Home Theater Forum › Home Theater Forum › Entertainment › Movies (Theatrical) › Track the Films You Watch (2009)
New Posts  All Forums:Forum Nav:

Track the Films You Watch (2009) - Page 22

post #631 of 1550

Re: Track the Films You Watch (2009)

Quote:
Originally Posted by Michael Elliott
This is my first update since learning I'm going to be a first time father so I'm not sure how my viewing habits are going to be here for a while, although I've been trying to think of as many "baby" films as possible but I must say my mind is drawing a blank.

Congrats!

Quote:
Originally Posted by Michael Elliott
Pete, I too enjoy a good or even bad TV movie. I mainly stay in the horror genre for these but I've found quite a few to be very entertaining.

Glad to know I'm not the only one here that does!
post #632 of 1550

Re: Track the Films You Watch (2009)

Zoom: Academy for Superheroes
This morning my daughter wanted to watch a couple movies with me. So I told her to pick out something from her list for us to watch together. This is what she picked. I have read a few reviews of this movie... and every one of them basically said this movie sucked. I can't agree with that though. You do have to remember that this movie is more geared towards the family... especially with kids in mind... but it is a fun movie to watch. You just can't expect anything more from it then that. Just a fun... leave your brain at the door type superhero movie. If you expect anything more then that... yes you will be disappointed. But if you go in expecting nothing more then a good time with a handful of laughs I think you will enjoy it. Of course my daughter loved every minute of it.
post #633 of 1550

Re: Track the Films You Watch (2009)

Quote:
Originally Posted by Michael Elliott
This is my first update since learning I'm going to be a first time father so I'm not sure how my viewing habits are going to be here for a while, although I've been trying to think of as many "baby" films as possible but I must say my mind is drawing a blank.

Pete, I too enjoy a good or even bad TV movie. I mainly stay in the horror genre for these but I've found quite a few to be very entertaining.


Let's Spend the Night Together (1983) Hal Ashby

The Rolling Stones 1981 "Tattoo You" tour was captured by the infamous Hal Ashby but the end results are certainly mixed at best. Filmed from shows in Tempe, AZ and East Rutherford, NJ the setlist is as followed:

Under My Thumb / Let's Spend the Night Together / Shattered / Neighbours / Black Limousine / Just My Imagination / Twenty Flight Rock / Let Me Go / Time Is On My Side / Beast of Burden / Waiting on a Friend / Going To A Go Go / You Can't Always Get What You Want / Little T&A / Tumbling Dice / She's So Cold / All Down the Line / Hang Fire / Miss You / Let It Bleed / Start Me Up / Honkey Tonk Women / Brown Sugar / Jumpin' Jack Flash / Satisfaction

Having seen countless official concerts by the Stones as well as seeing them in person I must admit that I wasn't totally blown away by the performances here. The biggest problem however is the direction by Ashby, which really seems all over the place. To me it seems like he showed up with a film crew, without any thought, and just pointed the camera at various things. There really doesn't seem to be too much thought about what was getting filmed or the visual look that would appear on screen. As far as The Stones performance it too is a mixed bag. "Twenty Flight Rock" comes off fairly poor does a few other tracks including "All Down the Line" and "Going to A Go Go". Even some of their classics like "You Can't Always Get What You Want" comes off bland as does "Let It Bleed" and "Time Is On My Side". There are a few good moments with the best one being "Start Me Up", which was still a new release at the time yet the crowd ate up the performance. Other new songs from the album include a nice version of "Little T&A" as well as a great, slowed down version of "Waiting On a Friend". The closing tune "Satisfaction" doesn't really pack the punch it should have. In the end I think fans of The Stones will enjoy what's here but at the same time they'll be saying that the film should have been a lot more.

Ziggy Stardust and the Spiders from Mars (1973) D.A. Pennebaker

Famous documentary takes a look at David Bowie's transformation in Ziggy Stardust and his band The Spiders from Mars. Filmed at the Hammerstein Odeon on July 3, 1973, this documentary from the equally legendary D.A. Pennebaker (DON'T LOOK BACK) captures Bowie at what many consider the height of his career. I should admit right off that I'm rather new to Bowie so I wasn't too sure what to expect but as far as his performance is concerned I thought the concert was great. The entire show was very smooth, looked great and sounded extremely well and it appeared that everyone involved was having a very good time. "Watch That Man", "Changes", "Space Oddity", "The Width of the Circle", "Rock 'n' Roll Suicide" and "Ziggy Stardust" are just a few of the highlights here. We also get a strange but serviceable version of The Rolling Stones' "Let's Spend the Night Together". The entire concert is full of wonderful energy that comes off extremely well with the songs and their performance. The one major downside to the film are its technical limitations. I'm not sure what the backstory to this film was but it really seems like the director didn't have much time to get ready for the shoot or perhaps his budget just wasn't big enough to do something more. The biggest problem is that the look of the film is downright ugly and I guess you could even call it vile. The entire movie looks like crap with the camera missing out on stuff we should be seeing or perhaps just picking the footage up as a blurry mess. An HD channel has been playing this recently and in all honesty it still looks quite poor. Even with that said there's no doubt that the film comes highly recommended to fans of Bowie or those wanting to see the legend at the height of his fame.

Devil's Cabaret, The (1930) Nick Grinde

Insane Pre-Code short has all the elements, which eventually forced the Hayes Office to step in with their censorship. The film takes place in Hades where Satan (Charles Middleton) wants to know why more people are going to Heaven. He sends his President, Howie Burns (Edward Buzzell) to Earth to see if he can convince people that Hades is the place to be. If you're a fan of Pre-Codes then this short is a must see because it contains all the dirty elements that make these films so special. We got insane characters, crazy dialogue, a barely clothed secretary plus so much more. To add some sugar into the film it's also in 2-strip Technicolor, which adds a lot of fun in the costumes that the characters where. The only type of film I can really compare this to is the 1936 shocker MANIAC just because of the insane stuff going on. Satan, for example, constantly has smoke pouring out of his mouth everytime he talks. The supporting devils all have pitch forks and horns. Howie Burns, at the start of the film, is clearly mocking the gay stereotype, which was going on in a lot of films back then. We also have him sending a letter to Saint Peter offering to do some rather mean things. To go even further we get the scene where Burns tries to talk people into various crimes but then insults an overweight woman by saying she isn't welcomed in Hades because if she sat down her weight would put out all the fires! There are also two musical numbers, which are pretty creative. Director Grinde is best known for his Columbia pictures with Boris Karloff (THE MAN THEY COULD NOT HANG, THE MAN WITH NINE LIVES, BEFORE I HANG) but he does a very good job here.


Hey Mike...we haven't spoken "officially" on these pages for quite some time - so let me congratulate you on the good news of your upcoming fatherhood!

Although I don't have brats to disrupt my viewing habits, I have to admit to being very lethargic of late - which explains my pitifully (for me) low figure viewings! In fact, I'm spending much more time seeking out 'new' movies on the 'Net, adding 'rentals' to my collection and clearing up that DVD Recorder hard drive than I do watching the damn stuff itself!!

Actually, I've been telling my twin brother for some time that we really ought to spend (at the very least) a whole month watching bona-fide masterpieces so as really get back into the movie watching groove...but, as always, there's that bottomless pit of never-before-seen stuff to contend with and bring me crashing back to reality!

In any case, just as October is reserved for horror/sci-fi movies, I always like to spend the month of April (or whenever Good Friday happens to come along) in the company of epic or religious-themed movies. Therefore, I will be temporarily stopping from my daily-themed movie schedule and embarking on this ‘epic odyssey’ as from next Wednesday.

By the way, it seems we’re both on the same ‘rock movie’ wavelength because, as you were watching The Rolling Stones and David Bowie, I was acquiring (via late-night Italian TV) Bob Dylan’s DON’T LOOK BACK (1967) and Neil Young’s YEAR OF THE HORSE (1997); I don’t know when I’ll be getting to them properly (and I have several more where these came from: Leonard Cohen, Queen, Lou Reed, etc.) but it was nice to read your comments on the above – particularly the Bowie film, since I had always been interested in it given that “The Rise And Fall Of Ziggy Stardust And The Spiders From Mars” (1972) is my 2nd all-time top album, right in between Bob Dylan’s “Highway 61 Revisted” (1965) and the self-titled “The Velvet Underground And Nico” (1967). By the way, David Bowie (whom I’ve ‘met’ briefly in an HMV outlet in London in September 2002) is also the most represented artist in my own record collection and his “strange” version of The Rolling Stones’ “Let’s Spend The Night Together” is the opening track on the follow-up album to “Ziggy Stardust” itself, “Aladdin Sane” (1973) - which, as I said in my review of the Ian Curtis’ biopic CONTROL (2007), was not only Bowie’s first album to reach the pole position in the U.S. charts but was ‘inspired’ by his first ever tour of the States as well. I did get to see once a good BBC documentary shot around that time called CRACKED ACTOR (1975; TV) which is the name of another song off of the “Aladdin Sane” album.


