Re: *** Official WATCHMEN Review Thread
I haven't been to the movies since Nov 2007, and that was a family outing to see the uninteresting
Bee Movie. Needless to say, not much has gotten me to leave the confines of my home theater for the uncertainty of sitting next to or near loudmouth dipshits (which did occur when two jackoffs snuck in at the beginning of the last act). I actually dread walking into a movie theater these days, which is why Watchmen pulled at least one heroic feat by getting me to actually buy a movie ticket.
Overall, I liked it. I liked it quite a bit, in fact. I’m
thisclose to loving it. The movie started to really come together around the time they sprang Rorschach from jail, and even though I embraced the movie from the first frame, I wasn’t sure if I really loved it. I definitely want to see the EE when it comes out on video – there are probably a dozen set pieces I could watch repeatedly because they are executed so well (including all of Rorschach’s action scenes). There were moments that were breathtakingly perfect, the kind of moments that allow you to overlook the many flaws.
The visuals are stunning, amazing, phenomenal, capital “A” Awesome. Zack Snyder is brilliant when it comes to translating the look and feel of comic book panels into moving images, and he really brought the comic book to life -- everything from Rorschach's mask to Dr. Manhattan (blue penis and all) jumped right off the page. The fights, in particular, as brutal as they were, were beautifully composed. My only visual quibble was Laurie's costume -- it was not as sexy as the one in the book, but then again, Malin Ackerman is not zaftig enough to pull it off anyway.
Wilson’s Dan Dreiberg was well done, and Morgan’s sweaty Comedian was just about perfect. But Haley’s Rorschach was the most perfect of all the casting, from his diminutive stature to the facial similarity. Ackerman was just physically wrong for the part but was okay. Goode’s Veidt was uneven – they fey delivery was an interesting interpretation, but clashed with the Graphic Novel’s establishment of a studly hero. His was also physically off, as his profile just doesn’t match the one in the comic, looking more like a young Robert Carradine than a young Robert Redford. Frewer’s small part as Moloch was the only one to rival Haley’s Rorschach for being an eerily perfect translation.
The movie has three big flaws. The first was that the dialog that worked on the page oftentimes just didn’t work coming out of the actors’ mouths. As a result, a lot of the performances came off as odd, and the conversational scenes were a bit off putting. I grimaced more than once at a badly delivered line that was not necessarily the actor’s fault. The occasional flashes humor in the GN didn't translate well at all -- I think there were maybe four laughs in the entire movie. There were some scenes that should have been tightened or edited but in his devotion to the source, went on too long. Another issue was that viewers who have read this GN multiple times (as I did) do not find any surprises or discoveries in the course of the movie. Even the ending was only altered in specifics – the outcome was the same. In effect, I felt like Dr. Manhattan as I watched the film, knowing exactly what was going to happen next except that I was a bit fuzzy about the ending. The only thing that felt unknown was keeping tabs on what was cut or ever so slightly altered (for instance, what happened to the Snow Segways?). Everything in the film was just about 1:1 with the GN. And the chapter structure of the GN does not allow the movie to flow as a single work – it stops and starts with each chapter, shifting abruptly in tone and plot, feeling more like a marathon viewing of a TV series than a singular film.
All of these issues arise from hewing so closely to the source material. Scenes that are meant to be twists and surprises in the narrative have a “been there, done that” feel to them – finding out that
Warning: Spoiler! (Click to show)Blake is Laurie’s father
has absolutely no impact, nor do any of the major plot turns of the movie. I do realize, however, that many of the things that I love about the movie (including, oddly enough, the fidelity to the GN) would not be possible if Snyder hasn’t set out to make such a faithfully rendered project. Had Synder started tinkering with the underpinnings of the movie with both dialog and plot, the studio would have stepped in to make many multiple “suggestions” including getting the 100+ million dollar film to a PG-13 rating. Snyder’s adherence to the source material was both a shield and an anchor, losing all suspense and surprise but gaining the opportunity to convert the page to the screen with minimal studio tinkering – any arguments over recommended changes began and ended with, “that’s not how it is in the book”.
As a fanboy, I will have to thank Synder for forcing through this vision, as it is preferable to the mutant Watchman movie directed by Brett Ratner or McG that would have disappointed and pissed me off to no end. Had that happened, I would have lamented, “I wish someone had made an almost frame by frame translation of the graphic novel, because it is perfect as it is”.
Be careful what you wish for.