Other highlights:Harry Potter and the Half-Blood Prince
Kids’ stuff is a thing of the past in “Harry Potter and the Half-Blood Prince.” Suddenly looking quite grown up, the students at Hogwarts are forced to grapple with heavy issues of mortality, memory and loss in this sixth installment in the series of bigscreen adaptations of J.K. Rowling’s Potter tales. Dazzlingly well made and perhaps deliberately less fanciful than the previous entries, this one is played in a mode closer to palpable life-or-death drama than any of the others and is quite effective as such. Delayed by Warner Bros. from a late 2008 release date so as to spread the wealth after “The Dark Knight” scored so mightily last summer, this “Prince” is poised to follow its predecessors as one of the year’s two or three top-earning films.
. . .Director David Yates, after a prosaic series debut on the prior film, displays noticeably increased confidence here, injecting more real-world grit into what began eight years ago as purest child’s fantasy; messenger owls and chattering house elves have been superseded by a frank Underground tea-room flirtation, school security checks and raging teenage hormones. The sets have been stripped down to reduce Hogwarts’ fairy-book aspects and emphasize its gray medieval character, and even the obligatory Quidditch match is staged with greater attention to spatial comprehensibility than ever before.
. . .But assessing the romantic entanglements is not nearly as much fun as simply beholding the big physical changes in the young actors, whose onscreen maturation will have been documented across the span of a decade when all is said and done. The biggest change since “Phoenix” two years ago has been registered by Tom Felton, who plays Malfoy; he’s now a tall stringbean in the Jimmy Stewart mold, with a face that’s come to resemble that of Jonathan Pryce, and he towers over Daniel Radcliffe’s Harry, who looks to be the shortest person in the cast (not true when Imelda Staunton was around).
Rupert Grint, as Ron, has always looked a tad older than the others and continues to while showing more character. Emma Watson, perennially appealing as Hermione, has become a very attractive young woman, and Bonnie Wright’s Ginny intrigues as the sort of initial plain Jane who keeps growing on you.
Everything he says sounds encouraging to me. Now I'm waiting for Roger Ebert's review, because he pegged Order of the Phoenix closest to how I felt about it.Among the always outstanding production values and top-drawer visual effects, special note should be made of series newcomer Bruno Delbonnel’s exceptionally atmospheric cinematography and Nicholas Hooper’s emotionally churning score, which contains only the slightest trace of John Williams’ original themes.
After two PG-13-rated entries, this one has won a PG, matching the first three. At 153 minutes, “Half-Blood Prince” is the third-longest feature in the series and seems just about right; “Order of the Phoenix,” at 138 minutes, actually felt too short.
