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Terminator 1 & 2 - Page 20

post #571 of 656
If a new T1 blu ray is made I would love if the mono sound track is on it. I kept my DVD just for this reason. DTS-HD MA Mono or uncompressed Mono would be fine. Also a 2 disc edition with the movie on disc 1 on a BD-50 using the highest bit rate and extras on disc 2

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post #572 of 656
I agree with everyone, keep the mono track please.  Also, I agree with David above me, a two disc edition would be nice.  The movie on disc 1 on a BD-50 using the highest bit rate and extras on disc 2.  I know it's not cost effective, but I really wish they reconsider it.

A music only with Brad's commentary and/or a documentry on him would be a nice as well.

Mr. Ling, I have a request, is there any way we can see a comparison shot of the original before you worked on it and an after shot.  Just one picture.  I'm dying to see what it looks like.  Can you tell us anything about the quality of the picture and how long it took from start to finish.  And can you tell us when Jim does approve your work on T1 on the forums.  That would be great to hear.

Thank you for answering my last post about the interviews and the documentry.
post #573 of 656
I gotta join the chorus -- please include the original mono track in pcm or lossless (message to the guys in suits not Van who knows already) -- it's a given -- any other way will be simple and predictable -- people will NOT buy and will download the thing instead. 
Edited by dvdvision - 12/27/09 at 5:41am
post #574 of 656
Glad to see there are several others that prefer the original mono mix. For that reason I am still holding on to the Terminator DVD, I haven't bought the Blu-ray. If the re-relase where to include the original mono mix I'd be happy to buy it. 
post #575 of 656
My take on this whole "extras" thing is that, nearly 13 years after DVD was introduced, the studios have basically lost interest in the "hassle" of producing supplemental material for a general public that, frankly and unfortunately, doesn't seem to care anymore. That is why many new releases contain the barest minimum of material and in some cases don't have anything at all. I took home A Perfect Getaway DVD without realizing there wasn't a single extra on the disc! Regarding a new Terminator disc, as much as I love the original film I just can't get excited for yet another release that probably won't have any significant new material. Besides, MGM is on life support - I'm starting to see them as releasing the same stuff over and over just to make a buck and stay afloat. I think the only way I'll purchase another T1 disc is if they tack on the Cyberdyne ending, get Linda Hamilton to participate and strike a brand new hi-def transfer.
post #576 of 656
Quote:
Originally Posted by Will_B View Post

"From 1984 to 1991, The Making Of: was one of the hottest syndicated television series in the world...This series marked the start of the behind-the-scenes  genre, as well as the studios realizing that showing the public how stunts, special effects, and the process of moviemaking were created, would not hurt the box office. "

That most certainly did not mark the start.

It was 1977's Making of Star Wars network tv special (aired September 16, 1977) that started the fascination with behind-the-scenes footage. I remember the making of special was such a cultural touch-stone that when Mark Hamil appeared on the Late Night with David Letterman the same year, they did a sketch where Dave cracked an egg into a bowl, and then Mark Hamil narrated a spoof "making of" featurette in which the egg, in slow motion and against a blue-screen, was shown to be ringed with small explosives that actually caused the breaking of the egg.

The ratings success of the Making of Star Wars network tv special was followed by the Making of specials for Empire and Jedi, of course, but by then the early cable channels were showing making-of featurettes constantly. Even before cable tv was reaching every neighborhood, there were over-the-air subscription channels like "StarTV" which were reaching homes that hadn't yet been wired for cable yet. And they'd show making of featurettes as time-filler between movies.

Heck, why were films hiring behind-the-scenes film crews in the late 1970s, for films like Superman in 1978, if it hadn't been recognized as a good idea earlier?

1981 of course saw the Making of Raiders of the Lost Ark, again on network television, and the Great Movie Stunts: Raiders of the Lost Ark just in case people hadn't had enough.

