German PAL DVD vs USA BLU-RAY (mouse over to compare)
American Graffiti is one of my favourite films. One of the reasons that I love it is the way it was shot on my favourite format, 2-perf Techniscope at 2.35:1. For years I have hoped to see an original Technicolor dye-transfer print but they no longer seem to be out there. Has anyone here seen it in 35mm in the last 10-15 years?
I always liked the original DVD but the comparison above really surprised me*. The liquor store scene shows how soft the DVD is. But as many of you have said, a Blu being "better than the DVD" is not a good standard - 1080p vs. 480p NTSC (or 576p PAL) just as comparing DVD to VHS was a red herring. But I absorbed the Blu of Graffiti two weeks ago and it felt amazing. I didn't scrutinize the image but I never saw something that bothered me. However, I agree that it is a fudgy, less-than-optimal transfer. I paid $12 for my copy to be shipped to my Scottish Castle Greyskull so I don't feel bad about it. As I say, I'd love to see it on a HUGE screen in 35mm or 4K but as it is on Blu on my idiot box, it feels good as I watch it. Maybe in 2013 we'll see a flawless image, but the world wil have ended by then so why worry?
*That site is maintained and supported by highly knowledgeable Germans; be sure to check out their recent MGM Blu vs the Italian Blu of The Good the Bad and the Ugly, btw)
American Graffiti is one of my favourite films. One of the reasons that I love it is the way it was shot on my favourite format, 2-perf Techniscope at 2.35:1. For years I have hoped to see an original Technicolor dye-transfer print but they no longer seem to be out there. Has anyone here seen it in 35mm in the last 10-15 years?
I always liked the original DVD but the comparison above really surprised me*. The liquor store scene shows how soft the DVD is. But as many of you have said, a Blu being "better than the DVD" is not a good standard - 1080p vs. 480p NTSC (or 576p PAL) just as comparing DVD to VHS was a red herring. But I absorbed the Blu of Graffiti two weeks ago and it felt amazing. I didn't scrutinize the image but I never saw something that bothered me. However, I agree that it is a fudgy, less-than-optimal transfer. I paid $12 for my copy to be shipped to my Scottish Castle Greyskull so I don't feel bad about it. As I say, I'd love to see it on a HUGE screen in 35mm or 4K but as it is on Blu on my idiot box, it feels good as I watch it. Maybe in 2013 we'll see a flawless image, but the world wil have ended by then so why worry?
*That site is maintained and supported by highly knowledgeable Germans; be sure to check out their recent MGM Blu vs the Italian Blu of The Good the Bad and the Ugly, btw)
![American Graffiti (Special Edition) [Blu-ray]](http://cdn.hometheaterforum.com/9/92/50x50px-ZC-92615829_B001AQMBDM-51F3rADMXzL.jpg)








And you said "but they no longer seem to be out there." I'm curious if you EVER saw one from the initial run?
) to the best of my recollection the release print of "American Graffiti" (4 track mag) that I ran was on Eastman stock and was NOT a Technicolor IB print. However, the print was still made by Technicolor. The last Technicolor IB prints of a new film that I ever ran was "The Godfather II" and a loser called "3 Tough Guys"
(aka "Tough Guys"), both in 1974. I know the print of "3 Tough Guys" was made in Italy and I believe "Godfather II" was also made there . Technicolor had already stopped making dye prints here in the U.S. While I'm aware that they were still making IB prints here in 1973 when "American Graffiti" came out, I can't account for why the print of "Graffiti" would have been made on Eastman stock.
One possible reason could be that at the time, Universal thought the film would be a loser and it was cheaper to make Eastman prints when making a lower number of release prints, as opposed to Technicolor's process, which becomes cheaper with higher volume. If there are Technicolor IB prints that were made, they must have made them AFTER the film became a hit.
We used to call them "poor mans Cinemascope" because of the grainy look.