Quote:
Originally Posted by
JediFonger 
i haven't seen this film yet.
u guys feel this is similar to how miami vice was received when it first came out... then slow acceptance by people later on? or did mann just completely made a blunder?
I don't think he made a complete blunder with this film. I just think he consistently makes at least one blunder within his films. The taxicab driver turning into a superhero at the end of COLLATERAL was a blunder. The relationship between Crocket and Gong Li's character (whatever her name was) in MIAMI VICE was a blunder, and the retarded police station scene in this film was a major blunder. It not only was aggravating, it also made Depp's Dillinger look a lot dumber than Depp's Dillinger thought he was.
Also I think there is a problem with a film when a supporting character (Baby Face Nelson) shows up for only a few scenes and succeeds in projecting more life and energy than the main character shows in the entire 2+ hours that the film ran. At times it f felt like Purvis and Dillinger were being played by automatons; although, I have to credit Bale in that he was able to project how troubled Purvis became, especially considering how little development his character was actually given. On the other hand, I'm getting a bit tired of watching Bale because he tends to play all his characters the same way. His acting sometimes reminds me of Kevin Costner.......wooden.
I'll agree with everyone else's assessment regarding Mann's ability to film shootouts. He does a great job in that respect.