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A few words about...™ Pinocchio -- in Blu-ray - Page 9

post #241 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

I'd consider the Pinocchio excellent though not perfect.

Many other discs have flaws that never get noticed. Disney animated titles are practically scoured with a microscope and reviewed in reverse frame by frame by the adoring fan-base. That doesn't make such critical analysis wrong (far from it, Disney should have done a bit better), but it does mean that we notice problems in Disney titles that would otherwise have slipped under radar of most other releases out there branded as "perfect" by lack of similar scrutiny.

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post #242 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

I think another reason people get a little upset with mistakes in Disney titles is that they know it will be years and years before a new edition comes out.
post #243 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

lol. great post...
post #244 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Well, when they're restored the people who are doing it aren't taking a decade old dvd (and I believe it was even from a laserdisc) as reference. You can't compare the two.
post #245 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Quote:
I took the Gold Edition screencap of the Blue-Fairy scene, and started manipulating it... After removing a bit of the red layer, adding a bit to the blue layer and increasing brightness it seemed perfect. You know what I did to do to make it look like on Blu-Ray?
I've had to add an unnatural ammount of blue, then select the whole Blue Fairy area - darken the light arround her, then select the shadow behind Pinocchio, and make it more bright. It is then the colors seemed to match perfectly the BR version. Now, I don't know how these movies are being restored, but this makes me really think hard...

Is this a joke?

You took an early-generation DVD that was authored from an out-dated laserdisc master which was made from an over-DNRed transfer from aging prints that had long faded and color-shifted so that the NTSC master was "pumped" to try to saturate the hues... and *that* was your reference point for judging the correctness or wrongness of the Blu-ray?

And that's somehow better than taking actual negatives, hand-painted originals, and historical notes about desired color ala the Blu-ray Disc restoration?

I'm baffled by some of the folks in this thread who seem convinced that the older laserdisc and DVD home-video versions of these pre-WWII classics taken from multi-generation source material that had aged for decades were somehow transparent to the original artistic intent whereas the newer releases which have been restored with the explicit intent of matching historical accuracy are not.


Quote:
Well, when they're restored the people who are doing it aren't taking a decade old dvd (and I believe it was even from a laserdisc) as reference.

A seemingly obvious fact that is somehow a mystery to several contributors in this thread.
post #246 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Someone pops in and this is their first post? Don't know why some of you are taking the bait.
post #247 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Quote:
Originally Posted by Bubble
1. I am not an expert, but I prefer the old pumped transfer (even though it is a bit aged), as the light looks more natural.
2. I thimk cells and "hand-painted originals" shouldn't be used as a precise reference, (it was written some posts ago), because they appear with different coloring on film, and the authors of drawings knew that.
3. I happened to see something sold as a copy of the original cell for this scene - it is even at some other forum, and it did look brighter and didn't have this much of blue. I don't think after photographing it would do.

Understood and your opinion can stand on its own. However, as you said you manipulated screen caps, please post them to demonstrate your points.
post #248 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

That's not an original cel (I've seen it discussed elsewhere). It's a reproduction of a cel. It's on Ebay. And the old DVD is certainly no reference (what IS it with people determining Blu Ray quality by comparing it to DVD, anyway??). As David point out, you (and everyone else on here) do not have an objective reference. It's obvious that the ONLY people who do have good reference materials work for Disney.
post #249 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Quote:
Originally Posted by RobertR
That's not an original cel (I've seen it discussed elsewhere). It's a reproduction of a cel. It's on Ebay. And the old DVD is certainly no reference (what IS it with people determining Blu Ray quality by comparing it to DVD, anyway??). As David point out, you (and everyone else on here) do not have an objective reference. It's obvious that the ONLY people who do have good reference materials work for Disney.

Agreeing that 'sunshine is the best disinfectant', all Disney need do is share with us. Original cel art and negative used as an "objective reference?" No problem. Show us untouched digital images of both and the final result and if the final result appears to accurately represent source materials ... this issue goes away.

I'd love to see how the Indians around the song "What Makes the Red Man Red?" in Peter Pan were meant to be brown. But my guess is that the song is more likely to be changed before that is forthcoming. Disney, you can always prove me wrong.
post #250 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Quote:
Originally Posted by Bubble
I would love to see the reference material, because all we have is talk, talk, talk, and I don't think technology in the 40's would make it possible to achieve such an intense blue anyway...

