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Books you've read in 2010

post #1 of 81
Thread Starter 
For easy reference:
Books you've read in 2009
Books you've read in 2008
Books you've read in 2007

Books were received today :) See you all here in a short while.

Edited by DaveF - 12/29/09 at 7:48am
post #2 of 81
I have quite the list of books for the new year. I am looking forward to it.
post #3 of 81
Thread Starter 
Astro City: The Tarnished Angel

I'm not a regular comic book reader, but I've been introduced to some of the greats by friends. Astro City is my favorite, and I've erratically bought the compilations over the past 10 plus years. This morning I finished The Tarnished Angel. I'll be honest: I ignorantly thought this was to be the tale of the Silver Agent, a story promised but seemingly never realized in the sporadic term of Astro City. So partway through, I had some initial disappointment. Putting that aside, and accepting the story for what it is, this is another fine story arc from Busiek, Ross and Anderson. The story of Steeljack, and two-bit, former supervillain, out of prison, trying to make something of the fragments of his wasted, broken life. The story is standard stuff -- bad guy trying to reform himself -- but is infused with the wonder of the Astro City mythos. Yet again I'm amazed by the artistry and writing of Astro City comics. It has a Tolkien-esque feel, as well; the sense that this place has histories and characters far beyond what is shown on the pages.

If you're even a modest fan of comics, or even fantasy / adventure fiction, or just enjoying  the comic-book movies of recent years, I recommend without hesitation Astro City.
post #4 of 81
I'm reading an old one by Frederik Pohl: Black Star Rising. I have tried reading it several times but never got that far into it. Started reading it a few days ago, and it finally interested me enough to keep going. I'm about half way through it, but I'm reading it in fits and starts. I haven't been able to sit down and read it in a long stretch. I'm finding the premise of a Chinese-controlled North America rather interesting. His extrapolation on how they eventually control North America is outdated: Soviet/American nuclear war. Personally, I think they will eventually just own it, because they are owed so much money that the only way to pay it will be to give them the Western half of the continent.  
post #5 of 81
Thread Starter 
Speaker for the Dead, by Orson Scott Card
Sequel to Ender's Game, and two of the four in the quartet box set.

Ender, an adult and out of the military, winds his way to a new planet with a human colony kept separate from the aboriginal "piggies" -- . The piggies are inexplicable, the colonists a nest of lies and secrets and personal shame, and all are prevented from understand each other by social law. And Ender is seeking to atone for his genocide of the buggers. It brings an interesting mix of of social, religious, and scientific dynamics. And quite different from but every bit as interesting as Ender's Game.
post #6 of 81
Thread Starter 
Xenocide,  Orson Scott Card
Part three in the Ender's Quartet continues the story from Speaker for the Dead. The 100-Planets Council is sending an armada to Lusitania to take to trial Ender and others, as well as contain the potential spread of the Descolada virus. The fear is the Little Doctor will be used to destroy Lusitania. The piggies are working with the Hive Queen to get ships and escape, making real the threat of the Descolada escaping and ultimately dooming humanity. The humans are working to contain or even destroy the Descolada, which could doom the piggies. And if the Hive Queen does not send a new Queen off the planet, the buggers could, finally, be destroyed. It might be xenocide for one or more races. And Ender is struggling to help everyone survive.

Building on the first two books, Xenocide is an ambitious book. It tells perhaps five tales simultaneously. The excursions into philosophical and religious discourse are lengthier and more in depth than the past two books. And a grand effort is made to define the very nature of life and the cosmos, putting the Ender's Game into its own novel framework.

Remarkably, it succeeds on all counts. And while the philosophical discussions can be skimmable, the book is on the whole engaging.

But be prepared to start on the fourth big on finishing this one.


Astro City: Local Heroes, Kurt Busiek
Ah, Astro City. I've lionized it enough. Local Heroes is an anthology of six stories, five on a different characters in the AC world. If you like AC, you'll like this.

The Magicians, Lev Grossman
This book does almost everything wrong. If you must read it, start past the half-way point. The first half is especially bad. It commits my five  great literary sins (the fourth is new to me with this book)

1) Telling me, not showing me: Especially the first third, we are repeatably told of the brilliance of the characters. They are said to have friendships, emotional bonds with others. But these are stated by the third-person narrator. The real evidence of this is but dimly demonstrated through the characters actions and dialog. Rather than showing me that someone is loyal through appropriate actions, they are described as loyal with minimal, if any, support evidence.

2) Not making me believe: In a world of magic and magicians, I never really believed these characters could do magic.

3) Not making me care: There was no hero. Not anti-hero. No sympathetic characters. The protagonist was tedious from the start, and only gained some emotional resonance in the last quarter of the overlong story.

