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post #61 of 161
I enjoyed it, but the mystery itself was even more obvious than usual.  (I'll admit I was still working out the mechanics of how she got the boxes post-marked ahead of time, but it was clear from the start that the dolls were made up after the deaths and immediately clear that the paramedic's uncle was the target even before we saw the inverted horseshoe.)

But the personal side of the story was great and I loved the tag where Natalie kept messing with Monk's head and he continued to lecture her on superstitions without any trace of irony.  And she just enjoys it.  I think scenes like this add a sweetness to the Natalie/Monk dynamic that was never really there, or at least not there in the same way, with Sharona.  

Regards, 

Joe 
post #62 of 161
Thread Starter 
Tonight's episode was the first one that really felt like the beginning of the end of the series. Just a really really strong episode wrapping up one of the strangely most important relationships on the show.
post #63 of 161
Yes a very good episode.
Now isn't it about time to start getting into his wife's murder.
I'm just concerned they will just use only 2 or 3 episodes to wrap that all up.

I was hoping this would be more of a season long section of the show.
post #64 of 161
There are 8 episodes remaining on "Monk". They are running straight through the rest of the season without a break and should finish on Dec 4. I have not looked at episode descriptions so I have no idea how they will cover the process of Trudi's investigation. (fast - slow - bits and pieces ?)
post #65 of 161
I've read it's the last 4-5 episodes that will deal with it. (which is more than enough IMO) They should start after Sharona's guest spot.
post #66 of 161


Quote:
Originally Posted by Zack Gibbs View Post

I've read it's the last 4-5 episodes that will deal with it. (which is more than enough IMO)

I agree.  Two or three (or even one or two) would be plenty as well.  The Fugitive only needed two episodes to finally find the one-armed man and give Richard Kimble his life back, after all.   Chances have always been that one good break - a death-bed confession by someone involved, a missed or buried piece of evidence, or a new piece of technology applied to an old one, would propel Monk towards the solution.  And once he's got that, he's going to go for the solution like a rocket.  I don't see the point of string out the clues (and the stories) over 8 or 10 episodes when they can be better used to prep Monk for his life after he solves the murder, and for resolving some of his many issues and relationships.  (Hence this week's show with Harold, his "dark side" episode with the mob and the upcoming episode with Sharona.) 

I loved the Harold show, although the size of the group and the fact that the doc, Harold and Adrian could all be eliminated as suspects made it pretty easy to spot the killer.    The two of them in the trunk was priceless.  

Later,

Joe

post #67 of 161
Many funny moments in this episode. Loved the imaginary scenes of Monk as the killer.

The actors are so at ease and in sync with their roles at this point. Running like a well-oiled machine. It's a shame they are wrapping it all up soon.
post #68 of 161
Man, when Harold said "Here's what happened," I roared with laughter.  Harold Krenshaw is a wonderful character, and the part is portrayed beautifully by the actor!
post #69 of 161
Another good episode with the Birthday and the vacuum cleaner. I was on top of my game with this one. I figured out the scheme when I noticed the tool belt incident.
post #70 of 161


Quote:
Originally Posted by GlennH View Post

Another good episode with the Birthday and the vacuum cleaner. I was on top of my game with this one. I figured out the scheme when I noticed the tool belt incident.

Yeah ... And next week "My Sharona"!  
post #71 of 161
My favourite bit of this episode was the "Dumpster or Porta-Potty" bit...

"Do you even know me!?"
post #72 of 161
Thread Starter 
If it weren't the last season, just the fact that it's Virginia Madsen would be enough to ensure that the Captain's romantic losing streak was ultimately doomed to continue. Considering we've only got seven episodes left, though, who knows. I was moved by how profoundly her name affected Stottlemeyer, and how poignant it was that he and Monk should be connected in such a way. I don't think the writers would play that card if she didn't have an important role to play.
Quote:
Originally Posted by GlennH View Post

