I liked the first and this looks to better it. Love that Noomi is in it.
http://trailers.apple.com/trailers/wb/sherlockholmesagameofshadows/
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I liked the first and this looks to better it. Love that Noomi is in it.
http://trailers.apple.com/trailers/wb/sherlockholmesagameofshadows/

As someone whose only real exposure to the character has been the Ritchie films, I saw Game of Shadows on Friday and rather enjoyed it. Both Ritchie films have the same overall feel and style. If you enjoyed the first film, I think you'll enjoy the second one, too.
Whether or not this representation of the character fits in with the literary version, I can't say. All I know is that the films are fun, entertaining, and not nearly as stupid as most other "blockbuster" type movies.

Then save your money and stop going to see them.
Crawdaddy
To each his own. I viewed this film today and my thoughts on it are similar to Patrick's. The last act of the film was the best of it and it was worth a matinee to view it. The slow motion stuff has to go though as I find it boring now.
Crawdaddy

Agree with these thoughts, though I'd be more likely to give it a C or a C-. The climax helps semi-redeem the flick, but the first 100 minutes or so are largely a mess. This time around, Downey's Holmes is too much of a frantic clown. He seems less like a master detective and more like a goof who happens to fall into various situations without much cleverness or insight; every once in a while, he pulls some deduction out of his butt, but usually he just kind of blunders around and gets lucky.
Rapace is a dud as a romantic lead, partially because there's virtually no romance, but even if the filmmakers shot for a connection between Holmes and Simza, it wouldn't work. Rapace looks like she's not sure what movie she's in; she comes across as vaguely dazed much of the time, like they just handed her the script 10 minutes before they shot - and it's missing random words.
The story is a muddled mess, and it underuses Moriarty. We're supposed to accept him as a brilliant criminal mastermind because we've heard Moriarty called that for decades; the film's Moriarty seems to coast on collective cultural reputation. Harris is fine in the role, but he doesn't get enough to do.
Instead, the movie seems more concerned with comedic set pieces and the aforementioned slow-motion action sequences. These come to decent fruition during the climax, but most of the time, they feel gratuitous, like Ritchie figured they worked well in the first flick so he'd heap them on the second go-round. The more we see them, the less effective they become.
I really liked the first film, but the second delivers a near-total disappointment. The actors look too interested in laughs to bother with good performances, and Ritchie prefers pointless flash to storytelling. If there's a third, I hope they revisit what made the first one so good and don't just cruise on past laurels.

