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*** Official 10th Annual HTF October Scary Movie Challenge 2009 *** - Page 21

post #601 of 759
I never thought I'd see IT'S A WONDER LIFE and The Munsters in the same topic but thanks Joe.

The show alway struck me as something for 5-year-old kids so hearing you say it ended because they switched to Batman just backs up my thoughts. 
post #602 of 759

Return of the Living Dead (1985)

My God, this was funny. I enjoyed this even more than Shaun of the Dead which was also great. This is obviously a spoof of the George Romero classic and starts with a pair of "idiots" that release a poisonous gas stored by the military that has detrimental effects on the local cemetary. The rest of the story is about a group of people including some wayward teens that try to evade having their brains eaten by the zombie hoards. These zombies are different because they can run, talk, and think. A classic scene is where zombies are feasting on some cops brains and one gets on the car phone and states " Send more cops". That's just one of many classic scenes. I also loved the interplay between the two "idiots" and their boss. Hilarious stuff. Love this movie. 

All the Kind Strangers (1974)

Really creepy story about a group of backwoods kids who lure strangers to their farm in order to keep them as parents. Stacy Keech plays Jimmy Wheeler a photojournalist who meets a young boy carrying groceries and offers to drive him home. Once there he finds out it's not so easy to leave since there are trained guard dogs watching the house and the property is rigged with booby traps. Though not enough substance to the story it still was a fairly decent tv movie and good for a one time watch.

Twice Told Tales (1963)

A collection of three short films based on short stories written by Nathaniel Hawthorn. Included here is: Dr. Heidegger's Experiment about two old friends one of which discovers an elixir that restores one's youth. He uses this elixir on his long dead fiance to restore her back to life.

Rappaccini's Daughter is about a mad doctor who in order to keep his daughter safe from men, experiments on her so that anyone that might touch her withers and turns to ash. The third story is my least favourite, House of Seven Gables about a curse that was put on the men of a family and their descendents by a rival family. Of the Vincent Price Scream collection this is the fourth movie I've watched and so far my least favourite. I just didn't find the tales told here captivating enough to want to watch again.
 


Edited by PatW - 10/25/09 at 12:35pm
post #603 of 759


Quote:
Originally Posted by Michael Elliott View Post

I never thought I'd see IT'S A WONDER LIFE and The Munsters in the same topic but thanks Joe.
 


Happy to be of service and set the record straight.
 


The show alway struck me as something for 5-year-old kids so hearing you say it ended because they switched to Batman just backs up my thoughts. 

One can say that about so many of the very cartoons and Halloween/monster films we all love. Or all the other comedy shows and comedy teams, etc., etc. ( "Nyuk, Nyuk, Nyuk" as Curly of the Three Stooges might say).

Edited by Joe Karlosi - 10/25/09 at 11:33am
post #604 of 759
TV:

The Munsters: "Happy 100th Anniversary"  -- Herman and Lily are celebrating their anniversary, so both decide to take jobs to earn extra money to buy each other a special gift. Problem is, they both get hired by the same company as welders wearing masks, and flirt with each other, unaware that they're cheating with their own spouses ( promiscuity content not recommended for the kiddies     ).   
post #605 of 759
Thread Starter 
I've been a terrible host and slow in updating, so here's a 10 pack from the week.

10/21 041 His Name Was Jason
His Name Was Jason: 30 Years of Friday the 13th
2.5/5 
A documentary about the "Friday The 13th" series of films, it's more of a recap. You'll learn more about the series listening to commentaries and watching the bonus disc in that box set that came out a year or so ago.

10/21 041 Slaughter High
Slaughter High
3/5 
The cool kids messed with the wrong science nerd!  I somehow managed to miss this one in the 80's.  Ends up it wasn't too bad at all.  It didn't revolutionize the slasher genre by any means and the plot barely holds the whole thing together.  It did have some decent enough effects and Marty was one hell of a villain.

10/22 042 Neon Maniacs
Neon Maniacs
3/5
It's the 80's and beware the Neon Maniacs!  What's a Neon Maniac?  Well, they're kinda like a mutant version of The Village People.  There's an army Neon Maniac, and a Biker Neon Maniac, an Indian Neon Maniac... you get the idea.  They're full of phosphorescent goo, and they don't do well with water.  This movie should of been terrible, but it has so many lousy ideas in it, it actually turns out ok.  Like the plan to lure all the Neon Maniacs to a high school battle of the bands (which features the lead actor fronting a lame Duran Duran type band, battling a totally kick ass metal band!) so as to challenge them.  What the hell?  So yeah, this is worth checking out.

10/22 043 Rest Stop
Rest Stop
3/5
There's a lonely Rest Stop out in the middle of nowhere, and a loony red neck likes to get all "Hitcher" and "Joyride-y" on the cute girls who have to pee there.  Nothing new in this rehash of the tried and true, but it's good enough if you're in the mood for a scare flick with a smadge of gore.


10/23 044 Rest Stop 2 : Don't Look Back
Rest Stop 2: Don't Look Back
2.5/5 
So the series went from a redneck hitcher kind of thing, to ghosts? WTF? This made no sense.

10/23 045 UKM Ultimate Killing Machine
UKM: The Ultimate Killing Machine
1/5
Mr. Blond decides to create Captain America, but gets a kill crazy bastard instead!  Another modern horror with a retarded plot point.  How do you stop the kill crazy bastard Cap'?  Well, you create a bunch more super soldiers you dummy!  Just bad this one!

10/24 046 Brotherhood Of Blood
Brotherhood of Blood
2/5 
It has some horror heavyweights in it, but ultimately it's a post Buffy "been there, done that" vampire tale.

10/24 047 Dance Of The Dead
Dance of the Dead
3.5/5 
I was kind of dreading this since it looked like a teen zombie flick. It was a teen zombie flick, but a damned good one that didn't mess around and just moved.

10/25 048 Dark Floors
Dark Floors
2/5 
Some girl has brain problems, and opens a doorway to an evil floor in a hospital haunted by rock band Lordi.  At least, I think that's what this convoluted mess is about.  There's been worse movies made with metal bands though, so it has that as a positive.

10/25 049 Last House In The Woods
Last House in the Woods (Il Bosco Fuori)
3/5 
If you have seen the two versions of "Last House On The Left" and "Last House On A Dead End Street", well, there's not much new here.  What it lacks in the rape-o nastyness of the other films, it makes up with ample gore.  Which is fine by me.  You just have to get through the terrible dubbing of this messy Italian movie.

Edited by Russell G - 10/25/09 at 9:06pm
post #606 of 759
80. Halloween (1978)
A maniac escapes a mental hospital, returns to his home town and murders people. John Carpenter's best movie and my personal favorite movie of all time.

