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Track the Films You Watch (2009) - Page 25

post #721 of 1550
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Re: Track the Films You Watch (2009)

Quote:
Originally Posted by Mario Gauci
I just don't think it's feasible anymore to write (in my typically - or, if you will, irritatingly - exhaustive fashion) on every single film I watch. This 3-year-long commitment had unconsciously made me slow down my viewing habits practically to a standstill throughout this April and that's definitely not good - especially in view of the fact that over the last few months I've acquired a number of highly-desirable titles that I had been on the lookout for years. Therefore, if my current viewing speed is to increase, something had to be sacrificed and, regretfully, the most time-consuming one was the natural scapegoat I found..[/b]

I prefer my reviews in the "longer" format (5-10 paragraphs) but it's just downright crazy to do that if you're not getting paid or reviewing for a site. That's why if I'm not doing one of those two then I just go with the short notes that will at least kick start my brain to remembering how I felt about a movie when I'm never going to watch it again and it might come up in a debate at some point.

When you cut down your reviews this past year I was hoping you'd jump into the conversational mode a tad bit more and perhaps that will happen now.

You're a fan of Maltin so perhaps you can break them down that way. That's what "inspired" my current format, although I do go too short and too long at some points.

You also bring up the word backlog and I use to say that but I've thrown that word out. I was unemployed for 4+ months, which meant sitting on my ass that whole time and you can trust me that you'll never get caught up. No matter how much you watch you'll always find five new titles to replace that one title you just watched so the word backlog isn't in my vocabulary any more. I tried going through all six volumes of the Looney Tune sets this month but only made it through volume 1 and two discs of vol 2. Well short of my goal, which was to get my "caught up" but then it hit me that I still watched damn near 100 of them in one month alone.
post #722 of 1550
Thread Starter 

Re: Track the Films You Watch (2009)

Glimpses of Old England (1949) No Director Credited

Another entry in the never ending James FitzPatrick series from MGM. This time out we travel to England and start off in the Cotswold Hills era, which contains various stone architects. Next up we see such sites as the Tintern Abbey, Laycock Abbey and the Wye River. If you've seen one film in this TravelTalks series then you certainly know what to expect. This one here delivers the same amount of goods that we've come to expect, although looking at these today there's no doubt that they're quite old-fashioned and have been updated by countless documents. With that said, there's still something nice to seeing how Americans back in the day got to see other parts of the world.

Beautiful Bali (1940) No Director Credited

James A. FitzPatrick's TravelTalks series was a long running one and while most entries stayed at the same so-so level, there were those that stepped up and delivered more. This episode is one of those as we take a trip to Bali, India, which has become quite popular over the past year thanks in large part to SLUMDOG MILLIONAIRE. What makes this film so interesting is that we get to see some slums and how things operate there. We see these large shops with all sorts of things being sold and then we're told that it would only take a couple American dollars to buy all of it. We see several children who are clearly looking at a camera for the first time in their young lives and this here is another unique thing. The entire short has a good feel to it and that makes it one of the better episodes.

Glimpses of Morocco and Algiers (1951) No Director Credited

James A. FitzPatrick's TravelTalks series continues with this nice entry that visits Morocco and Algiers. It also visits Casablanca and a few other cities so I'm not sure why the title wasn't longer or a tad bit broader. This is another interesting entry in the series as we get to look at the three cities I already mentioned as well as other sites like the LaMona Hotel in Antwerpen. FitzPatrick, through his narration, also talks about how poor some of these cities are and it really struck me, after seeing dozens of these shorts, at how open, honest and respect he is. Not once do I recall FitzPatrick making fun of the people who live in these cities instead he just tells stories and tries to give viewers some nice information no matter the religion or political views a said city or country has. There's one scene in the movie where I believe it's FitzPatrick who talks a man into talking to him as it's clear the man has never seen a movie camera before. Another interesting aspect, especially in today's times, is all the talk about pirates and how the U.S. government use to pay them to leave us alone.

In the Valley of the Rhine (1953) No Director Credited

Cologne, Germany is the stop in this entry of James A. FitzPatrick's TravelTalks series from MGM. The series hit Germany several times throughout the years but this one here takes a stronger look at Cologne (as well as smaller views of Bonn and Koblenz). The various sites we get to visit include the birthplace of the legend Beethoven, the Cathedral and of course the Rhine River. If you've seen anything from this series then you know what to expect here. Overall this is another good entry in the long-running series, which of course benefits from the use of Technicolor. This added bonus isn't thought of as much today and I'm sure it wasn't too hot in 1953 but these shorts still served a nice purpose for people.

Paris on Parade (1938) No Director Credited

One of the better entries in James A. FitzPatrick's TravelTalks series visits Paris during the 1937 Paris International Exposition. According to this short there were forty-four different nations displaying various forms of their country here and being able to see just a few are a real treat. I'd be lying if I said I had previously heard about this event but that's what makes some of these shorts so much fun. The entire short didn't really show off the city, like so many in the series, but instead just looked at this event, which had some great displays including works from Africa, Sudan, France and many others. Just seeing how different these places were, side by side, is what makes this short such a winner.


Summer of '63 (1972) No Director Credited

Forgotten VD film has a group of male friends going into a bar where they pick up a few hookers and one of the friends, Jim, ends up with syphilis. Soon Jim ends up sleeping with his best friend's girl and then learns he has the disease but is too ashamed to tell them what he has done. This is pretty bland and gets pretty boring even though it only runs 21-minutes. There were countless shorts that dealt with sexually transmitted diseases and most of them are as boring as this one so the main reason to watch is the camp factor. There's a little bit of that here but not enough to keep this thing moving. There aren't any laughs either, which is another thing that keeps this film from really working as good as it should. It also doesn't teach you any lessons so there goes that reason.

No News is Good News (1943) Will Jason

Weak Robert Benchley short has him "addressing" a movie audience and answering various questions that are asked of him. A couple of these questions deal with the evils of inflation and why elephants aren't used in war. As you'd expect, we have Benchley delivering his own style of comedy, which to me has always been hit and miss and this here is certainly a miss. In some ways it appears the comic was trying to be somewhat straight here because the comedy, while a miss, at times also seems like he wasn't even going for laughs. The movie remains mildly entertaining because you can tell there is an effort going on but the laughs just aren't here.

Camera Caught It, The (1954) No Director Credited

Fun Pete Smith short that shows what all a movie camera can pick up in the real world. We see footage of natural disasters, car wrecks, buildings coming down and even a bridge collapsing. I had a lot of fun with this short because some of the footage is rather amazing. We get some typical stuff like a flooded town and a large wall coming down but what really stood out were two separate scenes. One happens early on when we see a sea storm where a boat, with people on it, crashes into some rocks by the shore. Another great sequence is at the end when the bridge "Galloping Gertie" begins to shake before falling into the water.

Envy (1930) Arthur Hurley

A rather forgettable pre-code short has a bored couple growing tired of one another. Both member seems to think they'd have a better time with the friends coming over so they decide to switch and see if it's true or not. The theme of switching spouses is something we didn't see too much of during the early days of cinema but that's the subject here and the history behind that is a lot more entertaining than the actual film. The movie suffers from poor sound quality and rather awful acting, which was something stalking the movies during this early sound era. All four overact something horrid as they are constantly moving their arms and acting out everything they say. This might have been important in the silent era but it just doesn't work in a sound movie. The term "making love" is said quite a few times and the adult subject makes this unique but the end result isn't nearly as good as it should have been. For film buffs only.


Private Screenings: Lauren Bacall (2005) Tony Barbon

Lauren Bacall sat down with host Robert Osborne for this installment of Turner Classic Movie's Private Screenings series. The first twenty-minutes of the movie deals with Bacall, her relationship with Humphrey Bogart and their films TO HAVE AND HAVE NOT, THE BIG SLEEP, KEY LARGO and DARK PASSAGE. Fans of Bogart will certainly love this section as Bacall talks about how they met, the rules he laid down before marrying her and the final section of his life. Being a fan of Bogart you can help but love all of this stuff. Also talked about is her relationship with Frank Sinatra plus working with Kirk Douglas, Monroe and Gregory Peck among others. This is a really nice interview as Bacall shows some sides of her many might not have seen and that's vulnerability. Hearing how she isn't so sure of herself was rather amusing considering all the strong roles she played throughout her career.

Private Screenings: Angela Lansbury (2006) Sean Cameron

Angela Lansbury is the guest for Robert Osborne in this TCM interview from the series Private Screenings. Lansbury discusses her early career all the way up to her work in BEAUTY AND THE BEAST. She discusses such films as GASLIGHT, THE PICTURE OF DORIAN GRAY, TILL THE CLOUDS ROLL BY, THE THREE MUSKETEERS, SAMSON AND DELILAH, THE COURT JESTER, BLUE HAWAII and THE MANCHURIAN CANDIDATE. Also included is discussion of her tv work, Broadway and her famous TV show MURDER SHE WROTE. Some of the best stories came about working with Orson Welles in THE LONG HOT SUMMER and Tracy and Hepburn in STATE OF THE UNION. Throughout the interview Lansbury is very talkative and that's especially true with her thoughts on Louis B. Mayer and the MGM Factory. Osborne is also at the top of his game as it's always nice hearing him talk about movies.

Private Screenings: Mickey Rooney (1997) Tony Barbon

Another excellent interview for this now long running series hosted by Robert Osborne with special guest Mickey Rooney. It's rather hard to believe but if you visit IMDB's entry on Rooney you'll see that he has appeared in over three-hundred acting jobs and in 1940 and 1941 was voted the most popular actor working and that means he was even more popular than other MGM legends like Clark Gable and Spencer Tracy. In this interview Rooney is extremely animated and full of energy as he tells one great story after another. We get to hear stories about Ava Gardner, Jean Harlow, Tracy, Lionel Barrymore and many other legends who Rooney worked with over the years. We get some talk about Elizabeth Taylor and NATIONAL VELVET. We also get to see him do an impersonation of Barrymore, which was fun to see. There's some discussion about his early, silent work as Mickey McGuire and how he finally got his break. If you're a fan of Rooney then you'll certainly enjoy this. If you're a fan of cinema this is a real treat because of all the people Rooney can say he worked with.

Private Screenings: Jane Fonda (2007) Sean Cameron

In the opening segments of this entry in Turner Classic Movies' interview series, host Robert Osborne talks about how nervous he was approaching someone like Jane Fonda because, quite often, she never discussed her movies but instead just her personal or political life. It's a great thing that Fonda agreed to discuss her acting career because it turned into a great hour of entertainment. With Fonda's political career you almost forget how many great movies she made with so many great actors. CAT BALLOU, THE CHASE, BAREFOOT IN THE PARK, KLUTE, BARBARELLA, COMING HOME, ON GOLDEN POND and THE CHINA SYNDROME are just some of the titles Fonda talks about. Many great stories are told throughout the interview but the highlight is certainly her talking about ON GOLDEN POND with her father Henry Fonda and Katharine Hepburn. She tells many great stories here and you can help but feel sorry for her due to a couple of the stories she tells about her father. Her emotions certainly shine through while talking about this film and it reminds me why I love the film so much.
post #723 of 1550

Re: Track the Films You Watch (2009)

04/29/09

The Kiss Before the Mirror (1933) Dir: James Whale
Production: Universal Pictures

Infidelity and murder among the Viennese upper class is given a typically moody treatment from director Whale and photographer Karl Freund. When Walter Bernsdorf’s (Paul Lukas) wife, Lucy (Gloria Stuart), recoils from his advances, he begins to wonder whether she still loves him. Walter follows her out one night and, upon finding her undressing in the boudoir of her lover (a young Walter Pidgeon), he shoots and kills her. He quickly turns himself in and with a murder charge against him, his best friend, a successful attorney named Paul Held (Frank Morgan), looks to carve out a defense. Walter grudgingly relays to Paul the events leading up to the murder and the mania that compelled him to shoot his wife. Paul becomes obsessed with Walter’s story. He is haunted by it and suddenly he begins to see parallels of Lucy’s tell-tale behavior in his own wife (Nancy Carroll). Paul undertakes Walter’s case with an unusual fervor, he’s not only trying to clear his friend, he may just be preparing a future defense for himself.

