Quote:
Originally Posted by
Doug Otte 
The current trend (which has been going on a few years too long, IMO, but seems to be abating a bit) is for many films to have extreme contrast boosting, and many times with digital color enhancement. So, you often have films that look very crisp with crushed blacks and whites, and with unnatural colors (either trending toward one color, or no colors, etc.).
I assume you are referring to the almost monochromatic look that many recent films have, and I would agree that is something that has overstayed its welcome. Give me Technicolor.
Something else I noticed with South Pacific is the very wide framing and the clear photography, as well as an editing process that allowed the viewer to absorb the images. Another trend these days (that seems to have been around 15 years or more) is for extreme close-ups and handheld documentary-style filming, blurred photography and an editing pace that makes you unsure of what you've just seen. Not saying the latter doesn't have it's place, but we've been missing that older style of moviemaking for a very long time. I confess I never understood setting up a shot, getting every detail right, and editing it in such a way that the viewer only sees it for 2-3 seconds.