Re: HTF BLU-RAY REVIEW: Pinocchio: 70th Anniversary Platinum Edition
Well, I went to my Disney contact with the questions and while I don't have a definitive answer, he has taken what I would suspect to be a pretty good guess: that the restoration team turned to some different audio sources in an effort to get the best sounding elements possible and used some tracks which had some of the dialogue excised for early audio releases. It might be (although hard to fathom) that they just didn't notice.
Randy Thornton is one of the Executive Producers at Walt Disney Records.
He has been involved in numerous restorations of the musical elements for the early Disney animated classics. At a different forum (of which he is an active member) I posted questions about the missing dialogue. This is his response:
Quote:
Unfortunately, I can be of little help to both questions.
First, I’m not involved with the Home Entertainment releases. I sometimes help in research, by finding and restoring the song demos and such. Recently, in the case of Sleeping Beauty, it was the elements I found to build the soundtrack album (in 1996) that prompted the studio to rebuild the audio for the new BluRay. If I’m involved at all, it’s usually in the historic element side of thing. I don’t know what was done on Pinocchio.
Second, the Pinocchio Soundtrack is the only Classic Soundtrack (aside from Fantasia) that I did not produce. I did assist in some research to help Michael Leon (the producer) find some elements and offer advice. But what I can tell you is similar to the situations in all of my own soundtrack restoration projects as well – most of the original separated elements no longer exist.
In the 1950’s there was a movement within the film industry to get rid of all the nitrate based film stock (it could spontaneously combust). When they began what I refer to as: ‘The Great Purge’, it was decided to only transfer “important” elements to the new Safety Film. In most cases, the separated elements – the vocals, the effects, the dialog, and the music elements were destroyed. They felt that the only elements necessary to save were the Composite (complete mix) for new prints over the years, and the M&E (the music and effects mix without vocal or dialog) for use in dubbing the films into other languages. They never thought that anyone would ever go back and remix a film – it was unheard of at the time, and why waste the funds.
Fortunately, they weren’t completely thorough. Some elements survived ¬- maybe bits and pieces, and sometimes complete songs. Every single soundtrack I’ve restored (except for Poppins and Jungle Book), were cobbled together from whatever elements I could find.
In the case of Pinocchio, I know that Michael and I found the Music Only elements. There were in mis-marked cans, and we assume that it was because of this that they survived The Great Purge. However, no vocals could be found. So we turned to the WDL record master that Tutti Camarata produced in the 1950s. It turns out that Tutti started producing the WDL soundtrack series just before the purge, so he had access to those long lost separated elements. Michael used that master as the source for the songs. It may have been when Tutti originally created those album tracks, when those lines went missing. That’s just a guess, but it seems likely.
Incredibly, as we were going through those mis-marked Pinocchio cans, we came across a treasure – in the very last can were several small reels of film. They turned out to be the separated music only, vocal, and chorus tracks for “When You Wish Upon a Star”. And if the fates conspired to only allow us to rebuild and restore one song in Pinocchio – I’m exceeding grateful that was the song!
I know, a lot of words just to say “I don’t know”, but there ya are.
Randy |
So, his best guess is that it might be that the restoration team turned to a different audio source for the audio restoration of the film and didn't realize those bits had been excised. If true, if would make for an interesting tale, but unfortunate.