the Angry Inch
9th Runner-Up - Ashutosh Gowariker, Lagaan : Once Upon a Time in India
10th Runner-Up - Jonathan Glazer, Sexy Beast

Best Actor of 2001
- Sean Penn, I Am Sam
1st Runner-Up - Haley Joel Osment, A.I. : Artificial Intelligence
2nd Runner-Up - John Cameron Mitchell, Hedwig and the Angry Inch
3rd Runner-Up - Benno Fürmann, The Princess and the Warrior
4th Runner-Up - Ray Winstone, Sexy Beast
5th Runner-Up - Will Smith, Ali
6th Runner-Up - Denzel Washington, Training Day
7th Runner-Up - Guy Pearce, Memento
8th Runner-Up - Kenneth Branagh, How To Kill Your Neighbor's Dog
9th Runner-Up - Gene Hackman, The Royal Tenenbaums, Heist
10th Runner-Up - Robert Redford, Spy Game, The Last Castle

Best Actress of 2001
- Nicole Kidman (The Others / Moulin Rouge)
1st Runner-Up - Franka Potente (The Princess and the Warrior)
2nd Runner-Up - Tilda Swinton (The Deep End)
3rd Runner-Up - Naomi Watts (Mulholland Dr.)
4th Runner-Up - Audrey Tautou (Amélie)
5th Runner-Up - Renée Zellweger (Bridget Jones's Diary)
6th Runner-Up - Sissy Spacek (In the Bedroom)
7th Runner-Up - Kate Winslet (Iris)
8th Runner-Up - Michelle Pfeiffer (I Am Sam)
9th Runner-Up - Judi Dench (Iris)
10th Runner-Up - Cate Blanchett (Charlotte Gray)

Best Supporting Actor of 2001
- Ben Kingsley, Sexy Beast
1st Runner-Up - Ian McKellen, The Lord of the Rings : The Fellowship of the Ring
2nd Runner-Up - Jude Law, A.I. : Artificial Intelligence
3rd Runner-Up - John Hurt, Captain Corelli's Mandolin
4th Runner-Up - Sean Bean, The Lord of the Rings : The Fellowship of the Ring
5th Runner-Up - Andy Garcia, Ocean's Eleven
6th Runner-Up - Jeremy Northam, Gosford Park
7th Runner-Up - Emilio Echevarría, Amores Perros
8th Runner-Up - Ian Holm, From Hell, The Lord of the Rings : The Fellowship of the Ring
9th Runner-Up - Clive Owen, Gosford Park
10th Runner-Up - Jon Voight, Ali

Best Supporting Actress of 2001
- Maggie Smith, Gosford Park
1st Runner-Up - Frances O'Connor, A.I. : Artificial Intelligence
2nd Runner-Up - Emily Watson, Gosford Park
3rd Runner-Up - Helen Mirren, Gosford Park
4th Runner-Up - Fionnula Flanagan, The Others
5th Runner-Up - Marisa Tomei, In the Bedroom

Best Screenplay of 2001
- Gosford Park
1st Runner-Up - A.I. : Artificial Intelligence
2nd Runner-Up - The Princess and the Warrior
3rd Runner-Up - Mulholland Drive
4th Runner-Up - The Others
5th Runner-Up - Hedwig and the Angry Inch

Best Film Editing of 2001
- Black Hawk Down
1st Runner-Up - Ali
2nd Runner-Up - The Lord of the Rings : The Fellowship of the Ring
3rd Runner-Up - The Princess and the Warrior
4th Runner-Up - Memento
5th Runner-Up - A.I. : Artificial Intelligence

Best Cinematography of 2001
- Andrew Lesnie, The Lord of the Rings : The Fellowship of the Ring
1st Runner-Up - Janusz Kaminski, A.I. : Artificial Intelligence
2nd Runner-Up - Emmanuel Lubezki, Ali
3rd Runner-Up - Slawomir Idziak, Black Hawk Down
4th Runner-Up - Javier Aguirresarobe, The Others
5th Runner-Up - Bruno Delbonnel, Amelie

Best Costume Design of 2001
- Moulin Rouge
1st Runner-Up - The Lord of the Rings : The Fellowship of the Ring
2nd Runner-Up - A.I. : Artificial Intelligence
3rd Runner-Up - Hedwig and the Angry Inch
4th Runner-Up - The Golden Bowl
5th Runner-Up - The Others

