Re: *** Official THE X-FILES: I WANT TO BELIEVE Review Thread
The bulletpoints:
*too many trailers: Blindness, Mirrors, Miracle at St. Anna, Eagle Eye, Death Race, Traitor, Babylon AD....zzzzzz. has the movie started yet?
*There are some nice shots, but overall I think the reason why the film got poor reviews was less about the content than the ho-hum way it was filmed. What's missing here are stronger transition shots between the FBI and the killer. The initial transition is just a straight cut; we need some sort of floaty steadicam intro, or a long take POV, or dolly in with a soundtrack flourish, or something to break the flow. Perhaps that's why there were so many (justifiable) complaints that the film seemed like a long TV episode. You wouldn't even have needed that many of them, just the establishing shots.
*Is there anything here you couldn't get on TV? The set pieces are small. The gore is very minimal, no language, no sex. While I admire the restraint after so many years of torture porn films, there is something odd about so little queasiness with so many severed limbs.
*There are some nice music cues, particularly the one for the brain surgery scene, maybe a more in front score could have helped. I dunno.
*The two action sequences are OK, but the first one doesn't establish the place very coherently.
*ok, lets get it over with: the movie isn't well directed. The story elements are fine, the actors are all good, set design/art direction all fine, but there isn't enough of the artistic spark going on in the camera work. The movie just feels too small. Its a shame, because there is an interesting theme being developed about the marginalization of the exploratory academia that Mulder and Scully represent. The clinton era pushed the duo through a broad canvas from highest government, across continents, all the way down to local folklore and scientific minutiae. Seeing the two reduced to pushing against a hospital board and, in mulder's case, idly collecting newspaper (newsprint itself rapidly becoming anachronistic) with a unabomber beard pretty much sums up the W era. Its an interesting jumping off point for this story. While it does descend occasionally into romantic cheese, the smallness of the story is actually a plus, because it allows so much character interaction; despite the films problems, these are still interesting characters that are fun to watch. There is a giddy thrill in seeing the duo fly into Washington in a black helicopter, and stride into a FBI room full of agents looking at them like they are relics. We get mulder prowling around remote buildings and scully delivering heartfelt medical jargon. We get reasonable discussion of psychic phenomena and the circumstances of faith. We get the frustrations of bureaucracy. Its good stuff, but its a shame it was delivered in such an average fashion. This is for the big screen: even if its an intimate story it needed to be told in a bigger way.