81. Halloween II (1981)
Picking up right where the original left off, The Shape continues to try and kill Laurie. In the realm of slasher sequels, I think this movie is pretty good. The majority of the cast, crew and locations are all the same so you can buy that both movies happen in one place (unlike most sequels where any old house is the Myers house and any town that is giving them a tax break is Haddonfield). I enjoy a few more of the Halloween sequels but it would have been really cool if this was the end of the Michael Myers saga.
post #607 of 759


Quote:
Originally Posted by Russell G View Post

10/24 047 Dance Of The Dead
Dance of the Dead
3.5/5 
I was kind of dreading this since it looked like a teen zombie flick. It was a teen zombie flick, but a damned good one that didn't mess around and just moved.

10/25 048 Dark Floors
Dark Floors
2/5 
Some girl has brain problems, and opens a doorway to an evil floor in a hospital haunted by rock band Lordi.  At least, I think that's what this convoluted mess is about.  There's been worse movies made with metal bands though, so it has that as a positive.


I loved "Dance of the Dead." I hope to be able to watch it again for this year's challenge.

"Dark Floors" had some great visuals, but the ending really messed it up for me.

post #608 of 759
I haven't had time to write reviews, but here's what I've watched so far:
1)CHAMBER OF HORRORS(1966)
2)HALLOWEEN(1978)
3)NOSFERATU(1922)
4)ED WOOD(1994)
5)DRACULA(1931)
6)DRACULA'S DAUGHTER(1936)
7)SON OF DRACULA(1943)
8)MARK OF THE VAMPIRE(1935)
9)HORROR OF DRACULA(1958)
10)BRIDES OF DRACULA(1960)
11)THE WALKING DEAD(1936)
12)RETURN OF THE VAMPIRE(1943)
13)FRANKENSTEIN(1931)
14)BRIDE OF FRANKENSTEIN(1935-35mm theatrical screening)
15)KING KONG(1933)
16)THE ADVENTURES OF ICHABOD AND MR. TOAD(1949)
17)THE MAN WHO LAUGHS(1928)
18)MURDERS IN THE RUE MORGUE(1932)
19)THE GHOUL(1933)
20)FREAKS(1932)
21)WHITE ZOMBIE(1932)
22)THE OLD DARK HOUSE(1932)
23)THE STRANGE DOOR(1951)
24)SLEEPY HOLLOW(1999)
25)WEREWOLF OF LONDON(1935)
26)THE WOLFMAN(1941)
27)NIGHT OF THE DEMON(1957)
28)THE MUMMY(1932)
29)THE MUMMY'S HAND(1940)
30)THE MUMMY'S TOMB(1942)
31)THE MUMMY'S GHOST(1944)
32)THE MUMMY'S CURSE(1944)
33)THE BLACK CAT(1934)
34)THE RAVEN(1935)
35)THE INVISIBLE RAY(1936)
post #609 of 759

Oct. 25:


Films:


Jason and the Argonauts (1963)


This one is a special effects masterpiece.  It has land monsters (hydra, harpies, and Talos), a sea monster of sorts (Poseidon), the agony of Phinneas, and the fascinating Prince of Persia-like skeleton finale introduced with the Dies Irae.  A few unexpected twists and turns along the way are also quite nice.  The melodic outlining of an ascending diminished triad permeates much of the film, and was to be used later in the career or B. Herrmann quite effectively.


Although I have seen this film numerous times in my life thus far, I never realized until tonight that Medea is played by the same actress (Nancy Kovak) who played Nona in the TOS episode A Private Little War.  It's somewhat odd that I never picked up on that before tonight.


Scooby Doo (2002) 1/2


Spooky islands, creepy creatures, and a host of other things that go bump in the night make this a fun film for the family.

Television episodes:

Dark Shadows (Original series) (episode no. 46) (1966) 
 

Burke phones Roger telling him to be at the meeting that Bill arranged. Bill tries to convince Sam to go to the meeting that night with Roger and Burke. Victoria has been invited by Maggie to have dinner so she can meet Sam Evans; Roger doesn't want her to go. Burke, Roger and Sam show up at Roger's office, but Bill has not yet shown up.


http://www.darkshadows.com/cgi-bin/eplist.pl?ep=46


Dark Shadows (Original series) (episode no. 47) (1966)

Elizabeth is concerned that Roger is going to be sacrificed to save the rest of the family. Roger, Burke and Sam wait for Bill, who has not shown up, they try to call him. Tired of waiting Roger decides to leave, he wants to give Burke back the pen he gave to Carolyn, but Roger cannot find it. Elizabeth asks Roger if he did send Burke to prison when he was innocent. Roger claims that his truthful testimony on the witness stand sent Burke to prison.


http://www.darkshadows.com/cgi-bin/eplist.pl?ep=47


Dark Shadows (Original series) (episode no. 48) (1966)  1/2
 

Victoria compliments David for a picture he has drawn, however he becomes angry when he finds that she has shown it to his father. Burke sends David a crystal ball as a gift. Joe shows up with some paperwork that Bill was supposed to handle and informs Elizabeth that Bill is missing. Victoria tells Elizabeth that Bill was upset the night before and had invited Roger to a meeting. David looks into his crystal ball and tells Victoria that Bill Malloy is dead, and that his father killed him.


http://www.darkshadows.com/cgi-bin/eplist.pl?ep=48


Dark Shadows (Original series) (episode no. 49) (1966)

Everyone is talking about how Bill is missing. Joe is unhappy with Carolyn because of her recent trip to Bangor to meet with Burke. Burke is determined to find out what happened to Bill. Burke shows up at Collinwood to talk with Roger, who isn't home. Maggie asks her father about Bill, Burke, and Roger, he tells her to mind her own business, and angrily and spills paint the portrait of Burke that he has been working on.


http://www.darkshadows.com/cgi-bin/eplist.pl?ep=49


Update:

Films:

01. The Creature From the Black Lagoon (1954)  1/2
02. Burnt Offerings (1976)
03. R. L. Stine's The Haunting Hour (2007)  1/2
04. The Three Stooges ("We Want Our Mummy") (1939)  1/2
05. The Three Stooges ("Spook Louder") (1943)
06. The Three Stooges ("Hot Scots") (1948)
07. The Abominable Dr. Phibes (1971)  1/2
08. Games (1967) 
09. The Monster That Challenged the World (1957)
10. Halloweentown (1998)
11. The Screaming Skull (1958)  1/2
12. Tales of Terror (1962) 
13. Halloweentown II (Kalabar's Revenge) (2001)
14. The Fly (1958)
15. Them! (1954)  1/2
16. Signs (2002)  1/2
17. Halloweentown High (2004)  1/2
18. Return To Halloweentown (2006)
19. Revenge Of the Creature (1955)
20. The Bad Seed (1956) 
21. The Creature Walks Among Us (1956)  1/2
22. Mostly Ghostly: Who Let the Ghosts Out? (2008) 
23. The Three Stooges ("If A Body Meets A Body") (1945)
24. The Three Stooges ("The Ghost Talks") (1949)  1/2
25. The Haunted Mansion (2003)  1/2
26. Tower of Terror (1997)  1/2
27. The Giant Gila Monster (1959)  1/2
28. The Day the Earth Stood Still (1951)
29. Frankenstein (1931)
30. House On Haunted Hill (1959) 
31. The Blob (1958)  1/2
32. Return of the Fly (1959)  1/2
33. Jason and the Argonauts (1963)
34. Scooby Doo (2002) 1/2