Did "intense blues" result from the emergence of plastics, Art?!?

On what do you base that comment?
post #251 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Quote:
Originally Posted by Bubble
Thank you - that would be all.

Art, I'm not sure if you don't want me to follow up here, but I'm a bit lost with your assertions.

I understand your sentiment about the new "look" that Disney is giving to its animated classics. That is a debate that has been going on ever since Lowry got it's hands on Sleeping Beauty for its last DVD release (or maybe since any of these films started getting prepared for ANY generation of home video release).

I still don't understand the basis of your belief that such a blue couldn't have existed in the 1940s.

Assuming you have read this entire thread, the subject of true colors has been discussed quite a bit...including this post by the OP, Robert Harris, back on page 2.
post #252 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Quote:
Originally Posted by Mike Frezon
Art, I'm not sure if you don't want me to follow up here, but I'm a bit lost with your assertions.

I understand your sentiment about the new "look" that Disney is giving to its animated classics. That is a debate that has been going on ever since Lowry got it's hands on Sleeping Beauty for its last DVD release (or maybe since any of these films started getting prepared for ANY generation of home video release).

I still don't understand the basis of your belief that such a blue couldn't have existed in the 1940s.

Assuming you have read this entire thread, the subject of true colors has been discussed quite a bit...including this post by the OP, Robert Harris, back on page 2.


I know it has been [discussed]. And still I didn't see any final statements. Just some talk that the colors always vary...

It was said in the posts that a dye print can be no reference, if so there is really no reference, because drawing the cells is just the beginning.
In the gold version we see clearly that lots of photographic efects has been added to the cells. The scenes with Pinocchio in a cage are so dark, we almost don't see anything, next the Blue Fairy comes and everything shines beautifully. (And it is a white kind of light).
The best thing that can prove that is for example the efect of water in final scenes - do you believe someone has drawn this and that it's on the cells, I don't.
Other - the continuous transformation of the background color when the blue-fairy disappears. This couldn't have been drawn too, I think.
Every print of the negative looks different - ok, but there are similar things certainly. Like for example the contours looks like they've been drawn, and we see the diferent shades of paint. It's little things, but can't be compared to the digital look of the movie, where the picture just looks plain and boring.
To me with every digital release these movies are becoming worse. The resolution is better, but there are less details and everything looks like plastic.
The gold edition for example didn't look that faded - it didn't look like it should be redrawn definitively, so why change so much, and not let it be.
That is something I won't understand. And if this is done, why can't Disney at least also include the original damaged, dyed, and aged version of the film as a bonus or something, for enthusiasts. This forum has shown that there are some of them - It may even increase the sales of their Blu-Rays...
(I for example did not buy the new Pinocchio, only one of my friends did, and we definitively would with the old version included - like in Blade Runner for example).
post #253 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Oh - about the blue.
Maybe it could have existed, but I don't really think it did.
It would have shown itself on the gold edition, just like the blue of
Pinocchio's tie, or the Blue-Fairy's dress.
post #254 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

I don't understand why not releasing the old dyed, faded, scanned originals along with new restored versions, just like with the Blade Runner, and give the viewer an option.
After all - there is so much talk about it.
post #255 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Quote:
1. I am not an expert, but I prefer the old pumped transfer (even though it is a bit aged), as the light looks more natural.

No one is criticizing your preference for the look of the older disc. I prefer the color spectrum of the older Mary Poppins DVD to the new "restored" version.

Quote:
2. I thimk cells and "hand-painted originals" shouldn't be used as a precise reference, (it was written some posts ago), because they appear with different coloring on film, and the authors of drawings knew that.

The historic archivist assisting with restoration knows that. They research everything including the light bulbs used to illuminate the cels when being photographed (which can have a huge affect on color) as well as "what the artists were going for" given the final print. That's been covered extensively in this thread, for anyone who cares to read it.


Quote:
Maybe it could have existed, but I don't really think it did.
It would have shown itself on the gold edition, just like the blue of
Pinocchio's tie, or the Blue-Fairy's dress.

As film prints age color balance can change dramatically. Especially after 50 year or more, and even new prints can vary one from another given variables during replication. Let's take advantage of the information that's been shared by experts in the field of film aging and restoration such as RAH. Even a turn of the color dial on your TV can change the blue balance. The lack of the blue in the old DVD indicates absolutely nothing conclusive about how the original film was intended to look.