Another good episode with the Birthday and the vacuum cleaner. I was on top of my game with this one. I figured out the scheme when I noticed the tool belt incident.
A series of unfortunate events led to me crashing at my former roommate's place on Saturday night; where the episode was waiting for us on his DVR. Back when we lived together, we'd make a game of trying to figure out "the guy" based on the physical characteristics of the shadowy figure in the cold open. Usually it'd be in vain, but John Carroll Lynch has such a prominent chin that we knew he'd done it as soon as he walked on screen during the party. Didn't figure out why he'd done it until Monk's reveal, though.
Quote:
Originally Posted by Joseph Bolus View Post

Yeah ... And next week "My Sharona"!  
USA's been airing this season in a really weird order. After the season premiere, they aired (by production code) 807, then 803, then 802, then 808, then 806, then 803, then 811 and now 812. "Mr. Monk and Sharona" was supposed to lead into a continuous four episode arc. Now we're getting a standalone that was supposed to air earlier in the season after next week's episode, and the four episode arc itself is being bisected by another standalone episode.
post #73 of 161
Re: Stottlemeyer's new love interest, I also think this one will turn out well for him, since they're wrapping things up for good. Could the title of the episode scheduled for November 13 give us a clue?
post #74 of 161
Thread Starter 
Given how perfect the cold open for this episode was, I kind of wish USA hadn't promoted Sharona's return out the ying-yang. If she'd walked through the door without any of us expecting it, that would have been incredible. The moment by the sink was a reminder of the best of the Monk/Sharona relationship; the softer side of Sharona we only got to see when her and Monk were the only two characters in the room.

This episode did a good job of repairing the damage from Bitty Schram's hasty write-off in the middle of season three and give Sharona a proper send-off. I was really happy she got the "Special Guest Star" credit; considering the shoddy way she was treated, it was the least they could do.

Things that made me happy:
  • Sharona once again separated from Trevor. I think that was the thing that bothered me the most about the way she was written off the show; Trevor was portrayed as a complete jerk in his two guest appearances, and there was and remains no way that I could buy her remarrying him. But since that bullet was already fired, so to speak, they treated the wound as best they could.
  • Bitty Schram and the writers picked the character back up like riding a bike, too. I was worried Sharona would be contorted to fit the needs of the plot in the way that Natalie increasingly is, but I needn't have worried. Schram captured all of Sharona's subtleties (which is difficult given how unsubtle Sharona tends to be), and so did the writers. She's so much more of a personality than Natalie that I think it's much easier to figure out what fits and what does.
  • The lawsuit was about college for Benjy. When I read that the Sharona episode plot revolved around a lawsuit, I was worried. For one thing, it seemed tactless given that Sharona was written out of the show over a money dispute. For another, Sharona (for all of her protestations about money) never came across as a litigious person. It seemed to diminish her, somehow. Those concerns were fully addressed by the episode. In many ways, it was a classic Sharona-era "Monk" plot: Monk's gift of perception undermined Sharona's hopes and ambitions one more time.
  • Resolution of the Randy and Sharona sexual tension. One of the key elements of the show that was lost when Sharona left the show was the delightful verbal sparring between Randy and Sharona. By the time she left in the third season, they had accumulated a good deal of history and complexity that offset some of the slapstick of Randy's character. I was glad to see that play out here, even if we only got two scenes with it.

Things I would have liked to have seen:
  • It would have been nice to see Benjy again in the flesh instead of a picture for Monk's benefit. I think it would have been particularly neat to have a scene where Benjy and Julie meet; two characters we primarily remember as children that are now on the verge of becoming adults. On the other hand, the episode was already overstuffed with content. It might also have been too cute by half.
  • A more fleshed out wrap-up of Sharona's character. What we got was probably the best that we could have gotten in one episode. That being said, Sharona wholeheartedly embracing Natalie as her replacement was a little too tidy for my tastes. After the pitch-perfect cold open, I would have liked to have gotten a bit more resentment from Monk and a bit more guilt from Sharona. The later seasons have tended to favor the lighter touch, but I think this episode demanded something a little bit heavier. It felt like a classic Sharona-era "Monk" episode (with Natalie tagging along), and I would have liked something more. In particular, it feels wrong that she won't be there when Monk finally solves Trudy's murder.

But generally, I'm really grateful they finally paid Sharona the attention she was due. Bitty Schram did such a terrific job with this character.
post #75 of 161
I was disappointed. It's not that it was bad, though the mystery wasn't anything great. It just made me realize that while I like Sharona, she really never was that important. It's no wonder she was so easily replaced. 