P.S. Your rave review of THE DEVIL’S CABARET (1930) has made me get pissed at myself because, although I had intended to watch it in the next “Musical” day following my viewing of CIMARRON (1931) – on whose DVD it is included as an extra – I clean forgot all about it!
post #634 of 1550

Re: Track the Films You Watch (2009)

Chichi to kuraseba (The Face of Jizo) - A film that wallows and wallows in self-pity about Hiroshima. Now, I'm not for atomic bombs and I certainly think that what happened was awful, but what I see/read/hear the Japanese whining about, I keep thinking "Pearl Harbor... Nanking... Pearl Harbor... Nanking". It takes a really good movie for me to overcome that. This isn't a really good movie. It's quite obviously based on a play, which rarely works for me (even when Bergman does it). And the theme just doesn't strike me as that original (young woman deals with her survivor guilt by conversing with the ghost of her father). Can't think of any particular reason to recommend this movie, it's mildly touching but that's about it. Rating: 5


The Sun Also Rises (rewatch) - I bought this from the same seller as Love Letter, and the disc has the same problem of freezing up and skipping in the middle. Must be something about these Korean discs, but just beware of a seller called "dvdasian" on Amazon. Fortunately, it only affected about 12-15 minutes in the middle and my memory of the film was good enough to mostly fill in the blanks. It's a shame there isn't a non-import version of this DVD available... Wen Jiang deserves a lot more attention, all his films (this one being his third and most recent) are superb. The story is a lot more comprehensible the second time around, especially the first section. Although the film doesn't have quite the same impact as Devils on the Doorstep, it's told in such a breathtaking manner that it makes for a truly compelling experience. Rating: 9


15 Park Avenue - Another Aparna Sen-directed film with an address for a title, but it's nothing at all like 36 Chowringhee Lane (except one of the primary actors has a role in it). As in Mr. & Mrs. Iyer, Sen casts her daughter in the lead (with Iyer co-lead Rahul Bose also in a significant part) as Mihti, an Oscar-bait type character of a schizophrenic and tortured young woman. But the real star here is Shabana Azmi as the long-suffering older sister, trying to cope with Mihti's delusions while still maintaining her own life. The writing isn't quite as heavy-handed as in Iyer, and the ambiguous ending is a nice touch, but this still isn't much deeper than your average television drama. I'd like to see more of Sen's earlier directorial efforts, but this one wasn't that bad. Rating: 7


The Counterfeiters - I've seen more than my share of Holocaust movies. Most of them are pretty good, and people generally tend to be mindful about treating the subject matter carefully. This one, winner of the foreign language Oscar last year, was about as good as most of them. It's based on a true story (although some of the DVD extras I skimmed through indicated that many of the details were fictionalized) of a team of Jews hand-picked from the concentration camps to forge currency for the Nazis. It examines the moral complexities one would expect from such a situation with a decent amount of subtlety and realism. Well-done with good performances. Rating: 8


Dat Kho (Land of Sorrows) - Notable for being a Vietnamese movie actually filmed during the war. It contains actual shots of the evacuation of Hue during the Tet Offensive, and a claims to be only existing Cinemascope footage of Vietnam at the time. The star is popular Vietnamese singer/poet Trinh Cong Son, whose sweet & sensitive songs are peppered throughout the narrative. The story centers around a family split (emotionally, ideologically and physically) during the war and contains several interesting subplots about the different family members. The editing is not that great, and there's nothing hugely original about its tales of wartime tragedies, but it's a solid piece of work that easily makes you care about its characters, and is of special interest considering the circumstances under which it was made. Rating: 7


Before We Fall In Love Again - James Lee needs to find his audience. This is the third thing I've seen by him, and I think they're all great. This one (the start of his "love trilogy") is the most straightforward of the ones I've seen: after a woman has vanished, her husband and her lover try to track her down. It packs a lot of charming little Truffaut-esque moments in their reminiscences, and has a slow but agreeable pace with just enough ambiguity to enhance the story without overshadowing it. I dunno, maybe I'm latching on to an obscure director just for the hell of it, but I really feel like there's an undiscovered talent here whose iMDB ratings are a travesty. Somehow I'm gonna have to track down his other work. Rating: 8
post #635 of 1550

Re: Track the Films You Watch (2009)

3/14 Munich (2005):

The subject matter is given very respectful and thought-provoking treatment. Unfortunately, though there are wonderful vignettes throughout the story, the overarching story is pretty weak, especially for a Spielberg film.

3/29 The Man Who Knew Too Much (1956): 1/2

The opening hook of the cymbal crash and title card works beautifully, and James Stewart is charming once again. The identities and motivations of the kidnappers are a little bit confusing, but that's my only real complaint about the movie. It's a very serviceable, entertaining movie, and I wish more like this were made today.
post #636 of 1550

Re: Track the Films You Watch (2009)

Quote:
Originally Posted by Michael Elliott
This is my first update since learning I'm going to be a first time father

My, this certainly is a surprise! Well -- congratulations (I think!) and I trust you will bring the little Elliott up properly with a healthy diet of good movies!
post #637 of 1550

Re: Track the Films You Watch (2009)

TV, Serials & Documentary Day #7:


03/25/09: THE TURN OF THE SCREW (TV) (Dan Curtis, 1974)

Surprisingly effective made-for-TV adaptation of Henry James’ classic ghost story “The Turn Of The Screw” which had already spawned an acclaimed cinematic version in Jack Clayton’s THE INNOCENTS (1961); for the record, I am also familiar with THE NIGHTCOMERS (1972), a serviceable prequel written originally for the screen. Prior to this, I had checked out the following TV movies from director Curtis: THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE (1968; which he only produced), THE NIGHT STALKER (1971), THE NIGHT STRANGLER (1972), DRACULA (1973), THE NORLISS TAPES (1973) and TRILOGY OF TERROR (1975), and this generally measures up to them quality-wise. Anyway, to get back to the film at hand: having watched THE NIGHTCOMERS in 2004 (as part of a Marlon Brando tribute) and THE INNOCENTS in 2005 (while studying in Hollywood) – that is to say, not too long ago – I knew more or less what to expect from the plot; of course, being the early days of TV/video technology, the alternately grainy and flat look emerges as its weakest element and cannot hope to challenge Freddie Francis’ renowned chiaroscuro work on the 1961 film version. Incidentally, I opted to watch this now as an extension of my brief tribute to Natasha Richardson – since it stars her aunt, Lynn Redgrave; I have also acquired THE HOTEL NEW HAMPSHIRE (1984) – based on another popular novel, by John Irving – which, in its turn, was directed by her father i.e. Tony Richardson. Redgrave is a fitting replacement for Deborah Kerr – managing a quiet fortitude in her dealings with the mansion’s absentee landlord, the kids (who are anything but innocent, and the boy rather overbearing!) and even the apparitions (the valet and his lover/preceding governess, resuming their corrupting influence on the children). Probably sticking rigorously to the source material, William F. Nolan’s script comes across as too literary and the film itself decidedly overlong at 118 minutes; similarly, Curtis’ approach is atypically reserved most of the time – with the manifestations themselves well-handled but hardly chilling…apart from the very last sequence, which then brings the film to an abrupt close! While I readily admit to being wary of remakes – and, when badly done, they are certainly redundant – I have grown tolerant of those emanating from other media (mind you, the 1970s was pretty much the Golden Age of TV); with this in mind, I look forward now to Dan Curtis’ own version of FRANKENSTEIN (1973) despite being the nth rendition of the Mary Shelley tale that I would be sampling…
post #638 of 1550

Re: Track the Films You Watch (2009)

Animation Day #8:


03/26/09: PERSEPOLIS (Vincent Paronnaud and Marjane Satrapi, 2007)

‘Realistic’ animated films were mainly prevalent in the 1970s and early 1980s (recently there had also been Richard Linklater’s WAKING LIFE [2001] and A SCANNER DARKLY [2006] but I have not watched either), so it was with some trepidation that I approached this acclaimed French production – especially since it dealt with politics (Iranian) that were as far removed from my interest as could be imagined! Still, I was reasonably engaged throughout because the makers (one of whom is the heroine of the autobiographical film herself[!] – this is based on a number of graphic novels detailing how her life was shaped by the political upheaval which her country experienced over the years) managed to balance their social commitment with irreverent humor (notably a number of interjections by God[!], the caricature of a Heavy-Metal gig, young kids on the street being approached with clandestine records of Western artists like Julio Iglesias and Jichael Mackson [sic] and even cartoon representations of recognizable figures such as Godzilla, Arnold Schwarzenneger in “Terminator” mode and the ageing hero of popular German TV police series “Inspector Derrick”!). The agreeably uncluttered style is quite effective and, for added measure, a number of renowned actors lent their voices to the various characters – Chiara Mastroianni (as Marjane), her real-life mom Catherine Deneuve doubling on-screen in that capacity as well and Danielle Darrieux as her spirited grandmother (in the English-dubbed version, we even got to hear Sean Penn, Iggy Pop and Gena Rowlands!).


03/26/09: RAGING BLUES (Lyonel Mathieu and Vincent Paronnaud, 2004)

An earlier and (obviously much simpler) film from PERSEPOLIS (2007)’s Vincent Paronnaud, this obscurely-titled short supplies contrasting visions of city life i.e. the high class is rather obviously intercut with scenes in an underprivileged environment. More specifically, it details a slum kid’s obsession with boxing – eventually fulfilled, most ironically, when the hanging body of his suicide mother is used as a punching bag!
post #639 of 1550

Re: Track the Films You Watch (2009)

Comedy Day #8:


03/27/09: THE HOTEL NEW HAMPSHIRE (Tony Richardson, 1984)

At first, writer-director Richardson seems an odd choice here – until one sees the jokey approach in action, redolent of his much earlier TOM JONES (1963); incidentally, despite being an American film, he brought along top exponents of the “British New Wave” such as cinematographer David Watkin and production/costume designer Jocelyn Herbert. Based on a celebrated satirical novel by John Irving (author of THE WORLD ACCORDING TO GARP [1982] – which I guess I should get to now), it garnered mixed reactions but I found it quite engaging apart from the occasional heavy-handedness; that said, having read the source material for myself, I have to say that the film falls short of extracting its full potential. There is no real plot to speak of, but a plethora of oddball characters – not just the central family (among them Beau Bridges, Jodie Foster and Rob Lowe…not to mention their compulsively farting dog[!]) but also Wallace Shawn as a cycle-riding Dr. Freud with a bear companion, Nastassja Kinski as the latter’s ‘replacement’ after it is killed(!) and Amanda Plummer as a gawky teen dubbed “Miss Carriage”. The film touches on some potentially controversial subjects such as incest (Lowe is obsessed with Foster), homosexuality (of both sexes) and rape (Foster falls foul of Lowe’s football buddies, led by a young Matthew Modine – who actually plays two roles!). The acting is uniformly good, with Foster and Kinski (despite a limited role) coming off best. Reportedly, the rock band Queen was supposed to contribute to the soundtrack - with the song ‘Keep Passing The Open Windows’ (a much-repeated phrase in the film) eventually finding its way onto their album “The Works” from the same year.
post #640 of 1550

Re: Track the Films You Watch (2009)

Epic Day #8:


03/28/09: KING OF THE KHYBER RIFLES (Henry King, 1953)