4) Mocking the greats: It's as if Lev Grossman decided that Narnia and Harry Potter would be much better if those worlds were filled with vulgar, cynical, angsty, young adults. So it creates its own version of Narnia, Filory, that the characters all read as children:  young British kids escape through their uncle's furniture into a magical land, have adventures, and return home. He then reworks the Potter world where high-school kids with hidden magical talent are sent off to a special school, where they are hidden away for 5 years learning magic, completely unknown the outside, non-magical world. But being "real", they smoke and curse and have sex and do nothing of value with their lives. And for the first many chapters, it creates a constant comparison with far greater books, and looks all the worse for it.

5) Goes nowhere, Does nothing: The story is a string of essentially random events, culminating in nothing.
post #7 of 81
Dave-

Glad you liked Xenocide (I did too) in fact, I found some of the philisophical ideas in that incredibly engaging and pretty life-affriming stuff.  I enjoyed that book a great deal.  It starts out almost as a confusion to those who finish Speaker but wow does it roll after that.  I admit, I always find "Speaker" to be the masterwork, as I think the entire second half to that book is one of the best reveals in any scifi story I've ever read, but Xenocide/Children of the Mind are both very good.

I just started reading "The Lust Lizard of Melancholy Cove", a Christopher Moore novel. Christopher Moore is hit and miss for me, but I admit, the beginning has a great grab and I'm really enjoying it.

 

Just finished: "Game Change: Obamas and Clintons, McCain & Palin and the Race.."  I'd make more commentary, but it'd violate forum rules.  The book is a pretty interesting read.  I had hoped for something a bit like "The Late Shift" and found this to be in that style, but not quite as good.



post #8 of 81
Just finished, Sir Gawain and the Green Knight (M.S. Merwyn's translation.)  I may have read it in high school, but didn't really remember the poem, only the various movie versions.  None of them really do it justice.  Currently reading Pride and Prejudice, which I tend to do about once a year.  (And you can keep your comments to yourself.  )  In this case I picked it up again because I just got the amazing Blu Ray version of the 1995 BBC version with Jennifer Ehle and Colin Firth that aired here on A&E and watched it last week. 

Regards,

Joe
post #9 of 81
Thread Starter 
Quote:
Originally Posted by mattCR View Post

Matt

Glad you liked Xenocide (I did too) in fact, I found some of the philisophical ideas in that incredibly engaging and pretty life-affriming stuff.  I enjoyed that book a great deal.
It was quite the story; especially with regards to the deeper characterizations of Jane, Piggies, and Hive Queen. I read the first three in a blitz, so I'm taking a breather before I read Children of the Mind. But I look forward to it.

It's about time to get back to Super Freakonomics :)

post #10 of 81
I wasn't crazy about Xenocide when I read it in the mid-1990s, and wasn't too impressed with the 4th Ender book, but that didn't stop me from reading the first 3 Bean-related Shadow novels, though for the life of me, I can't remember if I read the 4th Shadow novel yet...
post #11 of 81
First time I read Xenocide I hated it.  Really hated it.  I read it again a few years ago, and I guess time has changed me some and some of the story hit me differently.  I think it worked much better for me after having read "Children of the Mind" which really played out that entire philosophy, which I admit, I really think was a pretty uplifting view of the universe.
post #12 of 81
Those of you who have read or are reading the Ender's books might get a kick out of this...

http://xkcd.com/635/

Wish I still had time to read books. I haven't even bought a comic book in almost 2 years.
post #13 of 81
I love all of the Ender books. "Speaker for the Dead" is one of my favorite books. As for the books I read this year I have been rereading some of my favorites, making attempts at reading books that I have never finished and reading some new stuff.
I read "World Without End" by Ken Follet. It seemed like the book without end. I think the hardcover edition is 900+ pages. The book was OK, I did finish it. It is a follow up to "Pillars of the Earth" which is a great book.
I read all the "Bean" books a few months ago. Those were fun and easy reads with just the right amount of Cards ideology thrown in.
Once again, I tried to read "Hero with a Thousand Faces" by J Campbell. I still can't finish it.
I just re-read the "Lord of the Ring" books. This is the first time I am reading it since I finished reading the Silmarillion. (OK, I read the Silmarillion and listened to it on tape.) It is great to finally understand the background of the series. I finally understand how Gandalf came back from the dead!
I keep on picking up the additions to the "DUNE" books that are written by his son. Frank Herbert died before finishing his last DUNE book so his son finished the series. Ehhhh, it was nice to have a sense of completion, but it so-so.
I know there is a non-fiction book in there somewhere that I am forgetting, :(
post #14 of 81
I didn't read Ender's Game until just a few years ago (maybe 3 or so), which on its own doesn't sound so remarkable, except that I'm now 40 and have always been a sci-fi geek.  How I "missed" the Ender series when in school/college is beyond me.  Then again, I didn't read the Foundation series until college either.

