Re: A few words about...™ Pinocchio -- in Blu-ray
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Originally Posted by Mike Frezon
Art, I'm not sure if you don't want me to follow up here, but I'm a bit lost with your assertions.
I understand your sentiment about the new "look" that Disney is giving to its animated classics. That is a debate that has been going on ever since Lowry got it's hands on Sleeping Beauty for its last DVD release (or maybe since any of these films started getting prepared for ANY generation of home video release).
I still don't understand the basis of your belief that such a blue couldn't have existed in the 1940s.
Assuming you have read this entire thread, the subject of true colors has been discussed quite a bit...including this post by the OP, Robert Harris, back on page 2.
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I know it has been [discussed]. And still I didn't see any final statements. Just some talk that the colors always vary...
It was said in the posts that a dye print can be no reference, if so there is really no reference, because drawing the cells is just the beginning.
In the gold version we see clearly that lots of photographic efects has been added to the cells. The scenes with Pinocchio in a cage are so dark, we almost don't see anything, next the Blue Fairy comes and everything shines beautifully. (And it is a white kind of light).
The best thing that can prove that is for example the efect of water in final scenes - do you believe someone has drawn this and that it's on the cells, I don't.
Other - the continuous transformation of the background color when the blue-fairy disappears. This couldn't have been drawn too, I think.
Every print of the negative looks different - ok, but there are similar things certainly. Like for example the contours looks like they've been drawn, and we see the diferent shades of paint. It's little things, but can't be compared to the digital look of the movie, where the picture just looks plain and boring.
To me with every digital release these movies are becoming worse. The resolution is better, but there are less details and everything looks like plastic.
The gold edition for example didn't look that faded - it didn't look like it should be redrawn definitively, so why change so much, and not let it be.
That is something I won't understand. And if this is done, why can't Disney at least also include the original damaged, dyed, and aged version of the film as a bonus or something, for enthusiasts. This forum has shown that there are some of them - It may even increase the sales of their Blu-Rays...
(I for example did not buy the new Pinocchio, only one of my friends did, and we definitively would with the old version included - like in Blade Runner for example).