Quote:I just don't get the sense that I'm seeing a fitting conclusion to what came before.
Maybe that's because you aren't
watching the conclusion. You're watching the dozen or so episodes that
lead up to the conclusion.
Frankly I don't think your comments about the writers "needing a new gimmick" require much comment. The flashbacks
weren't a gimmick, neither are the other non-linear elements of the show. They're part of the show's style
and its narrative approach and they have always been (clearly) connected to the rest of the events, usually by illuminating or commenting on the "contemporary" action. And that's just on watching them the first time through. In retrospect I expect they'll be even more obviously important to the story.
Quote:Until they show that the flash sideways are somehow linked to what is happening on the island, whenever they cut to them I feel like it's a waste of time.
Right. The writers have introduced a whole second timeline, and in the end we're going to find out that it has no connection to the rest of the plot and was just their way of wasting our time, pissing us off and stretching the story out. Let's have a show of hands who - after watching this show for all these seasons, honestly believes that the writers, the producers and the network are not only such untalented hacks, but that they're this
stupid. I haven't seen any evidence to support the idea, but maybe I'm missing something.
The problem isn't that the flash-sideways segments are unconnected to the main thread (as noted they are already connected thematically and in terms of character, and often parallel events in the other reality), it is that we haven't (yet) been
shown how they are connected. Well, we haven't been shown why everybody is on the island, what the nature of Jacob and MiB's conflict is, or what role the main characters are to play in all of this, either. Do you think maybe, just maybe, that when we learn those things we'll also learn how the two timelines are related? And do you think that maybe we won't find those out until very near the end, because otherwise the big two-hour finale is going to be one huge anti-climax?
From the beginning this show has divided fans into two camps (much as the island has divided the people who come there

)
On the one hand, you have the "show us the cards, get on with the
plot, who cares about all this character crap?" school that experiences the show as a mystery to be solved or a journey to be completed, where the
goal or the
answer is all.
On the other hand, you have the "it isn't the destination, it's the journey" school who enjoy taking the scenic route, don't mind the detours, and experience the show as a rich tapestry where each episode is to be enjoyed for its own sake - not mined for clues to the "main plot" with everything else discarded (or fast-forwarded through) or derided as "a waste of time."
All I can say is that the show has been a lot less frustrating for one group than for the other. I also suspect that one group will be able to watch the show many more times with pleasure than the other. There is a certain kind of formulaic mystery story where plot is everything and characters, mood and style mean little. These can be very enjoyable to read, and when I was a kid I used to read great stacks of the things. But they are rarely worth re-reading (unless so much time passes that you forget who stole the jewels or killed the duke) because the mystery is all they have to offer, and that evaporates when you reach the last page. Those who see
Lost as simply a puzzle to be solved will be satisfied when it is over (or not), but won't have much reason to revisit it because they will "know" the "answer" that was the show's only point as far as they are concerned.
Regards,
Joe