When I got started, a friend who's a die-hard 'warned' me not to read beyond EG itself.  I ignored him, and while I can see why some might think the latter three are far more philosophical, I enjoyed them nonetheless.  The Bean/Shadow series returned to being more 'romps' like the original EG was, and those were great fun and less 'deep'.

I read Ender in Exile last year, which fills the gap between EG itself and Speaker.  Another interesting tale, but somehow not as satisfying as any of the earlier books.
post #15 of 81
Thread Starter 
SuperFreakonomics by Levitt and Dubner.
The followup to Freakonomics follows the same pattern: an intimate view of some fascinating microeconomics in life. It's a fair book; certainly enjoyable to anyone who liked Freakonomics. But I found Freakonomics much fresher -- not surprising being the first of its kind -- but the stories and topics were more interesting and felt more solid.

In SuperFreakonomics, I enjoyed most the discussion on medical matters, particularly the discovery of infection during childbirth in the Middle Ages.

The weakest portion was on Global Warming, as it simply didn't fit the Freakonomics model: it was purely speculative, not drawing on actual data to prove its point.

If you've not read either, start with Freakonomics. If you enjoyed Freaknomics, give SuperFreakonomics a try.
post #16 of 81
Dave,

Thanks for the heads-up on the 2010 thread.

Agatha Christie is one of my wife's favorite authors.  Twice she has tried to join a book club that is offering all of Christie's works, and both times the club has not completed the set.

I'm currently reading Canon and Canonicity: the Formation and Use of Scripture, ed. by Einar Thomassen (Copenhagen: Museum Tusculanum, 2010).

Precisely which books (and why) constitute the canonical books in the Hebrew bible and the various Christian (Roman Catholic, Protestant, and Eastern Orthodox) bibles has fascinated me for many years, as has the exclusion of various pseudepigraphal works.

I'm also reading Music and Medieval Manuscripts: Paleography and Performance: Essays Dedicated to Andrew Hughes, ed. by John Haines and Randall Rosenfeld (Adershot, Hants, England; Burlington, VT: Ashgate, c2004).
post #17 of 81
Speaking of Christie, I've been reading a lot of her stuff over the last couple of years and recently finished And Then There Were None and tonight I picked up Masterpieces in Miniature, a collection of her detective short stories. 

I've also listened to Shop Class as Soulcraft: An Inquiry Into the Value of Work by Matthew B. Crawford, How Doctors Think by Jerome E. Groopman and the somewhat controversial The 4-Hour Workweek: Escape 9-5, Live Anywhere, and Join the New Rich by Timothy Ferriss.  I'd recommend anyone dealing with illness or undergoing medical care read Groopman's book.

There have been others as well, both this year and last, that I never got around to posting about.



Edited by DavidJ - 3/27/10 at 11:40pm
post #18 of 81
Just finished "Abraham Lincoln: Vampire Hunter" and "The Help" this week, both pretty good reads.  Abraham Lincoln: Vampire Hunter is a cute, fun read that can be finished in one sitting, it's breezy, straight forward, and relatively short.

"The Help" is a book I'm fairly conflicted on.  Some of the writing is truly superlative.  There is a basic story here that is both interesting and pretty compelling.  At the same time, there is something "wrong" with the story that I just can't put my fingers on.  As I read it, I kept thinking that something was not right.  I'm still not sure what that is.  But the more I read it, the more it really bothered me that something about the story just hit me wrong.  Still, a very good read.

I always keep an audio book going, but mostly books that are old friends, for when I drive.  I just finished "The Testament" which is my favorite Grisham book.  Although I'm one of those non-religious, the book is inventive, fun, and has a real suspense element.  It's something that's missing from a lot of newer Grisham books, which unfortunately all seem to have no real ending.  :(

I'm going to start "Lust Lizard of Melancholy Cove" tomorrow and since it's Christopher Moore, I should be able to finish it quickly.
post #19 of 81
I am reading B. Metzger, Manuscripts of the Greek Bible: An Introduction to Palaeography (Oxford, 1981).  I ordered this for our university library as well.  The abstract sounded quite interesting, in that it mentions musical neumes among other distinctive features of Greek palaeography.  Metzger's work in the apocryphal literature is first-rate, and is always interesting.

Just ordered: P. Longerich, Holocaust: The Nazi Persecution and Murder of the Jews (Oxford, 2010); and M. Hirshman, The Stabilization of Rabbinic Culture, 100 C.E. -350 C.E. (Oxford, 2009).

post #20 of 81

Grabbed and finished "Bite Me" by Christopher Moore.  Great, great book.  Definitely a read, I'll go back for the audiobook later, as I often find them to be good stuff.

 

post #21 of 81
Finished reading "The Lightyears Beneath My Feet" by Alan Dean Foster a few days ago. Not bad for light reading. I pick up quite a few of his books and generally find them entertaining. It doesn't harm that he is a fan of one my favorite comic book authors: Carl Barks.

