Marlene Dietrich prays for salvation in Shanghai Express (Paramount, 1932).
I can't believe the way Universal mis-handles the Von Sternberg / Dietrich collaborations. A decade late, they bunch
Morocco (1930),
Blonde Venus (1932), and
The Devil Is a Woman (1935 ) into a star package with two lesser titles but no commentary or documentary to put each film into historical and artistic perspective. Each title deserves a Special Edition all to itself. These are vital films, important films, breakthrough films, signature works from a deeply personal filmmaker, milestones in cinematic art, and Universal treats them just like any other commercial B product. Six years later they squeeze out
Dishonored (1931) and
Shanghai Express (1932) as an afterthought, again with no supplements. There is so much going on in these films on so many different levels, and so much to say about them behind the scenes, it's shameful and ridiculous that Universal treats them this way. People write books about the seven Von Sternberg / Dietrich collaborations, but Universal doesn't seem to know or care anything about them.
I expect the transfers will be good. Late, but good.
At least
The Scarlet Empress (1934) got the treatment it merited from Criterion.
Happy Thanksgiving, everybody.
Edited by Richard--W - 11/24/11 at 4:14pm