On another note, I think Monk is a rare show that would lend well to "movie of the weeks." The cast, costs, and logistics of it all just work out. I was thinking tonight how they could sometimes do "Sharonas" and sometimes do "Natalies." 

^^Adam, did you watch "White Collar?" I know you did, go start a thread. 
post #76 of 161
I don't think there was anything "shoddy" about the way Schram's departure was handled on the part of the producers.  She basically pulled a MacLean Stevenson - holding the show up for more than it was willing or able to pay on the theory that she couldn't be replaced.  She was wrong and she paid the price.   If there was any "shoddy" behavior there I think it was in her breaking her contract and leaving the rest of the team in the lurch.  She's lucky the character wasn't just killed off-screen, which would have forever prevented her return.  Given the timing and the pressure to both continue producing the show and establish a new sidekick, I think they did as good as job as they could with what had to be a short and easy-to-grasp explanation in the dialogue.  And I think it was gracious of both parties to bury the hatchet for the good of the show and the benefit of the fans and agree to having her return. 

Her "Special Guest Star" billing is pretty standard in these situations, and is what her agent negotiated for her.  

Quote:
I was worried Sharona would be contorted to fit the needs of the plot in the way that Natalie increasingly is...

... [Sharona's] so much more of a personality than Natalie that I think it's much easier to figure out what fits and what does.

So, you can't figure out what fits and doesn't for Natalie, because she is less of a personality, but you can simultaneously declare that what little personality she has has been distorted to fit the plot.  Maybe you just don't understand or appreciate Natalie's personality, which is a good deal subtler than Sharona's? 

Nor do I think it would have made any sense to get into guilt or resentment with Monk and Sharona.  While this episode is very much a gift to long-time fans of the show, it still had to be written so that someone who had never seen a frame of Monk would be able to tune in and follow the story.  They couldn't stop the story dead to explain the circumstances of Sharona's departure, which is the only way the ending you envisioned would have worked.  Especially not when you only have 40-some minutes of story time. 

The same objection applies to having Benjy and/or Julie in the episode - you'd have to divert valuable screen time away from the plot to basically name-check a couple of characters who don't contribute to the story, and you have to pay two more guest star salaries to do it.  The picture of Benjy accomplished most of what an appearance would have done and was a lot cheaper.  (Ditto when Sharona and Benjy were mentioned during Monk's memorial service in "Mr. Monk is on the Run".) 

The reason Sharona won't be around when Monk solves Trudy's murder is basically the same.  She'd be an expensive guest star unimportant to the plot, and valuable screen time would have to be devoted to reintroducing her to new viewers.  It made far more sense to deal with the character by giving her her own episode.  (And who knows?  Maybe Schramm did film a brief scene or one side of a telephone call to be used in the finale.  Before Michael O'Hare left Babylon 5 at the end of the first season, he recorded a couple of video-emails as Cmdr. Jeffery Sinclair that would be seen in season two as a way to keep his character alive and a part of the story before his final appearance in the third season.  OTOH the producers couldn't justify flying O'Hare in from New York and paying his expenses and salary to shoot one scene for the TV movie In the Beginning because it wasn't that central to the plot, and the Sinclair material that was already existed in the form of clips from various episodes.  So it all depends on budgets and what everybody wants to do.)

The Trudy story is and always has been more about Monk and Stottlemeyer, who knew Trudy,  than about anyone who came into Monk's orbit later.  Natalie will be with Monk because she is his assistant now.

All-in-all I thought they did a very nice job with the episode.  They didn't do what I feared, which was make Natalie and Sharona best buds from the beginning.  I liked the resentment and the competition and the "Mr. Monk" vs. "Adrien" bits.   But I also liked the ending, which was more about the actors and the characters and their place in the show than about the characters as people in a fictional universe.  That part really was a nod to the fans, and if anything I think they overstated Sharona's contribution to Monk's progress, probably as a way of placating the kind of die-hard Sharona fans who are still sending them hate mail.  (One of whom, I hasten to add, Adam is clearly not.  )

Regards,

Joe
post #77 of 161
Thread Starter 
Quote:
Originally Posted by Joseph DeMartino View Post

I don't think there was anything "shoddy" about the way Schram's departure was handled on the part of the producers.  She basically pulled a MacLean Stevenson - holding the show up for more than it was willing or able to pay on the theory that she couldn't be replaced.  She was wrong and she paid the price.   If there was any "shoddy" behavior there I think it was in her breaking her contract and leaving the rest of the team in the lurch. 