Not quite sure what I'm going to start on next. I might look for Foster's folllowup book to "Lightyears".
post #22 of 81
The Ten Thousand by Paul Kearney. This is marketed as a fantasy novel but it's more like historical fiction based on Xenophon's Anabasis with a sci-fi overlay. The "Greeks" are humans but it's implied that they're not native to the planet on which they live, and the "Persians" are a race of tall, golden-skinned humanoids. I really liked it and am looking forward to reading more of Kearney's stuff, both his older work and the upcoming sequel to this book.

Starship Troopers by Robert Heinlein. This was interesting but I have to admit that I think the movie is better, if only because the filmmakers keep the classroom lectures to a minimum compared to the book. The more I read and re-read Heinlein, the more I realize I don't like him as much I used to think I did.

The Demolished Man by Alfred Bester. I was in a classic sci-fi mood after reading Starship Troopers so I got this one out and it took less than a chapter to realize that Bester absolutely crushes Heinlein as a writer. While I'm not crazy about the resolution of the plot, because I was drawn more to the villain than the hero and I'm not sure that was intended, the book is rich with ideas, moves at a good pace, and has a lot of witty dialogue. The Tenser said the Tensor jingle is still stuck in my head even though I've never heard it put to music :)

Hunt at World's End, by Nicholas Kaufmann. The third of the Gabriel Hunt series, this was my least favorite so far because the hero's love interest is really annoying. Otherwise it's another entertaining Indiana Jones movie except for being, y'know, a book.
post #23 of 81
Thread Starter 


Quote:
Originally Posted by Andy Sheets View Post

Starship Troopers by Robert Heinlein. This was interesting but I have to admit that I think the movie is better, if only because the filmmakers keep the classroom lectures to a minimum compared to the book. The more I read and re-read Heinlein, the more I realize I don't like him as much I used to think I did.
The problem with Heinlein, as one matures, is that he's dirty old man, and his puerile social attitudes become tedious. (I say having loved him in my youth, but being disappointed reading him more recently)


I, Robot by Isaac Asimov.
Read today, without context "I, Robot" feels completely derivative and hastily written. Which is to say, that Asimov's view on robotics, especially the three laws and psychological consequences that follow, were so influential that they've been permeated the past 50+ years of sci-fi, especially Star Trek. With that view, reading I, Robot is like reading original texts in the original language. Or perhaps reading the Robert Noyce's original engineering notes, after having used the modern computers with Intel chips for decades. It's informative, interesting in a historical sense, but not as satisfying as having read them a half-century earlier.

And again, on their own, they feel a bit of a cheat. They are puzzles; they are Asimov figuring out how robots work in his universe and the consequences thereof. They are an anthology of logic parables, lashed together with a string of some inconsequential framework. The human characters aren't particularly interesting or dynamic: perhaps that's intentional to keep the focus on the robots.

I think the original reading of I, Robot some five decades ago would have felt revolutionary. Reading it today is entertaining, and broadens my framework for sci-fi; but is not nearly as interesting as contemporary literature.
post #24 of 81
Thread Starter 
"Do Androids Dream of Electric Sheep?", Philip K. Dick

In contrast to "I, Robot", "Do Androids Dream of Electric Sheep" felt very contemporary. Perhaps because I've not read my dystopic sci-fi of this style, it was fresh to me. It's also an excellent to I, Robot. Whereas Asimov pursues a coolly logical examination of robots which, by design, cannot hurt humans and in the limite are perhaps better behaved than humans, Dick is more emotional in telling a story about androids who are inferior to humans, know, and chafe at it, and in trying to throw off their forced servitude can be murderous. The characters are also significantly more emotionally rounded than the cardboard individuals in I, Robot. "Androids" is also has an strangely mystical aspect. I'm not sure what to make of , but it didn't really distract.

What surprised me most is how very different "Bladerunner" is from the book. The basics are the same: escaped androids hunted by an individual. But, from what I recall of Bladerunner, all the details diverge. Even the core concept of Decker's identity and relationship to the androids seems completely different between film and book. I need to rewatch the movie now to compare. I can't say these are bad changes; just changes. This may be a case where the book had to be re-thought to make a successful transition to film.


If, like me, you've not read the classics of sci-fi, I highly recommend this, particularly in complement to I, Robot. Together, you have the basis of all modern sci-fi takes on robots.
post #25 of 81
The First Family:  Terror, Extortion, Revenge, Murder and the birth of the American Mafia by British historian Mike Dash.   Dash tells the story of Giuseppe Morello, a man almost completely forgotten today, who is arguably the true founder of the American Mafia.  Contrary to legend, the Mafia (a word used only by outsiders) is not an ancient brotherhood.  Even in Sicily itself semi-organized bands of criminals (originally mostly cattle-rustlers!) only came into being in the early to mid 19th century.  These groups were independent and had no central authority or over-arching hierarchy.  Each controlled a city, town or rural district, operated in secret and thoroughly corrupted the local authorities.  Eventually they developed similar initiation rituals, alliances and and power sharing arrangements.  But there was no "boss of bosses" who controlled it all, and there was no central authority that sent minions overseas to create a "Mafia" in America.  Morello's stepfather was a member of one of these groups, from the mountain town of Corleone ("Lion heart"), and many of the men who would form the core of Morello's American gang were Corleonese.   Modern historians may have lost track of Morello, but clearly Mario Puzo's research went back further. 

