I did see the film tonight and thought it was fairly good. Uneven, but good. Overall the budget reduction was notable, but I think that aspect helped the movie more than hindered it - Narnia doesn't need to be "epic" (a misfire in marketing, IMO), especially Dawn Treader. It's a more personal story than the previous two.
The early box office does not look good. Less than $9 million on Friday, which means ~$25 million this weekend, which is well below what they were looking for. Even with a reduced budget as compared to Prince Caspian.
This film had a reported budget of $140 million. Going by the law of doubling to break even, it needs to do $280+ million world wide to be in the black, which is still doable when considering possible international ticket sales, but not very solid.
What gets me is why I haven't seen the push for church word of mouth like the first film. Aside from releasing Prince Caspian in a busy summer, Disney's other major folly was to not continue within the Christian Protestantism circuit in marketing, and Fox hasn't seemingly done that with Dawn Treader, either. Maybe Christians only go to movies as enthusiast groups for movies where Jesus/Aslan get crucified. Dawn Treader has some very basic "Christian Value" content that would strike me as just as crucial to the tone of typical sunday school rhetoric (and I mean that in a good way).
So, some positives, negatives, and inbetween.
Positives:
- I thought the relationship between Eustace and Reepicheep was done very well. Probably my favorite aspect of the movie, honestly. Maybe the tone is such a shift with Eustace for unfamiliar viewers, but Poulter *is* Eustace Scrubb. I would feel fully confident in seeing him in The Silver Chair.
- Reepicheep's entry into Aslan's Country might be one of the top three scenes in all the movies. It's that well done.
- The film looks very nice for the most part. It doesn't have the same landscapes and scale to work with that the prior films do, but it makes the most of what it's got.
- The cameos by Susan and Peter work rather well for the film, which I did not expect. The scene that this occurs in is handled exceptionally well and also happens to be bookended by Lucy's best moments.
- A few small touches were really well done: the brief mention of Jill Pole, the original art in the end credits, and the incorporation of Eustace's diary, which I thought they would have dropped altogether.
In-Betweens:
- Skandar (Edmund) and Georgie (Lucy) give OK performances, but they're not at the same level as the prior two films. Still better than William and Anna in either of the other two films, though. Barnes is fine, no more, no less.
- The effects are solid, if more economical.
- The score is unremarkable, if serviceable.
- While the scene between Aslan and Eustace is good, it is such a landmark moment in the books that I feel they could have spent more energy bringing focus to it. It seemed the only part of the film that was rushed to me, but perhaps that's my projection on it's importance.
- The adaptation itself is good. Some of it works just fine: changing the order of discovery of some islands, combining a couple of them, all good choices. Other aspects are a bit offkey: the primary quest helps focus the narrative, but it doesn't have a real definable threat like Caspian's uncle or a Witch. While a strength to the book is the vignette structure, this doesn't work as well on film, so I understand the issue here. But giving us a mundane villain in the form of a Fantasia "Nothing" and a brutish/mindless sea serpent doesn't quite bring it to an A-game. The green mist doesn't help too much and is too visually literal, too.
Negatives:
- OK, I get the need to reduce plain exposition by having interactive dialog. But the addition of random guy and his precocious daughter to mirror Lucy/Susan's relationship doesn't quite jive. Not terribly offensive, but mostly unnecessary.
- Bringing back the temptation of the White Witch for Edmund in Caspian made sense, especially considering the book's scene discussing using dark magic to resurrect her. But having her so visually present in Dawn Treader as Edmund's temptation just seemed like overkill. If they do The Silver Chair I hope they do not cast Swinton as the Green Witch. Narnia needs a new villainous face.
- There are a few too cheesy moments. Most of the time the tone doesn't ham it up anywhere as close as I'd feared. Oh, the sentimentality and sweetness for a family film is almost always there, but it's typically under control. At times though it grates, and a couple moments in particular are just bad. One is where Lucy reads and incantation for snow that screams "look how MAGICAL this movie is!" The other is at the end of the sea serpent fight Lucy has a voice over internal thought of "Aslan please help us" followed by a bird (seagull?) breaking through the dark clouds to bring a ray of sunshine. C'mon, this was completely unnecessary and plainly condescending to the entire audience. Everybody knows they're praying for help at this time. They're fighting a giant sea serpent!
So, that's my thoughts. I hope people go see it over the holidays - if it hasn't lost too many screens by then. It's a worthy film in the series, and I'd like to see more. Looks like a long shot right now though, which is too bad. At least I can always re-read the books. I'd recommend this film to most anybody who likes the first two and/or enjoys quality family entertainment. It's not spectacular but it is enjoyable.
7/10
Edited by Brandon Conway - 12/12/10 at 1:43am