Quote:
I don't understand why not releasing the old dyed, faded, scaned originals along with new restored versions, just like with the Blade Runner, and give the viewer an option.

Blade Runner wasn't giving you the same film sans-restoration: they were giving you another cut of the film that they didn't have time or money to restore.
post #256 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Quote:
Originally Posted by Bubble
The best thing that can prove that is for example the efect of water in final scenes - do you believe someone has drawn this and that it's on the cells, I don't.

What are you referring to here? The distortion effect when P and J are walking on the ocean floor?

Quote:
Other - the continuous transformation of the background color when the blue-fairy disappears. This couldn't have been drawn too, I think.

There is a discussion in the commentary about how the Blue Fairy scene was shot. I believe it touches on this subject. IIRC, The Blue Fairy scene was one of the more complex scenes in the film.

I have to disagree with your assertion that the film looks plastic. The restoration impresses me more and more as I rewatch it. Maybe I'm just getting more used to it. Every time I watch the film I spot more and more of the little details that the artists put in to it.

This is probably Disneys best restoration effort to date, despite the decision to remove the film grain. P was never a favorite of mine, but this BD has allowed me to really see this film in a whole new light. I would probably put this at number 2 behind BAMBI on my list of best Disney films.
post #257 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Quote:
Originally Posted by Bubble
Still I am sure there are some objective similarities on all the prints, like darkness in dark scenes, some effects, grain, hand drawn animation issues, this sort of things, and white would still be white, so would blue, or at least pinocchio's tie would also change color.
I've seen Beauty and the Beast in 3 different cinemas 3 times and have never been dissapointed, after seing it in Emacs once I couldn't even concentrate on the movie.

Beauty and the Beast doesn't really have any relevance here. It wasn't restored. Merely a bit screwed up when it was put on dvd. If you search for the Imax trailer on YouTube, you'll find out the colors look much better on that one. So I think it'll look all right on Blu-Ray when it comes out.


Quote:
Originally Posted by Bubble
Yes, but the fortunate final result was that the viewer had a choice between the all-new version of the movie with also different colors, and the old one.

You have a choice. Just watch the older version if you're perfectly fine with that one. It's not like Disney is forcing you to buy this, or confiscating any earlier dvd put out.

Quote:
Originally Posted by Bubble
Yes. And the fact that there is still detail in animation doesn't change the fact that it can be simplified. Look at Honest John pointing at the advertisement of Stromboli - at the white brushes on his fur, and compare the old version with the new, you will see the difference.

The brush strokes on the fur look much better on the new version to me. They're much more detailed (check the Blu-Ray caps).
Oh, and the actual earlier restoration (which wasn't available in Region 1) done by Lowry looked quite similar to the new Blu-Ray and dvd. So, even if the Gold Collection disc was restored, how do you think the two newer versions look more like each other?
post #258 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Quote:
Originally Posted by Brian Borst
Beauty and the Beast doesn't really have any relevance here. It wasn't restored. Merely a bit screwed up when it was put on dvd. If you search for the Imax trailer on YouTube, you'll find out the colors look much better on that one. So I think it'll look all right on Blu-Ray when it comes out.

It wasn't restored ??
Of course it was, and redrawn to fit the IMAX screen in 2001, as far as I remember. And the colors on the IMAX trailer do look acurate, but not the contours, and the overal look of the drawings.
And I remember being so into the dvd, as it stated that all three versions of the movie are included, and they haven't been, just an option to watch it with the new sequence, or without it, and the "work in progress" parts.



Quote:
Originally Posted by Brian Borst
You have a choice. Just watch the older version if you're perfectly fine with that one. It's not like Disney is forcing you to buy this, or confiscating any earlier dvd put out.

Of course I have - that is what I will unfortunately have to do. Still not every Disney movie is available this way (Cinderella is not, BATB, Aladdin, and TLK are only in IMAX like versions - my favourite movies as a kid).
And the picture quality of the gold dvd isn't exactly perfectly fine - there is lots of digital noise, and it's dvd 480p resolution - these films in the 40's have been shot in 35mm which is even more that 1080p BR resolution, and this is the only thing that really needs to be improved
(I wish it was).