Having been familiar with Talbot Mundy’s original source novel via a “Classics Illustrated” comic-book version I had read in the early 1980s (my father still owns a very nice collection of these dating back to his own childhood), it had always seemed strange to me how scarce 20th Century Fox’s film version – shot in the prestigious Cinemascope ratio and starring popular movie star Tyrone Power – really was. Over the years, I only recall 2 screenings in my neck of the woods (on Italian and Cable TV) but it was never released on VHS; I suppose that it does get shown on the “Fox Movie Channel” once in a while but there is still no legitimate DVD in sight – despite many lesser Power movies having already made it onto the digital format! Recently, I did come across a copy of that local Cable TV screening of the mid-1990s which, being typically pan-and-scanned, soft-looking and occasionally hazy, betrayed its origins as a VHS-to-DVD transfer! Although I am grateful for the opportunity to finally see it (since I generally lap these exotic adventures up), I have to say that I was surprisingly underwhelmed by the end results. Everybody involved seems to be working below-par somehow: at 39, Power is still handsome enough as the half-caste Captain hero but his romance with the annoying heroine Terry Moore (who was 15 years his junior!) comes off as decidedly unconvincing. The cast is rounded up by a stiff upper-lipped Michael Rennie (as Moore’s father and Power’s superior), John Justin (playing a foppish, racist Lieutenant and Power’s romantic rival) and Guy Rolfe (whose zesty portrayal of villainous Karram Khan – Power’s old childhood friend and subsequent mortal enemy – enlivens the film’s latter stages). The crew members fare little better, alas: Henry King may have been nominated for a DGA but you would hardly guess it from watching the film; composer Bernard Herrmann does get to slip in a few worthwhile musical passages but the overall score is not up to his usual high standards; Leon Shamroy’s Widescreen color cinematography was doubtless spectacular on the big screen but, hampered by the compromised video version I watched, it still was not enough to elevate the film for me. For the record, around the same time I acquired KING OF THE KHYBER RIFLES, John Ford’s obscure, earlier film version of the story entitled THE BLACK WATCH (1929), with Victor McLaglen and Myrna Loy, also came my way but, having a ton of the director’s movies in my vast collection still unwatched, I will leave that viewing for when I eventually tackle the lot!


03/28/09: BAGDAD (Charles Lamont, 1949)

7 years after striking box-office gold with ARABIAN NIGHTS (1942), Universal were still milking the same exotic formula with moderate success; in fact, after the star of that film’s female attraction (Maria Montez) started to wane, they called on fiery, red-headed Irish beauty Maureen O’Hara – who had already appeared in RKO’s SINBAD THE SAILOR (1947; co-starring Douglas Fairbanks Jr.) – to fill in her shoes in BAGDAD and, later on, FLAME OF ARABY (1951; co-starring Jeff Chandler) which I have yet to catch up with. The threadbare plotline of English-educated Arab princess O’Hara seeking revenge on the leader of the “Black Robes” – for causing her father’s death after letting him down in battle against a confusing number of rival Arab tribes! – is nothing to write home about but, thankfully, this is made up for by an agreeably camp attitude that permeates the whole film and makes the viewing more enjoyable than it ought to be. O’Hara makes for a fetching heroine in her Technicolored exotic attire (including one in which she seems to have a drape attached to her head gear!) and, despite her royal heritage, she even gets to belt out 3 operatic songs in a tavern and impersonate a gypsy dancer out in the desert!; villainous Turkish Pasha Vincent Price keeps slapping everybody around and, bafflingly, has his right eyelid almost completely closed the whole time!; Paul Christian (aka Paul Hubschmid of Fritz Lang’s famed “Indian Epic” diptych), sporting a distracting Austrian accent, is another Arab ‘misfit’ prince with a chameleon-like personality that sees him being, alternately, a guest and a fugitive in Price’s palace; John Sutton – whom I will soon get the chance to see in similar surroundings in the notoriously cheap Sam Katzman production of THIEF OF DAMASCUS (1952) – plays yet another Arab chieftain whom greed and ambition has not only turned into Price’s partner-in-crime but also the leader of the Black Robes; renowned character actor Jeff Corey is O’Hara’s ill-tempered associate, etc. Unfortunately, the video quality of the copy I landed is far from optimal (hazy and slightly washed-out) but still serviceable under the circumstances given that, due to the current international political and financial climate, the emergence of such films on legitimate DVD editions is growing remoter with each passing day! Having said that, I look forward to getting my hands on more lightweight, nostalgic stuff in the same vein in the future.
post #641 of 1550

Re: Track the Films You Watch (2009)

Euro-Cult Day #8


03/29/09: NUDE FOR SATAN (Luigi Batzella, 1974)

I had been trying to get hold of this one ever since watching Renato Polselli’s THE REINCARNATION OF ISABEL (1973) – to which it has been compared in terms of sheer loopiness; in the meantime, I had actually checked out another Batzella movie i.e. the only slightly superior THE DEVIL’S WEDDING NIGHT (1973) which, unlike the film under review and the above-mentioned ISABEL, maintains a gothic feel throughout its entirety. Apart from this fusion of past and present – not to mention, leading lady Rita Calderoni – the two also share the doppelganger motif and, as I said earlier, an absolute (deliberate?) disregard for logic which go a long way in rendering them effortlessly surreal (abetted by a weird score and some of the oddest camera angles ever conceived!); however, this alone does not make them worthwhile (let alone good) and, in fact, both these films are relentlessly sabotaged by inept handling and matching wooden performances – I mean, one has to wonder just what went on during the production of such efforts…where, invariably, a writer-director’s ‘uncompromising’ vision was constantly shortchanged by the individual’s apparent lack of talent in putting his own ideas to fruition! In both, then, the luscious Calderoni plays two roles: here, she is a traffic-accident victim and a succubus-like temptress from a previous era; similarly, the male protagonist alternates between a strapping doctor and a decadent, slightly mad aristocrat. Other figures vaguely involved include the enigmatic owner of the film’s central castle setting who is something of a wry observer and eventually Master Of Ceremonies at the climatic would-be satanic orgy, an even more ambiguous and unhinged manservant (the first time we see him he is lying on the floor with a knife stuck in his throat – don’t ask!) and a black maid (or something) whose only function in the proceedings is to indulge in some lesbian fondling with the modern incarnation of the heroine and, later, to be whipped within an inch of her life by said wild-eyed butler!! Though running a measly 81 minutes, the film tends to feel much longer due to its sluggish pacing – actually, a characteristic ‘drawback’ to both Gothic and dream-like fare. As always, too, nonsensical quotes from some ancient tome prove the key to the whole mystery…which, when uttered by the hero, causes a skull to explode(!), send the members of the orgy running and – surprise, surprise – gets us back where it all started!! For once, and thankfully so, the title does not promise something it cannot deliver: Calderoni, in fact, is nude – whether for Satan or the audience’s ultimate benefit is another matter entirely! – throughout most of this (beginning with the very opening sequence)…though she also suffers the ignominy of having to scream her head off, ostensibly in abject terror, during an attack by a hilariously fake arachnid (albeit inside a reasonably atmospheric spider-pit)!!
post #642 of 1550
Thread Starter 

Re: Track the Films You Watch (2009)

Thanks everyone. I assure you that I was more shocked than anyone here. We had tried the past year and a half without any luck and just a week ago I decided to just give up and smack.

I guess I'm going to be the next George until he comes back because I've already started on his viewing habits.

Quote:
but, as always, there's that bottomless pit of never-before-seen stuff to contend with and bring me crashing back to reality!

My DVR was up to 80% and it's just downright stupid that I try to force myself to watch that stuff. I pretty much took off all the foreign stuff, Oscar winners and other popular items that are constantly on. I kept the rarer stuff and believe it or not seven Reagan movies since he was the star of the month. The main reason I kept them was because they're only an hour and will make for some good filler late at night.

My Director/Star picks of the month is an easy way for me to run through certain people, although I'm somewhat disappointed in my viewing levels. Right now I've just got too much going on so I'm watching the TCM shorts and a bunch of those Edison shorts I haven't seen. I changed next months viewings to Looney Tunes since I have all six collections but have only watched the first one. I was also going to go through the Disney movies but with certain news I'll hold off on them.

Re: Rock Movies

I actually got lucky there. I'm now on a HD plan, which has a rock station that shows a lot of these older films. Being in HD is the main reason why I watched DON'T LOOK BACK and I must say the "HD" made the film look even worse. Here's one example where the upgrade didn't help. It's not going to stop me from calling my kid, if a boy, Dylan since that has been my plan for the past five years. (dork alert on myself ) I'll watch anything The Stones are in but LET'S SPEND THE NIGHT TOGETHER is pretty forgettable since we have so many great ones out there. I hope this station keeps playing this stuff though.
post #643 of 1550
Thread Starter 

Re: Track the Films You Watch (2009)

Victory Quiz (1942) Will Jason

Pete Smith short gives the viewer ten or fifteen seconds to come up with the answer to whatever question he has asked. Being from the WW2 era, most of the question are centered around the war but with Smith he throws in a few tricks. Judging a film like this is rather tricky because on one hand it gets tiresome watching something that pauses for fifteen seconds but on the other hand I can imagine this being quite fun back in the day when viewed with a room full of people with everyone shouting out their answers. Today the film isn't pure entertainment but an interesting look back at history.

Rita Rio and Her Orchestra (1939) Roy Mack

Dona Drake is basically playing herself but under the role name of Rita Rio. It's hinted that not too many people gave her a shot at being famous but she proved them wrong with her singing and dancing. There's no tell how many Vitagraph shorts were made throughout the late 20's and 30's but this is another decent one from director Mack who made over a hundred shorts but his career dried up in the early 40's, which was also the same time the Vitagraph studio lost its steam. In this film Drake does a pretty good job in terms of acting and there's no doubt she has a great voice and a few nice steps.

Wife's Life, A (1950) Dave O'Brien

Pete Smith short has a husband (Dave O'Brien) refusing to take his wife to the movies because he feels she doesn't do anything at home. We then see everything she actually does do including waking her lazy husband up for work, bathing their young daughter, cooking and various cleaning. This short is fairly good with a couple nice laughs but the writing isn't as good as it could have been, which leaves a lot of the jokes coming off rather bland. The highlight is the sequence where the mom leaves the daughter alone in the tub and she reaches for the soap but ends up putting too much in the tub. The scenes trying to wake the husband up were rather forced but entertaining.

