post #31 of 87
5/31/09 at 12:12pm
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Originally Posted by Quentin
I'm not sure I can criticize UP. It's that good. Such solid, perfect storytelling. Such memorable characters. Maybe the dog stuff is a little too silly? I dunno. Someone here want to take a shot? Because i just don't see anything wrong with this film.
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Originally Posted by Adam Lenhardt
The dog stuff is the major reason I gave this a 3.5 out of 4 instead of a 4 out of 4. I was totally on board with the collars that let dogs talk. The dogs flying planes and such was a little too broad for my tastes.
The human stuff was stellar, though. The miscarriage is essential to understanding the film, as mattCR mentioned, because it defines Carl's whole relationship with Russell. If Carl and Ellie had had kids, he would not have been left alone at the end of Ellie's funeral and would not have become the crotchedy old man who slowly retreated as the world boxed him in. The end montage of Carl's adventures with Russell counterbalances the opening montage of Carl's life with Ellie. The former documented his role as husband, the later documented his role as father. Russell completed Carl's story. Still can't get over how complete of a performance Ed Asner managed to achieve with just his voice. The animated performance definitely led from Asner's vocals, instead of creating a performance from the vocals. If the picture cut out after the opening montage, the movie would still be a singularly entertaining journey. |
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Originally Posted by Quentin
The plane flying seemed to come out of nowhere.
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Originally Posted by TravisR
To me, that fit in fine in a movie where dogs talk with special collars and a house can float thousands of miles when it has lots of balloons attached to it.
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Originally Posted by DaveF
Unrelated...When will a Pixar movie star a female? I was reflecting on their movies and in typical Hollywood fashion, the stars are always male. Females do have significant roles (Elastigirl, Dory, Jessie), but men are always the central character. Pixar doesn't need to go "Disney Princess", but I think it would be interesting to have a female protagonist (and even antagonist).
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Originally Posted by Adam Lenhardt
I think the real reason is that Pixar perhaps the most auteur-driven animation studio in American cinema. All of the directors thus far have been men, and so it's natural that the stories they have to tell are male-centric. The first Pixar movie directed by a woman, the upcoming The Bear and the Bow, will have a female protagonist. Of course it's being criticized for being yet another princess movie.
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Originally Posted by Stephen Orr
Not only could the dogs talk and fly planes, they could tie up people and prepare fine dinners and desserts! If you accepted dogs as chefs, you've gotta accept dogs as pilots.
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Originally Posted by Quentin
That's what I was thinking, Adam. The plane flying seemed to come out of nowhere.
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Originally Posted by Fred Bang
I see a lot of people complaining about the dogs driving the planes. I think it was just meant as a joke from the writer. You know: "dogfight" !
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Originally Posted by Doug Schiller
There really isn't a major theme that I can think of.
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Originally Posted by Doug Schiller
Also, not really Pixar's fault, I thought the 3D was too subdued for a film that was produced for it.
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Originally Posted by Martin Teller
Notorious crank Armond White steps up to the plate: The Way of Pixarism
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Originally Posted by PaulDA
Yes, well, it's always a joy
He's free to dislike the movie and he doesn't even need to justify his dislike. But if he does dislike it, and wishes to say why, it would be helpful if he didn't come off as desperate to be "above the masses". |
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Originally Posted by Tino
BTW, to those saying A Bus Life is weak, have you watched it recently? I did and it holds up great and still believe it's better than UP. |
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Originally Posted by Colin Jacobson
And he praises much-panned efforts like Land of the Lost and Dance Flick. Apparently he loved the God-awful Little Man!
Hey, we all have opinions that go against the grain, but he strikes me as someone who goes out of his way to counter the consensus so he can seem "cool" and "daring"... |
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Originally Posted by Quentin
I looked hard for, and found, flaws in Wall-E and Ratatouille. They're both classic films - top notch - but, I hold Pixar to the highest possible standards and at least felt like their excellence needed to be tempered with some criticism.
I'm not sure I can criticize UP. It's that good. Such solid, perfect storytelling. Such memorable characters. Maybe the dog stuff is a little too silly? I dunno. Someone here want to take a shot? Because i just don't see anything wrong with this film. Pixar is king. |
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Originally Posted by mattCR
I watched this film with the wife & fam yesterday, and praised it heavily. I still stand by that. I watched it today with a good friend who wanted to go. Near the beginning, there was a scene that I kind of noticed when I was with the family, but of course, when you're handing out drinks and things with kids, it doesn't hit you the same way.. As Ellie plans out her family, and then we cut to a scene of a miscarriage/stillbirth and news that she can have no more children, I just about threw up. I had kind of caught this the first time, but I guess it didn't click with me in the same way. Last Tuesday, a very good personal friend of ours lost her child (stillborn), and my wife & I experienced a miscarriage before our children.
When that scene happened, and it really "clicked" with me and I was kind of dumfounded. The whole rest of the film kind of changed. I had always felt, when I first watched the film, that this was about him accepting the loss of his wife and finding hope and friends in the world again. And I found that touching & moving stuff. But after I realized that opening sequence in a different way today, the whole movie seemed very different. The kid wasn't just a per-chance kid, he was a chance to be a father, the real adventure he missed. And Ellie had given him that adventure in the end. I left the theater kind of sick this time. It's a beautiful film, an A+ in my book, but it now falls into that Schindler's List kind of category. I'm glad I saw it, it was really powerful, I have no desire to see it again. |
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Originally Posted by Chris Will
Supposedly, the decision to go 3D happened pretty late in the production.
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Originally Posted by Brian-W
As for the "fountain of youth" and Muntz, I so want to drop a spoiler but I cannot.
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Originally Posted by Colin Jacobson
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Originally Posted by Chris Will
That's what I loved about it, they didn't feel the need to bang you over the head with 3D gags. They just told there story and it was in 3D which just add another since or realism for me, it drew me into the movie even more. If 3D is going to hang around, they need to just tell there story and just let the 3D draw you into the movie but, not draw attention to itself. All the gags should be left to theme parks.
Plus, I don't think Up was produced for 3D. Pixar wouldn't do that, they are just going to tell the story they want too and leave the theme park gags to Dreamworks. Supposedly, the decision to go 3D happened pretty late in the production. |
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Originally Posted by Brian-W
Lovely NDA agreements.
Must wait until Blu-Ray is released, I'll be curious to see what they include and hopefully it has the story iterations that they were originally going to go with. |