Re: HTF BLU-RAY REVIEW: The Dark Knight (Recommended)
"Oh! I hadn't heard about any midnight openings. Might have to check that out."Walmart usually puts out their release day stuff at midnight.
Be a part of the community.
It's free, join today!
|
Originally Posted by Nicholas Martin
I only noticed a resolution/detail difference in the IMAX version, because to me it was like looking at Blu-ray (IMAX) and excellent up-converted DVD (35mm).
Poor analogy but it's convenient. |
|
Originally Posted by Jrf2
It's weird that they just used the IMAX master. You would think they take the best possible source for the anamorphic 35mm as well, which, since there was no DI for the 35 based footage, would it be the IP?
|
|
Originally Posted by Man-Fai Wong
On my CRT monitor, I don't find the EE to be all that noticeable until I get close to the screen -- and the size-to-distance ratio would definitely be greater than what I use for normal viewing, ie. 53" RPTV from ~9.5ft away (though I plan to move up to a 60"-plus in the not-too-distant future). If nobody pointed it out (for me to scrutinize more closely), I might never actually notice it at all under normal viewing.
_Man_ |
|
Originally Posted by Michel_Hafner
CRTs soften the picture and are too small to make the EE very obvious. Project the disc in 1080p on a screen >=2 m and the EE is unmissable if you know what EE looks like.
|
|
Originally Posted by Darth Lavender
I haven't seen the Blu-Ray yet, but based on DVDBeaver screencaps (The Dark Knight Blu-ray - Christian Bale Heath Ledger especially the police funeral) the ringing looks terrible, and one of my biggest pet peeves happens to be reviewers who'll downplay or even ignore something like that to support a release they otherwise like. Completely ruins their usefulness as reviewers (minor kudos to the original poster here, at least he mentions the 'edge-enhancement')
The IMAX digital grading, etc. isn't relevant to that little mini-rant, because the original poster doesn't seem to have been aware of it. Moving on to the issue of halos in the IMAX presentation of 35mm scenes... Can someone explain the logic here? I thought the point of Edge Enhancement was to make things look sharper at a distance (with the drawback of making them look terrible in close-up) Seems to me that IMAX, with the audience sitting right up close to the screen, is the very last place one would want to use edge-enhancement. Beyond that, it sounds like, reading the previous posts, we can mostly agree.... - There is DEFINITELY edge-enhancement on this supposedly '5/5 perfect Blu-Ray.' Judge for yourself how severe it is http://www.dvdbeaver.com/film2/DVDRe...20blu-ray3.jpg - This edge-enhancement was present in IMAX screenings showing the 35mm footage, as a result of digital-sharpening in a pathetic attempt to render the 35mm scenes more 'IMAX-like' - This edge-enhancement was not present in non-imax screenings. Best case scenario, Nolan went insane and after years of refusing to use D.I., he's decided to bring his vision for Dark Knight is the one with all the digital sharpening. So, at least we're seeing the director's intent; digital sharpening and all. Worst case scenario, Warner went with the digitally sharpened footage because it was simply cheaper (Nolan's intention be damned) than going back to the unmodified 35mm. Now, letting major artefacts onto my $40* "beyond high definition," "look and sound of perfect" blu-ray disk for the sake of cost-cutting is something I'm always a bit critical of. But, at least when it's a less-popular art-house film or produced by a struggling smaller company, I can appreciate the reasoning. Warner screwed up the transfer on one of their highest grossing movies ever, and already a record-breaking blu-ray, for the sake of 'cost-cutting' and that is just plain inexcusable. *I'm Australian |
|
Originally Posted by Nicholas Martin
Non-American residents CAN NOT REGISTER for BD Live.
Isn't that great? Sucks to be us (I'm Canadian) |
|
Originally Posted by Nicholas Martin
Non-American residents CAN NOT REGISTER for BD Live.
Isn't that great? Sucks to be us (I'm Canadian) |
|
Originally Posted by Josh Steinberg
Can't you just lie and put in another address? I mean, if it's BD-Live, it's not like they're actually mailing anything to the address you put down where you'd need it to be real.
|
| also i'm in U.S. and can't get the logn live to work. |
|
Originally Posted by Cameron Yee
FWIW I have watched the parade scene on a different system - 76" screen from 1.5X screen width and the haloing is still very minor. Can I see it if I stand a foot from the screen? Sure, but even then I still consider it minor. From the seating position it's practically a non-issue.
|
|
Originally Posted by Darth Lavender
- There is DEFINITELY edge-enhancement on this supposedly '5/5 perfect Blu-Ray.' Judge for yourself how severe it is http://www.dvdbeaver.com/film2/DVDRe...20blu-ray3.jpg
|
|
Originally Posted by JonZ
From the caps I saw at that other forum, the Imax prologue caps showed significant improvement in clarity over the the bluray shots.
Of course we cant judge based on caps posted online, but it was a bit disheartening to see. |
|
Originally Posted by JonZ
From the caps I saw at that other forum, the Imax prologue caps showed significant improvement in clarity over the the bluray shots.
Of course we cant judge based on caps posted online, but it was a bit disheartening to see. |
|
Originally Posted by Edwin-S
Also, I don't quite get the purpose of trying to compare the TDK Blu-ray shot to the shots from THE PRESTIGE or BATMAN BEGINS. All those shots look like they use different lighting. Couldn't that have an effect on the amount of apparent detail that appears on the film? Were all three films shot using the same type of film stock, shutter speeds, etc.? I would think all those factors might account for perceived differences in detail and quality. I can't even qualify as an amateur when it comes to evaluating cinematography and how that might account for differences on different Blu-ray films. Anybody want to enlighten me?
|
|
Originally Posted by Ken_McAlinden
My judgment based on the evidence provided: Barely perceptible to non-existent.
Regards, |
|
Originally Posted by Cameron Yee
All-in-all it's an excellent video transfer that I expect will be the latest go-to demo disc in home theaters.
|
|
Originally Posted by Vincent_P
Gotta say I disagree with this, and other folks who are downplaying the EE and overall "digital", processed look of the 35mm portions of THE DARK KNIGHT. While THE DARK KNIGHT is no GANGS OF NEW YORK, the 35mm material (i.e., what, about 80% of the film?) definitely has an overly digitally processed look to it. The IMAX stuff looks great- even flat-out stunning- but the 35mm material definitely has a noticeable edgy/digital look to it. Other recent Blu-rays of 35mm shot movies like TROPIC THUNDER and THE INCREDIBLE HULK (THE INCREDIBLE HULK having been filmed in 35mm anamorphic, like the 35mm sections of THE DARK KNIGHT) look noticeably better and a lot more organic and film-like than THE DARK KNIGHT. There's no reason I can think of for the 35mm sections of THE DARK KNIGHT not to look as organic and film-like as other recent 35mm-shot movies on Blu-rau like the ones I've mentioned.
THE DARK KNIGHT on Blu-ray is far from terrible, but it's also far from reference aside from the IMAX scenes. For the IMAX scenes? Sure. But as an overall HD presentation of a recent 'blockbuster' on Blu-ray, I'd be much more likely to pull out THE INCREDIBLE HULK. Vincent |