Reducing (1952) Dave O'Brien

A rather mean-spirited short from Pete Smith has an overweight woman (Maxine Gates) trying to reduce her waist size without much luck. Being a short from Smith will have you expecting a lot of jokes aimed at the overweight woman but I must admit that I was rather shocked at how mean-spirited the film was. There were countless times Smith, as the narrator, referred to her as "fatso" and I'm sure this was meant to be funny and perhaps it was in 1952 but it's not today. I've been skinny all my life but watching this short made me feel rather uneasy considering some of the terms used to talk about overweight people. Other jokes deal with the woman jumping rope only to have the entire building move. The film gets a few minor laughs but in the end it's just too mean to fully enjoy.

Hollywood Extra: The First Step (1936) Felix E. Feist

Carey Wilson narrates the story of real-life actress Jane Barnes who like so many others started out working as an extra while waiting for her big break. This short follows her early days in the business and leads up to what might be a big break. This film was followed by HOLLYWOOD EXTRA: THE SECOND STEP but I haven't seen that one as of writing this as Turner Classic Movies didn't show it. With that said, overall I found this short to be rather boring as it's going over details that are pretty familiar even for 1936. The only twist that made the film interesting is that we got to see a real actress playing herself and not just a role. Looking at the IMDB it appears Barnes mainly stayed an extra girl with uncredited roles in films like SAN FRANCISCO and A STAR IS BORN.

Ghost Treasure (1941) Will Jason

Extremely interesting Carey Wilson short tells the mystery behind a gold ghost in Death Valley, CA. The short tells three separate stories about men finding gold and the fate that befell them. In the first story four American soldiers kill some Indians in order to get gold but things take a nasty turn. In the second a man is being tortured by an Indian when he discovers a rock that turns out to be much more. In the final sequence an old man finds where the gold is but never tells and only takes out what he needs to live. You could really call this an early version of THE TREASURE OF THE SIERRA MADRE because both films deal with the subject matter of greed and what gold can do to a person. I was really surprised at how effective this movie was because it gets all three of the stories across in a rather eerie manor without preaching to the viewer. The movie was shot in Sepiatone, which is another major plus as it gives the film that certain look and brings out a dryness in the air. Character actor Henry Brandon, from John Carpenter's ASSAULT ON PRECINCT 13, appears here.

Woman in the House, The (1942) Sammy Lee

Entry in John Nesbitt's Passing Parade series takes a look at Catherine Starr (Ann Richards), a woman who got into an argument with her fiance who then left and eventually died. The woman was so grief stricken that she became fearful of people so she stayed inside her home for the next forty-years until a Nazi bombing forced her out. The final couple minutes of the movie turns into a message film but that's to be expected considering it was a time of war. With that said this is another winning entry in the series that manages to tell an interesting story about an interesting woman. Richards does a very good job in her role and we also get to see a young Peter Cushing but fans of his shouldn't expect a new credit as his scenes here were edited in from an earlier movie. Lee does a good job in the directing department as he keeps the film moving at a good pace.

Six Hits and a Miss (1942) Jean Negulesco

Six Hits and a Miss are actually a group but it's doubtful too many people will remember them today. They, along with The Dancing Colleens, are in the spotlight for this Vitaphone short, which is nine minutes of nice entertainment. Six Hits and a Miss sing "You Gotta Know How to Dance" while the Colleens' do the dancing. There were dozens, if not hundreds, of musicals like this one but I couldn't help but think of CITIZEN KANE while watching this thing. No, this isn't that great of a film or anywhere close to it but the movie is certainly very ambitious and I did wonder if director Negulesco was trying to bring some of that Welles flair to the movie. Just look at the various crane shots, scooping shots and just the overall camera movements. The music and dancing are always good in these films and that's the case here but more than that it was the visual style that really kept me entertained.

Ain't It Aggravatin' (1954) Dave O'Brien

Pete Smith short talks about all those aggravating things that happen when you don't want them to. Examples include going to park in a spot only to have someone cut you off. Another example is that parking spot that could fit two cars yet a park hog takes up both of them. Then we have Dave O'Brien playing your typical male trying to lay some concrete but he has to keep starting over once various problems come up. If you've never seen one of these Smith/O'Brien shorts then this would be a very good place to start. Smith's narration adds a lot of smiles and O'Brien's comic timing is right on the mark here. The physical comedy he displays has never really gotten any credit, which is a shame because he works perfectly as the guy next door with the string of bad luck. And yes, this is the same Dave O'Brien who played Ralph in REEFER MADNESS.

Knight is Young, The (1938) Roy Mack

Pretty good musical stars Hal LeRoy but the main attraction is seeing a young June Allyson getting her start. She plays a wannabe tap dancer who refuses to leave her apartment because she fears her landlord will lock her out since she doesn't have the rent. She spends her time talking to a large billboard across from her window, which includes Sir Galahad. Yes, she speaks to a billboard, which leads to a few musical numbers that are actually pretty good. This Vitaphone short isn't anything too special but Allyson is very lovely and does a fine job here. LeRoy isn't too bad either. On a technical level there's really nothing too special but this does serve as a good time killer.

Forty Boys and a Song (1941) Irving Allen

Oscar-nominated short takes a look at The Robert Mitchell Boys Choir school, which was a non-profit school that would teach boys not only their school work but also music. The documentary short talks about what goes on at the school in terms of what is being taught but for the majority of the running time we get the boys singing. "Home on the Range" is probably the highlight of the music, which is pretty much all there is. There's really no sense of direction or style as the film is pretty laid back and straight forward. These boys would eventually be seen in Bing Crosby's GOING MY WAY, which is where most will remember them.

Three Chumps Ahead (1934) Gus Meins

Hal Roach short turns out to be one of the better entries in the Thelma Todd/Patsy Kelly series. In the film Todd is excited because she's met a millionaire (Eddie Phillips) but Kelly isn't so sure he's who he says he is. Kelly decides to stick around on their date just to see how much trouble she can cause. I've seen a limited number of these Todd/Kelly shorts and for the most part they've been hit and miss but this one here is clearly the best of the bunch. Turner Classic Movies show these from time to time and after this one I'm really looking forward to future airings. What works best here is that the supporting characters actually offer the two leads support. Phillips is very good and very funny in the role of the suitor and his facial gestures are priceless as he keeps getting annoyed with Kelly's antics. Benny Baker also gets a few good laughs as his buddy and Frank Moran, who some might remember from "B" Monogram pictures like GHOSTS ON THE LOOSE and THE CORPSE VANISHES, is very funny as a waiter. Kelly and Todd are also up to their usual standards and work well with the rest of the cast. The highlight is certainly the ending where the men discover they don't have enough money to pay for the check.
post #644 of 1550

Re: Track the Films You Watch (2009)

Congratulations, Michael! As far as your viewing habits, if you manage to watch, say ten films, in the first six months following Dylan Wark Elliott's () arrival then I will be shocked. Best to you and the mom.
post #645 of 1550

Re: Track the Films You Watch (2009)

MARCH RECAP

15 new viewings (plus 41 shorts)
6 revisits

Best new discovery: Things We Do When We Fall In Love
Worst new discovery: The Face of Jizo


Not bad for a month when I had spinal surgery (and also spent a lot of time videogaming). I didn't see anything truly awful (except a few of those McLaren shorts) and most of the stuff I watched was decent. I'm really interested in James Lee now, but his work is going to be difficult to track down (I have one more on deck, after that I'll have to just keep my eyes open).
post #646 of 1550

Re: Track the Films You Watch (2009)

March Recap

40 films seen, 33 for the first time

Best films seen for the first time (out of )

The Mist 1/2
Streetcar Named Desire 1/2
Let the Right One in 1/2
Army of Shadows 1/2
Year of the Dog 1/2
McCabe and Mrs Miller 1/2
Snow White and the Seven Dwarves 1/2
Zodiac 1/2
post #647 of 1550

Re: Track the Films You Watch (2009)

Drama Day #8


03/30/09: LOVE WITH THE PROPER STRANGER (Robert Mulligan, 1963)

Watched out of necessity rather than choice (due to limitations inherent in my DVD recorder’s system), I really did not expect to be bowled over by this one – not least because I had been underwhelmed by the subsequent collaboration between director Mulligan and leading man Steve McQueen, BABY THE RAIN MUST FALL (1965), earlier this year – but I was. That said, I knew of its reputation as one of the best showcases for both McQueen and co-star Natalie Wood (she even received an Oscar nod for her work here) – and I certainly agree, going so far as to say that they were probably never better. In essence, this is MARTY (1955) for a younger and more reckless generation (though the protagonists, in this case, are anything but “dogs”) – demonstrating the same feeling for the place (New York) and a particular section of its people (Italian immigrants). The narrative (accompanied by a lovely, yet sturdy, Elmer Bernstein score) basically resolves itself in a series of extended scenes set in domestic, working or urban environments – with the most unusual being the opening sequence at a ballroom-cum-employment agency where musician McQueen hustles his way to the odd engagement and, later, when he and Wood hide from her overprotective brothers inside his family’s dilapidated dwelling (where Jack Jones is even briefly heard crooning the film’s title tune). In this respect, plaudits must go to Arnold Schulman’s exceptional Oscar-nominated script: it is no coincidence that his name atypically precedes even that of the supporting cast! Incidentally, while I included the film among my “Drama” viewing (involving, after all, the attempt to abort an unwanted pregnancy borne of a one-night stand), it features almost as much comedy – that, being just as well-observed, adds another layer to the intended realism. Wood’s relationship with her possessive family is especially entertaining but also her efforts to dodge, and later withstand, gawky admirer Tom Bosley (in an impressive debut) – whose equivalent in McQueen’s life is played by Edie Adams: the former, in fact, has no qualms about taking ‘new’ girlfriend Wood to her flat while she is away at work! Also, though the latter stages descend into repetitive confrontations between the stars, this does eventually pay off in a hilarious finale – with McQueen deciding to conform to Wood’s idealized view of love (even if it means embarrassing himself in public) rather than lose her. In conclusion, I had tried to get hold of this one back in January to be included in my planned retrospective to commemorate the recently deceased Mulligan: while that attempt did not pan out at the time, I happened again upon it just this week, obviously managing now to acquire a copy of the film; for the record, I still have a couple more of the director’s efforts to check out (both also delayed for some reason from that initial tribute) i.e. THE GREAT IMPOSTOR (1961) and BLOODBROTHERS (1978).
post #648 of 1550

Re: Track the Films You Watch (2009)