Television episodes:

01. The Avengers ("Castle De'ath") (1965)
02.
Charmed ("From Here To Eternity") (1999) 
03. Scooby Doo, Where Are You! ("A Night of Fright Is No Delight") (1969)  1/2
04. Scooby Doo, Where Are You! ("That's Snow Ghost") (1969)  1/2
05. Mr. Monk Goes Home Again (2005) 
06. It's the Great Pumpkin, Charlie Brown (1966) 
07. Dark Shadows (Episode no. 78) (1966)
08. Dark Shadows (Episode no. 79) (1966)
09. Scooby Doo, Where Are You! ("Bedlam In the Big Top") (1969)  1/2

10. Scooby Doo, Where Are You! ("Scooby-Doo, and a Mummy Too") (1969)  1/2

11. Wizards of Waverly Place ("Franken-girl") (2009)

12. The Waltons ("Ghost Story") (1974)

13. 7th Heaven ("Halloween") (1996)  1/2
14. Jonas ("The Tale of the Haunted Firehouse") (2009)
15. Charmed ("All Halliwell's Eve") (2000) 
16. The Nightmare Room ("Camp Nowhere" pts. 1 and 2; "Don't Forget Me"; "Full Moon Halloween") (2002)
17. Wizards of Waverly Place ("Monster Hunter") (2009)
18. Strawberry Shortcake ("Moonlight Mysteries") (2005)  1/2
19. Dark Shadows (Original series) (episode no. 46) (1966)
20. Dark Shadows (Original series) (episode no. 47) (1966)
21. Dark Shadows (Original series) (episode no. 48) (1966) 1/2
22. Dark Shadows (Original series) (episode no. 49) (1966)


 


Edited by Ockeghem - 10/27/09 at 7:28am
post #610 of 759
Quote:
Originally Posted by TravisR View Post

Not me. I thought Paranormal Activity was really good but I'm too queasy to handle any more than an hour and a half of handheld cameras.
I'm lucky in that I've never had trouble with motion sickness. The only time shaky cam has gotten to me was once when I was already dizzy from a sinus infection.


Noroi: The Curse (2005, FTV) - Kobayashi is a documentary filmmaker who is fascinated by the paranormal. Always looking for new cases to document, he and his cameraman begin investigating a series of freakish events that are seemingly unconnected, but will prove to be. Rather than Blair Witch, this one reminded me of The Last Broadcast due to all the different footage involved. There's a sinister atmosphere from the start, but the film manages to be quite funny at times through it's use of stupid variety show footage. If you're familiar with these shows, you know how ripe for lampooning they really are. The storyline itself is quite complex, particularly for the hand held subgenre. There are multiple strands and a deep mythology to interpret. It also isn't your typical Asian horror with long-haired ghosts, thank goodness. Instead, we get some legitimate scares through mood and build-up. When a we see the flier that says a key character has gone missing, it's enough to give you a chill all on it's own thanks to what we've seen beforehand. There are also a few choice scenes that will stay with you. The two scenes that got the biggest reaction out of me both revolved around Marika, a likable actress who gets caught up in the occurences through an on location TV shoot. The first involves going back to the tapes and catching something in the frame with her, the second has her losing control in Kobayashi's house as pigeons smash into the window. The mystery at the core is intriguing to watch unfold. At 115 minutes, the film didn't feel too long to me. Big compliment, as hand held horror typically works better when it's short and to the point.

The Spell (1977, FTV) - middling TV movie about a slightly chubby teen who is teased by her sister and classmates. She begins getting even when she is taught how to be a witch by her gym teacher. This was obviously inspired by Carrie, though this one underdevelops the high school turmoil in favor of the girl's miserable family life. There is nary a likable character present here. In fact, I haven't disliked characters this much since Mario Azzopardi's Deadline, a film where I literally wanted to jump on screen and kill the wife with my bare hands. The girl's father is a dick, plain and simple. I was hoping for his gruesome demise the entire time. Her sister isn't much better. I hated these people so much that I was hoping they'd focus more on the school as opposed to the family. I did like Lelia Goldoni as the gym teacher, but she has about three scenes total. Characters aside, there are a few good moments. The opening with the popular girl pulling off circus style tricks on the gym rope was fun. We also get a bizarre death scene where a woman's skin starts burning and the confrontation between student and teacher is well done. Really though, this is nothing special. Along with what's already been mentioned, we also have to deal with one of those horrid TV scores and there's a twist at the end that's pretty weak.
post #611 of 759
82. Halloween III: The Season Of The Witch

Tom Atkins is a doctor who helps a young woman figure out who killed her father. They uncover a larger conspiracy to kill millions of children with a TV broadcast and Halloween masks. I say it every time Halloween III is brought up but if this movie was just called Season Of The Witch, it would have a much better reputation. Not to say that it's a great movie (I like it but it ain't art) but it wouldn't just be "Isn't that the one that Michael Myers isn't in?" either.


And maybe it's just me but I have to wonder why Tom Atkins was always a stud in Carpenter movies. He picks up Jamie Lee Curtis in The Fog and 5 minutes later, he's banging her and in this movie, he's nailing a girl half his age that he met a day or two before. Nothing against the guy but he doesn't look like he's gotta fight off the ladies.
post #612 of 759
Thread Starter 


Quote:
Originally Posted by TravisR View Post

82. Halloween III: The Season Of The Witch

Tom Atkins is a doctor who helps a young woman figure out who killed her father. They uncover a larger conspiracy to kill millions of children with a TV broadcast and Halloween masks. I say it every time Halloween III is brought up but if this movie was just called Season Of The Witch, it would have a much better reputation. Not to say that it's a great movie (I like it but it ain't art) but it wouldn't just be "Isn't that the one that Michael Myers isn't in?" either.


And maybe it's just me but I have to wonder why Tom Atkins was always a stud in Carpenter movies. He picks up Jamie Lee Curtis in The Fog and 5 minutes later, he's banging her and in this movie, he's nailing a girl half his age that he met a day or two before. Nothing against the guy but he doesn't look like he's gotta fight off the ladies.


I remember hating this one as a kid, but watching it again a year or so ago, you're right, it's not the most terrible movie, and I'd watch it again over some of the other Halloween sequels.  Does the name "Season Of The Witch" make any sense to the plot?  I don't remember a witch at all either, or is it the logo to the mask company.