Whale directs with many signature touches. The dramatic scenes have expressionistic lighting and odd camera angles. Adding to the nightmarish quality of the situation Walter’s in, is the fact that sets from FRANKENSTEIN are used--bizarrely so--the prosecuting attorney’s office is a castle interior from that previous film! There is plenty of dark humor, with particular good lines from Jean Dixon and Charley Grapewin, who play Paul’s legal assistants. The trial scene is used to have a go at the blood-thirsty nature of the public. Whale also inserts an extremely fruity newspaper reporter for some laughs. One thing to point out is that the whole production, acting, dialogue, etc., is rather stylized, really like a horror, it’s not intended to be natural. Morgan plays Paul like he’s in a trance and Lukas and Carroll are also quite melodramatic. Those prone to should stay away.

Notes: Universal originally wanted Charles Laughton to play Bernsdorf, but he was off in England doing THE PRIVATE LIFE OF HENRY VIII. Whale would remake this just a few years later as WIVES UNDER SUSPICION starring Warren William and with Frank Morgan’s brother, Ralph, in the Paul Lukas role.

out of 4
-------------------------------
JAMES WHALE – “Lightly Likable”
The Kiss Before the Mirror (1933)
post #724 of 1550

Re: Track the Films You Watch (2009)

Quote:
Originally Posted by Mario Gauci
P.S. Call it a mid-year crisis or whatever but these 2 long-past-due reviews are going to be the last from me for the present.

Sorry to hear that, Mario...but I understand completely!
post #725 of 1550

Re: Track the Films You Watch (2009)

The Masseurs and a Woman - My first experience with Hiroshi Shimizu, and a very pleasant one. It's a quick, gentle comedy/drama/romance about a pack of blind masseurs working in a winter resort village, and their interactions with a woman from Tokyo and the other spa guests. It moves along effortlessly, and sucks you in with its light humor, emotional tones, and charming characterizations. The cinematography is excellent as well, with figures approaching or receding from the viewer, the camera gliding along corridors, and some intriguing cuts. Looking forward to checking out the rest of the set. Rating: 8
post #726 of 1550

Re: Track the Films You Watch (2009)

APRIL 2009 RECAP

27 new viewings (plus 43 shorts)
3 revisits

Best new discoveries: The Servant, The Dead, The Letter Never Sent, The Man From London
Worst new discoveries: They Were Expendable, Jungle Fever


A great month for me... balanced my movie watching with a fair bit of television viewing and videogaming, and the movies were a good blend with a number of noteworthy experiences.
post #727 of 1550

Re: Track the Films You Watch (2009)

Thanks for the sympathetic comments but, that's not quite all, folks! See how you like my proposed new reviewing style (inspired by the Leslie Halliwell Film Guide). Any feedback will be appreciated...


Carthage in Flames
Italy/France 1959 100m Eastmancolor Technirama
Lux/Carmine Gallone/CCF
original title: Cartagine in Fiamme

Apart from impending threat of invasion by the Romans, Carthage is beset by internal turmoil prompted by an exiled war hero's return and his relationship with two women.

Popular but rather middling sword-and-sandal entry; despite the expected elaborate highlights, the emphasis is on romantic platitudes and, as a whole, the film sadly lacks narrative drive.

w Carmine Gallone, Ennio De Concini, Duccio Tessari novel Emilio Salgari d Carmine Gallone ph Piero Portalupi
m Mario Nascimbene

Jose` Suarez, Anne Heywood, Daniel Gelin, Pierre Brasseur, Ilaria Occhini, Mario Girotti (Terence Hill), Paolo Stoppa


Michael Strogoff
France/West Germany/Italy/Yugoslavia 1956 113m Eastmancolor Cinemascope
Les Films Modernes/Illiria Film/Carmine Gallone/UFUS (Emile Natan)
original title: Michel Strogoff

A bold Russian captain is commissioned to cross incognito into Tartar-infested Siberia to warn the Grand Duke of an impending invasion led by a traitor.

Disappointingly turgid and largely uninspired version of Jules Verne's classic historical tale of intrigue and adventure; it is further hampered by poor color and static cinematography to accommodate the wide screen. Still fair, with Jurgens an imposing lead (abetted by a handful of lovely European ladies).

w Marc-Gilbert Sauvajon d Carmine Gallone ph Robert Lefebvre m Norbert Glanzberg

Curd Jurgens, Genevieve Page, Henri Nassiet, Sylva Koscina, Valery Inkijinoff, Francoise Fabian, Sylvie

+ Sequel: The Triumph of Michael Strogoff (1961), also with Jurgens.

++ Other versions: US 1910, US 1914, France 1926, France 1935, Germany 1936, US 1937 (with Anton Walbrook), Mexico 1944, Brazil 1955 (TV), Italy 1970 (with John Philip Law), France 1975 (TV), Italy 1999 (TV).


Duel of the Titans
Italy/France 1961 108m Eastmancolor Cinemascope
Ajace Produzioni Cinematografiche/SGC/Titanus/Societe` Nouvelle Pathe` Cinema (Tonino Cervi, Alessandro Jacovoni)
original title: Romolo e Remo

The story of the legend behind the birth of Rome.

Despite a plethora of writers, any attempt at a sensible treatment is jettisoned in favour of standard he-man antics, here getting two for the price of one. In itself, tolerable enough but undistinguished (with the various talents on hand clearly not in their proper element).

w Adriano Bolzoni, Sergio Corbucci, Ennio De Concini, Sergio Leone, Luciano Martino, Sergio Prosperi, Franco Rossetti, Duccio Tessari d Sergio Corbucci ph Enzo Barboni, Dario Di Palma m Piero Piccioni

Steve Reeves, Gordon Scott, Virna Lisi, Massimo Girotti, Jacques Sernas, Ornella Vanoni, Franco Volpi, Laura Solari, Andrea Bosic, Piero Lulli


The Black Duke
Italy/Spain 1963 105m Eastmancolor
Hispamer Films/Rodes Cinematografica/Atlantis Film/CIFESA (Tullio Bruschi)
original title: Il Duca Nero

Opposition to the tyrannical rule of Cesare Borgia comes from the mysterious Red Carnation but the former proves fiendishly clever and, ultimately, shrewdly chooses to ally himself with the rival sovereign.

Yet another chronicle of the notorious Borgias (with a vigorous Mitchell in the title role) encompassing romance, intrigue and action in medieval Italy. Among the more obscure of the Italian-made low-brow costumers, this emerges a routinely competent affair (albeit insufficiently clarifying the intent of both sides to supply the necessary balance).

w Mario Amendola story Mario Amendola, Tullio Braschi, Max Di Thiene d Pino Mercanti ph Antonio Macasoli
m Giorgio Fabor

Cameron Mitchell, Conrado San Martin, Maria Grazia Spina, Gloria Osuna, Franco Fantasia, Giovanni Vari, Gloria Milland, Dina De Santis, Manuel Castaneiras, Nino Persello


The Iron Master
Italy/France 1983 94m Technicolor
Nuova Dania Cinematografica/Medusa/ImpExCi/Les Films Jacques Leitienne (Luciano Martino, Carlo Maietto)
original title: La Guerra del Ferro - Ironmaster

How primitive man came by the element of iron, which eventually leads to warfare.

Typically low-grade Italian variation on Quest for Fire: the film-makers may have had their hearts in the right place but, with no budget to spare and a strictly formulaic approach, the end result barely rises above bottom-of-the-barrel level (if not quite unwatchable).

w Luciano Martino, Alberto Cavallone, Lea Martino, Dardano Sacchetti, Gabriel Rossini (and Umberto Lenzi)
d Umberto Lenzi ph Giancarlo Ferrando m Guido and Maurizio De Angelis

Sam Pasco, George Eastman, Elvire Audray, Pamela Prati, Jacques Herlin, William Berger, Nello Pazzafini (bafflingly playing several roles)
post #728 of 1550

Re: Track the Films You Watch (2009)

April Recap

40 films seen, 30 for the first time

Best films seen for the first time (out of )

Cast Away 1/2
Gemini 1/2
Vinyan 1/2
Police Tactical Unit 1/2
Le Million 1/2
post #729 of 1550

Re: Track the Films You Watch (2009)

APRIL UPDATE

Pretty good month of viewing, just not a whole lot to talk about. I barely broke my streak of 3 straight months of 24 movies viewed. Got closer to being caught up on 2008, with May hopefully completing the films on my immediate list (Frost/Nixon shipped today) so I can drop Blu-Ray access from Netflix after they jacked the price up last month. Besides 7-8 '08 films and recent Criterions that are out of stock at the top of my list, in the on deck slot for May I have a handful of Hollywood classics, followed by some latter day Felllini films I never got around to, followed by some relatively recent foreign work, and then onto the remaining Pasolini films that Netflix has that I haven't previously seen.

Movies Watched: 25

Best 1st Time Viewing: Il Generale della Rovere

Honorable Mentions: Happy-Go-Lucky, Dodes'ka-den, Frozen River, Danton, Crumb

2009 Films (Based on NY/LA Release)
NONE


2008 Films Viewed in '09 (Based on NY/LA Release)
Body of Lies (2008, Ridley Scott) (Blu-Ray Rent) - C
Encounters at the End of the World (2007, Werner Herzog) (Blu-Ray Rent) - B+
Frozen River (2008, Courtney Hunt) (DVD Rent) - B+
Happy-Go-Lucky (2008, Mike Leigh) (Blu-Ray Rent) - B+
Lakeview Terrace (2008, Neil LaBute) (Blu-Ray Rent) - B
Madagascar 2: Escape 2 Africa (2008, Eric Darnell & Tom McGrath) (Blu-Ray Rent) - C+
Miracle at St. Anna (2008, Spike Lee) (DVD Rent) - B
Nick and Norah's Infinite Playlist (2008, Peter Sollett) (Blu-Ray Rent) - B
Seven Pounds (2008, Gabriel Mucchino) (Blu-Ray Rent) - C+
Sukiyaki Western Django (2007, Takashi Miike) (Blu-Ray Rent) - C-
The Tale of Despereaux (2008, Sam Fell & Robert Stevenhagen) (Blu-Ray Rent) - B+
Tell No One (2006, Guillame Cantet) (Blu-Ray Rent) - B+



Pre-2008 Films Seen for the 1st Time
The Band Wagon (1953, Vincente Minnelli) (DVD Rent) - C+
Bright Leaves (2003, Ross McElwee) (DVD Rent) - B
The Burning (1981, Tony Maylam) (DVR IFC) - B
Crumb (1994, Terry Zwigoff) (DVD Rent) - B+
Danton (1983, Andrezj Wajda) (DVD Rent) - B+
Dodes'ka-Den (1970, Akira Kurosawa) (DVD Rent) - B+
Il Generale della Rovere (1959, Roberto Rosselini) (DVD Rent) - A-
The Kid (1921, Charles Chaplin) (DVR TCM) - B
Ludwig (1972, Luchino Visconti) (DVD Rent) - B+
Will Penny (1968, Tom Gries) (DVR ActionMax) - B-



Re-Visits (All DVD's owned unless otherwise noted)
Edward Scissorhands (1990, Tim Burton) - A
The Searchers (1956, John Ford) (Blu-Ray Own) - A
The Shining (1980, Stanley Kubrick) (Blu-Ray Own) - A
post #730 of 1550

Re: Track the Films You Watch (2009)

April Recap Total Seen: 264

Theatrical Viewing in RED

Best 1st Time Viewing: Les Misérables (1934)

Also Notables: Vibrator, Knowing, The Wrestler, The Great Debaters, Atonement

2009 Films

Knowing (Alex Proyas) (Cinema) 4/5

2008 Films Viewed in '09

10,000 BC (Roland Emmerich) (DVD, Library loan) 3/5
City of Ember (Gil Kenan) (DVD, Library loan) 2/5
Death Race (Paul W.S. Anderson) (DVD, Library loan) 2/5
Drillbit Taylor (Steven Brill) (DVD, Library loan) 3/5
Igor (Tony Leondis) (DVD, Library loan) 2/5
Jerichow (Christian Petzold) (Cinema) 3/5
Meet Dave (Brian Robbins) (DVD, Library loan) 3/5
One Missed Call (Eric Valette) (DVD, Library loan) 2/5
The Wrestler (Darren Aronofsky) (DVD, Own) 4/5