Fantasy Day #8


03/31/09: MANIAC (Michael Carreras, 1963)

This was one of two Hammer thrillers (even if it was watched on a “Fantasy” day) that had eluded me thus far; for the record, the remaining title – CRESCENDO (1970) – has, controversially, just been released on DVD-R as part of Warners’ U.S. exclusive “Archive Collection”. While MANIAC has a reasonable reputation, I have to say that I was ultimately let down by it and I would place the film in the lower rank of the studio’s efforts in this vein. Its main fault, basically, lies in a not very interesting plot (courtesy, as were many of these outings, of screenwriter Jimmy Sangster): besides, it tries – but fails – to recapture the sense of eeriness inherent in a remote seaside location (in its case, the Camargues) already seen in the much superior TASTE OF FEAR (1961) and THE DAMNED (shot in 1961 but only released 2 years later). That said, characterization is quite well rounded: Kerwin Mathews, infrequently seen in a modern-day setting, makes for a surprisingly effective lead (in fact, he had previously starred in Hammer’s splendid adventure film THE PIRATES OF BLOOD RIVER [1962]); Nadia Gray is sultry and conniving, Liliane Brousse her ingenue – but no less sexy – stepdaughter (who gets raped in the film’s very opening sequence!). Coming into play during the latter stages is Donald Houston as the titular figure, though he proves to be someone other than who the audience had been led to believe; therefore, we have a number of nice twists (and implied violence) here…but, then, end up with a rather ordinary mystery – actually anticipating a number of gialli in this regard! Unfortunately, my enjoyment of the film was further dampened by all kind of technical problems (after the picture in the copy I acquired initially failed to visualize) – with stretched image (fixed by altering the TV setting to 16:9), fuzziness, combing (the latter also causing the audio to drop out a couple of times) and lip-synch issues all rearing their ugly head throughout the viewing!


03/31/09: THE BLACK CAT (Albert S. Rogell, 1941)

Given one of the most abused titles in cinema history (innumerable films were supposedly inspired by Edgar Allan Poe’s short story but few, if any, bothered to be faithful to it), the plot of this one could go in any direction. Universal had already used the title for one of its most stylish (and potent) horror offerings in 1934, so the ‘remake’ tried something entirely different: an old dark house comedy-chiller on the lines of THE CAT AND THE CANARY (itself brought to the screen several times, the most recent up to that time emanating from 1939). As always with this kind of film, we get a plethora of characters brought together for the hearing of a will and then starting to die violently one by one; the cast is notable and eclectic – including two horror stars (Basil Rathbone and Bela Lugosi: the latter was also in the earlier version, where his role was far more substantial), whereas the comedy is supplied by Broderick Crawford (proving surprisingly adept and likably accident-prone!) and the insufferable Hugh Herbert. Of course, there is a damsel-in-distress (pretty Anne Gwynne, also serving as Crawford’s love interest) being invariably the one to receive the lion’s share of the fortune possessed by the dotty (and cat-loving) owner of the estate; also on hand are Gale Sondergaard (as the sinister housekeeper, a virtual reprise of her role in the aforementioned version of THE CAT AND THE CANARY) and Gladys Cooper and Alan Ladd(!) as mother and son (the former is married to Rathbone, but he carries on an affair with another relative present). Being definitely a B-movie, the film is best compared to similarly modest ventures in this vein: even so, not involving recognizable comics (such as THE GORILLA [1939] did with The Ritz Brothers) or a horrific figure (a` la NIGHT MONSTER [1942]) – both films, incidentally, feature Bela Lugosi in an almost identical (and equally thankless) part – the film ends up not satisfying anyone…even if it is harmless enough as entertainment, the eerie atmosphere well up to par and the identity of the villain (who perishes flamboyantly in a blaze) a genuine surprise.


03/31/09: TORTURE GARDEN (Freddie Francis, 1967)

The second horror omnibus from Amicus closely follows the template set out by the first one, DR. TERROR’S HOUSE OF HORRORS (1965) – not least by retaining the services of its director (celebrated former cinematographer Freddie Francis) and main star (Peter Cushing, albeit relegated to a supporting role in this one). Effectively made up to lend him the appropriate hellish appearance and displaying the same gusto evident in his contemporaneous TV stint as “The Penguin” in BATMAN (1966-68), Burgess Meredith takes on the lead here as Dr. Diabolo, a sideshow performer who invites 5 spectators to see his peculiar waxwork of Atropos (Clytie Jessop) that is able to foretell their (inevitably doom-laden) future. The lucky few to avail themselves of this unique opportunity are Michael Bryant, Beverly Adams, Barbara Ewing, Jack Palance and Michael Ripper; the latter (a Hammer regular clearly relishing the bigger opportunity accorded him in this one) turns out to be a “McGuffin” as he is an acolyte of Meredith’s specifically intended to play the ‘fraidy cat’ of the group! In the first story, penniless Michael Bryant visits his moribund, wealthy uncle Maurice Denham and deprives him of his medicine when the latter will not reveal the whereabouts of his fortune – whereupon Bryant sets about turning the house upside down and eventually falling under the spell of a seemingly hypnotist cat with cannibalistic tendencies! Niall MacGinnis also puts in an appearance here as Denham’s doctor; ambitious Hollywood starlet Adams maliciously takes the place of a friend at an important date that brings her in contact with ageless star Robert Hutton and, being inquisitive of how he has managed to remain at the top for so long, she not only comes to know his diabolical secret but pays for her inquisitiveness with a similarly ‘immortal’ fate; the third (and weakest) segment involves Barbara Ewing as a journalist who, falling in love with her subject (renowned pianist John Standing) completely distracts him from his musical duties – thus incurring the wrath of his all-too-animated piano that goes by the name of Euterpe!; the final story brings obsessive Edgar Allan Poe enthusiast Jack Palance face to face with the world’s No. 1 collector (Cushing) of memorabilia pertaining to the tortured American author and, landing unannounced at the latter’s doorstep, gets him drunk intending to go down into the cellar and pillage its precious content. However, even he could never have conceived what is eventually found there: the revivified corpse of Poe (uncannily portrayed by one Hedger Wallace) forced to write blood-curdling tales for evermore! But discovering this secret comes with a price as Palance (and Poe) is engulfed in the proverbial flames that have so typically concluded screen versions of his own work. In the fourth of 6 films he wrote for Amicus, Robert Bloch adapts 4 of his own stories; unfortunately, the version I acquired of TORTURE GARDEN, while longer by 7 minutes than the general release version, sported intermittent (and distracting) jerky movement redolent of its DivX origins.
post #649 of 1550

Re: Track the Films You Watch (2009)

First Congratulations Michael! Enjoy every moment, as they get older, you'll look back fondly on even the worst stuff.

Bizarre! Somehow, through no planning I somehow have managed to watch exactly 24 movies each month of '09. I'm nothing if not consistent.

Anyway, very good month as I continue to catch up on 2008 films with a few older films thrown in for good measure. My son had his b-day party over the weekend (now 8), and since it rained all day Saturday here, we took him and his friends to Monsters v Aliens and then we watched Star Wars during his sleepover. I still have around 15 or so '08 movies on my list to see, so April will be another month for mostly new films. I do have a few director's series' planned (Pasolini, Herzog, Kieslowski, Fellini) for the coming months. I'm currently 2 hours into Visconti's Ludwig, but will have to count it for April since I couldn't get through the nearly 4 hour biopic in March.

Films Watched: 24

Best 1st Time Viewing: I've Loved You So Long (Currently #3 on my Best Films of 2008 list)

Honorable Mentions: All or Nothing, Watchmen, The Visitor, Metzengerstein, Let the Right One In, Scarlet Street

2009 Films (Based on NY/LA Release)

Monsters vs. Aliens 3D (2009, Ron Letterman & Conrad Vernon) (Theater) - B
Watchmen (2009, Zack Snyder) (Theater) - A-



2008 Films Viewed in '09 (Based on NY/LA Release)

Australia (2008, Baz Luhrman) (Blu-Ray Rent) - C+
Bolt (2008, Byron Howard & Chris Williams) (Blu-Ray Rent) - B+
Cadillac Records (2008, Darnell Martin) (Blu-Ray Rent) - B
City of Ember (2008, Gil Kenan) (DVD Rent) - B-
I've Loved You So Long (2008, Philippe Claudel) (Blu-Ray Rent) - A-
Let The Right One In (2008, Tomas Alfredson) (Blu-Ray Rent) - B+
Pineapple Express (2008, David Gordon Green (Blu-Ray Rent) - B+
Pride and Glory (2008, Gavin O'Conner) (Blu-Ray Rent) - B-
Rachel Getting Married (2008, Jonathan Demme) (Blu-Ray Rent) - B+
Synecdoche, New York (2008, Charlie Kaufman) (Blu-Ray Rent) - C+
Transporter 3 (2008, Oliver Megaton) (Blu-Ray Rent) - B
The Visitor (2007, Thomas McCarthy) (DVD Rent) - A-



Pre-2008 Films Seen for the 1st Time

All or Nothing (2002, Mike Leigh) (DVD Rent) - A-
Careful (1992, Guy Maddin) (DVD Rent) - B
Frankenstein Meets the Wolf Man (1943, Roy William Neill) (DVD Borrowed) - B-
Mandabi (1968, Ousmane Sembene) (DVD Rent) - B
Never on Sunday (1960, Jules Dassin) (DVD Rent) - C
Scarlet Street (1945, Fritz Lang) (DVD Rent) - B+
Spirits of the Dead (1968, Roger Vadim, Louis Malle, Federico Fellini) (TCM DVR) - B ("Metzengerstein" - A- / "William Wilson" - B / "Toby Dammit" - C)
What is Freedom? (1954, Roberto Rossellini) (DVD Rent) - C+



Re-Visits (All DVD's owned unless otherwise noted)

Star Wars: Episode IV A New Hope (1977, George Lucas) - A
The Triplets of Belleville (2003, Sylvain Chomet) (DVD Rent) - B+
post #650 of 1550

Re: Track the Films You Watch (2009)

March Recap

Ratings range from BOMB to ****

Bolded titles are first viewings.