As far as Tom Atkins, if wart nuts can get the ladies in "Erotic Night of the Living Dead", then all the power to Tom Atkins. 

post #613 of 759


Quote:
Originally Posted by PatW View Post

Return of the Living Dead (1985)
 


I love this movie as well but I'll always remember it for getting my ass in trouble back in 5th grade (it might have been 4th).  I remember my "homework" was to come up with a rare part of history that many might not have known about our state.  I was born in and still live in KY so my buddy and I thought it would be a good idea to tell people about the zombie attack and missile launch that hit Louisville back in the early 80s.  Of course, it never crossed our mind that the movie might have been making things up but Monday morning we turned in our "report", which was basically just the events in this film.  It never dawned on us to explain the follow up to the end of this movie but our parents got called and this is the first time it hit me that you shouldn't believe what movies tell you.
 

post #614 of 759
[Rec] (2007)

Jaume Balaguero, Paco Plaza

Extremely intense horror film has a news woman (Manuela Velasco) and her cameraman doing a TV show and following a group of firemen as they do their job.  They are called to an apartment building where a woman is having some type of fit but once there they discover a lot more is going on and soon they have been locked up inside the complex and the health officials on the outside refuse to let them out.  Soon more people begin to get bitten and transform into some type of creature.  This is yet another film where a hand held camera tells the entire story, which is something we've seen in stuff like THE BLAIR WITCH PROJECT and DIARY OF THE DEAD.  This film here is extremely fast paced, intense and has several scenes that will certainly have you jumping out of your seat.  This is an incredibly well made little thriller that's a rare example of a hyped up horror film that actually lives up to everything you've heard.  I really wouldn't call the film original because I think it takes the NIGHT OF THE LIVING DEAD set up and mixes it with the hand held camera but even though it's not original it still proves to be the perfect example of how to pull everything off correctly.  The movie works so well that you honestly feel as if you're there in the building and actually going along with the survivors and facing the danger just as they are.  The film also does a good job at letting us get to know the survivors and make us feel for them and their struggle to survive.  I really enjoyed the interview segments where we get to know them as this perfectly sets up everything that's going to follow.  The murder sequences are handled very well and while there's a bit of gore, the majority of them are done for suspense.  The film is put together in a way that you honestly feel as if the footage is uncut, which is a major plus because the atmosphere inside this building is terrific.  Velasco gives a terrific performance as the news woman even though I'd say her character gets a tad bit annoying in spots.  Ferran Terraza, Jorge Serrano and David Vert all give fine performances as well.  The ending, which I won't spoil, has a couple marvelous sequences including one extremely dark scene that will make anyone jump.  It's very refreshing when a horror film like this comes along and actually lives up to everything you've heard about it. 

Quarantine (2008)
 

John Erick Dowdle
 

I'm one who thinks remakes aren't always a bad thing but ever so often you get one that's scene for scene, which is pretty much what this thing here turned out to be.  This is a remake of the Spanish film [REC] from one year earlier and that's certainly the film people should check out.  As in the original, a female reporter (Jennifer Carpenter) and her cameraman are hanging out and shooting a documentary with a fire crew when they are called to an apartment.  What appears to be your average call turns into a nightmare as everyone gets locked inside as some virus is causing the residents to turn into creatures.  This film actually has a lot in common with the remakes of PSYCHO and THE OMEN and that's the rare case where the new version does very little to change anything from the first film.  This American remake features the exact same set up, the exact build up and the exact same ending and you really have to ask yourself what the point was.  There's a key element to what's going on that's left out here but that doesn't hurt or help the film any more.  This thing comes off as a major disappointment considering how great the original film was but it's unfair to judge the two together so I'll just focus on this film.  This time out I had a major problem getting involved in the film because not once did I feel any part of the action.  Not once did I feel I was trapped inside this apartment complex and this is a major problem.  Another problem is that there wasn't an ounce of suspense but this here could be due to me watching this less than 24-hours after viewing the original film.  This is a remake where it seems like the filmmakers studied the original for hours and then tried to copy what they watched but in the end the movie feels watered down, weak and just all around tame.  There's not a single second in this movie that can compare to the original so I don't see the point of this film.  Is it a bad movie?  No, it's decent in its own right but there's just not a point to it.  I think they could have mixed things up a lot better but in the end it just comes off as rather lazy and uninspired.

 

post #615 of 759
21) The Howling (1980)                            

I didn't enjoy it anywhere near as much as An American Werewolf in London. I think I actually got bored between the five and fifty-five minute marks, and then didn't enjoy the special effects as much as I did in Werewolf in London. The whole moving-to-the-country sequence really put me off; I would have liked to see all of that get dumped and replaced with a sentence or two, to make more room for fun stuff. The famous "transformation scene" half-way in didn't do it for me, but the final scene is a ripsnorter. Thoroughly enjoyed that part.

22) The Cook, The Thief, His Wife... (1989)

Not conventional horror, but an arthouse flick which creates an atmosphere of intense terror. It has similar preoccupations to Hannibal Lecter. This movie introduced me to Peter Greenaway, which was mainly a bad thing, as I never actually enjoyed any of his movies that didn't have a horror element to them. The good ones all are archly composed, but usually have family members doing horrible things to one another.
post #616 of 759
Saw VI (2009)

Delivers the goods for fans of the SAW series, and it's amazing how the writers still manage to conjure up new ways of featuring Tobin Bell as Jigsaw, via some very interesting flashback sequences. This time Detective Hoffman is carrying on Jigsaw's legacy of setting deadly games of death for selected victims, and he's trying to blame the murders on Agent Strahm. The main pawn this time is an unscrupulous health insurance provider who denies claims to chronically sick people when they need coverage most. That's a target most audience members can jeer against.  On a side note, I think it's very impressive that a new chapter in this series has managed to make it to theaters in time for Halloween, every year like clockwork. Even the extensive FRIDAY THE 13TH saga never managed to pull that off.

Saw (2004)

I revisited the first one that started it all, and what struck me is how modest it plays now after having seen all the much more elaborate sequels. It's advised therefore to see SAW before any of the subsequent entries. I'll never forget how impressed I was with the novel concept of this horror film when I first discovered it: a man dying of cancer decides to play elaborate games of potential death on people who foolishly do not appreciate the value of life and take their health for granted. In this opener of what was destined to become a hugely popular franchise, two young men awake inside an unknown dilapidated building,  each one helplessly chained, and find themselves the targets in a crazy game of survival by the unique serial killer nicknamed "Jigsaw". Danny Glover (LETHAL WEAPON) co-stars as the detective following the case. One of the freshest horror movies to come along in the 21st century, exceptionally written and executed by the young team of Leigh Whannell (who plays one of the doomed prisoners) and James Wan (who directed).  


TV:

The Munsters: "Lily's Star Boarder" -- A young man moves into a spare room at the Munster home to aid in his secret work. Herman and Grandpa snoop around and begin to suspect he's a criminal, when in reality he's a police lieutenant.
post #617 of 759
Out of
First time viewings in BLOOD

One Body Too Many (1944)
A run-of-the-mill "Old Dark House" thriller, the highlight being Bela Lugosi as a creepy butler who slinks around trying to get the guests to drink some poisoned coffee.

Motor Psycho (1965)
A biker gang goes on a rampage raping and torturing women, the tables get turned when a victim's husband and a buxom widow team up to seek revenge. Pretty much your typical Russ Meyer feature......Extra large boobs and violence in B&W.