I think you have some facts misplaced here. I was referring to way the character was written out of the show, which is completely separate issue from what happened off-screen. Granted, the situation put them in an awkward place. But almost any excuse would have been better than the one they came up with.

That being said, I don't think you're being fair to Bitty Schram. Her contract was up after 38 episodes, just like the rest of the cast. Tony Shalhoub, Jason Gray-Stanford and Ted Levine negotiated significantly higher salaries for the new contract. Bitty Schram asked for the same percentage increase. USA Network told her no raise. Rather than allow herself to be disrespected by being the only series regular denied a raise, she chose not to renew. Unless what she was asking for was exorbitantly beyond what the others received, I can't really blame her.

Quote:
So, you can't figure out what fits and doesn't for Natalie, because she is less of a personality, but you can simultaneously declare that what little personality she has has been distorted to fit the plot.  Maybe you just don't understand or appreciate Natalie's personality, which is a good deal subtler than Sharona's?

I didn't say that I couldn't figure out what fits and what doesn't for Natalie; I said it's easier to figure out what fits and what doesn't for Sharona because the lines are more clearly demarcated. Because she's blander than Sharona, the writers seem to feel they can get away with making it her pushy toward Monk in one episode and a pushover in the next.

While I agree that Natalie is more understated than Sharona, I disagree that her personality more complex. Especially in the late season two episodes and early season three episodes, we got to see a lot of the shades and undercurrents of Sharona that lurk underneath her brash Jersey girl default.

Quote:
Nor do I think it would have made any sense to get into guilt or resentment with Monk and Sharona.  While this episode is very much a gift to long-time fans of the show, it still had to be written so that someone who had never seen a frame of Monk would be able to tune in and follow the story.  They couldn't stop the story dead to explain the circumstances of Sharona's departure, which is the only way the ending you envisioned would have worked.  Especially not when you only have 40-some minutes of story time.

Considering that we're a half a dozen episodes from the series finale, I'm not sure why it would have to be written so that someone who had never seen a frame of Monk would be able to tune in and follow the story. Given that it took Monk months to get over losing Sharona, and given the years of affection that Sharona showed Monk, I think it only makes sense that there should have been more tension there. Zack came away with the impression that "she really never was that important." As someone who recently revisited the early seasons, I know that this is simply not the case.

I think part of the problem was how much of the episode was eaten up by the Natalie/Sharona comparisons. If they could have written her out for the episode -- say, have her take a trip with Julie -- it would have freed up the episode to really wrap up the Monk/Sharona story.

Quote:
The same objection applies to having Benjy and/or Julie in the episode - you'd have to divert valuable screen time away from the plot to basically name-check a couple of characters who don't contribute to the story, and you have to pay two more guest star salaries to do it.  The picture of Benjy accomplished most of what an appearance would have done and was a lot cheaper.  (Ditto when Sharona and Benjy were mentioned during Monk's memorial service in "Mr. Monk is on the Run".)

I ultimately agree with you here. As I said, it's something I'd have liked to see, but something that ultimately wasn't necessary for the episode.

In the end, I'm not sure anything they could have done would have completely satisfied.

Other than more Sharona/Monk interaction the things I'd have liked to see aren't necessarily things they should have done. The reason I'd like Sharona to have at least a cameo in the finale is because she was the one who rescued him in the aftermath of Trudy's death.

Because of the out-of-order air schedule USA is employing, next week's new episode was actually meant for the first half of the season. Then we get the first two episodes of the four episode final arc, then another stand alone that was meant to precede the four episode arc, and then finally the two part finale.
post #78 of 161

Quote:
That being said, I don't think you're being fair to Bitty Schram. Her contract was up after 38 episodes, just like the rest of the cast. 
 

