
I basically agree with you, but what you and Paul are talking about are two different things. Paul doesn't like TDK because he sees a lapse in logic every other minute. But most people don't see these things in the proper context of the story(as you aptly stated in your analysis of TDK and its structure). There's a huge difference between what you are saying, and someone saying "How can he have a Batcave under his mansion, that's impossible!" or "How can a guy glide around on simulated batwings?". If you can't buy those ideas in the context of a film, then it's probably best to avoid a movie about a guy named Batman.

Of course, it's also possible that I've completely misunderstood what Paul(and everyone else in this thread) was trying to say in the first place. Wouldn't be the first time.

I disagree with Dave about the structure of TDK being entirely sound, or hanging together- but I refrained from making a comment because I don't want to keep harping on something that is only tangentially related to the original topic.
But since it has been brought up again-
TDK would, I believe, have been a far better film if Nolan had chosen one of two options
1) split the film into a part one and two- with part one concluding with the capture of Joker and part two focused on preventing or circumventing Two-Faces 24 hr revenge odyssey
or
2) shift the all the revenge material with Two-face, and his death, to before the final show down with The Joker. Doing that would have invested the Jokers take down with even more significance- as the entire film would have built to that showdown.
As the film is now, there is this whole 4th act that is attached to the film like a third arm.
Was the film about Batman vs Joker, or was it about Batman vs Two-Face, or was it about the rise and fall of Harvey Dent? Saying "all of that" as if more plot lines and conflicts automatically = a more potent story, seems a bit of a cop out to me. The structure of the film as is, diffuses the focus.
OTOH, the film could have contained these elements in such a way that didn't need to confuse and shift the focus- or it could have been (unlike POTC and the Matrix movies) a far worthier use of a pt1/pt2 split.
Either of these would have presented a film(s) that had a sharper focus.
That's the main structure problem to me, and my main conceptual criticism.
The majority of my problems with it are in the nature of pragmatic details- specific plot points, character behavior, etc
No, I can not honestly say I think the film is as flawed a work as any of the Prequels, especially TPM- but it has enough problems abutted with the righteous kick-ass elements, that it makes watching it a truly frustrating experience for me.
Cameron-I was watching it for a third time last night, and caught that. I'll probably watch it a few more in the next few days. That's why I 100% agree with Lost co-creator and Star Trek producer Damon Lindelof, who is quoted on Sams original link as saying "This is astounding film making."