The Body Snatcher (1957)
A mad scientist replaces the brains of pro wrestlers with that of animal livestock. Heh... well why not? My first taste of the ultra weird Mexican Wrestling/Horror genre and I ended up spitting it back out. Pttu!
post #618 of 759
Quote:
Originally Posted by Russell G View Post

Does the name "Season Of The Witch" make any sense to the plot?  I don't remember a witch at all either, or is it the logo to the mask company.

 


I just assumed that the titular 'witch' is referring to the old man since he uses the mystical black arts to slay children rather than the usual green-skin with a pointy hat witch.
post #619 of 759
Michael,

What does [Rec] signify before some of your titles?
post #620 of 759

[REC] is the title of a movie.  A pretty decent movie too.

post #621 of 759
Bob,

Thanks.  For some reason, I thought I had seen that title a few times (more than once, anyway).  I thought it was some sort of rating (or other) mnemonic.
post #622 of 759
First time viewings are shown in RED.

20) The Return of Doctor X (1932)

This Mad scientist style horror film had an interesting potential story that just never seem to work well. I wanted to like it more than I did. But try as I might the contrived humor and mile wide plot holes kept me from it. Still see Humphrey Bogart in his only Sci-Fi or Horror role was worth the price of admission.

21) Cirque De Freak: The Vampire's Apprentice (2009)
This movie is an obvious attempt to cash in on the "Twilight" phenomenon. You've got teenage angst and the splintered factions of the vampire community waring with each other. Also the movie was filmed with the obvious intention of creating a vampire franchise. We have the introduction of a teenage villain and a teenage hero with both having an elder mentor. It felt contrived and unnecessary.

22) Mad Love (1932)

This was one of the best movies I have seen from the 30s era. The movie centers around a beautiful actress and a genius doctor that is obsessed with her. This movie was very well paced some very suspenseful moments. The story was also told very well with no obvious plot holes. Strongly recommended.

 

Against my better judgment I have decided to watch the Saw series as part of the challenge. Since these movies are basically a single continually told story line, I’ll count them separately but save my comments until after I’ve viewed the entire series of realesed movies.

23) Saw 2 (2005)

24) Saw 3 (2006)

Previously Viewed

 

1) ZombieLand (2009)

2) The Man with the Screaming Brain (2005)

3) The Signal (2006) 
4) Dracula (1931)
5) The Mummy (1932)
6) The Shining (1980)
7) Panic in the Year Zero (1962)
8) House on Haunted Hill (1958)
9) The Last Man on Earth (1964)
10) Quarentine (2008)
11) Rosemary's baby (1968)
not recommending
12) The Blob (1958)
13) Abbot & Costello Meet Frankenstein (1948)
14) Doctor X (1938)
15) Trick ‘r Treat (2008)
16) The Exorcist (1973)
17) The Mask of Fu Manchu (1932)
18) Paranormal Activity (2009)
19) The Mark of the Vampire (1935)


 

post #623 of 759

059) 10/23/2009 Timecrimes (2007)

A man investigates some nearby woods when he spots a nude woman through his binoculars.  He is attacked by a mysterious figure whose face is covered in bandages, so he seeks shelter in a scientific installation.  Before he realizes what has happened he has been transported back in time mere hours before his attack.  This nifty combination horror/sci-fi/mystery film has some new tricks up its sleeve in the time travel sub-genre.  Plenty of tense moments and a satisfying ending make these an easy recommendation.


060) 10/23/2009 Triloquist (2007)

 

Watching a film like Triloquist is the reason why I like to spend October watching films either I've seen before or have a good reputation.  Seeing bad horror movies during a month I like to celebrate scary goodness depresses me.  I'm ususally a sucker for ventriolquist dummy movies but this one is truly awful.  The story, as it were, has a psychotic soon-to-be 18 year old travel with her brother and his dummy called - wait for it - Dummy and go on a cross-country murdering spree.  This is all supposed to be outrageous and humorous but it's neither.  When a film tries to be so-bad-it's-good or attempts to be the next cult hit, it usually falls on its face.  And, boy does this fall, roll down the hill, and get run over by a steamroller.  I wanted to turn it off after 45 minutes but I perservered, taking comfort in the fact the I never have to watch this again.

061) 10/24/2009 The Ape Man (1943)

Bela Lugosi has turned himself into an ape-faced monster.  Or maybe he just needs a shave and a haircut.  Yes, it's another "screwy idea" from Monogram.  Lugosi gives his part more dignity than it really deserves and makes this campy fun for those who love these low-budget quickies.

062) 10/24/2009 Return of the Ape Man (1944)

Not a sequel to The Ape Man, this time Lugosi and his associate John Carradine restore to life a frozen caveman.  But Lugosi wants to replace part of the popsicle's brain.  Carradine won't hear of it.  So...  George Zucco is billed as playing the ape man at some point but it doesn't appear he's in the final cut.  More enjoyable Monogram silliness.
 

063) 10/24/2009 Brotherhood of Blood (2007)

 

It's The Usual Suspects remade as a vampire film!  A vampire hunter and brother of a missing vampire are interrogated by a group of other vampires who think a mythical ancient vampire that kills human and fellow vampires alike has been reborn.  Who is Vlad Kosai?  You may or may not guess his identity but it's likely you won't care.  OK low-budget effort has Sid Haig and Ken Foree in the cast but their roles are little more than cameos.
 

064) 10/24/2009 A Tale of Two Sisters (2003) 1/2

Now we're talking.  A young adolescent girl and her sister return to their father and stepmother's home after a mysterious event drove them away some time ago.  Strange things start to happen in the house and stepmom thinks she sees ghosts.  Original, engrossing combination of pyschological thriller and horror film gives the audience just enough information to figure it all out in the end but still maintains its aura of mystery.  A real nail-biter with sympathetic performances.  Remade as The Uninvited (2009) for us Americans.

Television

049) 10/23/2009 Angel Season 4, Episode 14: Release (2002) 1/2

Now that the Beast has been killed, Wesley and Faith hunt down Angelus.  Eliza Dushku's Faith remains one of the most intriguing characters of the Angel/Buffy universe and gives the fight sequences much more power than the usual kung-fu set pieces.


050) 10/23/2009 Angel Season 4, Episode 15: Orpheus (2002) 1/2

 

Faith hovers near death and is linked with the flashbacks that a neutralized Angelus is experiencing.  Meanwhile evil Cordelia tries to thwart the Angel team's latest attempt to restore Angel's soul.  Finely balanced entry features more exploration of Angel's history and psyche and it's always great to have Willow around.

051) 10/24/2009 Angel Season 4, Episode 16: Players  (2002) 1/2

With Angel back, Gunn agrees to assist an old adversary of Angel Investigations in the rescue of a kidnapped girl.  Meanwhile Lorne thinks he can restore his pyschic abilities and "read" Cordelia - something she must prevent at all costs.  Nicely plotted outing.