Pre-2008 Films Seen for the 1st Time

The Adventure of the Hasty Elopement (1914|Charles M. Seay) (DVD, Library loan) 2/5
All on Account of a Transfer (1913|C. Jay Williams) (DVD, Library loan) 2/5
The Ambassador's Daughter (1913|Charles J. Brabin) (DVD, Library loan) 2/5
Ambivalent Future: Kurosawa Kiyoshi (Aimai Na Mirai) (2003|Fujii Kenjiro) (DVD, Own) 3/5
American Falls from Above, American Side (1896|William Heise, James White) (DVD, Library loan) 2/5
Amy Muller (1896|William Heise) (DVD, Library loan) 2/5
Annabelle Butterfly Dance (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Annabelle Serpentine Dance (1895|William Heise) (DVD, Library loan) 2/5
Annie Oakley (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Another Job for the Undertaker (1901|Edwin S. Porter, George S. Fleming) (DVD, Library loan) 2/5
The Arctic Giant (1942|Dave Fleischer) (DVD, Own) 3/5
At Bear Track Gulch (1913|Harold M. Shaw) (DVD, Library loan) 2/5
[Athlete with Wand] (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Atonement (2007|Joe Wright) (DVD, Library loan) 4/5
Automaton Transfusion (2006|Steven C. Miller) (DVD Rent) 2/5
Balls of Fury (2007|Robert Ben Garant) (DVD, Library loan) 2/5
Band Drill (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
The Barber Shop (1893|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
The Big Job (1965|Gerald Thomas) (DVD Rent) 3/5
Billion Dollar Limited (1942|Dave Fleischer) (DVD, Own) 3/5
Billy Edwards and the Unknown (1895|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Billy Jack Goes to Washington (1977|T.C. Frank) (DVD, Library loan) 3/5
Black Diamond Express, no. 1 (1896|William Heise, James White) (DVD, Library loan) 2/5
Black Eyes (1915|Will Louis) (DVD, Library loan) 2/5
Blacksmithing Scene (1893|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Bombay Talkie (1970|James Ivory) (DVD, Library loan) 3/5
The Born Losers (1967|T.C. Frank) (DVD, Library loan) 2/5
The Boxing Cats (Prof. Welton's) (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Bucking Broncho (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Buffalo Dance (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
The Bulleteers (1942|Dave Fleischer) (DVD, Own) 3/5
The Burglar on the Roof (1898|J. Stuart Blackton, Albert E. Smith) (DVD, Library loan) 2/5
Burlesque Suicide, No. 2 (1902|Edwin S. Porter, George S. Fleming) (DVD, Library loan) 2/5
The Burning of Durland's Riding Academy (1902|Edwin S. Porter, James Blair Smith) (DVD, Library loan) 2/5
The Burning Stable (1896|William Heise, James White) (DVD, Library loan) 2/5
Caicedo with Pole (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Capture of Boer Battery by British (1900|James White) (DVD, Library loan) 2/5
Carmencita (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Castle Keep (1969|Sydney Pollack) (DVD, Library loan) 2/5
Cockfight, no. 2 (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 1/5
Cohen's Fire Sale (1907|Edwin S. Porter, Wallace McCutcheon) (DVD, Library loan) 2/5
College Chums (1907|Edwin S. Porter, J. Searle Dawley) (DVD, Library loan) 2/5
Comin' Round the Mountain (1951|Charles Lamont) (DVD, Library loan) 3/5
Common Wealth (La Comunidad) (2000|Álex de la Iglesia) (DVD, Own) 3/5
Coney Island at Night (1905|Edwin S. Porter) (DVD, Library loan) 3/5
Copying Beethoven (2006|Agnieszka Holland) (DVD Rent) 3/5
Corbett and Courtney Before the Kinetograph (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Cupid's Pranks (1908|Edwin S. Porter, J. Searle Dawley) (DVD, Library loan) 2/5
The Deaths of Ian Stone (2007|Dario Piana) (DVD Rent) 3/5
Deception (1946|Irving Rapper) (DVD, Library loan) 3/5
Destruction Inc. (1942|I. Sparber) (DVD, Own) 3/5
[Dickson Experimental Sound Film] (1895|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
[Dickson Greeting] (1891|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Dream of a Rarebit Fiend (1906|Edwin S. Porter, Wallace McCutcheon) (DVD, Library loan) 3/5
Edison Kinetoscopic Record of a Sneeze (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Egyptian Fakir with Dancing Monkey (1903|Alfred C. Abadie) (DVD, Library loan) 2/5
Electric Earthquake (1942|Dave Fleischer) (DVD, Own) 3/5
Eleventh Hour (1942|Dan Gordon) (DVD, Own) 3/5
Encounters at the End of the World (2007|Werner Herzog) (DVD, Library loan) 2/5
European Rest Cure (1904|Edwin S. Porter) (DVD, Library loan) 2/5
The Ex-Convict (1904|Edwin S. Porter) (DVD, Library loan) 3/5
Excellent Cadavers (In un Altro Paese) (2005|Marco Turco) (DVD, Library loan) 3/5
The Execution of Mary, Queen of Scots (1895|Alfred Clark, William Heise) (DVD, Library loan) 2/5
Facing Your Danger (1946|Edwin E. Olsen) (DVD, Library loan) 2/5
Fatima, Muscle Dancer (1896|William Heise, James White) (DVD, Library loan) 2/5
Feeding the Doves (1896|William Heise, James White) (DVD, Library loan) 2/5
Fifth Avenue, New York (1897|William Heise, James White) (DVD, Library loan) 2/5
The Fighting 69th (1940|William Keighley) (DVD Rent) 3/5
The Fighting 69½th (1941|uncredited) (DVD Rent) 3/5
The Film Fan (1939|Robert Clampett) (DVD, Library loan) 3/5
Films of The San Francisco Earthquake (1906|Robert K. Bonine) (DVD, Library loan) 2/5
Fire Rescue Scene (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Firemen Rescuing Men and Women (1899|J. Stuart Blackton, Albert E. Smith) (DVD, Library loan) 2/5
Fireside Reminiscences (1908|Edwin S. Porter, J. Searle Dawley) (DVD, Library loan) 2/5
The First Sleigh Ride (1896|William Heise, James White) (DVD, Library loan) 2/5
A Fish Tale (Hjælp, Jeg er en Fisk) (2000|Michael Hegner, Stefan Fjeldmark) (DVD Rent) 2/5
From A to Z-Z-Z-Z (1953|Charles M. Jones) (DVD Rent) 4/5
The Gay Shoe Clerk (1903|Edwin S. Porter) (DVD, Library loan) 2/5
Getting Evidence (1906|Edwin S. Porter, Wallace McCutcheon) (DVD, Library loan) 2/5
Glenroy Bros., [no. 2] (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Going to the Fire (1896|William Heise, James White) (DVD, Library loan) 2/5
[Gold Rush Scenes in the Klondike] (1899|Thomas Crahan, Robert K. Bonine) (DVD, Library loan) 2/5
The Grass Is Always Greener (1950|Richard Bare) (DVD Rent) 3/5
The Great Debaters (2007|Denzel Washington) (DVD, Library loan) 4/5
The Great Train Robbery (1903|Edwin S. Porter, James Blair Smith) (DVD, Library loan) 3/5
Hadj Cheriff (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
A Ham in a Role (1949|Robert McKimson) (DVD Rent) 3/5
High Diving Scene (1901|unknown) (DVD, Library loan) 2/5
Holiday (1938|George Cukor) (DVD, Library loan) 3/5
The Hottest State (2006|Ethan Hawke) (DVD, Library loan) 3/5
The House of Cards (1909|unknown) (DVD, Library loan) 2/5
How a French Nobleman Got a Wife Through the New York Herald Personal Columns (1904|Edwin S. Porter) (DVD, Library loan) 2/5
How Bumptious Papered the Parlor (1910|Ashley Miller) (DVD, Library loan) 2/5
Imperial Japanese Dance (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
In the Valley of Elah (2007|Paul Haggis) (DVD, Library loan) 4/5
Interrupted Bathers (1902|Edwin S. Porter, George S. Fleming) (DVD, Library loan) 2/5
Interrupted Lovers (1896|William Heise, James White) (DVD, Library loan) 2/5
Inventor Edison Sketched by World Artist (1896|William Heise, James White) (DVD, Library loan) 2/5
Jack and the Beanstalk (1902|Edwin S. Porter, George S. Fleming) (DVD, Library loan) 3/5
Japoteurs (1942|Seymour Kneitel) (DVD, Own) 3/5
The John C. Rice-May Irwin Kiss (1896|William Heise) (DVD, Library loan) 2/5
Jungle Drums (1943|Dan Gordon) (DVD, Own) 3/5
Kathleen Mavourneen (1906|Edwin S. Porter, Wallace McCutcheon) (DVD, Library loan) 2/5
The Kiss (1900|unknown) (DVD, Library loan) 2/5
The Kleptomaniac (1905|Edwin S. Porter) (DVD, Library loan) 3/5
Koko, A Talking Gorilla (Koko, le Gorille qui Parle) (1978|Barbet Schroeder) (DVD, Own) 4/5
Kristopher Kolumbus Jr. (1939|Robert Clampett) (DVD, Library loan) 3/5
Laughing Gas (1907|Edwin S. Porter, J. Searle Dawley) (DVD, Library loan) 2/5
The Life of an American Fireman (1903|Edwin S. Porter, George S. Fleming, James H. White) (DVD, Library loan) 2/5
Life of an American Policeman (1905|Edwin S. Porter, Wallace McCutcheon) (DVD, Library loan) 2/5
Lincoln in the White House (1939|William McGann) (DVD, Library loan) 2/5
A Little Girl Who Did Not Believe in Santa Claus (1907|Edwin S. Porter, J. Searle Dawley) (DVD, Library loan) 2/5
The Little Train Robbery (1905|Edwin S. Porter) (DVD, Library loan) 2/5
London Can Take It! (1940|uncredited) (DVD Rent) 2/5
The Lone Fisherman (1896|William Heise, James White) (DVD, Library loan) 2/5
The Lone Game (1915|Edward C. Taylor) (DVD, Library loan) 2/5
The Lost World (1925|Harry O. Hoyt) (DVD, Library loan) 4/5
Louis Martinetti (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
The Lower Depths (Les Bas-fonds) (1936|Jean Renoir) (DVD, Own) 3/5
The Lower Depths (Donzoko) (1957|Akira Kurosawa) (DVD, Own) 3/5
The Magnetic Telescope (1942|Dave Fleischer) (DVD, Own) 3/5
Man from Plains (2007|Jonathan Demme) (DVD, Library loan) 3/5
Man in the Middle (1963|Guy Hamilton) (DVD Rent) 3/5
The Mechanical Monsters (1941|Dave Fleischer) (DVD, Own) 3/5
[Men Boxing] (1891|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Mess Call (1896|William Heise, James White) (DVD, Library loan) 2/5
Mexican Hayride (1948|Charles T. Barton) (DVD, Library loan) 3/5
The Miller's Daughter (1905|Edwin S. Porter, Wallace McCutcheon) (DVD, Library loan) 2/5
Les Misérables (1934|Raymond Bernard) (DVD, Own) 5/5
[Monkeyshines, no. 1] (1890|W. K. L. Dickson, William Heise) (DVD, Library loan) 1/5
[Monkeyshines, no. 2] (1890|W. K. L. Dickson, William Heise) (DVD, Library loan) 1/5
A Morning Alarm (1896|William Heise, James White) (DVD, Library loan) 2/5
A Morning Bath (1896|William Heise, James White) (DVD, Library loan) 2/5
Mounted Police Charge (1896|William Heise, James White) (DVD, Library loan) 2/5
Mouse Menace (1946|Arthur Davis) (DVD, Library loan) 2/5
Movieland Magic (1946|James Kern) (DVD, Library loan) 2/5
Mr. Edison at Work in His Chemical Laboratory (1897|William Heise, James White) (DVD, Library loan) 2/5
Mr. Magorium's Wonder Emporium (2007|Zach Helm) (DVD, Library loan) 4/5
The Mummy Strikes (1943|I. Sparber) (DVD, Own) 3/5
My Dream Is Yours (1949|Michael Curtiz) (DVD Rent) 3/5
The Nativity Story (2006|Catherine Hardwicke) (DVD, Library loan) 2/5
Nervy Nat Kisses the Bride (1904|Edwin S. Porter) (DVD, Library loan) 2/5
New Black Diamond Express (1900|James White) (DVD, Library loan) 2/5
New York of Today (1910|unknown) (DVD, Library loan) 2/5
[Newark Athlete (with Indian Clubs)] (1891|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Night and Fog in Japan (Nihon no Yoru to Kiri) (1960|Nagisa Oshima) (DVD, Own) 2/5
The Old Maid (1939|Edmund Goulding) (DVD, Library loan) 2/5
Old Maid Having Her Picture Taken (1901|Edwin S. Porter, George S. Fleming) (DVD, Library loan) 2/5
One Night in the Tropics (1940|A. Edward Sutherland) (DVD, Library loan) 3/5
One Touch of Nature (1914|Ashley Miller) (DVD, Library loan) 2/5
Pan-American Exposition by Night (1901|Edwin S. Porter, James Blair Smith) (DVD, Library loan) 3/5
Pardon My Sarong (1942|Erle C. Kenton) (DVD, Library loan) 3/5
The Passer By (1912|Oscar C. Apfel) (DVD, Library loan) 2/5
Photographing a Country Couple (1901|unknown) (DVD, Library loan) 2/5
Pilgrim Porky (1940|uncredited) (DVD Rent) 3/5
Police Chasing Scorching Auto (1905|Edwin S. Porter, Wallace McCutcheon) (DVD, Library loan) 2/5
Princess Ali (1895|William Heise) (DVD, Library loan) 2/5
The Public and Private Care of Infants (1912|Carlton King, Charles M. Seay) (DVD, Library loan) 3/5
Rector's to Claremont (1903|Edwin S. Porter) (DVD, Library loan) 2/5
Regular Guys (Echte Kerle) (1996|Rolf Silber) (DVD, Library loan) 3/5
Reincarnation (Rinne) (2005|Takashi Shimizu) (DVD, Library loan) 2/5
Rescued From an Eagle's Nest (1908|Edwin S. Porter, J. Searle Dawley) (DVD, Library loan) 2/5
Resident Evil: Extinction (2007|Russell Mulcahy) (DVD, Library loan) 1/5
Return of Lifeboat (1897|James White, Fred Blechynden) (DVD, Library loan) 2/5
The Rivals (1907|Edwin S. Porter, J. Searle Dawley) (DVD, Library loan) 2/5
Robetta and Doretto, [no. 2] (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Savage Grace (2007|Tom Kalin) (Cable) 3/5
Scarecrow Pump (1904|Edwin S. Porter) (DVD, Library loan) 2/5
A Scrap in Black and White (1903|Alfred C. Abadie) (DVD, Library loan) 2/5
Searching Ruins on Broadway for Dead Bodies, Galveston (1900|Albert E. Smith) (DVD, Library loan) 2/5
Second Breath (Le Deuxième Souffle) (1966|Jean-Pierre Melville) (DVD, Own) 3/5
Secret Agent (1943|Seymour Kneitel) (DVD, Own) 3/5
A Serenade by Proxy (1913|C. Jay Williams) (DVD, Library loan) 2/5
The Seven Ages (1905|Edwin S. Porter) (DVD, Library loan) 2/5
Shooting Captured Insurgents (1898|Edwin S. Porter, George S. Fleming) (DVD, Library loan) 2/5
Shooting the Chutes (1896|William Heise, James White) (DVD, Library loan) 2/5
Showdown (1942|I. Sparber) (DVD, Own) 3/5
Siberiade (Sibiriada) (1979|Andrei Mikhalkov-Konchalovsky) (DVD Rent) 3/5
The Silent Partner (1978|Daryl Duke) (DVD Rent) 3/5
Sioux Ghost Dance (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Snow Cake (2006|Marc Evans) (DVD, Library loan) 4/5
So You Want a Television Set (1953|Richard Bare) (DVD Rent) 3/5
So You Want to Be an Actor (1949|Richard Bare) (DVD Rent) 2/5
So You Want to Learn to Dance (1953|Richard Bare) (DVD Rent) 2/5
A Storm at Sea (1900|James White) (DVD, Library loan) 2/5
The Strenuous Life; or, Anti-Race Suicide (1904|Edwin S. Porter) (DVD, Library loan) 2/5
The Suburbanite's Ingenious Alarm (1908|Edwin S. Porter, J. Searle Dawley) (DVD, Library loan) 2/5
Superman (1941|Dave Fleischer) (DVD, Own) 3/5
Superman II (The Richard Donner Cut) (2006|Richard Donner) (DVD, Own) 4/5
Superman and the Mole-Men (1951|Lee Sholem) (DVD, Own) 2/5
Sword Fishing (1939|uncredited) (DVD, Library loan) 1/5
Tale the Autumn Leaves Told (1908|Edwin S. Porter, J. Searle Dawley) (DVD, Library loan) 2/5
The "Teddy" Bears (1907|Edwin S. Porter, Wallace McCutcheon) (DVD, Library loan) 2/5
The Terrible Kids (1906|Edwin S. Porter, Wallace McCutcheon) (DVD, Library loan) 2/5
Terror on the Midway (1942|Dave Fleischer) (DVD, Own) 3/5
Terror's Advocate (L'avocat de la Terreur) (2007|Barbet Schroeder) (DVD, Library loan) 3/5
Thirty Days at Hard Labor (1912|Oscar C. Apfel) (DVD, Library loan) 2/5
Three American Beauties (1906|Edwin S. Porter, Wallace McCutcheon) (DVD, Library loan) 2/5
The Totville Eye (1912|C. Jay Williams) (DVD, Library loan) 3/5
The Train Wreckers (1905|Edwin S. Porter, Wallace McCutcheon) (DVD, Library loan) 2/5
The Trainer's Daughter; or A Race for Love (1907|Edwin S. Porter, J. Searle Dawley) (DVD, Library loan) 2/5
Trapeze Disrobing Act (1901|Edwin S. Porter, George S. Fleming) (DVD, Library loan) 2/5
Troop Ships for the Philippines (1898|James White, Fred Blechynden) (DVD, Library loan) 2/5
Turning the Tables (1903|Alfred C. Abadie, N. Dushane Cloward) (DVD, Library loan) 2/5
The Unbeliever (1918|Alan Crosland) (DVD, Library loan) 3/5
Uncle Tom's Cabin or Slavery Days (1903|Edwin S. Porter, Arthur White) (DVD, Library loan) 2/5
The Underground World (1943|Seymour Kneitel) (DVD, Own) 3/5
The Unsullied Shield (1913|Charles J. Brabin) (DVD, Library loan) 2/5
U.S. Troops Landing at Daiquiri, Cuba (1898|William Paley) (DVD, Library loan) 2/5
Vibrator (2003|Ryuichi Hiroki) (DVD Rent) 4/5
Volcano (1942|Dave Fleischer) (DVD, Own) 3/5
Watermelon Contest (1900|James White) (DVD, Library loan) 2/5
Watermelon Eating Contest (1896|William Heise, James White) (DVD, Library loan) 2/5
The Watermelon Patch (1905|Edwin S. Porter, Wallace McCutcheon) (DVD, Library loan) 2/5
What Happened in the Tunnel (1903|Edwin S. Porter) (DVD, Library loan) 2/5
What Happened on Twenty-Third Street, New York City (1901|Edwin S. Porter, George S. Fleming) (DVD, Library loan) 2/5
The White Caps (1905|Edwin S. Porter, Wallace McCutcheon) (DVD, Library loan) 2/5
Who Done It? (1942|Erle C. Kenton) (DVD, Library loan) 3/5
Wicked Little Things (2006|J.S. Cardone) (DVD, Library loan) 2/5
The Wonders of Magnetism (1915|unknown) (DVD, Library loan) 2/5
A Wringing Good Joke (1899|James White) (DVD, Library loan) 2/5
Young America Flies (1940|B. Reeves Eason) (DVD Rent) 2/5