Instead the members of the Mafia who did come to these shores came as private citizens, as Giuseppe Morello did in 1892.  At the time there were colonies of both Sicilians and Italians in several American cities, especially New Orleans and New York, and local criminal gangs that preyed on their fellow immigrants.  Morello, a convicted counterfeiter who fled Sicily to avoid prison, initially tried to make an honest living, but soon returned to his old ways, and gradually began taking over Sicilian crime in New York from his headquarters in Harlem.  This at the same time that the "Brotherhood of Honor" or "Mafia" in Sicily were becoming organized along the lines that would carry it into the 20th and 21st centuries.  

Most histories of organized crime start with Prohibition, the rise of the Five Families and the creation of The Commission by Lucky Luciano.  Many begin with the so-called Castellammare war, a Mafia civil war that involved leaders from the generation before Luciano (who ended up double-crossing the bosses of both factions initiating the power-sharing arrangement known as the Commission to replace a single "boss of bosses" and avoid future gang wars.)  But Morello was "present at the creation", laying the foundation for a Mafia family that exists to this day.  (The only one from his era that still does.)  He lived into the Prohibition era and emerged from a long prison sentence to serve as consigliere to Joe Masseria, who had taken control of Morello's Family and led one faction in the Castellammare war.   Morello died in 1930, only two years before Luciano would organize The Commission.  He was born around 1872, only a generation or so after the "Mafia" would first emerge in the hills of Sicily, less than 10 years after the end of the American Civil War, and he would live to see the start of the Great Depression and the creation of the Five Mafia Families of New York.  His story, this prehistory of the American Mob, is a fascinating one.  

Regards,

Joe
post #26 of 81

Quote:
And again, on their own, they feel a bit of a cheat. They are puzzles; they are Asimov figuring out how robots work in his universe and the consequences thereof. They are an anthology of logic parables, lashed together with a string of some inconsequential framework. The human characters aren't particularly interesting or dynamic: perhaps that's intentional to keep the focus on the robots.

But this isn't a peculiar failing of Asimov's or even of Science Fiction at the time.  It was a feature common to most genre fiction of the era.  The so-called "Golden Age" of the mystery story, the time of the locked-room murder and the isolated English country house, was full of such stories.  Agatha Christie is also (rightly) criticized for her thin characterizations and sketchy descriptions.  Her stories were also "puzzle box" affairs where the main emphasis was solving the mystery.  It was what the readers of such stories mostly cared about, and therefore the magazines they read bought such stories and the writers very quickly learned that if they wanted to make a sale, that's what they'd have to write. 

Regards,

Joe

post #27 of 81
^^^^^^^^

I liked her Hercule Poirot mysteries, but I always became annoyed at how she would always resort to a cheat in order to prevent the reader from solving the mystery. There was always some "off-page" information that Poirot would acquire that was never available to the reader until the reveal. Half the fun of mystery novels is figuring out the perp and Christie used to ruin it with her "enter-stage-left" shenanigans.
post #28 of 81
I am currently reading There Is A God, and it's quite fascinating.  What follows is a good little essay.  It's fair and balanced on some difficult issues.  Things are seldom what they seem on first glance.  Flew seems to have revised his thinking to a limited extent, late in life.  Quite likely not to a degree worth writing a book about, but, books get published for multiple, complex reasons.  Flew's earlier published arguments stand or fall on their own logical merits (or flaws).  I had not known that he was ever involved in the Socratic Club at Oxford.  I find that to be an amusing coincidence.  Myself, I don't think the complexity of DNA suggest anything about any putative divinity.  Maybe if the genetic code were written in Hebrew, I might think a bit differently.

http://www.skeptic.com/eskeptic/10-04-21/

Antony Flew, 1923–2010
Following the Argument Wherever it Leads

a tribute by Kenneth Grubbs

 

A bristling chill swept the dimming colorless sky over Reading, England one evening earlier this year. In weather uncannily, perhaps even poignantly, similar it was my profound pleasure to speak at length with the delightful and charming Annis Flew, wife of the now notorious Antony Flew who, after almost 70 years vigorously defending atheism apparently changed his mind. Today, at the age of 87, Flew considers himself a deist . At least that is what Annis made clear to me when we spoke in January.

 

Flew, The Man 
 

At the University of Oxford, during the war-ravaged 1940s, a group of undergraduate students, presided over by C. S. Lewis, gathered each Monday evening below ground in the Junior Common Room of St. Hilda’s College to passionately debate Christianity and atheism.

