Re: Star Trek films on Blu-Ray... what we know so far
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Originally Posted by David ©
I disagree on these films were not meant to look well. They have every right to look superior over their previous incarnations including their original theatrical releases. The first five films shot Panavision 35mm anamorphic (should have every effort made to have them look like a shinny new penny).
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I didn't mean to suggest that they weren't meant to look well. I just think that the current Star Trek II DVD, for example, accurately reproduces the original look of the film - there's nothing seriously wrong with it. I don't want the film to look like something other than how it originally looked. Star Trek II was meant to be a grainy film, and I'd be upset if they tried to use digital tools to make it into something it wasn't meant to be.
I'm just saying I don't think the actual negatives are in such terrible state that a full-blown restoration needs to be done on any of the titles. At most, for most of the films I would think a new (or newly cleaned) print, combined with a little tweaking in the digital realm, would be fine. We don't really know the source for the current DVDs, so I think it's a little premature to say that the films need restorations. A new transfer from a better or newly made print would probably take care of most of the minor blemishes that are visible on the DVDs.
Paramount has, in the past, spent a fortune to save films on the verge of being lost forever, like Sunset Boulevard. I don't think they'd let the original negatives for the Star Trek films to just rot away, so to speak, and they've already demonstrated that they will pay when necessary.
I think some people will probably be disappointed with whatever comes out on Blu-ray that's Star Trek... if Paramount makes a new transfer from a clean element, so the Blu-ray appears just as the theatrical release, some people will be unhappy about the grain and other characteristics of the film stocks and production methods of the time. If they go for the overly-processed, digital revisionism look where the films retain none of their original grain structure and are artificially brightened or color timed to give it a sleek "HD"/brand-new-digitally-shot-movie look, people will be unhappy about that too. Given the choice, I'd rather have the films presented looking and sounding as close to their original theatrical runs as possible.