Re-Visits


Abbott and Costello Go to Mars (1953|Charles Lamont) (DVD, Library loan) 2/5
Abbott and Costello in the Foreign Legion (1950|Charles Lamont) (DVD, Library loan) 3/5
Abbott and Costello Meet Frankenstein (1948|Charles T. Barton) (DVD, Own) 3/5
Abbott and Costello Meet the Invisible Man (1951|Charles Lamont) (DVD, Library loan) 3/5
Abbott and Costello Meet the Killer (1949|Charles T. Barton) (DVD, Library loan) 3/5
Billy Jack (1971|T.C. Frank) (DVD, Library loan) 3/5
Bright Future (Akarui Mirai) (2003|Kiyoshi Kurosawa) (DVD, Own) 4/5
Buck Privates (1941|Arthur Lubin) (DVD, Library loan) 2/5
Bully (2001|Larry Clark) (DVD, Own) 3/5
By the Light of the Silvery Moon (1953|David Butler) (DVD Rent) 3/5
Cecil B. DeMented (2000|John Waters) (DVD, Library loan) 2/5
The Chocolate War (1988|Keith Gordon) (DVD, Own) 4/5
Days of Heaven (1978|Terrence Malick) (DVD, Own) 5/5
The Dreamers (2003|Bernardo Bertolucci) (DVD, Own) 4/5
Flaming Star (1960|Don Siegel) (DVD, Library loan) 2/5
Frankenstein and the Monster from Hell (1974|Terence Fisher) (DVD, Own) 4/5
Hold That Ghost (1941|Arthur Lubin) (DVD, Library loan) 3/5
In the Navy (1941|Arthur Lubin) (DVD, Library loan) 3/5
Keep 'Em Flying (1941|Arthur Lubin) (DVD, Library loan) 3/5
Lost in Alaska (1952|Jean Yarbrough) (DVD, Library loan) 3/5
Naked (1993|Mike Leigh) (DVD, Own) 4/5
Psycho II (1983|Richard Franklin) (DVD, Own) 3/5
Quo Vadis (1951|Mervyn LeRoy) (DVD, Library loan) 2/5
Ride 'Em Cowboy (1942|Arthur Lubin) (DVD, Library loan) 3/5
The River (1951|Jean Renoir) (DVD, Own) 3/5
Sandow (1894|W. K. L. Dickson, William Heise) (DVD, Library loan) 2/5
Solaris (Solyaris) (1972|Andrei Tarkovsky) (DVD, Own) 4/5
The Sundowners (1960|Fred Zinnemann) (DVD, Library loan) 3/5
Superman II (1980|Richard Lester) (DVD, Own) 4/5
Synecdoche, New York (2008|Charlie Kaufman) (DVD, Own) 5/5
The Whole Dam Family and the Dam Dog (1905|Edwin S. Porter) (DVD, Library loan) 2/5

post #731 of 1550

Re: Track the Films You Watch (2009)

Catwoman
I have to say... I have mixed feelings about this movie. I know it is not a "good" movie. But I do find it to be a fun movie. I don't think I have ever read a positive review about this movie anywhere. And I do admit that they all have a point. One of the things I personally dislike about this movie is they take Catwoman out of the Batman universe. But I can forgive it and enjoy the movie for what it is. A leave your brain at the door fun movie... with a very hot looking Halle Berry in a skimpy leather costume. And it does have some decent action in it as well. But I will quickly admit that it takes more then that to make a good movie. But I will give it this much... it is an average fun movie.
post #732 of 1550

Re: Track the Films You Watch (2009)

Quote:
Originally Posted by Mario Gauci
Thanks for the sympathetic comments but, that's not quite all, folks! See how you like my proposed new reviewing style (inspired by the Leslie Halliwell Film Guide). Any feedback will be appreciated...


Italy/France 1959 100m Eastmancolor Technirama
Lux/Carmine Gallone/CCF
original title: Cartagine in Fiamme


w Carmine Gallone, Ennio De Concini, Duccio Tessari novel Emilio Salgari d Carmine Gallone ph Piero Portalupi
m Mario Nascimbene

Jose` Suarez, Anne Heywood, Daniel Gelin, Pierre Brasseur, Ilaria Occhini, Mario Girotti (Terence Hill), Paolo Stoppa


I don't see the need for all this extra info. iMDB is just a mouse-click away. If you're truly overwhelmed, it seems like doing all this is just going to slow you down.
post #733 of 1550

Re: Track the Films You Watch (2009)

Quote:
Originally Posted by Mario Gauci
Thanks for the sympathetic comments but, that's not quite all, folks! See how you like my proposed new reviewing style (inspired by the Leslie Halliwell Film Guide). Any feedback will be appreciated...

I'm just happy that you include your personal feelings on the movies, even if they're more brief than before. Yes, it does seem like a lot of extra effort for you to list all the extra information you're writing, unless your goal is to then enter it over at IMDB (I hope you'll still keep your reviews over there?). If that's the case, I understand doing it so precisely; but to just give all the technical information for here in this thread, with no intention of saving it at IMDB, doesn't seem necessary.
post #734 of 1550

Re: Track the Films You Watch (2009)

Light viewing month for me.

