I've recently been able to re-unite with this series as an Orlando affiliate of MeTV signed on a week ago. Unfortunately, reception of this affiliate is a bit problematic, but in this digital TV age, when it DOES come in, it's pretty darned good-looking.
In the past week, I've captured four episodes, all from the latter color-episode half-season. I've garnered from their online schedule that after one more color episode tonight, they'll be reverting back to the first season to start the series all over again. They're not airing in strict airdate order, but are close enough that it won't be too much of a problem to re-assemble them in order, assuming I remain fortunate with the reception problems.
I was quite impressed with the way the show looked from these episodes so far. The color looks crisp and clear, and though it's not a high-def signal, even the blocky compression doesn't look too bad on this show. I beg to differ with Neil Brock above - the show is slightly time-sped with run-times coming in at around 46:30, but the pitch of voices is not raised at least. Some of the dialog moves along a bit too quickly, but I'm happy just to be able to see the show again after all these years.
The four episodes I've captured all had the "In Color" bumper at the start, and one even had a "12 o'clock HIGH, brought to you by..." bumper at the end just before the 20th Century Fox logo, and all of the credits are being run in full. It's great to see a station/network treat shows with respect.

The opening "In Color" bumper

A typical frame with Paul Burke, Andrew Duggan, and Barney Phillips.

The "brought to you by..." bumper.
I'd buy this series on (legitimate) DVD in a heartbeat, if it were ever to somehow be issued.
Harry