Cummings' seems to be aggrandizing himself a bit when he claims he popularized the making of featurette. 1984, the year Cummings says his show started, was AFTER the making ofs for Star Wars, Close Encounters, Empire, Superman, Raiders, and after the rise of cable television and its "making of" featurettes for lesser films too.
My local PBS station used to show the making of short subjects that most films did even going back into the 1960s. I remember the show was on around 1975 - 79, and I would see shorts for films such as Logan's Run (1976), Bullitt (1968), The Poseidon Adventure (1972) and others. These were shorts of about 10 min running time. In fact there were short versions of the Raiders and Empire making ofs that showed on Leonard Nimoy's show  Standby: Lights! Camera! Action! on Nickelodeon in the early 80s.

Doug


post #577 of 656
Quote:
Originally Posted by Nicholas Martin View Post

Quote:
Originally Posted by MachinesofHate7
I too agree with Sam, the pop up track you did for ID4 was extensive, yet very informative and fun.

I also liked the little Alien scatter hunt game thing (forget the official title). I must admit, I never actually finished it, but it was definitely one of the most unique things to Blu when it came out.

it was a very well put together BD, my only gripe was the lack of extended cut, as I enjoyed the extra character beats with David and his father, and such.

ID4 is one of my all-time favorite films. I'm damn proud to say that.

I'm actually glad it was just the theatrical cut on the Blu-ray, because the added scenes, while fun in their own right (except for Russell Casse's squabbles with his children - those scenes literally stopped the film dead and I always skipped them when watching the extended DVD) the film is just fine without them.

I loved the trivia track, the detailed scene selection, and I admit to being stumped on two clues of the Alien Scavenger Hunt game!

One was a sign I couldn't ever find (E something or other, I think, it seemed like it would be a highway sign) the other was a code of some kind, like a licence plate-type code.

Fortunately those didn't come up the first two times I played it and made it through to the prize clip, which was worth the hunt.
I'm glad you asked this question about the "1185 E" sign cause I couldn't find it either.....unfortunately I can't find the "Plot Version 1" either......and idea?
post #578 of 656
Thread Starter 
Troy, Nick: glad to know SOMEONE actually played the Scavenger Hunt game, much less enjoyed it!  It would be a cheat to just tell you where those things are, but here are some clues:

1) the 1185 E is in a pivotal scene about the woman who would later be a President in a different(?) universe, but she is not actually in the shot... Lone Starr is.

2) the license plate-like code ("N20-225") is indeed on a vehicle (of a sort), but not one you'd ever really drive, and it's definitely not on a road.

3) "Plot Version 1" is in a scene with the Fly.

Sorry to be so cryptic and geeky... have fun!

 

V

post #579 of 656
"Put the Nation in dresses"
post #580 of 656
post #581 of 656
Van,

I see the Digital Bits has mentioned a SE Terminator coming out this year as a possibility.  I know there were discussions about it earlier.  My question is, how much better can this look compared to the existing Blu-ray?  Also, do you know if the original mono track will be included this time?  Thanks.
post #582 of 656
Yes that would really be awesome to include the original mono track
post #583 of 656
Thread Starter 
Dave and Oscar, I think the existing Blu-ray of T1 was made using the 2001 film-to-video HD transfer.  If I'm not mistaken, Lightstorm has been working on a restoration with Lowry Digital using 2K scans of the original cut negative.  So the question is how much better can the latter be than the former?  I reckon that's up to how well it's done...

And if I have any say in the matter, the mono track will be included.  But that's a big "if"...

V
post #584 of 656
Quote:
If I'm not mistaken, Lightstorm has been working on a restoration with Lowry Digital using 2K scans of the original cut negative.
Exciting news! This should make for a fantastic image.  Does Jim Cameron have a favorite colorist he likes to work with for the color grading?
post #585 of 656
A perfect T1 bluray would be one with the original mono mix as well as a Cameron/Schwarzenegger commentary on one track, Biehn/Hamilton on another, then the technical one with Gene Warren, Mark Goldblatt and maybe snippets from Stan Winston on a third. I can't wait to see what the menus look like.
Edited by Conor Brosnahan - 2/8/10 at 10:57am
post #586 of 656
Nice, I think however Arnold asks for a fee for his commentaries. I wouldn't mind one mirroring the T2 disc, with Cameron and Wisher together, as Wisher also wrote stuff in the movie.
post #587 of 656
I'm hyped to see who shows up on what featurettes are on the disc, as well as seeing what menus might look like, maybe a different one each time you load the disc like the Star Wars dvd's, one inside Tech Noir, one in the police station waiting room, after a while Arnie would walk in, one of the future bunker, after a while you hear 'Reese, DN38416'. Mr. Ling always puts so much effort into the releases, I am so stoked!
post #588 of 656
Hey, gang. Just wanted to chime in here, seeing as how I've been watching T1 and T2 on BD this week.