April Re-cap

Total movies viewed - 19

New movies viewed - 10

Favourite movie watched this month - Pitch Black

Notable new movies watched - Doubt; Slumdog Millionaire


4/01 Marnie (1964)
4/01 United 93 (2006)
4/02 The Robe (1953)
4/02 Pitch Black (1999)
4/02 Chronicles of Riddick (2004)
4/04 Eight Below (2006)
4/04 Pan's Labyrinth (2006)
4/07 Father Goose (1964)
4/07 The Day the Earth Stood Still (2008)
4/09 Marley & Me (2008)
4/14 2010 (1984)
4/15 Twonky (1953)
4/15 The Monster That Challenged the World (1957)
4/16 Dan in Real Life (2007) zero stars
4/17 The Little Mermaid (1989)
4/17 Star Trek III: The Search for Spock (1984)
4/18 Double Harness (1933)
4/23 Doubt (2008)
4/25 Slumdog Millionaire (2008)
post #735 of 1550
Thread Starter 

Re: Track the Films You Watch (2009)

My Tomato (1943) Will Jason

Flat Robert Benchley short has him playing Joe Doakes, an every man who decides he wants to grow his own tomato to eat. The plan starts off simple but soon Joe starts to realize everyone has a plan for him to follow. This is a pretty lifeless short from start to finish. The concept of Joe having to work harder than expected to grow a tomato is an interesting idea but absolutely nothing is done with it. There's no laughs to be found, which is the main reason this film fails. I was really surprised that I didn't laugh once since Benchley is usually good for at least one chuckle. The gag at the end should have worked but it too failed.

Out of Darkness (1941) Sammy Lee

John Nesbitt's Passing Parade features the story of Nazi's efforts in Belgium to bring their people down. Set during the years of WW1, the film tells the story of a Belgium newspaper, which had to work underground to spread the word to people that they should remain strong even though Germany is trying to tear them down. In a short amount of time, twenty-two different editors of the paper were tracked down and killed. Just knowing that nearly two dozen editors died to keep this newspaper going is quite remarkable and makes for a very interesting story. Just when you think you've heard everything about the war then comes this short, which tells a rather amazing story. I'm sure there are hundreds of others out there like this one and you can't help but wish there were shorts today just to tell them.

Two Barks Brothers, The (1931) Zion Myers, Jules White

Another entry in MGM's rather strange "Dogville" series, which had dogs "acting" out the roles of humans. More times than not films in this series would spoof popular, full length features but this one here pretty much hits at any "good brother versus bad brother" film. This time out, two dog brothers are the main characters and one is stolen as a puppy and raised by gypsies. Thirty years later he is a criminal but his brother is the D.A.. It takes a lot of patience to sit through this series no matter how bad or good the films are. Nothing here is actually funny but there is a surreal and strange nature to watching dogs "act" out various things. Included this time out is a rather amusing sequence on a farm where we see a dog milk a cow and another sequence where a chicken lays an egg right into a pan. Other tricks include dogs spitting, carrying a pale of milk plus various other site gags.

Ask Me, Don't Tell Me (1961) David Myers

Educational short documenting the San Francisco "Youth for Service" program, which was meant to show young gang members that there is a better life out there off the streets. There's no question that the program itself was a well-meaning thing but that doesn't translate to an entertaining movie. I was somewhat shocked at how bland and mute this short actually was but I blame a lot of this on director Myers who really doesn't have a good way of telling a story. It should be noted that Myers did some photography work on such titles as WOODSTOCK, JOHNNY CASH IN SAN QUENTIN and THX 1138. That being said, there's really not too much life in this thing and one can't help but be bored throughout the 21-minute running time. There's some nice music on the soundtrack and it was mildly entertaining seeing these real gang members but a better film could have been made.

Vaudeville Days (1942) LeRoy Prinz

Warner Bros. short takes a look back at the Vaudeville days in a decade when many new movie goers might have forgotten or not known there was such a thing. This short, running just under twenty-minutes, takes a look at some of the forgotten acts such as Eddie Garr, The Fuddins, Rio Brothers and The Whirling Camerons. I'm not positive but some of the footage appears like it could have been lifted from previous films as the quality looks a lot different that other parts of the short. The narration is pretty good from start to finish and some nice information is told. The first half of the film is pretty much all recreated acts but they're still fun. The Jimmy Durante impersonator is pretty embarrassing though.

Neptune Mysteries (1935) No Director Credited

Nice short from RKO is part of their "The Struggle to Live" series and this is the first I've seen from it. In this episode we get to see underwater life that includes snails and an octopus. Yes, this film is incredibly dated in both cinematography and storytelling because of what we can watch on channels like Discovery but it's important to keep in mind when the movie was made. On that level I really enjoyed what was offered up here because you can't help but think of the fun folks in 1935 had watching this. The underwater photography is actually pretty good as we get great looks at both creatures and this includes some great close ups of the octopus eggs. I'm really not sure how many films were in this series but hopefully Turner Classic Movies begin to show more.

Stars on Horseback (1943) Myron J. Swartz

Interesting documentary short takes a look at blacksmith George Garfield who is best known for helping Hollywood stars with their horses. Bette Davis, Olivia de Havilland, John Garfield, Tim Hold, Pricilla Lane, George Tobias and Joel McCrea are just a few of the stars on display here. I'm not sure if horse buffs will find too much to enjoy here but film buffs outta get a kick out of the large cast on display. A lot of the footage comes from movies or promotional stuff but there's some nice footage of McCrae clowning around with Garfield. We also get some nice footage of Garfield working on McCrae's horse and fitting him with the proper shoes.

Races to Remember (1956) No Director Credited

Nice entry in the Sportscope series takes a look at several famous horse races from 1948 through 1955. The big highlight here are clips from the 1948 Kentucky Derby, which was the first footage from this that I had seen and this is coming from someone who has lived their entire life in KY. I'm sure horse buffs will get a real kick out of this short, which contains some great footage of these classic races but even better to know is that the picture quality is top-notch for such a lower-budget short like this. It's also worth noting that the cinematography is top-notch during all the races as we get some great visuals as well as some nice slow motion work.


Green Porno (2008) Isabella Rossellini, Jody Shapiro

In 2008 Isabella Rossellini got to display her fascination with insects by creating eight short films that show us how they have sex. You might be asking who wants to know about insects and their sex lives as I certainly didn't want to learn about it but as it would turn out, these eight films are quite funny, weird, surreal and at times downright smart in their imagination. Rossellini wrote all eight shorts, co-directed them and also plays the insect in each. There's some vivid colors here, strange cinematography and just an overall nice feel to each of them. Running anywhere from a minute to two, this series is certain unique in not only the visual style but in the way the stories are told. The actress dresses in the bug outfits and narrates her action, which usually shows the way the creatures have sex and reproduce. Doesn't sound like your cup of tea? Just watch one of the films and you'll be hooked.

Green Porno: Bee (2008)

This entry explains how brother bees must fight each other to determine the strongest one. That strong one then goes to the Queen bee where, after sex, his penis breaks off in the female part, which sets forth a new colony.

Green Porno: Dragonfly (2008)

Quietly, the male dragonfly grabs the neck of the female, twists her body, cleans her parts and the drags her to where he wants the eggs to be laid. Runs just over a minute and is one of the weaker entries in the series but it's still good.

Green Porno: Fly (2008)

If you're a fan of David Cronenberg's THE FLY then you've seen some of the stuff on display here including our beloved fly puking on its food. Also on hand is information including how flies have great, slowed down vision yet they have a hard time picking up on a newspaper coming at them. As far as their sex lives go, several times a day are needed.

Green Porno: Mantis (2008)

The good ol' praying mantis takes the spotlight here as he can nearly turn his head completely around, change color and have a high sexuality. Of course this leads to the female eating him afterwards.

Green Porno: Snail (2008)

With his/her butt on his/her head, you really wouldn't want to be a snail but if you were you'd learn that you have both sex organs and like painful sex. This pain includes sticking darts in one another.

Green Porno: Spider (2008)

Six eyes, eight legs and no penis. That's the life of a spider who has one of the more interesting sex lives but I'm not sure how to explain it without getting too graphic and banned from the site.

Green Porno: Worm (2008)

The worm has a mouth but no teeth. The worm has to suck up its food. The worm is both male and female, which leads to an interesting way of mating. After the sex new worms come between two and three weeks.

Green Porno: Firefly (2008)

Who hasn't chased fireflies as a kid? Did you know that you might have been interrupting their sex life? I'll certainly never look at these the same way again but be careful because that blinking might look neat but it's used for something else.
post #736 of 1550

Re: Track the Films You Watch (2009)

The reason I am including cast and crew in my capsule reviews is because, occasionally, I will be italicizing some of the personnel denoting the fact that they made a particularly outstanding contribution to the film in question. This will give interested parties a reason to read through the "superfluous" credits. Besides, my coments will be accompanied by pertinent trivia underneath as well as a listing of any major international awards or nominations the film may have received (for instance AA= Academy Award winner, AAN= Academy Award Nominee, RA= Razzie Award winner, RAN = Razzie Award Nominee, etc).


Yor, The Hunter From The Future
Italy/France/Turkey 1983 89m Eastmancolor
Columbia/Kodiak/Les Films Du Diamant/RAI/Gaumont (Michele Marsala, Sedat Akdemir, Ugor Terzioglu)
original title: Il Mondo di Yor

The adventures of a mysterious and powerful hunter, which take him from the prehistoric world into outer space.

The original comic-strip (and even the full-length version) may get the point and the essential quality of this improbable hybrid more clearly, but what remains is indistinguishable from the many low-grade epics that emerged during the fading days of the "Euro-Cult" style. Performances range from the wooden lead to a hammy villain, with special effects being similarly dire.

w Robert D. Bailey, Antonio Margheriti graphic novel Ray Collins, Juan Zanotto d Antonio Margheriti ph Marcello Masciocchi m John Scott, Guido and Maurizio De Angelis

Reb Brown, Corinne Clery, Luciano Pigozzi, Carole Andre`, John Steiner

+ Edited down for theatrical release from the original four-part TV mini-series.

RAN: worst song ("Yor's World"); worst score; worst new star (Reb Brown)


Who Killed Teddy Bear
US 1965 91m (cut from 94m) bw
Magna/BijouFlix (Everett Rosenthal)

A struggling actress-turned-nighclub d.j. is hounded by obscene phone calls from a disturbed admirer.

This obscure but intriguing 'underground' venture is composed of equal parts exploitation, psychological study and experimental technique. There are moments where the pace drops and the denouement is both abrupt and confusing, but the film supplies enough new insight into an over-familiar theme to retain its crude effectiveness more than forty years later (while also serving as a valuable record of mid-1960s N.Y.C. night-life).

w Arnold Drake, Leon Tokatyan d Joseph Cates ph Joseph Brun m Charlie Colello, Bob Gaudio, Al Kasha, Joel Hirschhorn

Sal Mineo, Juliet Prowse, Jan Murray, Elaine Stritch, Margot Bennett, Daniel J. Travanti

+ Originally rejected by the British censor, the film received its first official release over there in late 2008 through the Network DVD label.


LSD: Insight or Insanity?
US 1967 18m color
Bailey Films (Max Miller, Dr. Richard S. Scott)

A study of the effect the popular hallucinogenic drug LSD has on American youth in the late 1960s.

Typically over-emphatic documentary short intended to raise an anti-drug consciousness, juxtaposing solemn lectures by real scientists with reckless observations illustrating the youth mentality of the period.

w Max Miller, Dr. Richard S. Scott d Max Miller ph Harry C. Paget m Roy Norman

as themselves Dr. W. Ross Adley, Dr. Sidney Cohen, Dr. Duke D. Fisher, Dr. J. Thomas Ungerleider narrator Sal Mineo


Libido
US 1965 90m bw
Nucleo Daiano

Strange occurrences resume when a young man returns to the remote sea-side mansion where, as a child, he had witnessed his father's murder of a mistress.

Semi-professional early Giallo with the addition of several agreeable Gothic/old dark house trappings: the beginning is slow and the latter stages feature a surplus of twists that culminate in an ambiguous finale. Given the title, the emphasis on sex is unsurprising and quickly became a genre staple.

wd Ernesto Gastaldi, Vittorio Salerno m Carlo Rustichelli

Giancarlo Giannini, Dominique Boschero, Luciano Pigozzi, Mara Maryl


Court Martial: The House Where He Lived (TV)
US/GB 1966 48m bw
ABC/ITC/Roncom (Robert Douglas)

During WWII, a JAG officer is asked to investigate the apparent cowardice displayed by a demolitions expert assigned to blow up an Italian monastery being used as a Nazi headquarters.

A good cast highlights this excellent early episode of an unusual war series, presenting an interesting twist on its central situation amid the standard action and interrogation scenes.

w S.S. Schweitzer d Peter Maxwell m Frank Cordell

Peter Graves, Sal Mineo, Frank Wolff, Anthony Quayle, Peter Halliday, Kathleen Breck, Bradford Dillman, Angela Browne, Kenneth J. Warren
post #737 of 1550

Re: Track the Films You Watch (2009)

Mario, although there will be a period of adjustment for me as I'll miss your legendary multi-scrollers.