052) 10/24/2009 Angel Season 4, Episode 17: Inside Out (2002) 1/2

With Connor and Cordelia on the run Angel and company must track them down and prevent the birth of Cordelia's baby.  But what they learn from a previously-helpful demon makes them look at the entire history of Angel Investigations in a whole new light.  Emotionally poweful episode has twists and turns to spare.

053) 10/25/2009 Angel Season 4, Episode 18: Shiny Happy People (2002)

Cordelia's baby is a beautiful full-grown woman who mesmirizes all who see her.  But when Fred somehow manages to see what Cordelia's spawn really is, her life becomes endangered.  Good episode really lays it on thick with all the worshiping stuff, but that's exactly the point.


054) 10/25/2009 Angel Season 4, Episode 19: The Magic Bullet (2002)

 

Fred has discovered why she can see Jasmine for what she really is.  But can she share the knowledge with the Angel team before they eliminate her?  Typically strong episode lays the groundwork for a confrontation that should provide some real fireworks.

post #624 of 759
10/22/09: THE MONSTER AND THE GIRL (Stuart Heisler, 1941)

This is one of those films that I was only familiar with up till now via a still in Alan Frank’s 1977 exhaustive and entertaining chronicle of the genre, “Horror Films”; a belated Paramount genre entry that was most notable for its unusual mix of noir (the white slavery angle in the first half) and horror (the “gorilla on the loose” segment in the second). The atmosphere (courtesy of Oscar-winning cinematographer Victor Milner) is congenial to both styles but, being just 65 minutes in length, the film kind of crams everything in without giving the disparate elements a chance to breathe! The essential silliness of the plot – a wrongly executed man seeking revenge when revived in ape’s body – bring up several questions in a discriminating viewer like yours truly: how could he have known the addresses of the various culprits, having only been in town for a just few days, and how come the gorilla is never noticed moving about (but then this fault is also borne by Poe’s “Murders In the Rue Morgue”!)?; incidentally, the devotion of the hero’s pet mutt to former master – even when reduced to its own, i.e. animal, level – is most poignant. Anyhow, the whole is quite redeemed by a decidedly remarkable cast of stalwarts from both genres: Ellen Drew from ISLE OF THE DEAD (1945), George Zucco as the obligatory mad scientist, Edward Van Sloan in an uncredited bit as a prison warden, Tom Dugan as wisecracking cop, and especially the rogues’ gallery: Robert Paige from SON OF DRACULA (1943), Paul Lukas as the suave head villain, our very own Joseph Calleia (in one of his rare genre appearances) as a pastor-cum-hitman(!), Marc Lawrence, Gerald Mohr and Onslow Stevens! In conclusion, the film under review is not to be confused with the later (and superior) THE LADY AND THE MONSTER (1944) which, as it happened, I watched in quick succession myself.
 

10/22/09: THE LADY AND THE MONSTER (George Sherman, 1944)

Although I did like my two viewings of Felix E. Feist’s 1953 film version of Curt Siodmak’s DONOVAN’S BRAIN (with Lew Ayres and Gene Evans), somehow I have yet to acquire it for my home video collection; besides, I am also familiar (from an age-old Italian TV screening) with the later Freddie Francis version entitled VENGEANCE aka THE BRAIN (1962) where Peter Van Eyck and Anne Heywood had the leading roles. What I did acquire very recently, however, is the even rarer original version directed by the reliable George Sherman and starring the great Erich von Stroheim, Contrary to expectations, the latter is neither the monster of the title nor (for the initiated) the man taken over by the dead financial wizard’s brain; that unlucky guy is Richard Arlen – the hero of ISLAND OF LOST SOULS (1932) no less – who, as Stroheim’s unlikely assistant in his underground experiments, gets to become even more obsessed with their celebrated cerebral specimen than his crazed mentor! From the rest of the cast, Vera Hruba Ralston may have later become Mrs. Herbart J. Yates (when she married the head of Republic Pictures, the studio behind this film) but, frankly, she brought very little to this particular film; on the other hand, it was nice to see Sidney Blackmer – best-known for portraying Adrian Marcato in Roman Polanski’s ROSEMARY’S BABY (1968) – albeit in a supporting role of the suspicious attorney. Incidentally, the sequences depicting the blooming romance between Arlen and Ralston and those between Blackmer and Donovan’s wife can mostly be written off as mere padding; small wonder, therefore, that the film was shorn of 19 whole minutes (cut down from 86 to 67!) for a later re-release…not to mention being saddled with the highly ludicrous (and utterly misleading) alternate titles of TIGER MAN and MONSTER AND TIGER MAN!! Speaking of titles, despite the sheer similarity to the earlier Paramount horror entry THE MONSTER AND THE GIRL (1941), as can be gleaned from my own reviews of both films, they have nothing whatsover in content (other than being of the same era and genre). Despite these flaws, I generally liked the film more than I was expecting to and that fact is mostly down to two simple factors: the presence of Erich von Stroheim in front of the cameras and that of celebrated cinematographer John Alton behind them! Even though the quality of the copy I acquired was fairly fuzzy at best, Alton’s atmospheric lighting came through just the same – particularly during the atmospheric laboratory sequences and the eerie scenes showing Arlen’s ‘possession’.
 

10/22/09: GHOST SHIP (Vernon Sewell, 1952)

This British low-budgeter does not have a good reputation within its subgenre – mainly because it is “singularly unfrightening”, as one critic had remarked about SON OF FRANKENSTEIN (1939) but also since, as often happens, the manifestations prove to be just a hoax! It is harmless enough under the circumstances, but does take its time to get going (despite running only 71 minutes), eventually generating some interest during the second half with the parapsychology elements, the ghost’s backstory (he is played by John Robinson – Professor Bernard Quatermass in the TV serial “Quatermass II” [1955]) and the twist ending. Hazel Court makes for a pretty and likeable leading lady; however, Ian Carmichael – soon to portray the naïve hero of many a classic Boulting Bros. satire – has an extended and unfunny bit as a drunk at a party held on the titular vessel. Although, personally, I did not recognize any of them, the cast also includes Joss (1970’s THE HOUSE THAT DRIPPED BLOOD) Ackland, Patricia (1958’s THE FLY) Owens and Melissa (1958’s HORROR OF DRACULA) Stribling in bit parts.
 

