Quote:
Originally Posted by
Tim Glover
One more thing. The score. Most of you who've been around here awhile know how I love film scores; Avatar has an effective one albeit a somewhat understated one. I enjoyed it more last night and will be getting the CD. I think it could have been more sweeping and enveloping...more epic etc...but I'm thinking the main emphasis for Avatar was the visual experience? That kind of sounds like an excuse. :) But the visuals are so strong and that becomes the story and focus on it's own. A more in your face score might have taken away. Imagine Hans Zimmer. 
It's pretty well-known that I not only love film music, but am the biggest James Horner fan around, so take this with a grain of salt, as this comes from a very biased opinion:
Having heard every note of this score (obviously through nefarious means, and there's no way around that...condemn me if you wish but I make no apologies for it) and when I say every note I mean nearly four hours of music, it's tainted how I hear the film now, especially the latter half and the final battle sequences.
Cameron and the editors made some seriously piss-poor choices musically, dumping the best pieces of Horner's score in favor of looped sections of "Shutting down Grace's lab", a cue that is full of that 'wailing woman' vocal sound and plastered it all over the slow-motion sequences of Na'vi dying left and right. Also parts of the cue "War" were chopped up and placed throughout making the sequence, from a musically narrative standpoint, very haphazard and randomized.
What Horner originally intended for those sequences was something of a throwback to the kind of balls-to-the-wall music that made him famous: Big, bold, brass-heavy (triplets and trilling horns in abundance) and most of it just gone from the film entirely.
I doubt there were any musical changes (for the better) with this special edition version but I plan on finding out eventually if I get to see it on the big screen one last time before November's Blu-ray release.
About Zimmer:
I am by no means a fan of his music. I don't out-right despise it the way most people seem to with Horner's music, but for the life of me I cannot see Zimmer's appeal at all. For me it's his approach from a performance standpoint more than anything - it's his trademark sound, and it's a popular one that's literally everywhere (thanks to the company he founded that created a whole series of emulators) is one I'm glad didn't find its way into "Avatar".
Regarding the sound I'm talking about, that's for another thread but I'm sure any fan of Zimmer will know what I'm referring to.