05/01/09

The Magnificent Yankee (1950) Dir: John Sturges
Production: MGM

Gentle biography of famed Justice Oliver Wendell Holmes, with Louis Calhern recreating his stage role as the man himself. The story opens in 1902 with an older Holmes (he fought for the North in the Civil War) arriving in Washington to begin his term on the U.S. Supreme Court and covers his thirty years as a Justice (he was still on the Court as a 90-year-old). It’s not a particularly challenging treatment of the subject, but it is a nice survey with some of the major events in Holmes’ tenure mentioned, like a tussle over the Sherman Anti-Trust Act, which put Holmes squarely in Teddy Roosevelt’s crosshairs, and the contentious nomination of friend Louis Brandeis to the high court (anti-Semitism is more or less dismissed as the reason). In a little bit of fudging, two cases are combined to make a point—in the film it is while deliberating with Brandeis over the Debs case that Holmes produces the famous example of “shouting fire in a crowded room” as a limit on free speech, rather than from the actual, earlier case of Schenck.

With many Broadway performances under his belt, Calhern obviously had ample opportunity to work out the role. He’s good, at times affecting, but also a tad mannered. The heart of the story is Holmes’ relationship to his wife, Fanny, well played by Ann Harding (Dorothy Gish played the role on Broadway). As is frequently portrayed with men of great power and influence, it is the wife who is the final word on most matters and that is played here as light, humorous irony. I did like that the film had a character called ‘Adams’ and only an off-hand reference by Holmes of him “writing history books” identifies him as Henry Adams. A rare instance of leaving it up to the audience, and if you don’t know the reference it doesn’t affect how you enjoy the film. It is a nice looking production, although there are just a handful of sets. Good-natured corn pone.

Note: Benedict Bogeaus was the first producer to gain the rights to the play and had planned to make the picture through United Artists with Gregory Peck as Holmes. Take a character that is already a paragon of virtue on the page, then add Peck, and you can imagine how dreary the final product might have been.

out of 4
---------------------------------------
JOHN STURGES – “Strained Seriousness”
Right Cross (1950) , The Magnificent Yankee (1950)



05/02/09

James A. FitzPatrick’s Traveltalks: Paris on Parade (1938) (short)
Production: MGM

Focus on the Paris Exposition of 1937, whose “spirit of international goodwill…glorified the arts and crafts of peace”, viewed in the context of the times, is practically tragi-comic. Opens with a stunning panorama of the grounds from the top of the Eiffel Tower. Fitz makes a good point of the fair structures existing organically within the permanent Paris architecture, like the Tower and the Bridges of the Seine. A nice view of several pavilions along the river follows (the massive statue on top of the Russian building is the highlight). These World’s Fairs were really amazing events, it’s too bad ‘Traveltalks’ didn’t make it to New York 1939/40. Shot by the recently passed Jack Cardiff (here credited as ‘John’).

out of 4



Fast Company (1953) Dir: John Sturges
Production: MGM

A tribute to Derby day with this not very good horse racing-themed romantic comedy. A temperamental heiress leaves New York behind to take control of her father’s ‘stable’, which turns out to be merely one horse racing on the ‘gyp circuit’. Rick Grayton (Howard Keel) is a small-time horse racing owner/trainer who lucked into training a champ, a horse named Gay Fleet. Only nobody knows the horse is any good yet. Rick has been intentionally losing so that he can buy the horse with a low-ball offer to the owner, Carol Malden (Polly Bergen), a New York actress who has just inherited Gay Fleet. A rival barn figures out Rick’s plan and tells Carol. And so, Rick and Carol butt heads until they fall in love by the end. Spoiler alert!

Howard Keel, his usual genial self, makes it through basically unscathed. Bergen is mostly irritating. When she gets angry, which she does often, it’s not funny, which it’s supposed to be, just shrill. Nina Foch plays a wealthy owner, constantly trying to reel in Rick. She’s the girl we’re supposed to root against and is supposed to be no good for Rick because she’s sexually aggressive. The finale is so low-key you expect another 20-30 minutes, not that you’re upset when it’s over.

Notes: Jane Greer was initially cast, presumably to play Carol, which would have only helped incrementally--it’s hard to picture her as naïve and virginal. Don Mankiewicz, Herman’s son, received an ‘Adaptation by’ credit.

out of 4
---------------------------------------
JOHN STURGES – “Strained Seriousness”
Right Cross (1950) , The Magnificent Yankee (1950) , Fast Company (1953)
post #738 of 1550

Re: Track the Films You Watch (2009)

Patch Adams
First thing this morning I wanted something that was not only light-hearted and fun to watch... but also something that has a powerful story to it. While staring at my collection this one popped out at be as being just right for the mood I was in. Patch Adams gives you laughter and sadness all in one movie. And knowing it is based on a true story makes it even more powerful then it already is. I thought Robin Williams was perfect in the part of Patch Adams This movie is an emotional rollercoaster... and it is definitely one I am comfortable recommending.
post #739 of 1550

Re: Track the Films You Watch (2009)

X-Men
After going to see the new X-Men Origins: Wolverine this weekend I felt the urge to watch the first X-Men movie. I wanted to see how it worked knowing the back story of Wolverine. It is said in this movie it takes place 15 years after Logan looses his memory. It makes me curios how in that time Professor Xavier ends up in a wheel chair as his cameo in the Wolverine movie he was not in one. I still enjoyed this movie quite a bit. Wolverine was always my favorite of the X-Men... other then him I liked Rogue a lot in this movie.
post #740 of 1550

Re: Track the Films You Watch (2009)

April Summary:

13 movies viewed

9 new viewings
4 rewatches

11 Bluray
2 DVD

Best New Movie: Seven Pounds
Best Rewatch: 2001: A Space Oddyssey

Worst of the Month: TIE The Spirit & X-Files: I Want to Believe


4/3 / A Matter of Taste / 1 / DVD
4/3 / The Curiosity of Chance / 1 / DVD
4/4 / Pitch Black / 4? / BD
4/5 / Alexander Revisited: The Final Cut / 1 / BD
4/5 / Quantum of Solace / 1 / BD
4/10 / From Russia With Love / 2? / BD
4/11 / Edward Scissorhands / 2 / BD
4/11 / X-Files: I Want to Believe / 1 / BD
4/12 / Slumdog Millionaire / 1 / BD
4/14 / Seven Pounds / 1 / BD
4/19 / Kabluey / 1 / BD
4/24 / The Spirit / 1 / BD
4/26 / 2001: A Space Oddyssey / 3? / BD
post #741 of 1550

Re: Track the Films You Watch (2009)

The Hills Have Eyes 2 (2007)
After I watched and enjoyed the first one recently I wanted to check out the second one. I had one friend telling me how much she enjoyed the second one... possibly even more then the first one. Then I had another friend telling me basically that the second one sucked. What am I to do? Especially when I find a couple of the unrated version on sale cheap at Walmart. So I grabbed it.... and figured I will take a chance and decide for myself. Obvious solution. Right after purchasing it I go online and found the trailer for it. (Yes I bought it before even seeing the trailer!) The first thought that comes to me is that I like that this time it involves the military this time. And that did make the movie more interesting to me. But even with that this movie still isn't quite as good as the first one. I definitely enjoyed it... and glad I added it to my collection. I think (at least for me) where this one went wrong is having the majority of the movie inside the dark mines. I did like that the group was National Guards trainees.... but I didn't care for the Lieutenant who was in charge of the trainees. He just wasn't believable as the bad-ass he was trying to make himself off to be. Over-all I would call this one a good movie... but definitely not great.
post #742 of 1550
Thread Starter 

Re: Track the Films You Watch (2009)

My favorite HILLS movie is still the original, which I think is one of the greatest horror film of the decade. The sequel to that HILLS 2 is just downright crazy and it really looks like Craven tried to ruin that movie. I enjoyed the remake as well as the sequel but they hit that "torture/porn" too strongly for me. I was hoping for a third but apparently that was canceled but perhaps a Direct to DVD will follow at some point.


Dungeon Girl (2008) Ulli Lommel

My never ending parade of German director Ulli Lommel's "real life" movies continues with this one, which steps away from the horror genre and enters the drama category. This one tells a story that happened in Austria as a young girl was kidnapped and held hostage by a man for nearly six years. The entire running time centers on voiceovers as the girl tells her feelings for her parents, her life before the abduction and for her kidnapper known only as The Stranger. Again, I've seen all of Lommel's "real life" movies that have been released so far and this one here took me by a pleasant surprise. Not that I'd ever sit through the thing again but at least Lommel tried something different and didn't just deliver the same old garbage. I think what really helps this film is Wendi Jean Linn as the girl and Gunther Ziegler as The Stranger. We really don't get to see them "act" since most of the film is structured around voiceovers but this is beneficial since the majority of Lommel's recent films have been even worse due to the bad acting. Here, they at least look the parts well and the narration by Gwen Trevathan is really good. The film is way too slow and too much stuff is repeated for it to be considered a marginally good film. I'm really not sure what Lommel's obsession is with having a character look into the camera, ask questions and then constantly reuse this footage. Also, the running time of 81 minutes is the norm for his recent films but he might want to consider cutting them down to a hour or less. This is how "B" and "Z" movies were back in the day so he might want to revisit that. With that said, this is still a weak film but it's a lot better than anything the director's have given us over the past decade but then again, that's not saying too much.

Invaders from Mars (1953) William Cameron Menzies

Sci-Fi classic about a young boy (Jimmy Hunt) who witnesses a UFO crash in his backyard and then goes through the horrific events of seeing the aliens take over the minds of people in the town including his parents. This is one of the most famous Sci-Fi films from the decade, which is saying quite a lot considering how many of these movies were released then. There's always going to be controversy and debate when discussing this movie and I'm sure that's one of the reasons it has survived so long while many others are forgotten. For my money this is a very impressive film that has a few flaws but none of them major enough to kill the film. What impressed me the most with this recent viewing is how incredibly well-made the opening twenty-minutes are. The opening contains some wonderful suspense as the young boy begins to realize that his parents have been transformed into some sort of monsters. The fear of the kid is what makes this opening so effective and I love the way the director keeps everything moving at a very fast pace so we really don't have a second to breathe. I think when the science aspect is brought it, the film drops a few notches and the military stuff is silly at times but these are just small issues. I enjoyed the look of the aliens even though I doubt too much money was spent on their outfits. The sand pits was a nice twist as was the main leader who looks quite well. Then we have the controversy of the ending, which I won't spoil for you but I don't mind it too much. Some might call it a cop-out or see it as a nice twist but I think it works just fine. In a decade that was full of great, good and bad Sci-Fi films this one here is certainly remembered for a reason.