10/23/09: HOUSE OF MYSTERY (Vernon Sewell, 1961)

I had intended to watch this before the same director’s GHOST SHIP (1952) but, eventually, it followed that one in quick succession; I was completely unaware (nor is it acknowledged in the “Movie Connections” section on IMDb) but the latter film proved virtually a remake of the older one! That said, it is handled far more effectively here: the length is even more compact – at a mere 53 minutes – but actually incorporates a good deal of narrative, with three plots going on simultaneously (where GHOST SHIP had only two) and flashbacks-within-flashbacks (again, one more than in Sewell’s previous stab at the material)! Anyway, as the title suggests, the property for sale at a cheap price pursued by a couple of newlyweds has been changed this time around to a country-house; as in the earlier film, it is being taken care of by a mysterious person but the woman in HOUSE OF MYSTERY turns out to be somewhat more communicative, recounting its unusual history to the frankly skeptical prospective owners. Another couple (the girl is played by Nanette Newman i.e. Mrs. Bryan Forbes) who had previously lived there begin to experience strange occurrences: at first, it is nothing more supernatural than a light bulb going off and on again – so they ask an electrician to check the wiring but he can find nothing at fault. One night, however, as the light comes back on, Newman sees another man’s figure in the room extending his hand to her; typically, the husband attributes this to her imagination – though he concedes to have the Police undergo a thorough search of the premises but, of course, there is no sign of a break-in – that is, until a TV program they are watching is ‘interrupted’ by the appearance of a face on the screen which Newman tells him is the man she saw in their living-room! Calling the TV station to ask to speak to this person, they are greeted by a baffled director stating that no such close-up was included in the show and this is corroborated by the neighbors who all claim that they experienced no trouble with their reception! Finally, they decide to seek the help of a parapsychologist – who cannot hide his enthusiasm at the prospect of communication with the afterlife through one’s personal TV set (this is over 20 years before POLTERGEIST [1982] remember!). The lecture he goes into, the arrival of the elderly medium and her ‘recollections’ pretty much duplicate those seen in GHOST SHIP, though still done with more panache here (especially the elaborate and ingenious way in which the house’s original proprietor takes revenge on his money-grubbing wife and her lover). So far so good. The denouement of the original film was relatively ordinary but, in HOUSE OF MYSTERY, this becomes its piece-de-resistance: we are not shown the woman’s fate, nor do we learn how her husband/presumed killer came to be electrocuted himself later on…until – now gone back to the present day and our main narrative – the light bulb goes out of its own accord yet again, we realize that the ghosts have not been exorcised, and the housekeeper retreats wraith-like into the walls (to the shock of those present and the viewer)! Though obviously made on a tiny budget, the atmosphere throughout is more than adequate and, as an added treat, composer Stanley Black supplies a commendably Hammeresque score.
 

10/23/09: THE MONSTER THAT CHALLENGED THE WORLD (Arnold Laven, 1957)

Another ‘photographic’ memory from my childhood days poring over my dad’s two books (both by British film historian Alan Frank) on the horror genre that, thankfully, proved to be worth the long wait and, indeed, more satisfying than I was anticipating it to be. I am saying this in view of the fact that, even within the confines of ‘the giant bug’ subgenre of the 1950s, this film is hardly ever mentioned – which is quite baffling if you ask me. To begin with, the film was not the product of exploitation film-makers like AIP or Herman Cohen but that of mainstream (if lower-tier) production team of Gardner-Laven-Levy that were subsequently also behind the equally superior genre efforts, THE VAMPIRE (1957) and THE RETURN OF DRACULA (1958). Secondly, the film’s stars were also the veterans of such genuinely classic Hollywood movies like THE MAGNIFICENT AMBERSONS (1942), THE TREASURE OF THE SIERRA MADRE (1948) and THE 5,000 FINGERS OF DR. T (1953) – namely Tim Holt and Hans Conried. But all this would come to naught if the treatment accorded its fantastic premise of a giant mollusc emerging to wreak havoc fom the Salton Sea was not also more intelligent and literate than the norm. For example, the obligatory love interest is also present here but the girl in question (Audrey Dalton) is no mere gushing female: rather, she is a widow who, raising her little girl all alone, feels inadequate to console a newly-widowed friend because she is still coping with her own marital loss; consequently, her relationship with hot-headed Holt is off to a rocky start; there are also no intrusive, giggly teenagers but just one precocious specimen whose nightly death scene precedes the famous first one in JAWS (1975) by almost 20 years; similarly, there are no time consuming scenes where the authorities disblief the reports of a gigantic threat because, here, it is the authorities themselves who first discover (and fall victim to) the marine assailant; generally, I am always irked by the fact that everybody seems to be nonplussed by the unnatural growth of the bug-of-the-day but, in this case, we have a character who literally dies of fright! Obviously, such movies largely fall or rise on the how much the special effects manage to convince the viewer that the threat on display (or the giant creature, if you will) is realistic or not and, I must say, that this monster (both in long shots and close-ups) is one creepy bugger! As usually happens when multiple giant creatures attack, one prototype manages to escape the trap and destroy the Navy base where the woman and her child are working the nightshift; needless to say, Holt is soon on the scene to scold him to death while being riddled with bullets by the accompanying marines. Apart from being another entry in my Halloween Challenge, the film under review also served as a belated tribute to director Arnold Laven who passed away last month at the age of 87.      
        
 
10/24/09: PHANTOM OF THE RUE MORGUE (Roy Del Ruth, 1954)

I recall watching this as a kid, though not the opinion I had made of it back then. With this in mind, I am baffled by its maligned reputation (the “Leonard Maltin Film Guide” gives it a measly **); mind you, I would not say that I prefer it to the classic 1932 Bela Lugosi version but it is more readily enjoyable (and faithful to its source). The film, in fact, is quite stylish in color – with special care given to the art direction – and a worthy follow-up to Warners’ success of the previous year HOUSE OF WAX (1953); like that one, it was one of the numerous genre efforts from the early 1950s to be made in 3-D (though, typically, it was used gratuitously more often than judiciously). The cast is effective, too: Karl Malden adds an Actor’s Method sensibility to the lead role of biologist/misogynist, Claude Dauphin is fine as the Police Inspector investigating the various gorilla slayings, Steve Forrest ideal as the handsome hero/accused and Anthony Caruso as Malden’s loutish henchman/gorilla keeper. The murders are well-done, suggesting the animal’s brutish strength without actually showing it – even the 3-D process comes in handy here as one of the victims throws something at the ape in defense and the latter responds by throwing a chair back at the girl!; there is, however, a goof in the scene depicting the killing of the circus performer (assisting her jealous husband in a knife-throwing act) as she is seen taking off the tell-tale bracelet but is then unaccountably back at her hand in a shot of the mangled (albeit conveniently covered) body! On a personal note, Malta’s name comes up a number of times throughout the film: the Maltese cross on a sailor’s (eventually revealed to be Caruso) scarf and his inopportune meeting in a dingy tavern with a drunken former ‘colleague’ (sealing his fate by unwisely disclosing his knowledge of the ape’s existence). The latter stages, veering from the Poe tale, actually feel closest to Universal’s earlier adaptation – as Malden cannot hold back his obsession with heroine Patricia Medina (engaged to his former student, and presently incarcerated, Forrest), an impulsive move which can only lead to the expected poetic justice of the climax in which the villain meets his own grisly come-uppance at the hands of the trained (read: abused) gorilla. By the way, having included a handful of films during this challenge in which this type of animal was featured as a menace (two more followed in quick succession), I came to realize just how many were made over the years. Finally, as I said in the beginning, this is pretty much underrated both as horror/monster movie and as adaptation of a highly-influential literary work.
 