Quote:
Originally Posted by Brian Borst
The brush strokes on the fur look much better on the new version to me. They're much more detailed (check the Blu-Ray caps).
Oh, and the actual earlier restoration (which wasn't available in Region 1) done by Lowry looked quite similar to the new Blu-Ray and dvd. So, even if the Gold Collection disc was restored, how do you think the two newer versions look more like each other?

That's not what I think, more detail is visible because the resolution is higher, but they [brush strokes] look plain and less detailed. As for the 2003 dvd I have suspitions it has lots in common with the new restoration. And it looks very similar with the yellow-pastel workshop and the blue light from the Blue fairy.

OH, AND I HAVE A PERFECT ONE - please, look at the Honest John's clothes in the old and new version. This is something that doesn't need to be discussed, but I especially mean the contrast between the green waistcoat, and the green pants, or the different kinds of shade on the pants that suddenly disappear in the new version.
post #259 of 270
Thread Starter 

Re: A few words about...™ Pinocchio -- in Blu-ray

Quote:
Originally Posted by Bubble
OH, AND I HAVE A PERFECT ONE - please, look at the Honest John's clothes in the old and new version. This is something that doesn't need to be discussed, but I especially mean the contrast between the green waistcoat, and the green pants, or the different kinds of shade on the pants that suddenly disappear in the new version.

Please keep in mind that when we used the word "restore" for these films, it is meant in a slightly different way from live action "restoration." This can get a bit confusing. In most every case, the Disney animated films have intact, clean original negatives. What is being created is NOT a true restoration, but rather a new edition, based upon huge amounts of internal research as to color, density, etc. The new product does not attempt to replicate original nitrate prints of the era of release. In reality the term "restore," which is a term of art, is being used here to represent a reawakening, if you will of the original intent of the filmmakers, taking advantage of modern technology, which allows a sharper, more highly resolved image then ever before possible.

If one were to run an original 1940 print, I would imagine a hue and cry from the audience claiming it incorrect, dull and faded, when prints of that era had that specific look. Those who have seen original prints, or even frames of an original GWTW or other films of the era will see where this is going.

As to the change of clothing, this is a well established error, and noted in cinema literature and research, both of the 1940s, and especially well documented in the great Disney book by Finch, which is inclusive of interviews with the wardrobe staff. Apparently an assistant dresser provided the wrong costume for the actor after a lunch break. Much like Mr. Grant's suit changing color during the crop-duster scene in N x NW.

RAH
post #260 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Quote:
Originally Posted by Robert Harris
Please keep in mind that when we used the word "restore" for these films, it is meant in a slightly different way from live action "restoration." This can get a bit confusing. In most every case, the Disney animated films have intact, clean original negatives. What is being created is NOT a true restoration, but rather a new edition, based upon huge amounts of internal research as to color, density, etc. The new product does not attempt to replicate original nitrate prints of the era of release. In reality the term "restore," which is a term of art, is being used here to represent a reawakening, if you will of the original intent of the filmmakers, taking advantage of modern technology, which allows a sharper, more highly resolved image then ever before possible.

If one were to run an original 1940 print, I would imagine a hue and cry from the audience claiming it incorrect, dull and faded, when prints of that era had that specific look. Those who have seen original prints, or even frames of an original GWTW or other films of the era will see where this is going.

As to the change of clothing, this is a well established error, and noted in cinema literature and research, both of the 1940s, and especially well documented in the great Disney book by Finch, which is inclusive of interviews with the wardrobe staff. Apparently an assistant dresser provided the wrong costume for the actor after a lunch break. Much like Mr. Grant's suit changing color during the crop-duster scene in N x NW.

RAH


I realise that. It's just I think that there are still some people that find these old prints the best. I am one of these people. When it comes to old movies I don't really care about the technical correctness that much. I had a video-tape with the old Snow White recorded - that is how I got used to it.
Exposing the background imperfections was a drastic change for me and I didn't recognized one of my favourite childhood movies...
And I am not so old, I am a bit over my teenage.

Concluding, I must admit being a bit selfish refering to the original versions, as I don't think myself too that someone not attached so emotionally to the old look of cartoons should appreciate the original version. But I still think it would be a great bonus feature, and I will never stop hoping someday Disney will make it available.
Still, I think that too much animation detail is being removed from old movies, and too much changes are being made.