Best Production Design of 2001
- A.I. : Artificial Intelligence
1st Runner-Up - The Lord of the Rings : The Fellowship of the Ring
2nd Runner-Up - Moulin Rouge
3rd Runner-Up - Hedwig and the Angry Inch
4th Runner-Up - The Others
5th Runner-Up - Captain Corelli's Mandolin

Best Sound of 2001
- Black Hawk Down
1st Runner-Up - The Lord of the Rings : The Fellowship of the Ring
2nd Runner-Up - A.I. : Artificial Intelligence
3rd Runner-Up - Ali
4th Runner-Up - Gosford Park
5th Runner-Up - Hedwig and the Angry Inch

Best Soundtrack of 2001
- A.I. : Artificial Intelligence
1st Runner-Up - The Lord of the Rings : The Fellowship of the Ring
2nd Runner-Up - Hedwig and the Angry Inch
3rd Runner-Up - Black Hawk Down
4th Runner-Up - The Others
5th Runner-Up - Gosford Park
post #228 of 235
My top 10 of 2001:

1)

2)

3)

4)
5)

6)

7)

8)

9)

10)

Honorable Mention:
In the Bedroom
Monsters Inc.
Amores Perros
Monster's Ball
Amelie
Bridget Jones' Diary
The Dish
The Majestic


Special Mention: Apocalypse Now Redux. While the longer version isn't as good as the original, it still serves as a reminder when Hollywood didn't dumb down it's movies to the lowest common denominator.
post #229 of 235

Re: Our Top 10's of 2001 -- Time To Throw Down

Best of 2001

1. In the Bedroom



2. Gosford Park



3. In the Mood for Love



4. Mulholland Drive



5. Memento



6. Last Orders




7. The Man Who Wasn't There



8. Domestic Violence



9. Amores Perros



10. Hedwig & the Angry Inch

Edited by schmidtt - 8/15/2009 at 06:39 pm GMT
Edited by schmidtt - 3/6/10 at 9:49am
post #230 of 235

Re: Our Top 10's of 2001 -- Time To Throw Down

Todd, good list. Can we expect your 2007 list in 2013? ....Just kidding.
post #231 of 235

Re: Our Top 10's of 2001 -- Time To Throw Down

I'll add my top ten while we're at it-

1. Ali: Director's Cut (Michael Mann) - Ignore people who say this is something other than a masterpiece. Watch it again. It's not about Ali; it's about the experience of what it was to be Ali, for those 10 years. Mann's mood, ambience, perceptiveness is beyond description. Unquestionably some of his best work. The film is paced to perfection. Will Smith will never top this performance. The definitive filmic statement on the African-American experience in both Africa and America. It has a perceptiveness that is sorely missing from other similarly themed efforts (Malcolm X being an obvious example; as much as I love Spike Lee, thank the heavens he didn't get to direct this). The director's cut, just 7 minutes longer, strengthens the Howard Cosell relationship, which makes quite a difference, has a few alternate angles and line readings, and adds a few more of those "Mann moments" we all love.

2. Mulholland Drive (Lynch) - The man at his finest; a dark, beautiful stream of words and images that our unconscious understands very well, even if our brains don't. A great concept, a great indictment of Hollywood, something I can identify with strongly. The beginning of Naomi Watts.

3. Black Hawk Down (Scott) - Ridley took the intensity of SPR's opening and extended it to feature length. This is the definitive filmic statement on the reality of combat. Yes, it whitewashes certain aspects relating to the specific event; I say who cares. We know the facts. As filmmaking, it's brilliant.

4. In The Bedroom (Field) - He proved with Little Children that he's not a one-hit wonder- both are masterpieces. Despite the subject matter, I find this one compulsively watchable; the ending is immensely satisfying for some reason.

5. Amores Perros (A. G. I.) - The rawness of the narratives is extraordinary. The use of music, particularly during a scene where 2 storylines pass by each other on the street, is fantastic. Allegedly, this is the first film to do bleach bypass. Also, isn't this a 2000 release?

6. The Royal Tenenbaums (Wes) -

"Are you trying to steal my woman?"
"I beg your pardon."
"You heard me, Coltrane."
"'Coltrane'"?
"What?"
"Did you just call me Coltrane?"
"No."
"You didn't?"
"No."
"Okay..."
"But if I did, you wouldn't be able to do anything about it, would you?"

7. Man Who Wasn't There, The (Coens) - a great drama with a great vibe, great photography, good characters, and a perfect ending. What could be better? Also, a rare film centered around a quiet person. And it's worth repeating: great photography.

