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Originally Posted by
Van Ling 
What I think most people are really wanting is to replicate the experience they had when they first saw the film, and to see it through those eyes again. It's about trying to recapture the moment and reliving the magic. Part of that is about the story and scenes being the same as you remember it, and for some, their memory of specific scenes is what has had an impact on them; hence, when they see it in a different way than in their memory, there's a discontinuity that either is one of those "wow, I guess I remembered it wrong" moments...or the scene was actually changed. Facing the former is chastening, but also at least acceptable, whereas to a lot of people, the latter is seen as wrong because "someone is messing with our cherished memories".
I think this issue includes another, complex aspect, which is the preservation of cultural heritage, to which I count those 3 films. For me, the alteration of them is not only altering "cherished memories", but also altering history. When George Lucas says that the originals are not his preferred versions anymore, trying to bury them in hope that new generations will forget them, for me, it has some creepy Orwellian tone to it ("we've always been at war with Eastasia").
The 1997 and 2004 versions are a forgery. Like a 300 year old book, hand-written in ink, with pages torn out which have been replaced by new pages, re-written on a computer. I think this is the most appropriate way to describe how CGI creatures and scenes fit into a film, which was made more than 3 decades ago, in a whole different time period. If CGI would have been as available back then as today, George would have made those films in a totally different way. Films are always a product of their time. If Lucas laments about how his vision was compromised back in 1977, then I would just answer that the limitations and stress put on him resulted in the creation of one of the most famous films ever created. Some people work much better under those circumstances, despite not enjoying the actual experience.
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The other and more inevitable part is where you realize that the things you accepted without question (quality issues, technical stuff, plot holes) when you were younger just may not be as acceptable to you now that you're older... this is the nostalgia part. And this is why we don't mind certain fixes (like white lightsaber blades being correctly colored) but balk at Greedo shooting first. It still comes down to the initial experience, how compelling the storytelling is, howmuch of an effect it had on us and how it made us feel, that determines how much we'll accept revisions to it. It's different for everyone.
If storytelling is the most important part of filmmaking (which I agree), then why is there any need to change a film which obviously got a phenomenal response from the audience? Why fix something which more than obviously was never broken?
I always have the feeling that this talk about "those were never my preferred versions" is not the whole true story. That there were also other motivations to change those films.
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For George, I reckon he sees the film's flaws and remembers the production battles he had, the reactions he got, and the compromises he had to make, so his responses can be seen in that light. This is typical for any artist in reviewing their own work. Some call it evolving the work, others call it cheating. Personally, I find it to be a fascinating way to gauge what a person's priorities are and where their head is at when they are making these changes. It's also a great way to understand more about the elastic nature of storytelling... but that's also predicated on being able to compare the original versions to the revised ones, which is why I would like to see the originals still available in some form.
One could do such a great special edition Blu Ray of Star Wars by exactly adressing all those interesting and compelling points you mentioned here. By releasing both versions and address the change of attitude, storytelling and filmmaking in the extras:
- The special effects: 1977 vs. 1997, practical effects vs cgi
- Thr origins of ILM, perhaps including this footage:
http://www.vimeo.com/5494280 (genuine home footage of ILM from 1976 , 77 and 78)
- The restoration of the trilogy
- Beloved flaws and bloopers
- Filmmakers which were inspired by Star Wars
Again, I don't need a restoration of the original version from the original negatives. Lucasfilm just needs to find the best source materials they have in their vaults and just doing a straight HD transfer from them. Everything with all flaws, grain, etc. It should just look authentic.
Then can do it, as they have proved with the 2006 DVD, which has the original opening crawl transferred from original film elements for this release.
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And when I say original, I mean for example the pre-1979 version of Star Wars that did NOT read "Episode IV" at the head of the crawl... THAT was the version that had the most meaning and impact and thus nostalgia for me.
Of course. The 2006 DVD at least has the original crawl. Do you, by any chance, know what sources were exactly used to make this happen?
Thanks for your participation, Van. Your contributions and thoughts here are priceless. Don't take it too personal when people complain too much. We all love you. ;)