And redrawing Beauty and The Beast is of course another subject.
post #261 of 270
Thread Starter 

Re: A few words about...™ Pinocchio -- in Blu-ray

Quote:
Originally Posted by Bubble
It's just I think that there are still some people that find these prints from GWTW the best. I am one of these people.

Where might you have seen an original 1939 print of GWTW?
post #262 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Quote:
Originally Posted by Robert Harris
Where might you have seen an original 1939 print of GWTW?

I haven't. My mistake, I confused the words "GWTW" with something else.
post #263 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Quote:
Originally Posted by rich_d
What I expect is excellence, nothing short. Why should I expect less?

Not saying you should expect less, especially w/ a BD title (and one that probably comes after numerous previous dips on DVD, LD, VHS).

However, it seems like you're actually expecting perfection, not mere excellence, IMHO. Well, I'm not saying that *all* the different flaws found so far are acceptable, but it does seem at least a few of them are acceptable enough me thinks.

Quote:
I'm a film fan (from the word fanatic). As a fanatic, I comment (or hold comment) as I deem appropriate and in observance of forum rules. I have high expectations and passion for the films that are meaningful to me.

Admittedly it's not a level playing field. Films you loved as a child and as an adult and as an adult watching a film with your own child or grandchild bear more scrutiny than other video releases. Since you are a NYC guy, it's like comparing the scrutiny that a starting pitcher for the New York Yankees gets to that of a starting pitcher for the Kansas City Royals.

Actually, although the Yankees are my favorite team, I'm not your typical fan who cannot be reasonably objective about such things. In fact, these days, I find myself owning more KC Royals pitchers in fantasy baseball than Yankees.

Anyway, point taken about your very high expectations.

Quote:
Having said that, excellent results of big time, impactful films transferred to video get excellent comments and praise. For example, Dr. No (both in its last DVD release and subsequent Blu-Ray release is NOT being nitpicked here or any other place on the Internet. Instead it has received glowing comments all around the net, including from yours truly. Proof that excellence is rewarded.

Perfection is not expected, excellence is. Both good Quaker values.

I think there's probably a bit of a double standard here. Interestingly (that you should bring up Dr. No), I *do* think something's not completely right w/ the Dr. No BD -- and have mentioned it once or twice somewhere on this forum (probably on one of the review threads). Honestly, I do think Dr. No has been slightly overcooked in places w/ DNR and/or contrast tweaks and/or sharpening -- and IIRC, even RAH mentioned very briefly that he wonders if something wasn't slightly overcooked at times. There are definitely a few shots/scenes where it looks a bit unnatural (and un-film-like) to me. But it's nothing distracting enough for me to go on an extended rant about. However, it apparently bothers you (and most others) not at all...

To each his own I guess...

_Man_
post #264 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Unless I missed it, there seems to be the "sound of silence" on the audio problems from Disney.

For those that felt that Disney would be quick to address the issue and possibly remedy the problems ... what say you now?
post #265 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Rich: I was wondering about this very same issue just last night. The silence from the mouse is deafening.
post #266 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

I never said they'd be quick about it. They DO however, have a history of re-pressing problem dvds and setting up replacement programs. That can't be denied.
post #267 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Quote:
Originally Posted by Ethan Riley
I never said they'd be quick about it. They DO however, have a history of re-pressing problem dvds and setting up replacement programs. That can't be denied.
Exactly. Didn't it take about two years to correct the Silly Symphonies disc?
post #268 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

i do wish Disney would at least comment on whether a correction might be considered...or if they are content with the discs as the exist. i do miss the dialog.
post #269 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

As is almost always the case, I'm sure there are legal reasons for their silence. After all, if they make a statement and then for some corporate reason the terms change I'm sure they could be sued, in theory. Therefore, better to say nothing until a solid plan is in place.
post #270 of 270

Re: A few words about...™ Pinocchio -- in Blu-ray

Hello,

It's me again.
I've thought things up once again.
I would like to write I am very sorry for my vulgar and rude critics
about the Pinocchio Blu-Ray edition.
I think it looks very impressive, is extremely detailed, sharp, clean, but
on the other hand we can even see the subtle paint brushes from
the animation drawings. It looks amazing.
The package is also the best, I think, Disney has made yet. I can't wait
for the Snow White Blu-Ray to be released. After all - these are my
favourite cartoons.

My best regards to everybody on the forum.
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