8. LOTR: FOTR (Jackson) - there's no denying the lasting impact the series already has. This is the most watchable installment for me. Classical filmaking with new technology at its best. Whatever flaws these films may have are as nothing to the achievements that they are. Watch Eragon for hilarious and pathetic proof of the respect the LOTR films deserve, whatever qualms we may have with them.

9. In The Mood for Love (WKW) - There's something about that last scene, where he goes up to the mountain, that just kills me. The pain, the suppression of that bursting feeling, not knowing what to do with it, and being petrified to allow yourself near that level of emotion again- any man can identify with this. Taken as a whole, this and 2046 are some of the most perceptive films on illuminating relationships from the male perspective.

10. Hannibal (Scott) - Nearly the only example of horror film as art film. It's not like Silence of the Lambs, and it isn't supposed to be. It does what a good sequel should do- takes the characters in new directions, reinterprets the material, buliding on what was before to explore new places. Ridley positively drenches the film with atmosphere. Check out those scenes in Italy.

11. A.I. (Steve) - People should still be talking about this film, but they aren't. It's a great one, sci-fi for adults, layered in terms of both themes and story content (for the last time: they're not aliens!), and heartbreaking. A fascinating melding of 2 great minds.

Regards,
Nathan
post #232 of 235

Re: Our Top 10's of 2001 -- Time To Throw Down

I love how you're on a first name basis with directors

Seriously though, I've thought about doing this also, reviving old threads, the one I keep thinking of pre-dates the web forums, but "Best Films of 1994". The reason why I think about it is because years later, I've had much more time to watch many more films from any given year, and so I feel as though films that would have been "lost gems" or foreign films that I didn't see until much later could now be judged, and the test of time really tells.
post #233 of 235

Re: Our Top 10's of 2001 -- Time To Throw Down

Eh why not, I never did post a list...

1- Lord of the Rings: The Fellowship of the Ring
2- Mulholland Drive
3- Black Hawk Down
4- Y tu Mama Tambien
5- Beautiful Mind, A
Shrek
In the Mood for Love
The Others
Amores Perros
Ghost World

--
H
post #234 of 235

Re: Our Top 10's of 2001 -- Time To Throw Down

Quote:
Originally Posted by Chris
I love how you're on a first name basis with directors

Seriously though, I've thought about doing this also, reviving old threads, the one I keep thinking of pre-dates the web forums, but "Best Films of 1994". The reason why I think about it is because years later, I've had much more time to watch many more films from any given year, and so I feel as though films that would have been "lost gems" or foreign films that I didn't see until much later could now be judged, and the test of time really tells.
Good idea, start the thread(s), I am down .

--
H
post #235 of 235

Re: Our Top 10's of 2001 -- Time To Throw Down

I've almost gotten around to seeing everything from 2001 that is, you know, worth seeing. Though it has taken me about six years, I think I'm finally ready to put down my top 10 of 2001 list.

1. Memento

2. Mulholland Dr.

3. In the Bedroom

4. The Lord of the Rings: The Fellowship of the Ring

5. Moulin Rouge!

6. Gosford Park

7. The Man Who Wasn't There

8. Hedwig and the Angry Inch

9. Le fabuleux destin d'Amélie Poulian

10. The Royal Tenenbaums

Honorable Mentions: L.I.E., Artificial Intelligence: A.I.


Some other mentions:

Best Director: Robert Altman- Gosford Park

Best Actor: John Cameron Mitchell- Hedwig and the Angry Inch / Russell Crowe- A Beautiful Mind

Best Actress: Naomi Watts- Mulholland Dr.

Best Supporting Actor: Steve Buscemi- Ghost World

Best Supporting Actress: Cameron Diaz- Vanilla Sky

Best Original Screenplay: Wes Anderson, Owen Wilson- The Royal Tenenbaums / Gerald Cuesta, Michael Cuesta, Stephen M. Ryder- L.I.E.

Best Adapted Screenplay: Robert Festinger, Todd Field- In the Bedroom

Best Cinematography: Roger Deakins- The Man Who Wasn't There

Best Editing: Jill Bilcock- Moulin Rouge!

Best Art Direction: Stuart Craig- Harry Potter and the Sorcerer's Stone

Best Costume Design: Nglia Dickson, Richard Taylor- Lord of the Rings: The Fellowship of the Ring

Best Original Score: Yann Tiersen- Le fabuleux destin d'Amélie Poulain

Best Foreign Film: Y tu mamá también

Best Animated Film: Monsters, Inc.

Best Documentary Feature: Startup.com

Whooo...hopefully no more changes are necessary. Now I can finally start working on my 2002 list!
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