post #331 of 937
2/26/09 at 1:02pm
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Originally Posted by jquirk
I agree, Jack. There are times when the Heyes music is very low-key and this is when it is at its least obtrusive. Gary said in an earlier post he almost fell off his seat when watching one S2V1 episode when the Heyes music kicked on in full force during an act opening. After receiving my S2V1 set Monday and sampling an episode with Heyes music, now I know what he's talking about.
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Originally Posted by Gary OS
Gary "as I've said many times on this thread, I will give these discs a whirl when they come in and I'm sure the changes will make it much more palatable" O.
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Originally Posted by shadyguy
DVP,
If you get a chance, can you please check out the series pilot, "Fear In a Desert City" and in act 1 Kimble is looking for a hotel while William Conrad is narrating. The music during this scene is some of my favorite...sorta moody/paranoia music and can you tell me if this is Rugolo music ?? |
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Originally Posted by Point-Blank
Hmm, it's kind of difficult to ascertain the proper perspective on this situation based on the posts thus far. As near as I can tell, the fair and balanced view of those who have actually seen the restored shows on the free screeners supplied by CBS/Paramount, is to be grateful to the studio or at the very least give them the benefit of the doubt. Am I reading that right?
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| DVP, If you get a chance, can you please check out the series pilot, "Fear In a Desert City" and in act 1 Kimble is looking for a hotel. .... [Can] you tell me if this is Rugolo music?? |
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Originally Posted by Carabimero
They couldn't afford to change the credits (again). They'd already paid Heyes. So (to them) what's the difference between Heyes and stock cues? Neither flavor of music was composed for the show, so why not leave Heyes in?
Just speculation. But I think the answer is probably "H." |
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Originally Posted by Carabimero
Any content error better be pretty important or you're S.O.L.
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Originally Posted by Carabimero
The truth is that if The Powers sought my opinion on this (in terms of making changes), they would have engaged me formally and done it months ago. And if they wanted a focus group for feedback before finalizing, it would have happened well before the replacement program was announced. Despite what some have said, I believe they instituted the program because fundamentally restoring Rugolo was important beyond the bottom line. It was important to fans. Now it's left for those fans, individually, to decide after viewing the new set for themselves whether CBS/P has let them down.
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Originally Posted by Gary OS
I was speaking with someone who I consider a very knowledgeable person when it comes to the industry as a whole just last night about the CBS Fugitive release and re-release. He made a great point about the potential "why" of CBS doing this. He said the real kicker was probably the Variety article. That's something that's read by everyone in the industry and it undoubtedly made CBS feel sheepish about the incident. We can also thank advocates like Gord, and Jon Burlingame's article for FMS, for some wonderful editorials. That helped a lot. But it was probably the larger, more "influential", Variety article that Burlingame published that pushed CBS to feel they needed to do something to get the egg off their face as much as anything else. Now, that's just my friend's opinion without having spoken to anyone at the top of CBS/P, but it sure rung true to my ears.
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