10/24/09: THE APE (William Nigh, 1940)

Very minor and frankly dull Boris Karloff vehicle, one of the “mad scientist” roles he specialized in during this phase of his career. The plot takes pains to render the idea of how despised his character is, presumably because of his unorthodox experiments, but I cannot fathom why – surely what he was engaged in would prove exceedingly beneficial to mankind if successful (as readily acknowledged by an authority brought in from out of town to investigate him)! A measure of the film’s ambivalence in this respect is that both views will be accounted for at the very end – as Karloff’s miracle cure does work, but he has had to resort to the despicable act of murder in order to procure specimens!; incidentally, this latter business and the fact that one of the protagonists is wheelchair-bound would both resurface – to infinitely infinitely greater effect – in a later Karloff picture, the Val Lewton classic THE BODY SNATCHER (1945). The titular creature, then, is seen prowling about a number of times – even after having watched Karloff stab it: where we supposed to know that he was behind subsequent killings?; my brother actually arrived at this conclusion about three-quarters of the way in…but I just could not believe Karloff would go to such extremes for Science (after all, he failed to save the immediate members of his family and had kept up the fight for a good 10 years afterwards – why should he bother so much with the rest of the world, especially since they hated him for it?!) and, in any case, being a doctor does not automatically give one a propensity for taxidermy, does it?! All things considered, this is watchable but inessential – and not nearly as much fun (in a guilty pleasure kind of way) as when Bela Lugosi did something similar i.e. in THE APE MAN (1943). 
 

10/24/09: THE MONSTER WALKS (Frank R. Strayer, 1932)

This is a popular title among the “old dark house” thrillers (often given a comic slant) which flooded the market from the 1920s through to the mid-1940s or thereabouts, but I was sorely disappointed by it. For one thing, characterization is inadequate (even when considering the thing is just 60 minutes long) so that what plot development there is feels largely mechanical – and, regrettably, even the treatment proves too stolid to render this an entertaining film (with little genuine atmosphere to help matters). For the record, the same director’s follow-up – THE VAMPIRE BAT (1933) – has an intriguing cast and uses leftover sets from James Whale’s sublime spoof THE OLD DARK HOUSE (1932) but is not otherwise that more of a success in putting across the various genre conventions! Anyway, the would-be thrills here involve a couple of attempts on the heroine’s life (typically, the sole heir of a vast fortune) made, we are led to believe, by a caged ape kept – for no very good reason – in the basement (except that the assailant’s hairy arms are visibly longer than those of the rather squat mammal concerned!). As for the comedy, despite the presence of Mischa Auer (who actually plays it straight, Leonard Maltin’s comments notwithstanding) and Willie Best (unflatteringly billed as “Sleep ‘N’ Eat”), it is quite sparse – and so mild as to barely raise a smile! Also involved is Sheldon Lewis (as the heroine’s invalid and indignant uncle) who had played the dual role in the 1920 version of “Dr. Jekyll And Mr. Hyde” that fell far short of the rival production designed as a vehicle/showcase for the great John Barrymore.

Edited by Mario Gauci - 10/26/09 at 10:18am
post #625 of 759
Mario,

I too enjoyed The Monster That Challenged the World, which I watched this year and last.  I recall being impressed not only by the monster in the film, but also by the science-related portions of the film (i.e, the 'technobabble' as it is affectionately referred to in Trek circles these days).  I mentioned last year that there is a scene where the scientists are discussing the mollusk and its predatory tendencies which I found to be quite convincing.  Additionally, the closing scene with the monster is IMO very well done, and is quite chilling.
post #626 of 759
83. Halloween 4: The Return Of Michael Myers
As the subtitle says, Michael returns and tries to kill his niece and those that stand in his way. The best Carpenter-less Halloween sequel by a mile. A few things help this movie be better than the standard sequel- it establishes a spooky mood (even if Michael is too overexposed to be all that scary), it has likable characters and Donald Pleasence's performance as a crazier Dr. Loomis.
post #627 of 759
^^^

I must say, I really like Donald Pleasance.  He had a creepy air about him in some things, like The Outer Limits (below).  He would often deliver his lines in a softspoken manner, but that IMO made him all the more chilling.


  
post #628 of 759
Quote:
Originally Posted by Ockeghem View Post

^^^

I must say, I really like Donald Pleasance.  He had a creepy air about him in some things, like The Outer Limits (below).  He would often deliver his lines in a softspoken manner, but that IMO made him all the more chilling.

 


There's an episode of The Twilight Zone that he did called The Changing Of The Guard (he's an English teacher at a prep school who is forced into retirement and he feels that he didn't do anything with his life but then gets a supernatural visit from kids that he did have a positive effect on) that I think is one of the best unsung TZ episodes. It's a very moving episode and his performance is a big reason why that episode is so good.
post #629 of 759


Quote:
Originally Posted by TravisR View Post



There's an episode of The Twilight Zone that he did called The Changing Of The Guard (he's an English teacher at a prep school who is forced into retirement and he feels that he didn't do anything with his life but then gets a supernatural visit from kids that he did have a positive effect on) that I think is one of the best unsung TZ episodes. It's a very moving episode and his performance is a big reason why that episode is so good.

Travis,

I wondered if he might have been on The Twilight Zone.  Actors often were on both shows (as well as TOS).  I like this description of some of his qualities:

Pleasence returned to acting after the war, and critics began to call him the "Man with the Hypnotic Eye". Coupled with his bald head and quiet but intense voice, he specialised in insane and evil characters, including Prince John in the ITV series The Adventures of Robin Hood, Heinrich Himmler in The Eagle Has Landed, and the Bond villain Blofeld in You Only Live Twice. In his later years, he became known to a younger generation as Dr. Loomis in Halloween. His trademark voice may be credited to elocution lessons he had as a child.

And how about this!  His plane was shot down in WWII:

His acting career began in a production of Wuthering Heights, but was interrupted by World War II. He was at first a conscientious objector, but later joined the Royal Air Force and served with 166 Squadron, RAF Bomber Command. His Avro Lancaster was shot down on 31 August 1944 during a raid on Agenville.[3] He was taken prisoner and placed in a German prisoner-of-war camp, where he produced and acted in plays. Coincidentally, he later played Flight Lt. Colin Blythe in The Great Escape where much of the story takes place inside a German POW camp.

http://en.wikipedia.org/wiki/Donald_Pleasence

post #630 of 759
84. Halloween 5
Michael Myers returns to kill his niece again. In my opinion, the bottom of the series.

85. Halloween: The Curse Of Michael Myers
Michael Myers returns to kill more people because of a Druid cult or something. This movie is about a hair better than Halloween 5 but for some sick reason, I've begun to enjoy this one over the past couple of years. It's funny to see a young Paul Rudd and the script is clearly written by someone who was a hardcore fan of the original two movies (which wins it some points as far as I'm concerned). The prodcuer's cut is better but it's still not that good of a movie in either form.
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