post #481 of 600
12/11/08 at 7:51am
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Originally Posted by cafink
That would be fine if we all had stories-tall Imax screens in our home. The Dark Knight's Imax presentation wasn't about using a taller aspect ratio, per se, but rather about using a completely enveloping image. Unfortunately, this simply cannot be achieved in a home theater environment as it was on an actual Imax screen.
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Originally Posted by frankie108
Mr Nolan will look pretty silly if most consumers decided they wanted the same or something closely approximating what they experienced in the cinema and decided NOT to buy the title en masse.
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Originally Posted by Patrick Sun
So is TDK on BD the killer app for BD (like The Matrix seemed to be 9 years ago for DVD)?
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Originally Posted by Josh Steinberg
I thought it was interesting that the Blu-ray presents the IMAX sequences in 1.78:1, while the DVD (special edition) bonus feature has those sequences in their original, unaltered 1.44:1 IMAX framing. I saw the film in regular and IMAX theaters, and was eager to look at both the Blu-ray and DVD.
The 1.44:1 framing, on a home theater setup, simply has far too much headroom in most of the shots. It's not far too much in an IMAX theater because the screen extends way above your field of vision; being in the theater, I got that sense of being enveloped by the image as if I was actually watching the events unfold right in front of me -- a glorious result of the screen area being larger than what my eyes could take in. It probably would have taken away from the experience if Nolan had used the entire 1.44:1 frame in the IMAX theaters, I can just imagine that it would have required more head movement on my part as a viewer than would have been comfortable. Afterall, you don't want your head to be in constant motion for an entire 2 1/2 hour feature. Watching the 1.44:1 framing at home, I remembered how amazing it was to see in IMAX, and it was great to have a disc that had those sequences as they were (minor quibble: I wish they would have strung together every IMAX sequence and shot as a "Play All" sort of thing, rather than just including the main parts of the largest IMAX sequences). But it certainly wasn't the ideal way to watch it at home -- they were obviously shot with the idea that a certain portion of the visual information would be present but more atmospheric than essential. When you watch it on a TV with that 1.44:1 framing, because it's easy to see the entire image on a smaller screen, my eye naturally wanted to give too much emphasis to the "dead space". I popped in the Blu-ray disc next, and I found that the 1.78:1 framing worked perfectly for the home theater environment. It still managed to convey the extra sense of scope and sheer size, but presented a more natural-looking framing for a home setup. No important visual information was missing, and even though less of the frame was visible for the Blu-ray version, the frame nonetheless seemed more pleasing because my eyes weren't being forced to give unnecessary emphasis to the more "ambient" space at the top of the (unaltered 1.44:1) IMAX frame. And, although nothing will truly replicate the IMAX experience, on a 100" screen, I found the switching between ratios to be even more effective at simulating the effect than I had imagined. In a sense, as a movie derived from the comic book world, this sort of shifting aspect ratio is perfect for the film - comic books naturally have panels with different sizes, often establishing an environment with a larger panel or full page, and then focusing on specific action and dialogue in smaller panels. "The Dark Knight" in IMAX (or on Blu-ray in the faux-IMAX format) does this quite well. Obviously during an extended IMAX sequence there's no real change to notice, but during the shots thrown in here and there as establishing shots, I thought it worked perfectly to first give us (as the audience) a sense of where we are and that we were seeing a real world, and then the tighter, 2.35:1 framing took us within that world. Even the little things were very impressive to me on Blu-ray... for instance, when the film begins, the studio logos and blue-flame bat signal that begin the film appear in the 2.35:1 aspect ratio, so naturally I'm adjusted to that framing and then when the first actual shot, of the Gotham skyline in broad daylight, flashes onscreen in the larger IMAX frame, it was very much a "Wow!" moment. (It seemed obvious to me, although I can't say with certainty that this was the case, that while most of the IMAX sequences were conceived as such, some of them seemed more like afterthoughts. I'd say the lamborghini accident sequence is the biggest example of this -- it was cool and all, but with the exception of the hospital blowing up in IMAX, which was perfect, I didn't really get any extra "oomph" out of that sequence being partially in IMAX. But it doesn't really take away from anything, and if I had an IMAX camera to play with, I would have used it as much as I could too.) Having seen the film now in about every conceivable variation -- the 2.35:1 theatrical viewing experience, the IMAX theatrical viewing experience, the standard widescreen DVD, the IMAX sequences in 1.44:1 on the DVD bonus features, and the shifting-ratio Blu-ray -- I'd agree that this is one of those rare cases where the director's intent was preserved, ironically enough, by not presenting the film in what would technically constitute OAR. Had Nolan gone from 2.35:1 to 1.44:1 on a Blu-ray, it wouldn't have given the audience the same jolt that those sequences were always meant to have -- they would have seemed smaller, which is exactly the opposite that he intended. Is the Blu-ray perfect? No. I wanted more by way of bonus features, and obviously having a seamless branching option would have been nice (even though I probably would still default to the variable ratio presentation). But all in all, when it came down to sitting back and watching the movie itself... a great viewing experience that translated to home theater far better than I had imagined when I first saw it theatrically. |
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Originally Posted by Ronald Epstein
Just finished watching this film on Blu-ray and I am just
mystified why a big deal was made at all about the aspect ratio change. It never bothered me and I hardly noticed it. This is one terrific BD both in audio and video. Don't let any negative comments sway you away from it (like it would in the first place). |
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Originally Posted by Ronald Epstein
Just finished watching this film on Blu-ray and I am just
mystified why a big deal was made at all about the aspect ratio change. It never bothered me and I hardly noticed it. This is one terrific BD both in audio and video. Don't let any negative comments sway you away from it (like it would in the first place). |
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Originally Posted by Ronald Epstein
Just finished watching this film on Blu-ray and I am just
mystified why a big deal was made at all about the aspect ratio change. It never bothered me and I hardly noticed it. This is one terrific BD both in audio and video. Don't let any negative comments sway you away from it (like it would in the first place). |
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Originally Posted by Ronald Epstein
Just finished watching this film on Blu-ray and I am just
mystified why a big deal was made at all about the aspect ratio change. It never bothered me and I hardly noticed it. This is one terrific BD both in audio and video. Don't let any negative comments sway you away from it (like it would in the first place). |
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Originally Posted by Travis Brashear
Respectfully, this thread feels like a joke...
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Originally Posted by cafink
I have not "labeled" anything or anyone. Many, many people in this thread have defended the release--I assume this is not a point of contention--which is the very definition of an apologist.
Furthermore, the Blu-ray version of the film cannot be properly viewed on a constant-height 2.35:1 screen--either important portions of the image must be cropped during the Imax segments, or the 35mm segments must be windowboxed on all four sides. Surely you would not argue that this does not hinder the presentation of the film on such screens? This is simply the definition of the word "retard." |
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Originally Posted by TonyD
edwin i hate to say this but it is getting tiring.
the transition from 2.35:1 to the screen becoming filled was seamless. The Blu disc doesn't have the true imax version or the true theatrical non imax version. oh well. send a letter to warner and thell them why you won't buy the disc. |