 

This elite group, known as The Socratic Club , was the “intellectual hub of Oxford.” At its core is the Socratic maxim to “Follow the argument wherever it leads,” a principle that would guide Flew his entire life. It was here at the Socratic club in 1950 that a 27-year old Flew presented his first relevant work, Theology and Falsification . It was also here at Oxford that he would meet Annis, the woman who would become his wife and lifelong friend and the woman with the kind and steady voice I would speak with on a crisp January evening, some 60 years later.
 

Professor Flew authored more than 35 books and essays on such diverse philosophical topics as free will and determinism, crime, evolution, logic, ethics, and language. His landmark works include God and Philosophy  (1966), The Presumption of Atheism  (1976), and now, of course, There is a God: How the World’s Most Notorious Atheist Changed His Mind  (2007). I tried to gain access to Professor Flew for this story, but he was in an Extended Care Facility in Reading, England, tired, confused, and in the paralyzing grasp of advanced dementia. He had been there for well more than a year, and Annis informed me that “Tony is rarely aware of his surroundings anymore.” There would be no interview.
 

Flew, The Book 
 

There is a God  was published in 2007 by Harper One, the imprint of Harper Collins focusing on predominantly religious and spiritual works. The book is “about why I changed my mind,” Flew writes. His name appears in large print on the jacket. Below it, in considerably smaller type, it reads “with Roy Abraham Varghese.” From the jacket we also learn that the book is the “Winner of the Christianity Today  Book Award.” This is a curious honor, given that deism shares almost nothing with Christianity, nor any other religion; but far more importantly, Annis informed me without hesitation that “Tony never came to recognize any  of the revealed religions.”
 

Roy Varghese penned the 18-page Preface. The Introduction is written by Flew, spanning four and one half pages. In it comes the thunderous recant, “I now believe there is a God.” There are two Appendices. Roy Varghese writes the first. Its 22 pages consist of one part “New Atheist” bashing, and two parts tiresome argument. Bishop N.T. Wright, an Oxford New Testament Scholar, writes the second appendix. Before Wright begins his 28-page essay, “ The Self-Revelation of God in Human History: A Dialogue on Jesus ,” there is a brief paragraph by Flew inviting Wright to contribute, an odd invitation from a deist .
 

Flew, The Controversy 
 

In December of 2004, 54 battle weary years after Theology and Falsification  was first introduced at the Socratic Club, a lifetime of work was forever fractured when the Associated Press released the story that Antony Flew, famed British philosopher and atheist, “now believes in God.” In 2007, not long after Flew’s book was released, Mark Oppenheimer wrote an essay in the New York Times  magazine (“The Turning of an Atheist,” November 4), for which he interviewed both Flew and Varghese. I spoke with Mark in February, who told me that Professor Flew informed him with no ambiguity that he did not  write the book. “This is really Roy’s doing,” Flew said, “He showed it to me and I said OK.” When Oppenheimer interviewed Varghese, he too  stated that the book was his idea , and that he (Varghese) “did all the original writing,” but that the “substantive” material came from Flew’s previous work. Oppenheimer describes Varghese as a Christian apologist as well as a “crusader for (and financial backer of) those who believe that scientific research helps verify the existence of God.” Varghese met Flew at a conference in 1985.
 

Subsequent to Oppenheimer’s story, Varghese wrote a letter to the editor of the New York Times  magazine: “First the good news: Antony Flew is alive and well (physically and mentally)” (“Doubting Antony Flew,” November 5, 2007. This letter was written just one year  prior to Flew’s dementia requiring hospitalization).
 

When I spoke with Mark he reminded me that Harper One wasn’t entirely satisfied with Varghese’s prose, so they asked Bob Hostetler, an evangelical pastor, to re-write  many of the passages, “To make it more reader friendly,” according to Varghese himself. So the ghostwriter had a ghostwriter!
 

In essence then, two-thirds of Antony Flew’s book is actually Roy Varghese writing for  Flew, with some undefined portion written by Bob Hostetler writing for  Varghese. The remaining one-third of the book is Varghese writing as  Varghese, taking puerile whacks at the “New Atheists” in Appendix A; and Bishop Wright in Appendix B, writing as  Bishop Wright, presenting his 28-page Christian dissertation. As Annis said, “All those Christians [were] trying to pull him to their bosom.” Yet almost unbelievably, nowhere in There is a God  is any of this information disclosed. The omissions alone are disturbing. “The most disappointing thing to me,” Oppenheimer told me, reflecting back with clear candor, “is the cynicism of the publishing industry. They knew they made a mistake, and never took the opportunity to correct it.”
 