That simply isn't true.  Nobody writes a "38 episode" contract.  Especially not for a show with 16 episode (originally 13 episode) seasons.  Standard series contracts are for seven seasons, with the studio (not the actor) having the option to continue or not after each season.  Schram left a little over halfway through the 16 episode third season.  Do you really think Shaloub's contract ran out halfway through season three?  Neither the network nor the studio is that stupid. 

SAG contracts also include automatic pay increases for each season, so Schram would have been making more in S3 than she did in S1, just not as much more as the other actors who were successful in renegotiating.

As a practical matter, on all successful shows, the actors try to renegotiate in mid-contract to get what they believe is fairer compensation for helping to make the show a hit.  Shaloub et. al. did exactly that.  Shaloub and Levine got raises, Schram didn't.  As was also the case with Jorja Fox and (possibly) George Eads on CSI, the studio had upped the salaries (or given producing credits) to some actors, but drew the line with others they thought expendable in order to keep the over-all budget where they needed it to be.

Officially Schram left over "creative differences" when the producers decided to take the assistant character in a different direction.  There was never any suggestion of Schram's contract being up and not renewed,  at least not that I can find.  I believe that's because it wasn't. 

Regards,

Joe
post #79 of 161
Thread Starter 
Quote:
Originally Posted by Joseph DeMartino View Post

That simply isn't true.  Nobody writes a "38 episode" contract.  Especially not for a show with 16 episode (originally 13 episode) seasons.  Standard series contracts are for seven seasons, with the studio (not the actor) having the option to continue or not after each season.  Schram left a little over halfway through the 16 episode third season.  Do you really think Shaloub's contract ran out halfway through season three?  Neither the network nor the studio is that stupid. 


You have to remember that until this season, "Monk" aired in split seasons. The first 8-9 episodes (depending on whether the 9th was a holiday special) were filmed in one chunk, the ninth episode was filmed mid-break if it was a holiday special, and then the back seven were filmed in a chunk.

That being said, I was going on memory and after doublechecking, you're more right than I was. USA released Bitty Schram from her contract after the first half had been filmed because negiotiations broke down.
 

SAG contracts also include automatic pay increases for each season, so Schram would have been making more in S3 than she did in S1, just not as much more as the other actors who were successful in renegotiating.

As a practical matter, on all successful shows, the actors try to renegotiate in mid-contract to get what they believe is fairer compensation for helping to make the show a hit.  Shaloub et. al. did exactly that.  Shaloub and Levine got raises, Schram didn't. 
I believe Jason Gray-Stanford also negotiated a raise, which still leaves Schram as the only cast member who got shafted. As the show's continued success proves, USA Network's gamble paid off. I like Natalie quite a bit and do believe the chance gave the show a new injection of life. I do believe Schram was justified in feeling insulted (USA's "the male cast members aren't expendable but the lone female regular is" policy comes across as tactless, regardless of its fiscal prudence) and do believe her exit could have been handled more organically. I realize I wanted more out of last Friday's episode than one episode could accomodate, but that's part of the problem of wrapping up a major character in one episode like that. In a way tonight's episode (Monk adopts a dog!) is easier on everybody, because there are no expectations attached. It's either a decent stand-alone or it isn't.
post #80 of 161
Thread Starter 
Tonight's episode played a lot of the same notes as "Mr. Monk and the Kid" in a less intense way, but that's fine with me since "Mr. Monk and the Kid" is one of my favorite episodes in the entire series.

