Re: *** Official STAR TREK (2009) Review Thread
I've already posted in the discussion thread, but I have no problem saying I was really, really dissappointed in this.
Let me say that if any franchise could use a reboot - a fresh look at the situation, Star Trek may be it. In many ways, the show has been rebooted in different formats a few times. DS9 was a major reboot of sorts, a whole different concept. Voyager, even though I dislike the show, was a different take on the idea as well.
The big problem that I have with the film is somewhat the problem I had with Voyager and why I never finished the series. The film lost me with a failure to really deliver on the big "Why" factor. Why do I care what happens?
The film begins with an interesting conceit: let's change the entire Trek universe by undoing all of the past to now by changing the birth and family life of James T Kirk. As a result, we are now in an "alternate" timeline. Whether or not this time line co-exists with the one we are familiar with or not doesn't really matter. For the sake of the film, we will just contend the other time line doesn't exist anymore, it's been destroyed, and this is now reality. Fine. It's fiction, we can do that.
But the problem with this, like most time-traveling stories is that under any amount of simple reasoning it all starts to fall apart. This was a real downfall of a lot of trek with goofball time-traveling. Here, it was more a distraction.
Let me say the actors play there roles, and some of the action is top notch, but there is never enough storyline to make it at all understandable why they do even the remotest thing that happens. Kirk goes on a youthful spree that gets him into trouble as he steals a vehicle, destroys it and gets turned over to the cops. A fun, 10 minute sequence that results in.. nothing. We have no idea what the result is, outside of him as a 12 year old lipping off to a cop.
These moments exist all throughout the film and act like bad padding, they add nothing to the storyline and make it more difficult to buy some of the things that happen next. Because when they do these things to show how different they are.. they still all end up back at the exact same place as the original series.
It's a bit of a game.. how far can we stress the cord - before we snap right back - like a bunji cord. But as a result, the film takes chances that make it very different, but they don't seem to have any real character impact on the people themselves.
Kirk's father, his motivation, killed young in life. He becomes a miscreant. Doesn't go for starfleet. Then, finally, after a barfight is turned around. And, as a need to insert previous Trek lore, he accomplishes the same feats in Starfleet as he would have without the monumental changes in his youth.
After a while, I began to feel as though it was a pretty pointless "Butterfly Effect" film.. because there simply was no effect. Even major changes to the universe had no seeming impact on the future that created the situation to begin with.. a paradox that made me laugh out loud.
The action is great, and the score is great. But I'm not sure how this is any better then Star Trek V. It's a ridiculous premise that has no real backbone of a story to fall back on. It suffers from about 20 minutes of padding that adds absolutely nothing to the film, including sequences completely ripped off from childrens films (watch Scotty journey through suction tubes ala Augustus Gloop). In fact, despite the fact he materialized not in an air environment, which should have killed him instantly, we just go on and it's a cute joke that goes on WAY too long.
This is a film that could have been about 30 minutes shorter and taken a lot braver chances. And while the camera movements aren't as bad as Cloverfield, when fighting sequences do happen they look like a jumbled mess because the camera is so close to the CGI'd action that you have a hard time telling what the hell is going on.
Star Trek, in my mind, really only has three movies I can go back and watch and really enjoy. It has quite a few clunkers. Unfortunately, for me, this film is a clunker. I think if you remove the trek characters from it and you just take it as a story on it's own, what you have is a villain about as interesting as cardboard that gets no screentime to explain his purpose or how he came to be, and characters who walk around on rails. If I changed the names of the characters, and I viewed it as just another sci fi epic, it'd be very poor.
I think what this film really did for me is solidify the genious of reboots that take gutsy, game changing alterations like BattleStar and give characters new purpose. Or unique, original scifi that looks at the issues differently - like Firefly.
I think this is a film that maybe could have been done in the Trek universe with an entirely different crew; and if it were written that way, someone at some point in the writing process would have said "is there any reason at all to understand the villain? To care about the plot? Does this joke work at all?" That kind of harsh re-evaluation would have really helped this film. It's something Trek has needed for a long time.
I'm glad to see others enjoy it, I guess I just won't be one of them. I really wanted this to work, and I think it had a lot of great elements (Leonard Nimoy was great in his role, and the soundtrack was also incredible). But the flaws simply make it hard to consider anything more then mediocre.


(1/2) /




