Quote:
Originally Posted by Chuck Mayer 
How on earth is this luck? He has taken TWO unrelated films, shot 11-12 years apart with completely different casts, in completely different genres, to the #1 and #2 spots of worldwide gross. The first wasn't luck. The second wasn't luck. Both of them together are the opposite of luck. Regardless of what either of us feel about the film, it is quite clear the man has a gift that Hollywood has coveted for a very long time.
That is not luck, that is skill.
But yes, the studios will certainly kiss the ring. I imagine Cameron will only be meeting with the Presidents of the studios at this point. What could a flunky say to the man?

How on earth is this luck? He has taken TWO unrelated films, shot 11-12 years apart with completely different casts, in completely different genres, to the #1 and #2 spots of worldwide gross. The first wasn't luck. The second wasn't luck. Both of them together are the opposite of luck. Regardless of what either of us feel about the film, it is quite clear the man has a gift that Hollywood has coveted for a very long time.
That is not luck, that is skill.
But yes, the studios will certainly kiss the ring. I imagine Cameron will only be meeting with the Presidents of the studios at this point. What could a flunky say to the man?
With no disrespect to the man, I consider it luck that a film with such an unremarkable story could rocket, in global terms, to the 2nd biggest box office hit in film history. Now, personally, I thought the film was entertaining enough, but I just didn't see anything in the film that explains the level of draw that it is attaining. It was a thoroughly ordinary story. Cameron didn't bring anything new to the plate in terms of making the story fresh, beyond creating some exciting visuals. Any other director, whose name wasn't JIm Cameron, would have been critically savaged if they had delivered a film as obviously derivative as this one is, but Cameron for some reason always gets a pass. I' d call that having good luck.
I mean, I'm reading comments about people being brought to tears with this film, and I just don't get why. I watched it and in no way did I see anything so emotionally involving that I was ever on the verge of tears. A lot of the hype being bandied around about this film reminds me totally of the hype surrounding "Titanic". I heard people raving about the deep emotional experience that was "Titanic". I couldn't wait to the see the film and experience that for myself. I sat down and watched it and by the end of it I was left thinking, "WTF? Is that it? A cheesy love story framed by one of the biggest disasters in marine history? I couldn't believe it. I was blown over by how emotionally disconnected I was to the story; so much so, that I have never watched the film since.
Now, I see the same thing happening with "Avatar", except with "Avatar" I can be more forgiving, because it is entirely fictional and therefore has none of the gravity that "Titanic", being a real historical event, should have had: but didn't. The fact is that, like it or not, my feelings about Cameron's two biggest films do colour my perception that he has a bag of horseshoes up his butt, because both of his biggest films became gigantic smashes. And yet both of them are some of the most pedestrian films he has made. Neither "Titanic" or "Avatar" are anywhere near his best films and yet they go on to make just ridiculous money. I guess it just goes to show that what people really like are formulaic, comfortable-old-shoe movies, and Cameron seems to be a master at making those; therefore, in the end you're probably right that Cameron isn't lucky. He just has a better than average understanding that people like mundane, warmed over and re-hashed tales, no matter how much they protest about the lack of originality in Hollywood. On the other hand, plenty of other Hollywood directors also tell mundane, re-hashed stories and their films never reach the monetary heights that Cameron's warmed over hash gets to, so once again I'm left with the impression that Cameron has an endless supply of horseshoes.







TF2 was awful garbage, incoherent and sloppily directed, with no moment of joy in it.