Capital of the Dead[/i][/b] **
Creature from the Hillbilly Lagoon **
Fistful of Brains **
Flesh is Good BOMB!
Honeydripper ***
I've Loved You So Long ***
Milk ***
Quantum of Solace ***
Rachel Getting Married ***
Religulous ***
Sisters of the Gion ***
Sombre Zombie ***
12 Rounds **
Watchmen ***
Zombie Jamoree **


Total films viewed: 15

First viewings: 15
post #651 of 1550

Re: Track the Films You Watch (2009)

March Re-cap

Total movies watched in March - 34

Movies watched for the 1st. time - 17

Favourite movie watched in March - The Green Mile

Notable new movies watched - Wall-E; The 27th Day; Battle of Britain


3/01 King Kong (2006)
3/01 Waking Ned Devine (1998)
3/02 Mona Lisa Smiles (2003)
3/03 Terminator (1984)
3/04 Shadrach (1998)
3/05 Australia (2008)
3/05 Vicky Christina Barcelona (2008)
3/05 Wall-E (2008)
3/06 Beau Brummell (1954)
3/06 Erin Brockovich (2000)
3/07 Rules of Engagement (2000)
3/08 The Captain's Paradise (1953)
3/10 The Sixth Sense (1999)
3/10 Crash (2004)
3/12 Dead at 17 (2008)
3/13 Roman Holiday (1953)
3/13 Field of Dreams (1989)
3/14 Sahara (2005)
3/14 Hell is for Heroes (1962)
3/14 88 Minutes (2007)
3/15 The Black Widower (2006)
3/15 V for Vendetta (2006)
3/18 Miss Grant Takes Richmond (1949)
3/21 The Perfect Assistant (2008)
3/21 The Haunting of Molly Hartley (2008)
3/21 Happy-Go-Lucky (2008)
3/22 Disturbing Behaviour (1998)
3/25 My Daughter's Secret (2007)
3/27 Capricorn One (1978)
3/28 The Legend of Hell House (1973)
3/29 The Deep End (2001)
3/29 The Green Mile (1999)
3/30 The Battle of Britain (1969)
3/31 The 27th Day (1957)
post #652 of 1550

Re: Track the Films You Watch (2009)

March Recap Total Seen: 85

Theatrical Viewing in RED

Best 1st Time Viewing: The Class, Watchmen, Electra Glide in Blue

Also Notables: Leonard Cohen: I'm Your Man, Michael, My Winnipeg, W Delta Z

2009 Films

Watchmen (Zack Snyder) (Cinema) 5/5

2008 Films Viewed in '09

Babylon A.D. (Mathieu Kassovitz) (DVD, Library loan) 2/5
Blindness (Fernando Meirelles) (DVD, Library loan) 2/5
The Class (Entre les Murs) (Laurent Cantet) (Cinema) 5/5
Hell Ride (Larry Bishop) (DVD, Library loan) 1/5
Miss Pettigrew Lives for a Day (Bharat Nalluri) (Cable) 3/5
Quarantine (John Erick Dowdle) (DVD, Own) 3/5
You Don't Mess with the Zohan (Dennis Dugan) (DVD, Library loan) 3/5



Pre-2008 Films Seen for the 1st Time


3 Guys, 1 Girl, 2 Weddings (3 Garçons, 1 Fille, 2 Mariages) (2004|Stéphane Clavier) (DVD Rent) 2/5
88 Minutes (2007|Jon Avnet) (Cable) 3/5
Alexander's Ragtime Band (1938|Henry King) (DVD, Library loan) 3/5
Awesome; I Fuckin' Shot That! (2006|Nathanial Hornblower) (DVD, Library loan) 2/5
Barren Lives (Vidas Secas) (1963|Nelson Pereira dos Santos) (DVD Rent) 3/5
The Beautiful Washing Machine (2004|James Lee) (DVD, Library loan) 3/5
Because I Said So (2007|Michael Lehmann) (DVD, Library loan) 2/5
Bee Movie (2007|Simon J. Smith, Steve Hickner) (Cable) 2/5
Berlin (2007|Julian Schnabel) (Cable) 3/5
Body of War (2007|Ellen Spiro, Phil Donahue) (DVD, Library loan) 3/5
Brick Lane (2007|Sarah Gavron) (DVD, Library loan) 4/5
Chapter 27 (2007|J.P. Schaefer) (Cable) 2/5
Closely Watched Trains (Ostre Sledované Vlaky) (1966|Jirí Menzel) (DVD, Own) 3/5
Dan in Real Life (2007|Peter Hedges) (Cable) 4/5
Electra Glide in Blue (1973|James William Guercio) (DVD, Own) 4/5
Empire of the Wolves (L'Empire des Loups) (2005|Chris Nahon) (DVD, Library loan) 3/5
Friend (Chingoo) (2001|Kyung-Taek Kwak) (DVD Rent) 3/5
Fun with Dick and Jane (2005|Dean Parisot) (DVD, Library loan) 3/5
The Gravedancers (2006|Mike Mendez) (DVD, Library loan) 3/5
Hit the Ice (1943|Charles Lamont) (DVD, Library loan) 2/5
A Hound for Trouble (1951|Charles M. Jones) (DVD Rent) 3/5
I Now Pronounce You Chuck & Larry (2007|Dennis Dugan) (DVD, Library loan) 3/5
In Society (1944|Jean Yarbrough) (DVD, Library loan) 3/5
Infernal Affairs III (Mou Gaan Dou III: Jung Gik Mou Gaan) (2003|Andrew Lau, Alan Mak) (DVD Rent) 2/5
Kabul Express (2006|Kabir Khan) (DVD, Library loan) 1/5
Kickin' It Old Skool (2007|Harv Glazer) (Cable) 1/5
Leonard Cohen: I'm Your Man (2005|Lian Lunson) (DVD, Library loan) 4/5
Let's Sing a Song About the Moonlight (1948|Jack Scholl) (DVD Rent) 2/5
The Lion Has Wings (1939|Michael Powell, Brian Desmond Hurst, Adrian Brunel) (DVD, Own) 3/5
Lions for Lambs (2007|Robert Redford) (DVD, Library loan) 3/5
Little Giant (1946|William A. Seiter) (DVD, Library loan) 3/5
Lynch (2007|BlackandWhite) (DVD, Own) 2/5
Madame Tutli-Putli (2007|Chris Lavis, Maciek Szczerbowski) (DVD, Library loan) 4/5
Michael (Mikael) (1924|Carl Th. Dreyer) (DVD Rent) 4/5
My Winnipeg (2007|Guy Maddin) (Cable) 4/5
No Reservations (2007|Scott Hicks) (DVD, Library loan) 2/5
Ocean's Thirteen (2007|Steven Soderbergh) (Cable) 3/5
The Old Dark House (1932|James Whale) (DVD, Library loan) 3/5
P2 (2007|Franck Khalfoun) (DVD, Library loan) 2/5
Pink Narcissus (1971|Anonymous) (DVD, Own) 3/5
Pulp (1972|Mike Hodges) (DVD Rent) 3/5
Re-Cycle (Gwai Wik) (2006|Pang Brothers) (DVD, Library loan) 2/5
Rush Hour 3 (2007|Brett Ratner) (DVD, Library loan) 1/5
Sleuth (2007|Kenneth Branagh) (DVD, Library loan) 3/5
Starting Out in the Evening (2007|Andrew Wagner) (DVD, Library loan) 4/5
Summer Rain (El Camino de los Ingleses) (2006|Antonio Banderas) (DVD, Own) 2/5
Underdog (2007|Frederik Du Chau) (DVD, Library loan) 2/5
Unrest (2006|Jason Todd Ipson) (DVD, Library loan) 3/5
Valerie and Her Week of Wonders (Valerie a Týden Divu) (1970|Jaromil Jires) (DVD, Own) 3/5
W Delta Z (2007|Tom Shankland) (Cable) 4/5
We Own the Night (2007|James Gray) (DVD, Library loan) 3/5
What Have You Done to Solange? (Cosa Avete Fatto a Solange?) (1972|Massimo Dallamano) (DVD Rent) 3/5
Young and Innocent (1937|Alfred Hitchcock) (DVD, Own) 3/5
Young People Fucking (2007|Martin Gero) (Cable) 3/5
Zebra in the Kitchen (1965|Ivan Tors) (DVD, Library loan) 2/5


Re-Visits


Abbott and Costello Meet the Mummy (1955|Charles Lamont) (DVD, Library loan) 2/5
Bedazzled (1967|Stanley Donen) (DVD Rent) 3/5
Blues Brothers 2000 (1998|John Landis) (DVD, Library loan) 3/5
Bob Roberts (1992|Tim Robbins) (DVD, Library loan) 4/5
Buck Privates Come Home (1947|Charles T. Barton) (DVD, Library loan) 3/5
The Cell (2000|Tarsem Singh) (DVD, Library loan) 3/5
The Dogs of War (1980|John Irvin) (DVD, Library loan) 2/5
Flandres (2006|Bruno Dumont) (DVD, Library loan) 1/5
F/X (1986|Robert Mandel) (DVD, Library loan) 3/5
Here Come the Co-eds (1945|Jean Yarbrough) (DVD, Library loan) 3/5
Human Traffic (1999|Justin Kerrigan) (DVD, Library loan) 2/5
Law of Desire (La Ley del Deseo) (1987|Pedro Almodóvar) (DVD, Own) 4/5
L.I.E. (2001|Michael Cuesta) (DVD, Library loan) 4/5
El Mar (2000|Agustí Villaronga) (DVD, Own) 4/5
Martyrs (2008|Pascal Laugier) (DVD, Own) 5/5
The Naughty Nineties (1945|Jean Yarbrough) (DVD, Library loan) 3/5
On Moonlight Bay (1951|Roy Del Ruth) (DVD Rent) 3/5
Thank You, Mr. Moto (1937|Norman Foster) (DVD, Library loan) 3/5
The Thief of Bagdad (1940|Ludwig Berger, Michael Powell, Tim Whelan) (DVD, Own) 4/5
The Time of Their Lives (1946|Charles Barton) (DVD, Library loan) 3/5
V for Vendetta (2005|James McTeigue) (DVD, Own) 5/5
The Wistful Widow of Wagon Gap (1947|Charles T. Barton) (DVD, Library loan) 3/5
post #653 of 1550

Re: Track the Films You Watch (2009)

Epic/Religious Month Day #1


04/01/09: THE DEVIL’S DISCIPLE (Guy Hamilton and, uncredited, Alexander Mackendrick, 1959)