Roy Varghese declined my request for an interview. He did email me a written statement to highlight three points. First, he explained that the statements made in the book have been made by Flew in other forums as well. Second, Flew signed off on the book’s manuscript multiple times. And third, Varghese arranged a special meeting attended by himself, Professor Flew and Professor Richard Swinburne, famed Christian apologist and long time friend of Flew. The expressed intent of the meeting was for Swinburne to assess Flew’s genuine views, as well as his capacity. Swinburne wrote a testament proclaiming Flew’s grasp of the material, suggesting that Flew’s position was “most of the way toward Christianity.” (Varghese was kind enough to send me a copy of Swinburne’s statement).
 

The fact that Varghese felt the need for a third party confirmation regarding Flew’s capacity raises concerns. And having decided that such a confirmation was necessary, it would have been more persuasive had a truly independent third party, rather than a Christian apologist, conducted it.
 

Of the three important points Varghese wanted me to know, point number three negates points one and two. If Flew’s capacity is questionable to Varghese, then the credibility of expressing his newfound views in other forums and signing off on manuscripts is not compelling.
 

At this juncture then, having reviewed the controversy, having considered Flew’s age and capacity, and having considered the potentially biased motives of those around him, our story finally intersects with its purpose. Simply put, these antics are of no relevance to us here . Why? Because the Socratic maxim so dear to Flew’s heart is not to follow the man ; it is instead to follow the argument . Professor Antony Flew affirms that he is a deist; so stipulated. We will follow the argument  and see where it leads.
 

Flew, The Argument
 

When someone abandons lifelong convictions, changes their mind , and writes a book to explain it all, we should expect new and dramatic reasoning. Let’s follow the argument spelled out in There is a God .
 

“Science spotlights three dimensions of nature that point to God,” the argument begins in earnest, summarily invoking the authority of science. “The first is the fact that nature obeys laws. The second is the dimension of life, of intelligently organized and purpose-driven beings, which arose from matter. The third is the very existence of nature.”
 

Notice that these points are nothing more than observations for which science is seeking  evidence. They are, in and of themselves, not  evidence per se, nor do they “point to” anything, despite the semantic implications to the contrary.
 

The argument continues, “How did the laws of nature come to be? How did life as a phenomenon originate from non-life?” And lastly, “How did the universe, by which we mean all that is physical, come into existence?”

 

The three scientific observations  preceding these questions have been carefully crafted into questions from which the inferences, according to the authors, can only be God . Put more simply, the unspoken conclusion we are to infer is, what else could it be, but God ? This is the backbone of the argument for deism. The enigmatic truth that biology and cosmology remain confounded by these questions has been creatively reconstituted into would be articles of evidence.
 

Flew/Varghese argue that, “Perhaps the most popular and intuitively plausible argument for God’s existence is the so-called argument from design.” Having now read hundreds of pages of masterfully constructed arguments from this classically trained Oxford philosopher, in my opinion Professor Flew would shudder at the notion of employing “popular” or “intuitively plausible” statements as arguments for or against anything. They write, “What I think the DNA material has done is that it has shown, by almost unbelievable complexity of the arrangements which are needed to produce life, that intelligence must have been involved.”
 

Consider this passage from God and Philosophy , written by Flew in 1966: “Certainly it is proper to feel the awe in the contemplation of the human eye or of the single living cell. But no exploitation, however breathtaking, of the limitations and potentialities of materials would give good ground for inferring Omnipotence.” So what changed? Did complexity became more complex ? Did design became better designed ? Is Flew’s qualification, “however breathtaking,” invalidated by the complexity of DNA?
 

Another cornerstone of any argument for deism is the Anthropic Principle. Flew/Varghese submit the weight of electrons, the speed of light, and gravitational constants to demonstrate that the universe is too “fine tuned” to be accidental. Again, these observations contribute nothing substantive — they are simply statements about the universe, not packets of data’ — save the same misleading implication what else could it be, but God ? The authors conclude: “The only satisfactory explanation for the origin of such ‘end-directed, self-replicating’ life as we see on earth is an infinitely intelligent Mind.” The logic proffered fails as an argument because it requires us to accept the lack  of knowledge as knowledge , and the lack  of evidence as evidence . This is Argumentum ad Ignorantiam , or, appeal to ignorance. It is also the Burden of Proof Fallacy, which states that if we cannot prove X to be false, then X is true; the inability to disprove X becomes the proof  of X. The argument is of course invalid.
 

Bertrand Russell was fond of suggesting that a teapot orbited the sun just beyond Mars; no one can disprove his claim, therefore it is true. If we follow the this line of reasoning we must accept the conclusion that the more evidence we lack … the greater the likelihood that God exists . The argument beckons for God  to be defined as “ the sum of all knowledge yet acquired .”