Lost Missile, The (1958) William Berke

Rarely talked about "scare" film has Robert Loggia playing a scientist who has an hour to try and create something that will stop a runaway missile that is reaching temperatures of one-million. The missile is destroying everything in its path and it's heading towards New York City. I was pleasantly surprised to see how great the actual story of this film was but sadly the budget is just so low that they can't do as much with it as I'm sure they had hoped. The movie contains a great story and one can't help but think this film would have certainly scared people back in the day who feared something like this would happen. The movie, due to its low budget, features a lot of stock footage, which gets old after a while but the movies central story is still top-notch. Loggia does a very good job in his role and it's always great to see this underrated character actor. Ellen Parker is also pretty good in her role of Loggia's fiance. What really separates this film from plenty of others is that it's not scared to kill people. I won't ruin anything but there are several downbeat moments that you really don't expect to see but this here helps keep the suspense going because you know the film isn't scared to bump someone off. Again, it's a real shame that a major studio didn't pick up this story because with a few more on the budget it could have been something really great. As it is, this remains an underrated "B" movie.
post #743 of 1550

Re: Track the Films You Watch (2009)

Alice in the Cities - Road movies are intrinsically about the journey and not the destination, so the fact that this movie meanders a lot didn't bother me. As an Americana-laced voyage of self-discovery, I view it as a precursor to Paris, Texas but not as irritating. There are a few annoying bits, primarily when Wenders seems to be getting overly snotty about American culture or tries to find a cute moment with Alice, but they're few and far between. Like most Wenders films, it's kind of underwhelming, but pleasant in a way that reminds me of Kaurismaki. Rating: 7


Some Came Running - Rather long and artless melodrama, watchable but uninspiring. Minnelli gets in some decent commentary about small-town, middle-class hypocrisy but doesn't do it with the grace of Sirk. Frank Sinatra and Dean Martin are dull, but the screen lights up whenever Shirley Maclaine shows up. She's the heart and soul of this film, and its primary saving grace. The relationship between Sinatra and Martha Hyer is incredibly forced, basically nothing about it works. The carnival climax is nicely shot, everything else is pretty flat. Also didn't care much for Elmer Bernstein's in-your-face score. Even if I can't think of many nice things to say about this movie, I can't honestly say I hated it. It was okay... without Maclaine, however, it would be a total dud. Rating: 6


X-Men (rewatch, Blu-Ray) - I should have just bought the second movie. I got the trilogy box set because my wife likes all of them, but I know she's never going to watch them. Oh well, they're all here now so I might as well marathon through them and see how they hold up. This one is still merely okay... a little cheesy and a little dull, but decent. What I noticed this time is how dark it is. I don't mean the subject matter, I mean the lighting. Almost everything happens at night and/or in dimly-lit rooms. Perhaps to help cover up the special effects, some of which look kinda shoddy in hi-defintion. Rating: 6


X2: X-Men United (rewatch, Blu-Ray) - Although the palette is still largely blacks, grays, and metallic blues, the second film is somewhat lighter than the first. In tone as well, as Singer seems to be having more fun with it. Nightcrawler is a very interesting addition to the cast. It's worth noting that Anna Paquin had entirely abandoned her attempts at a Southern accent by this point... probably for the best. If the first movie was a little slow, this one almost goes too far in the opposite direction, including a "climax" that lasts for about 40 minutes. Exhilirating, yes, but also a bit tiring. Rating: 8


X-Men: The Last Stand (rewatch, Blu-Ray) - I gave this a decent review when I first saw it, but over time my opinion has become increasingly more unfavorable. Seeing it now with fresh eyes, I realize once again that it ain't that bad. Sure, Brett Ratner is a retarded goofball, but at least he's not afraid to let a superhero story possess the ridiculousness inherent to the genre. Some of the one-liners get pretty awful near the end, and I would have liked the complex moral issue of the "cure" to be handled better. But it's good escapist entertainment, and actually paced better than the first two. As a kid, X-Men was my favorite comic and I actually read the Dark Phoenix saga as it unfolded. Although the movie isn't very faithful to the original story, it's done effectively. I do miss Nightcrawler, but Kelsey Grammer is perfectly cast as the Beast. Rating: 7
post #744 of 1550

Re: Track the Films You Watch (2009)

5/1 X-Men: Origins: Wolverine (2009): 1/2

The best thing I can say about the movie is that it is mainly competent, and the setting of the climax has a powerful and unique visual appeal. Also, Jackman gives an expected watchable performance. However, most of the movie is quite bland and uninspiring, which a movie set in the X-verse should never be. There are many questionable decisions and plot holes, and focusing on mostly indestructible characters saps the film of any real tension.

For the casual audience, it provides an acceptable diversion, although much better fare is coming this summer. For major fans of Singer's X-Men films or the comic X-Men, I suspect that they will find this to be pretty disappointing.

5/2 X-Men (2000):
5/3 X2: X-Men United (2003):

Both of Singer's X-Men movies are absolute joys to watch. The entire cast is excellent, but Ian McKellen and Brian Cox deserve special mention as terrific, nuanced comic book (and cinema) villains. Another quality I love about these movies is their efficiency; so much good material is packed into a short space of time.
post #745 of 1550

Re: Track the Films You Watch (2009)

05/03/09

Bannerline (1951) Dir: Don Weis
Production: MGM

The green reporter of a small town newspaper works for his big break while hoping to earn enough money to marry his girl. After four months of covering events like the Women’s Garden Club, Mike Perrivale (Keefe Brasselle), rookie reporter for the Carravia Clarion, is getting impatient. He’s desperate for a break, not the least of which reason why, is that with a higher profile, and salary, he can marry his teacher girlfriend, Richie Loomis (Sally Forrest). Aware of Mike’s frustration, Richie suggests he do a story on longtime Carravia high school teacher, Hugo Trimble (Lionel Barrymore), the “local Mr. Chips” (except cantankerous), who’s in the hospital with a life-threatening heart ailment. Mike finds Mr. Trimble bitter and angry over his supposed failure as a teacher—Carravia has allowed itself to be corrupted and run by racketeer Frankie Scarbine (J. Carroll Naish). Mike suggests to his publisher they put together a fake edition of the paper with stories and headlines about Carravia cleaning itself up, to give Mr. Trimble some peace of mind in his last moments. This turns into a bigger idea—publish the fake edition for the whole town, perhaps it might mobilize them into real and substantial action.

Slow and boring for a newspaper expose story (taken from a play by Samson Raphaelson). There’s too much time spent on the love story between the uninteresting leads. Brasselle is a pungent combo of petulance and smugness. His beating at the hands of a group of thugs is welcome. Sally Forrest is playing stock girlfriend 101, not surprisingly she’s a forgettable dud. Lionel Barrymore does his two or three scenes incapacitated in a hospital bed. They are the most interesting scenes in the movie. Lewis Stone is a tiny oasis as the once star reporter for the Clarion, now an alcoholic shell of himself working on obits and doing filing. Naish stretches his acting chops as his standard dopey Italian character. One of these films that builds up to a big showdown, only to have it resolve itself in about a 30-second scene, and partially off screen at that.

out of 4
------------------------
DON WEIS – “Miscellany”
Bannerline (1951)
post #746 of 1550

Re: Track the Films You Watch (2009)

March & April Recap

Movies seen: 16 & 20 (First timers: All of them!)
Average rating = 2.75/5 & 2.98/5
Median rating = 3/5 & 3/5


Some good stuff over these past months, but I've been moving so I can't remember much. "Synecdoche" and "The Class" are Best of 2008 contenders.

ALL RATINGS OUT OF (FIVE) STARS


First time viewings in bold.


3/01- Synecdoche, New York (2008)
3/02- Zack and Miri Make a Porno (2008)
3/03- Battle in Seattle (2008)
3/04- My Name Is Bruce (2008)
3/04- [Rec] (2007)
3/05- Body of Lies (2008)
3/08- Mirrors (2008)
3/09- Defiance (2008)
3/11- Neil Young: Heart of Gold (2006)
3/11- Surfwise (2008)
3/12- The Trouble with Harry (1955)
3/14- Blindness (2008)
3/16- Flash of Genius (2008)
3/20- Role Models (2008)
3/22- The Pornographers (1966)
3/27- Madagascar: Escape 2 Africa (2008)

4/05- Marley & Me (2008)
4/07- Transporter 3 (2008)
4/08- Gomorra (2008)
4/10- Che: Part One (2008)
4/11- Che: Part Two (2008)
4/12- Audition (Ôdishon) (2001)
4/13- The Lucky Ones (2008)
4/14- White Dog (1982)
4/15- What Just Happened (2008)
4/17- I've Loved You So Long (Il y a Longtemps Que Je T'aime) (2008)
4/18- The Spirit (2008)
4/19- Adventureland (2009)
4/21- RocknRolla (2008)
4/22- This Man Must Die (Que la Bête Meure) (1969)
4/23- The Wrong Man (1956)
4/25- Bolt (2008)
4/26- Standard Operating Procedure (2008)
4/28- The Punisher (2004)
4/28- Torn Curtain (1966)
4/29- The Class (Entre les Murs) (2008)


Favorites (first timers): Synecdoche, New York, The Class (Entre les Murs), Standard Operating Procedure
post #747 of 1550

Re: Track the Films You Watch (2009)

April Recap

Ratings range from bomb to ****

Bolded titles are first viewings.


Anno Domini 3048 *
Another Part of the Forest ***
Cemetery of Terror **
Dark New World *
The Dead Don't Scream **
Dead Snow ***
Dying Breed **
The Lord of Zombie City *
Slumdog Millionaire ***
Splinter **
Wolverine **
The Zombeatles: All You Need is Brains *


First viewings: 12

Total films viewed: 12

Pretty paltry list I know.
post #748 of 1550

Re: Track the Films You Watch (2009)

Seven Chances - Except for a few mildly racist bits, this is pretty amusing. Mostly good gags, some daring stunts, and of course hapless, lovable Keaton at the center of it. Not terribly ground-breaking or complex, but quite entertaining. I even laughed out loud (something that rarely happens when watching a comedy by yourself) at the window display of broken clocks. Rating: 8


42nd Street - What an unexpected delight, this put a huge smile on my face. Giddily entertaining musical comedy, with truly funny (and bawdy) jokes, terrific songs, those magical Busby Berkeley dance numbers, charming performances, and a plot that never gets too fussy. The camerawork is quite impressive, too; despite being entirely about a stage production, Bacon & Berkeley utilize techniques that are purely cinematic. I may end up buying this, though I'll likely wait (probably quite a while) for a Blu-Ray release. Rating: 9
post #749 of 1550

Re: Track the Films You Watch (2009)

The Possession of Joel Delaney
US 1972 105m Eastmancolor
Paramount/ITC/Haworth (Martin Poll)

Returning from a holiday in the Caribbean, the younger brother of a divorced socialite begins to display signs of possession and soon the life of his sister and her children are in mortal danger.

Occult goings-on in modern-day New York, some way behind Rosemary's Baby: the effect is more often unpleasant than scary, but the film has enough surface style to compel attention throughout.

w Matt Robinson, Grimes Grice (Irene Camp) novel Ramona Stewart d Waris Hussein ph Arthur J. Ornitz m Joe Raposo

Shirley MacLaine, Perry King, Miriam Colon, Barbara Trentham, Lovelady Powell, Micheal Hordern, Edmundo Rivera Alvarez


LSD Flesh of Devil
Italy 1967 90m color
Berna (Benito Bertaccini)
original title: LSD - Inferno Per Pochi Dollari
aka: LSD - La Droga del Secolo

An American secret agent fights a conglomerate of international criminals involved in the trafficking of LSD.

An odd yet unsuccessful mix of would-be Bondian action and (even less convincingly) psychedelia; a second-tier American star walks bemusedly through it, but the muddled end product is mainly silly (the hallucinogenic effects prove especially ludicrous) and considerably less engaging than one would have hoped for.

w Bruno Baratti, Odoardo Fiory, Massimo Mida story Tiziano Cortini, Vittorio Orano d Massimo Mida ph Silvano Ippoliti m Egisto Macchi

Guy Madison (who has a radio transmitter implanted in his neck), Franca Polesello, Mario Valgoi, Lucio De Santis, Adriano Micantoni, Karin Scarreso, Isarco Ravaioli, Lucia Modugno


The Killing Kind
US 1973 95m color
Media Cinema Group (George Edwards, Sal Grasso, Leon Mirell)

After serving a jail sentence for rape (into which he was coerced), a young man goes home to his domineering mother where he begins to show signs of an emotionally disturbed personality with homicidal tendencies.

Deliberately-paced but generally absorbing and well-acted psychological study, which also makes some pointed observations about family ties and modern small-town life.

w Tony Crechales, George Edwards d Curtis Harrington ph Mario Tosi m Andrew Belling

Ann Sothern, John Savage, Ruth Roman, Luana Anders, Cindy Williams, Sue Bernard

+ Due to poor distribution, the film was barely released anywhere until the 2007 DVD edition from Dark Sky, which also featured director Harrington's last interview.

++ The alcoholic librarian character played by Anders and her wheelchair-bound father would re-appear in The Attic (1980) from the same scriptwriters.


Arcana
Italy 1972 86m color
Gaspare Palumbo

A middle-aged woman and her young son help themselves financially by organzing fake seances intended to comfort the similarly deprived and superstitious locals.

Mutilated subway victims, evil children, reptiles at large in a house, incest and a climactic military action are among the other ingredients of this indescribable but often arresting exercise in arthouse horror. Minimal exposure has turned it into a cult, but the film now seems merely pretentious and incoherent.

w Giulio Questi, Franco Arcalli d Giulio Questi ph Dario Di Palma m Romolo Grano, Berto Pisano ed Franco Arcalli

Lucia Bose`, Maurizio Degli Esposti, Tina Aumont

+ The protagonists' family name is Tarantino.


Die Slowly, You'll Enjoy it More
Spain/Italy/Austria/West Germany 1967 92m Eastmancolor
Discobolo/Parnass/Teide PC (Robert Russ, Theo Maria Werner, Giuliano Simonetti)
original title: Mister Dinamit - Morgen Kusst Euch Der Tod

An American secret agent springs into action when an Italian industrialist-gangster steals an atomic warhead and holds the world to ransom.