Despite its imposing credentials (featuring the star combo of Burt Lancaster, Kirk Douglas and Laurence Olivier and being adapted from a George Bernard Shaw play), this film is – criminally, if you ask me – scarcely ever revived. Until now, in fact, I had to make do with a tiny reproduction of the poster from the time of its original release locally (kept by my father in a large worn-out scrapbook); for the record, the copy under review was culled from a TCM screening. Anyway, this is a comedy-adventure of the kind ‘they don’t make ’em like anymore’ but one that, being rich in dialogue (as is to be expected of a Shaw work), comes across as atypically intelligent. The setting is the American Revolution (incidentally, the film was begun by Alexander Mackendrick – an American whose career actually took off in England!) with Lancaster a small-town preacher, Douglas a self-proclaimed “ne’er-do-well” and Olivier the General of the invading British army. Douglas, at his roguish best, and a wittily sardonic Olivier are very funny – while Lancaster’s initial (albeit necessary) glumness is redeemed by a characteristic bout of acrobatics at the finale. Interestingly, he and Douglas (by the way, THE DEVIL’S DISCIPLE was a co-production between their respective companies) gradually exchange identities throughout the film – with the latter passing himself off as a man of the cloth yet keeping his fervent anti-British sentiments unchecked and the minister forced by circumstances into rebellion, action and eventually negotiations with the enemy. The supporting cast, then, is headed by lovely Janette Scott (who manages to hold her own in the company of the two American stars, playing a character named Judith Anderson!) and Harry Andrews (in the role of Olivier’s eager yet dim-witted aide) but also including the likes of Basil Sydney, Mervyn Johns and Allan Cuthbertson. Notable, too, are a rousing score by Richard Rodney Bennett and the novel bits of exposition (detailing the progress of General Burgoyne’s ill-fated campaign) amusingly done by shifting military figurines about on a map of the area; incidentally, in the style of Lancaster’s THE CRIMSON PIRATE (1952; also co-written by Roland Kibbee), we are urged to believe the events as fictionalized here rather than the way documented history presents them!


04/01/09: JUDITH OF BETHULIA (D. W. Griffith, 1914)

This was something of a milestone – denoting a leap for pioneer D.W. Griffith from his customary one or two-reelers to a then considerable length of 49 minutes in this version (its length may vary on account of differing speeds utilized during projection of Silent movies) as well as from a modern-day, or at least American, setting towards apparently unlimited scope. In that regard alone, JUDITH OF BETHULIA is worthy of attention – but Griffith’s Victorian sensibilities (which he could never, or would not, shake off) still ground it into the antediluvian quality of film-making which is perhaps the most common objection raised by certain viewers nowadays to watching Silent pictures! Anyway, this was obviously inspired by the Old Testament tale in which a saintly woman sacrifices her dignity in order to release the Jewish people (depicted as long-bearded stereotypes which would not go down well today!) from oppression by the Assyrian army: she ingratiates herself within the affections of King Holofernes, whom she gets drunk one night and decapitates – after which the invaders disperse. Apart from a lengthy offensive outside the city walls, the running-time is padded-out with the plight of a young couple (the boy is a brave warrior and the girl eventually enslaved inside the enemy camp) and, also appearing from time to time, is Lillian Gish in a typical role symbolizing motherhood. Unfortunately, the print I acquired of this 95-year old title was extremely fuzzy – rendering the elaborate and often chaotic visuals even harder to make out – and it was accompanied besides by one of the most incongruous scores I have ever heard, approximating to a circus jingle (complete with laugh track!) which one finds at its most jubilant when the on-screen events seem to demand emotions of an entirely different nature!!
post #654 of 1550
Thread Starter 

Re: Track the Films You Watch (2009)

Quote:
Originally Posted by Pete York
Congratulations, Michael! As far as your viewing habits, if you manage to watch, say ten films, in the first six months following Dylan Wark Elliott's () arrival then I will be shocked. Best to you and the mom.

Thanks Pete. I rank the Dylan Wark past the girlfriend but got a big NO.

Quote:
Originally Posted by Brook
First Congratulations Michael! Enjoy every moment, as they get older, you'll look back fondly on even the worst stuff.

Thanks. I'm a very impatient person so the "waiting" here is going to drive me nuts. I keep trying to pick up clothes and various other things only to have the girlfriend remind me that we still have several months before needing certain things.


Quote:
Originally Posted by Mario
04/01/09: JUDITH OF BETHULIA (D. W. Griffith, 1914)

A company was suppose to have struck a new print of this but I'm not sure if they've shown it anywhere. I was shocked this wasn't included as part of Kino's recent set. The one thing I get a kick out of in regards to the making of this is that Griffith would pay the extras more money if they agreed to let real rocks be thrown at them. The battle scenes were mostly done with real "action" as many of the extras did agree to get hurt for the sake of some extra cash.
post #655 of 1550

Re: Track the Films You Watch (2009)

Transylvania 6-5000
This is a movie I have not seen in a very long time. Not since I first bought the DVD (5 years ago). While this movie has a few laughs in it... I have seen better. It was fun seeing Geena Davis in this somewhat early role. And I must admit she looked great in the vampire costume! Unfortunately I just didn't find the most of what they did very funny at all. But as I said... it does have a few good laughs... and some pretty good stars. It is worth a watch every now and then.
post #656 of 1550

Re: Track the Films You Watch (2009)

Beetlejuice
After watching Geena Davis in Transylvania 6-5000 I decided to watch the other Comedy-Horror movie she did. I always found this to be a fun movie. And I enjoyed Geena Davis in this one quite a bit. Even though I normally don't care for her... I also enjoyed the performance by Winona Wyder. I watched this on the original DVD release of the movie. I would love to be able to get the upgrade to the new special edition that was recently released.
post #657 of 1550

Re: Track the Films You Watch (2009)

March recap

11 movies viewed

8 new viewings
3 rewatches

7 Bluray
4 DVD

Best New Movie: Synecdoche, New York
Best Rewatch: Total Recall

Worst of the Month: Mamma Mia
post #658 of 1550

Re: Track the Films You Watch (2009)

Bubba Ho-Tep
Bruce Campbell as an elderly Elvis? That alone is worth the watch... at least once. But what do I think of this movie? Hmmmm... I actually have mixed feelings on the actual content of the movie. The horror aspects is pretty cool. As for the comedy aspects... while there is some decent laughs most the comedy in this movie is very juvenile. But it works for what it is. Even with that said... I enjoyed this movie... more then what I probably should. I just found it to be a lot of fun.
post #659 of 1550
Thread Starter 

Re: Track the Films You Watch (2009)

Chuck Jones: Memories of Childhood (2009) Peggy Stern

Extremely entertaining documentary short features the legendary Chuck Jones answering various questions about his childhood. Not only does Jones talk about his childhood but he also does animated sequences, which are used to give visuals to his stories. The documentary runs just under thirty-minutes so naturally you're not going to get a lot of great detail on anything but what we do get is pretty interesting. Jones talks about his childhood movie idols like Chaplin, Keaton and Pickford. He also talks about his abusive father and we get explanations on which Looney Tune characters are close to his own personality. The interview was done in 1997, five years before Jones' death but he's eaten up with arthritis, which is apparent just by looking at him. Jones still has a wonderful personality and his charm comes out wonderfully well. The animated drawings in the film are quite simple but oh so beautiful.

Elmer's Candid Camera (1940) Chuck Jones

Elmer, in his first appearance, is reading a photography book, which inspires him to head out into the wilderness to photo some wildlife. Sadly for him his first target is a troublesome rabbit (a future Bugs Buggy). This certainly isn't classic Looney Tunes but it's a fairly entertaining short in its own right. I think most people will prefer the more classic approach to the characters but if you're fair to this film then you should enjoy it. Not too much happens storywise as Elmer keeps getting jokes played on him. None of the jokes are all that funny but that doesn't mean there isn't any charm here. The highlights are certainly the sequences where Elmer finally goes overboard and blows his cool after the rabbit plays all his jokes.

Scent-imental Over You (1947) Chuck Jones

There weren't too many Pepe Le Pew shorts, perhaps because they're all based around a single joke, but that one joke was usually good enough to get some laughs and smiles. This time out a hairless dog puts on some fur, which makes it look like a skunk so needless to say the other dogs stay away from her. She finally gets some unwanted attention when Pepe sets his eyes on her and won't let go. It would be hard for me to watch the Pepe shorts all together since they are one-joke-films but when viewed on their own they aren't too bad. There's nothing ground breaking here, be it animation wise or even comedy wise, but there's still several cute scenes that will put a smile on your face. One of the highlights comes towards the end when Pepe gets the dog trapped inside his apartment where a little twist happens.

Night Watchman, The (1938) Chuck Jones

A cat is too sick to go to work as a night watchman so he hands over his cap and flashlight to his young son. Once the son is on the scene a gang of mice start to take over so the kitten must find a way to build up some courage. This is a pleasant early short from Jones (his first in fact) who shows a real flare for the material here. The animation really stands out with the wonderful and vivid colors. Everything from the young cat's uniform to various food products really jump off the screen. Another major plus is the story, which is certainly cute and rewarding. There are many good scenes in the movie but my favorite has to be the sequence where the mice start to take over by eating everything in the house. The way the mice eat provide many laughs.

Prest-O Change-O (1939) Chuck Jones

Two dogs are trying to get away from a dog catcher during a stormy night. The two duck into a haunted house where a magician's rabbit decides to drive them crazy. There's a lot more style than actual substance in this short, which manages to look beautiful but it's a little too hollow to fully enjoy. What I enjoyed most was the animated work, which is extremely well done by Jones. There are many wonderful visuals including an early one where a door begins to shrink just as one of the dogs walks through but the other can't make it. The reaction to the second dog is priceless and funny as well. The rabbit here is certainly an early model for Bugs Bunny but you will clearly see that the two aren't even close. This is by no means a bad film but there's must better out there.

Sniffles and the Bookworm (1939) Chuck Jones

A mouse falls asleep in a book store when he is visited by a bookworm, which turns a bunch of book characters into moving creatures. We get appearances from various stories all leading up to the showdown with Frankenstein's monster. All in all I found this animated short to be rather bland because none of the characters were all that interesting and that includes our lead, the mouse. I wasn't even overly impressed with Jones' animation because it too comes off bland and without too much life. The story itself is an interesting one but not much is done with it. There's a musical number that I didn't care too much for but the one interesting this is that the death of the monster here comes somewhat similar to that seen the same year in SON OF FRANKENSTEIN.

