I was happy to see "24" end in typical fashion.
When the show debuted in 2001, it helped to transform the television landscape, and further blurred the lines between "TV quality" and "motion picture quality."
Jack Bauer has become the prototypical action hero the past decade. I can't imagine a world where Daniel Craig would have played James Bond without having Kiefer Sutherland's iconic performance as inspiration.
After a misfire with season 6, I found seasons 7 and 8 to be more in tune with the overall tone of the show. To be sure, they weren't perfect. But both seasons brought "24" back to the ridiculously watchable antics that made the show a success (and largely avoided lame attempts to delve into things like Jack's family life...)
Audiences have become increasingly fickle in recent years. It is difficult for any show to sustain much in the way of longevity. To be sure, there are shows like "NCIS" that are more "procedural" in nature (and relatively close-ended with each episode) that continue to percolate along, attracting more viewers as they go.
"24" will be debated for years to come. Critics tend to focus on the novel format of the show, and the overall writing throughout the "days" when gauging its success.
Truth be told, "24" wouldn't have survived as long as it did without Kiefer Sutherland. He created a disturbed and driven "boy scout" that ranks among the best action heroes in popular fiction. He did so in a way that made fans say, "yes, we trust this off-kilter man with the fate of the free world."
"24" wasn't an ensemble cast like a number of popular shows today -- at the show's core, it was all about Jack Bauer. With her introduction in season 3, Chloe O'Brian (played brilliantly by Mary Lynn Rajskub) evolved into a terrific "sidekick" for Bauer. She was the technical point person that shared Jack's zeal for truth, justice and the American way. And her disarming quirkiness played well with Jack's in your face "gun before diplomacy" approach.
I got a bit misty-eyed at the end of the finale on Monday. Not because it was particularly sad, but because it was the end of the show that did something different, and made me care about TV in 2001 -- a compelling, water cooler show that (in many ways) transcended what Hollywood action movies had/have become.
Jack Bauer was the sort of driven, laconic action hero that I'd grown up watching during the 1980s.
And yes, Jack will presumably live on in movies, but I'll miss the season-long evolution that takes place over the course of 24 episodes every season -- the good, the bad and the ridiculous. That is part of the charm of "24" -- the branching twists and turns that make you say, "how the hell did all that happen in one day?"
People forget that in 1998, critics (and certain fans) had become disenchanted with "Seinfeld" (many suggesting the show had lost its way). Yet, 12 years after it left the air, there hasn't been another comedy that has matched it in terms of "buzzworthiness" and cultural impact.
Time will be the ultimate judge of "24," but I have a feeling that years from now, we'll still be looking for an iconic figure with the same impact as Jack Bauer. I think "24" will be appreciated more over the course of the next few years as TV execs slink back into traditional "comfort zone" dramas/procedurals, reality offerings and comedies.