In other positive news, the last of the remaining stand-alone episodes has been moved up to next week. That means we'll get the last four episodes in an uninterrupted arc. And then that's all she wrote, folks.
post #81 of 161
I definitely agree that it was like the episode you mention in a less intense way.  While he was still being himself and fretting about everything this time around, he definitely was much worse in the earlier episode.  The dog got away with much more than the kid did, which would be expected since this is the last season and he's given hints of recovering slightly (by pulling off things that he'd never have done in the past like has been mentioned before).
post #82 of 161
Thread Starter 
The last stand-alone "Monk" turned out to be a pretty great episode. The opening montague of Monk preparing for his reinstatement hearing was a great homage to the season one instrumental credits and observed the character's unique movements and minor methods with an attention to detail we haven't seen in a long time. Many of the stand-alone episodes consist of Monk getting his hopes up (only to be let down) and that was certainly the case with this one. But as he sat there for hours waiting for the case to begin, you really got the sense that this was more substantial. The A plot was a little more formulaic, with Monk yet again thrown outside his comfort zone and forced to soldier through. I forgive it in this case because a) Monk in Nature with a capital N is always hilarious, and b) it provided the framework for a great Randy Disher episode. Once upon a time, Disher used to just be really gullible and ordinary instead of an out and out idiot. His main character point was flirting with Sharona, though, and once they wrote her out the character became broader and broader. This episode reined that back in a little bit; not only was Randy shown to be a moderately successful leader, he ultimately used his head and foiled the bad guys. I could believe that the Randy in this episode made it to lieutenant in the San Francisco police department. That's far from always the case. This show has a pretty good track record of casting decent child actors, and the "Naked Brothers" kid was no exception.

Next week starts the final four episodes. Something huge to the mythology of the series happens every week from now until the end.
post #83 of 161
Except for the opening I really disliked this episode.
it was paint by number plot line #47 out of the book of generic plot lines.

Boring and saw it before in a dozens other sitcoms.
With only 5 shows left I was thinking this is what they could come up with to get Monk on the verge of reinstatement.


post #84 of 161
I didn't care for this one either.  I thought the ending was uninspired and unconvincing.  It seemed to me as though Monk was overacting a bit in this one -- something I've rarely seen prior to this episode.  I also thought the solution to the case was very weak.  I found the obligatory disrespectful children we see on many television shows, which was pretty much in full force for much of this episode, to be annoying.

One of the positive aspects of the episode for me was seeing Wade Williams.  His work on Charmed as a Seeker ("Death Takes a Halliwell") was frightening when I first saw it.
post #85 of 161
Thread Starter 
I'm too exhausted to do my usual analysis of tonight's episode, so I'll just say that my favorite part was how supportive Monk was of the Captain getting married. It'd be easy to resent the captain for getting a Trudy when he would never have his again, but Monk genuinely believes that everybody deserves a true love. It shows that he's made enough progress to think about something outside his own bubble, which sets up the huge events of next week nicely.
post #86 of 161
And a thoughtful tidbit on the part of the writers was having her referred to as 'T. K.' throughout the episode, with the one note of explanantion (Trudy) early on.

I didn't feel right about the blonde ('sister-like' friend) right from the get-go.  I couldn't put my finger on why, but there was something odd about her, especially with regard to how anxious she was to go along with everything.  And then that tuxedo was mentioned quite a few times....
post #87 of 161
Yeah, it was pretty obvious to me that it was going to be the 'sister' as soon as she got a little weird when Stottlemeyer took his tux back right near the beginning.  Other than that, good episode.  At this point, so near the end anyway, it's not so much the mysteries I care about as much anyway, so even though it was obvious, it didn't ruin the episode.
post #88 of 161
This season is better than the last two ,with a bunch of Fine shows at the start,the last one wasn't great
and the real sad thing is ONLY TWO MORE :(
post #89 of 161
Thread Starter 
I thought last night's episode was excellent, one of the very best in the series. I liked that Monk carried himself differently as a detective than he does as a private consultant. I loved that they really played out how little he fits into the police culture any more. I loved that he was placed in a situation that exacerbated one of his biggest phobias, and he performed admirably. Most of all, I loved that he was finally able to close that chapter of his life on his terms. I thought it was an interesting and effective choice assigning him to a different precinct, too. Monk has a support system around him, and it was nice to see that he could muddle through outside the support system. It made me appreciate the captain, Disher and Natalie even more.

The two-part series finale looks intense:
Warning: Spoiler! (Click to show)
Monk has been poisoned with a slow-release killer and must solve Trudy's murder before he himself dies. Will they actually end the series by killing off the title character? Somehow I doubt it, but it would fit in well with other great detectives whose series ended with their deaths, first and foremost Sherlock Holmes and Hercule Poirot.
post #90 of 161
The only thing that bugged me in a WTF way was that just two episodes ago he was denied his badge. The only explanation given was that the Captain went to bat for him. Whatever. I can't wait for the finale though.
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