Absurdly-titled and typically convoluted low-grade spy stuff: the villain's antics are mildly amusing (though repetitive) as is an irrelevant over-the-top fist-fight but the rest, attempting to give the impression of an elaborate production via much stock footage, is both labored and distinctly routine.

wd Franz Josef Gottlieb novel G.H. Gunter ph Juan Gelpi, Siegfried Hold m Gianni Marchetti, Armando Trovajoli

Lex Barker (dubbed "Mister Dynamite"), Amedeo Nazzari (as the villain compulsively playing with toy-trains and drinking grappa, wraps himself in a rug to sleep and travels in a hearse), Maria Perschy, Jose` Suarez, Wolfgang Preiss, Siegfried Rauch, Dieter Eppler, Brad Harris, Gustavo Rojo, Uta Levka


The Love Mates
France/Italy 1970 86m colour
Adel (Alain Delon)
original title: Madly

A hedonistic French couple with an interest in fine arts invite a black American girl to their country estate, eventually settling down to a menage-a`-trois.

It is hard to fathom what the point of this plotless self-indulgence might be but, after being thoroughly bored by the film, one can easily understand its total obscurity. A good example of what can happen when a powerful star is given carte blanche to pamper his own image.

w Mireille Aigroz, Pacal Jardin, Roger Kahane d Roger Kahane ph Georges Barsky m Francis Lai

Alain Delon, Mireille Darc, Jane Davenport, Valentina Cortese (a brief but embarrassing performance as an ageing nymphomaniac), Maria Schneider


Maddalena
Italy/Yugoslavia 1971 116m color
Bosna/Unitas

A free-spirited woman seduces a young priest and follows him when he goes to another parish.

This striking but overlong melodrama is redolent of both the social attitudes and experimental film-making techniques prevalent at the time - while never keeping the Biblical connotations inherent in its title too far away. The uninhibited leading lady is ideally cast and a celebrated score accompanies what is basically a succession of sensuously lyrical images.

wd Jerzy Kawalerowicz ph Gabor Pogany m Ennio Morricone ed Franco Arcalli

Lisa Gastoni, Eric Woofe, Ivo Garrani, Umberto Orsini, Paolo Bonacelli

+ A faster variation on Morricone's haunting theme Chi Mai?, composed expressly for this film, would be re-used to even more startling effect in the popular French action thriller The Professional (1981) starring Jean-Paul Belmondo.


The Sensuous Assassin
France/Italy 1970 78m Eastmancolor
Fida/Lira (Edmondo Amati, Raymond Danon)
original title: Qui?

A girl, whose temperamental boyfriend is apparently killed when their car plunges off a cliff into the sea, takes up with his estranged elder brother.

Sub-Chabrol thriller (by his own regular screenwriter) revolving around malcontented bourgeois types which unfortunately never really gets going; even the ironic ending is predictable.

w Paul Gegauff, Leonard Keigel d Leonard Keigel ph Jean Bourgoin m Claude Bolling

Romy Schneider, Maurice Ronet, Gabriele Tinti, Simone Bach
post #750 of 1550
Thread Starter 

Re: Track the Films You Watch (2009)

Glimpses of Mexico (1940) No Director Credited

Another entry in MGM's TravelTalks series with James A. FitzPatrick. This time out we visit Mexico, which was a popular destination for this series since it traveled there many times. This time we get to see the Bandero Monument, which was built to highlight the countries flag. Also see are Lake Chapala, Rio Grande art, music and romance. Also on hand is some pole dancing from Ancient Indians. If you've seen one entry then you know what to expect but this is another winner that manages to show off some great sites and make one want to travel there. A strange bit of news considering Turner Classic Movies just happened to schedule this just as the Swine Flu news struck fears of Mexico.

Picturesque Massachusetts (1942) No Director Credited

The spotlight is on Massachusetts this time out as this TravelTalks series takes a look at the state where the Pilgrims landed back in 1620. We also see various small towns where they would eventually migrate as well as some descendents of theirs who still live there. We see the home of Clara Barton who founded the American Red Cross and also a look at the windmill in Eastham. This is another pleasant entry in the series that manages to pack quite a bit into the short 9-minute running time. We get all sorts of good sites but the Technicolor print is still in good shape so many images just jump off the screen. This isn't one of the better entries in the series but it does manage to be entertaining like most.

You're Telling Me (1932) Lloyd French, Robert A. McGowan

Short film in Hal Roach's "Boyfriends" series has Mickey (Mickey Daniels) and Alabama (Grady Sutton) imposing on their best friend. They're only suppose to stay with him for a day but this then turns into weeks, which drives his parents crazy. I'll be honest and admit that I had never heard of this series before this film showed up on Turner Classic Movies but after watching it I certainly hope they air more. I wasn't sure what to expect and of course I didn't have anything to compare it to but this movie certainly made me interesting in seeing the others, which I guess is the best thing I could say. I found the humor to be quite entertaining and the constantly jokes about trying to be Southern were pretty funny. We get some typical Roach comedy like a cake fight but other than that most of the comedy comes from the actors. Comic veteran Billy Gilbert steals the film as the friend's father who slowly goes crazy.

There'll Always Be an England (1945) No Director Credited

British short takes a look at various famous sites in England including the cottage where poet John Milton finished "Paradise Lost", St. Giles, the place Benjamin Disraeli broke into politics and Aylesbury. I guess you could call this a British version of TravelTalks, the popular MGM series but this movie here is just pure boredom from start to finish. This thing runs twice the length of a normal TravelTalks entry and yet I really didn't learn much. We see various places yet the boring narration just makes the locations seem dull, which isn't a good thing since this type of documentary is basically just a travelogue. Some of the scenery is quite nice but there's very little else here I got worked up over.

Island Windjammers (1956) Howard Winner

This is the third film I've seen from the RKO/Pathe series "Sportscope" series, which was basically meant to show various sporting events. This time out we look at windjammer sailing, which mainly takes place, or at least is popular, in the Bahamas. We get a lot of information on the people who race, how the races are done and we also get a look at the music from that era, which was becoming quite popular in the United States at the time of the film's release. Out of the three films I've seen to date, there's no doubt this is the best of them and perhaps that's because this one came towards the end of the series. The previous two I watched were rather dull and lifeless but this one here actually features some great footage, nice narration and an even better atmosphere to make you interested in what it's saying.

Vincent Lopez and His Orchestra (1939)

Warner Bros. short, if you think about it, is just an early "music video", which features the popular Lopez doing various numbers with his band. Also on hand,a nd most interesting to films buffs, is the 18-year-old Betty Hutton who gets to do some jitterbug singing. I've seen three or four shorts to feature Lopez and he's certainly becoming one of my favorite musicians from this period. Or, at least his band are as they are constantly moving, swinging and just having a good time. The music is very speedy and sounds terrific and will have your shaking your foot in entertainment. Hutton, in one of her first roles, is also excellent here as she sits in on three songs and really delivers the goods. That husky voice packs a great punch when mixed with Lopez's music.

Sunday Night at the Trocadero (1937) George Sidney

MGM short has Reginald Denny hosting three musical acts including Louis & Celeste, The Three Brian Sisters and Medina & Mimosa. The acts are singing inside the Trocadero, which has many famous faces including George Hamilton, Groucho Marx, Frank Morgan, Frank McHugh, Robert Benchley and Dick Foran. If you're a fan of any of these actors then you might want to check this out if you must see everything they've done but there are a lot of weaknesses here. For starters, the sound quality is very poor and I don't think this is an issue with the print shown on TCM. It really appears that the sound was recorded poorly and this leads to the issues. Another problem is that the comedy is just downright bad. The musical numbers are certainly worth listening to as are seeing the famous faces.

Nostradamus and the Queen (1942) No Director Credited

Another entry in Carey Wilson's Nostradamus series with this one looking at his relationship with Catherine de Medici. The film focuses on the Queen, who had hoped to take over all of Europe, and how Nostradamus ended up predicting the fate of her husband and well as her three sons. This series is certainly hit and miss but I feel this one here works because of how nice some of the predictions were (even though I'm not sure how truthful they're told here). Maria Palmer didn't have a big career but she's pretty good here playing the Queen. Wilson's narration is good as usual and there's some nice scenery, which makes this one worth watching.

Microscopic Mysteries (1932) Hugo Lund

Early Pete Smith short takes a look at various insects under a microscope. Included are various forms of spiders, worms, scorpions and various other insects. This type of short would be made through the decade as well as future decades as technology would get better and there's no question that the film is somewhat dated but it's important to keep in mind when this was being made. With that said, this 9-minute short is fairly entertaining with some nice visuals of the insects. It's also worth noting that Smith is quite good even though he isn't in that same mode as what we'd see in future shorts. He certainly keeps the film moving with the fun natured narration.

Pool Shark (1915) Edward Middleton

W.C. Fields made his screen debut in this silent comedy, which not too many think very highly of. In the film Fields is doing battle with a rival over a woman they both have the hots for. To settle the fight, the two agree to play a game of pool, which goes rather strangely to say the least. Those expecting the classic Fields might be disappointed here because the film has more to do with some of the work Chaplin was doing at the time rather than what we think of when we think of Fields. Not too many people are very high on this short but I've always enjoyed it for the slapstick. Slapstick was the most popular thing in silent comedy and I think the work here is pretty well done, especially early on in the film. The pool game is where the comedy goes flat as we get some good looking stop-motion animated sequence, which, while pretty, are dull in terms of laughs.

Four Minute Fever (1956) William Deeke

Sportscope short takes a look at a running a mile in under four minutes. We get to see three different races where the feet became possible and ends in 1956 with Joe Bailey finally broke the mark and came in under four-minutes within the U.S.. This is a pretty good short that contains some nice information as well as some nice cinematography, which is helped by the good quality print shown on Turner Classic Movies. There's really nothing overly special about the film but it does manage to keep you entertained throughout the 9-minute running time.

Hollywood Goes to Town (1938) Herman Hoffman

Highly entertaining short is part documentary and part promo piece for MGM's big-budgeted MARIE ANTOINETTE. The film starts off showing us how Hollywood puts on a premiere, which includes them cutting the bushes, building grand stands and of course getting the red carpet laid down. We see how all of this goes down in one day and then we see the Hollywood stars show up. Norma Shearer, Tyrone Power, Spencer Tracy, Clark Gable, Judy Garland, Freddie Bartholomew, Una Merkel, John Barrymore, Robert Young, Pete Smith, Jimmy Stewart, Jeanette MacDonald, Helen Hayes, Louis B. Mayer, Hedy Lamarr, Douglas Fairbanks, Jr., Paul Muni, Charles Boyer, Jack Benny, Claudette Colbert, Simone Simon, Robert Montgomery, Barbara Stanwyck, Robert Taylor and Carole Lombard are the stars who show up in this one 9-minute film. As you can see, this is a film buffs dream as we get to see a lot of major stars within one small film. If you're a fan of classic film then this here is a must see just for nostalgia sake.

Strange Glory (1938) Jacques Tourneur

Carey Wilson short from his "An Historical Mystery" series takes a look at the debate of who should get credit for the "Tennessee Plan", which pretty much helped the North win the Civil War. Eight years after President Lincoln was killed, Northerner Anna Ella Carroll (Fay Helm) came to say that she was the brain behind the plan and that she discussed it with Lincoln yet no one knows of their meeting or the reasons why the President thought they should keep it a secret until after the war. I really love this series from MGM as they offer up fascinating stories even though they are mainly thrown at the conspiracy theorist inside me. This episode is yet another interesting case that I had never heard about but it does make for a good mystery, which is the entire point of the series. Frank McGlynn, Sr. plays Lincoln here, a role that he would play over ten times in his career including the 1924 film ABRAHAM LINCOLN, John Ford's THE PRISONER OF SHARK ISLAND and THE LITTLE REBEL. He is quite good here as is Helm as the woman behind the mystery. Director Tourneur does a very good job with the material and this is easy to see early on during the Civil War footage.

Three Smart Guys (1942) Edward L. Cahn

Extremely poor Our Gang short from MGM has Froggy, Mickey and Buckwheat skipping school so that they can go fishing but they meet an older man who convinces them that school isn't too bad. I'm really not sure how many, if any, of these MGM/Our Gang shorts I've seen but I really hope this is the worst of the bunch. The biggest issue is that there isn't a single laugh to be found but the strange thing is that it appears no laughs were even attempted to be gained. There's really nothing here that was meant to be funny and just turned out dull. Everything is pretty much straight-forward and I personally can't see any attempt at being funny. Another problem is that the message of not skipping school is so overdramatic that you can't help but just role your eyes.
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