What's Opera, Doc? (1957) Chuck Jones

Classic animated spoof of the opera has Bugs Bunny playing Brunhilde and Elmer Fudd playing Siegfried. As a child I remember hating this short with a passion and I'd go do something else anytime it came on. Looking at it as an adult I can see why many considering this to be one of director Jones' greatest achievements. While there isn't any big laughs and the action isn't your typical chase 'em stuff, the visual style of this thing is just downright amazing and the opera spoof certainly aims more at adults than kids. The visuals are what makes this film stick out for me and the perfect example of this happens early on during a rain storm, which just has some of the most beautiful backgrounds to any animated film. The clouds rolling in looks spectacular as does another joke involving a lightening strike.

Haredevil Hare (1948) Chuck Jones

Earth is about to send someone to outer space for the first time so why shouldn't it be Bugs Bunny? Once the rabbit lands on the moon he is soon to meet a man from Mars known as Marvin the Martian. I know millions of people really love this short but I've never found it to live up to its reputation. This is certainly a good entry in the long-running Bugs series but I wouldn't go as far as to call it one of his best. What does work here is a strong performance by Bugs who manages to get several laughs, which include his hilarious reason for finally agreeing to travel to the moon. The space dog is another plus as he gets several laughs but I'm still not totally sold on Marvin. He would certainly get better in future shorts but his first appearance is rather hit and miss. He's entertaining visually but his voice has often turned me off.

Headline Bands (1946) Jack Scholl, Lloyd French

Mildly entertaining short takes some of the biggest bands of the late 30's and puts them on film for the post WW2 era. Woody Herman and his Orchestra, Larry Clinton and his Orchestra, Carol Bruce, Jimmy Dorsey and more are here playing rather famous tunes including "Carolina on the Morning". All of the footage here was taken from previous short films and that includes VINCENT LOPEZ AND HIS ORCHESTRA, which includes some footage of a young Betty Hutton, which fans of her will certainly want to see. On the whole this is a fairly good short but I would personally recommend you trying to watch the full versions on the previous shorts. I'm not sure how these numbers would have played after the war, if these were old fashioned by then or not but looking at them today is a pretty interesting history lesson of music back then.

Visit with Debbie Reynolds, A (1959) No Director Credited
Story of a Dress, The (1964) No Director Credited

These two shorts are certainly going to appeal to Debbie Reynolds fans but films buffs might be interested in them just for history sake as both appear on Turner Classic Movies quite often. A VISIT WITH DEBBIE REYNOLDS features the actress speaking to the camera about the Jimmy Fund, which is a cause many celebrities did shorts for back in the day. Reynolds talks about her own children and then talks about all the sick children who need help for their cancer. THE STORY OF A DRESS is a promotional piece for THE UNSINKABLE MOLLY BROWN, which features Reynolds, Morton Haack, Charles Walters and many others. Fans of that musical will want to check this out but I think the bigger thing to take notice of here is some of the "how to" in Hollywood. The documentary does a good job at showing how the director, star and costume designer come together to agree on certain outfits and then we get to see how they are made. Both shorts run just over five minutes so if you see them on TCM there's certainly worth watching.

So You Want to Play the Horses (1946) Richard L Bare

Joe McDoakes comedy has him being an obsessive horse gambler who decides to go all out and bet on a deformed horse with 999 to 1 odds. I've seen over twenty films in this series but this one here is one of the weaker entries. That's not to say there aren't any laughs here but not enough to keep the film moving. I should also admit that I prefer the later films in the series that feature less narration and more physical work by George O'Hanlon. The best moments here are a scene where the deformed horse walks out, which will certainly make you take a double look. Also worth waiting for is when the wife finds out how much he has bet on this horse. Clifton Young, a familiar face to the series, makes an appearance here as the announcer. In the middle of the movie there's a rather strange spoof of THE LOST WEEKEND, which considering the subject matter seems a bit strange.

Groovie Movie (1944) Will Jason

Fun Pete Smith short is part documentary and part what you'd expect from Smith. The short talks about the craze going through American known as jitterbug. We see a couple showing off how the dance works at a slow pace and then we see them really going at it. Smith, the narrator, gives a few funny jokes before letting the people go to work showing off the dance. I can't recall seeing a short talking about the jitterbug so on that level this here is pretty neat. The movie does a very good job at showing off the dance and it's also pretty good technically as we get some great camera angles to show off the action including a few sequences filmed on a glass floor so we can look up. Smith's jokes could have probably been left off but fans of music will certainly want to check this out.

Cuban Rhythem (1941) Will Jason

Pete Smith short demonstrates the twist and turns of Cuban dancing. Professional dancers Madeline Pollard and Mickey Alvarez show us various moves to do and shows what type of stuff not to do. We get to see how you should move her first, where to place your hands and so on. After this we get to see some average joe's stepping up and doing the moves and needless to say things aren't as smooth. This is a fairly entertaining short that works as a documentary on the dancing but only a few of the laughs from Smith come through. One large guy trying to do the dance gets a pretty good laugh. The Conga dancing is certainly the highlight.

Ski Flying (1956)

Entertaining short takes a look at the sport of ski flying, which one would certainly need nerves to do. Filmed at a competition in 1956, the documentary explains different rules, safety measures and other things like famous mountains and so on. On a technical level this thing could have been a lot better because some of the camerawork isn't all that special but if you're just wanting to see the sport and learn how it works then this works just fine. The opening has the narrator asking us if we're looking at Batman or a flying saucer and the sport really reminds you of something like that just because of the grace involved. The documentary also shows us how deadly the sport can be as one jumper has a tragic fall. This rare short sometimes shows up on Turner Classic Movies.

Mister Gardenia Jones (1942) George B. Seitz

Ronald Reagan stars in this Oscar-nominated short from writer/narrator Carey Wilson. In the film Reagan plays the title character, a young man who joins the Army in early 1941 hoping for something to do. He soon realizes that all he and thousands of other soldiers can do is sit around waiting for something to happen and it does when Pearl Harbor is attacked. This film is certainly adventurous as it tries to do a lot in its 13-minute running time. On one level it tries to be a documentary while on another level it wants to tell a simple story. Then, on yet another level, the movie wants to be a fund raiser asking for people to dip into their pockets and give money. All in all the film is fairly entertaining with the young Reagan taking the lead and giving a decent performance. Getting to see Reagan is the main reason to watch this film as there were countless WW2 films made during this period and several of them are better than this one.

Canadian Carnival (1955) Douglas Sinclair

Sportscope short takes us to Quebec as the city celebrates the Winter Carnival during Mardi Gras. We get to see the city folk as well as countless events like hockey, curling and dog sled racing. This is the second or third film I've seen from RKO-Pathe's Sportscope series and I haven't been overly impressed as of yet. The narration is just too dry to really work or at least make the film fun. The rather bland narration really makes one turn away from the sports that they are trying to show off. Another problem is the cinematography, which certainly isn't the greatest and at times thing appear to be too dark from where things were lit very well. The film remains mildly entertaining due to the events going on but that's about it.

Modern New Orleans (1940) No Director Credited

Another entry in MGM's TravelTalk series with James A. FitzPatrick. This time out we visit New Orleans to see Canal Street, the mighty river, old steamboats, Tulane University, above-group cemeteries and the booming business of cotton and bananas. If you've seen one TravelTalk short then you know what to expect and this one here delivers just like the rest. The Technicolor aspect is a major player here as this is one of the best looking shorts I've seen from the series. It's also interesting to see how the city looked way back then considering what we think of it today and especially after Hurricane Katrina.
post #660 of 1550

Re: Track the Films You Watch (2009)

5 Sexual Meditations (Office Suite, Faun's Room Yale, Open Field, Room With View, Hotel) - More Brakhage. I keep tracking down his work even though I'm getting kind of burnt out on him, but these were still kind of interesting. Room With View was my favorite, utilizing a lot of unusual time lapse effects and other camera effects to create a very creepy undertone that reminded me a lot of Lynch. The others are all decent, too... lots of variation, which I found surprising. Rating: 6-9


Dodesukaden (rewatch) - The last time I saw this was 15 years ago, on a VHS that I'm sure was crap quality with bad subtitles. It was my second Kurosawa (the first being Dreams) and one of only dozen or so foreign films I'd seen in my life. Besides a few details, all I could remember about it was 4 hours long, depressing, and weird. The first is a sign of my youthful impatience... it's only 140 minutes, and actually goes by fairly quickly. Depressing: oh hell yes. This film is bleak, bleak, bleak. Coming out of a period of intense turmoil in Kurosawa's professional and personal life, this isn't surprising. But the film also highlighted with moments of light humor that don't feel at all out of place. As for weird, it's definitely an anamoly in his career. The closest thing to it in his ouvre is The Lower Depths, but even that has more of a central, forward-moving story. This type of multi-threaded plot is very unusual for Kurosawa, but it works much better than I recalled. Every thread is compelling drama with interesting characters, except the one about the weaver and Ocho, which I found a little too slow-paced (it doesn't help that the weaver moves like a tortoise). It's also our introduction to Kurosawa's unusual sense of color, which is always startling, but here it's almost brutal. It's taken me a long time to get used to his color aesthetic, but I'm really starting to warm up to it. The visions of the imaginary house are incredible. I put off watching this for a few weeks because in my memory it was one of the few duds in Kurosawa's career. Now it's one of my favorites from his post-Mifune years. Rating: 8


Goldfinger (rewatch, Blu-Ray) - If only every Bond movie were this perfectly crafted and consistently enjoyable, I'd buy the entire collection. But I've done that before and regretted it. There are other good entries in the series, but this is the only one I feel the need to own. Rating: 9


On deck: a couple of Weerasethakul shorts, a bunch of early 90's Spike Lee, a ton more Brakhage, and a couple other odds n' ends. But first I've got four seasons of "Columbo" I've been dying to dig into.
New Posts  All Forums:Forum Nav:
  Return Home
  Back to Forum: Movies (Theatrical)
Home Theater Forum › Home Theater Forum › Entertainment › Movies (Theatrical) › Track the Films You Watch (2009)