 

This was the reason Flew wrote The Presumption of Atheism  back in 1976. It was written to mirror the legal maxim, Ei incumbit probation qui dicit, non qui negat , or “The onus of proof lies on the proposition, not on the opposition.” Flew noted in that book: “If it is to be established that there is a God, then we have to have good grounds for believing that this is indeed so. Until and unless some such grounds are produced we have literally no reason at all for believing.” The absence of evidence  hardly qualifies as “good grounds” for anything, much less god, and thus our expectations for some epiphanic insight to leap from the pages of this book and help us understand the basis for Professor Flew’s recantation have been thoroughly dashed. 
 

The landscape of science has changed in almost unrecognizable proportions since Flew’s early life. However, it is unreasonable — irrational even — to suggest that Flew’s original position opposing  complexity as an argument for a Divine Mind was only a matter of degree . If complexity is a poor argument for the existence of God (and it is) then the degree of complexity  is an irrelevant attribute.
 

Flew, The Conclusion
 

As a species our hunger for answers is insatiable. So desperate are we to understand the universe around us that for untold centuries we have refused to accept any “gap” in that understanding. Unexplained phenomena are the spawning grounds for ghost stories, sea monsters, grassy knolls, and a Divine Mind.
 

Antony Flew understood this as well as anyone. He devoted a lifetime of vigorous intellectual argument against  presuming God. Today we are asked to accept that he has changed his mind. With asterisks in hand, we accept.
 

Could we make a cogent argument “pointing to” his age and capacity as factors that might mitigate a change of this magnitude? We could. Are there uncertainties that could warrant a tenable challenge to the motives of those individuals surrounding Flew, with regard to his “conversion” and the curiously construction and authorship of the book? There are. Should the publishers bear any responsibility for preventing misperceptions concerning the disclosure of would-be ghostwriters? They should.
 

There is little hope of ever reconciling the Antony Flew of 87 years with the Antony Flew of 27 years. Did he change his mind, or did his mind change him?

 

History will record Antony Flew as a deist; Annis Flew confirmed that for us all. History, I fear, becomes an unwitting conspirator, forever defiled.
 

With so many varied aspects to this story, it is easy to forget that which matters most. Antony Garrard Newton Flew, philosopher, professor, author, atheist pioneer, and devoted husband, is now gone. For more than 60 years this thinker, this man of great intellect, marched to a different drum and followed the argument. We owe him much.
 

The last of the old guard, Professor Flew’s festschrift deserves to be written with admiration and respect for a distinguished philosopher. As Annis said to me, her accent reminiscent of British Royalty and her voice never wavering, “I am so very proud to have known him.”


Edited by Ockeghem - 4/21/10 at 10:39am
post #29 of 81

I read my first Stephen King book recently, Under the Dome.  I don't know if it was the best one to start with, but it was an engrossing read.  Still, I don't know if I liked it or not.  It was quite cynical.  Is this typical of KIng's books?

 

I just finished Lee Child's Gone Tomorrow.  This was a first for me as well and it was a decent thriller.  It starts stronger than it finishes, but it was fast paced and kept me turning the pages.  I guess I'd say it was OK in the end.

 

After reading Jack Welch's rave about Mojo: How to Get It, How to Keep It, How to Get It Back if You Lose It by Marshall Goldsmith, I decided to check it out.  As far as this type of book goes, it was better than average and I'm putting to use some concepts from it, but I don't think it is worth raving about.

 

I've listened to a few books as well, The Four Loves by C.S. Lewis, Fearless and 3:16 by Max Lucado, The Power of Positive Thinking by Norman Vincent Peale and The Drunkard's Walk: How Randomness Rules Our Lives by Leonard Mlodinow.  I thought the Drunkard's Walk was fantastic.  It deals with probability and statistics in a way that is easy to understand while providing historical and practical context.  I found it to be thoroughly enjoyable. 

 

Another book I read is 10 Days to Faster Reading by Abby Marks-Beale.  I was pleasantly surprised by this book and found it to be quite helpful.  Of all the "speed reading" books out there, this may be the best.   I was already a pretty fast reader, but I did nearly double my reading speed for non-fiction works.  It'll be interesting to see if the speed gains stick.

 

I've set some reading goals for the summer.  I'm planning to read at least two fiction and two non-fiction books each of the next three months.  Should be doable, but this does not include anything I was in the middle of when May began nor is it inclusive of all the school and work specific reading that is on tap.  I'm hoping that this will be above and beyond that.  Wish me luck.

 

 

 

 


Edited by DavidJ - 5/10/10 at 10:28pm
post #30 of 81

Just finished S.M.Stirling's original emberverse trilogy (aka. The Change novels). A trio of survivalist-fantasy novels. Very long-winded accounts of how low-tech functions, characters carved entirely out of cliche, and the central deus-ex-machina plot is never resolved.

 

Recommended only to its target audience: SCA and ARMA members, Wiccans, survivalists, and people who would enjoy swordfights in a rural Amish setting.

 

I give the series a C

 

PS: The series continues past the original three books (But these are deep into magic and fantasy territory).

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