I'd like to say thanks to the good Mr. Ling for all of his incredible work on the previous DVDs and BDs (which I've eagerly snapped up).

A while back, I finally gave in and got T1 on BD for $10, despite already having gotten the 2001 SE DVD the day it was released. The BD has only the 5.1 mix and only a few features (or PARTS of features) ported over, and really is not worth the upgrade-, but--it's The Terminator on Blu-Ray! And, correct me if I'm wrong, but have the various DVD re-releases dumped the 2001 SE's bonus features? That would be sad!

And, then, of course, I find this thread today, which says that a T1 BD SE is forthcoming. Typical! Greatly looking forward to it, though.

I personally prefer T1 to T2--which is not a slight against T2. T1 is an amazing piece of filmmaking--a classic example of Art from Adversity. And, it's a complete story, a perfect circle. And it's so beautifully lonely and depressing, yet hopeful. It's as grim as a snuff movie, and does not compromise for the sake of making the audience happy like so many cookie-cutter "blockbusters" do today. 

T2 is an amazing ride that hinges on a loophole in the first film's tight narrative which allows the sequel to work. Really, there wasn't a need for a sequel, but T2 absolutely works.

The less said about the next two films, the better.


Anyway, I'm very big on historical accuracy and film preservation. T1 has major value to film history, and deserves to be preserved in its original form on BD. Glad to hear about the negatives being scanned, and I'm hopeful that the mono mix is included. The 5.1 mix has its pros and cons. It works well enough as a "gateway drug" to the film, since T1 is pretty obviously low-budget, and the low-budget mono mix might put off modern audiences with its lack of slickness--the 5.1 mix also brings the film closer to T2's audio sensibilities, so the two films can be tied a bit closer together. That said, the mix just doesn't fit the sensibilties of the film's vintage--it feels too artificial.

I loved the 2001 DVD, but still hope to see more in-depth features, such as the JC commentary and other odds and ends. The T2 releases are like a film school on disc, but T1 definitely deserves more attention! Glad to hear a new release is in the pipe!
post #589 of 656
My apologies to Van Ling but I have the Japanese Geneon Blu-ray release instead of your Skynet Edition with an over-abundance of DNR and EE. Maybe you'll get it right finally for a 20th Anniversary Edition with James Cameron in 2011?
Yes I would buy The Terminator on Blu-ray if the original mono track was lossless or even PCM. I really hate 5.1 remixes with changed or added foley. Just gets on my nerves really bad. Be sure to keep your hands off the DNR and EE controls so the film grain stays there.
Be sure to keep the original tints of the films too! No reddening up the image.
You know what would be fitting for The Terminator Blu-ray? A fitting tribute and dedication to the late and great Stan Winston.
post #590 of 656
Pretty sure Van isn't doing the transfer/encoding, so it'll be up to whoever IS to watch noise reduction/sharpening and color timing.  Agreed on the 5.1 -- though in the specific case of the Terminator, I'm not familiar with the original mono (I was a young'un when it was released theatrically, so my experience is all based on the DVD and Blu-Ray releases), in principle I feel the original audio should be included whenever possible.
post #591 of 656
Quote:
Originally Posted by CynthiaF200 View Post

You know what would be fitting for The Terminator Blu-ray? A fitting tribute and dedication to the late and great Stan Winston.

Terminator Salvation is already dedicated to him. Would be weird to dedicate a film to him that was made while he was still alive, wouldn't it?
post #592 of 656
Quote:
Originally Posted by Will_B View Post




Terminator Salvation is already dedicated to him. Would be weird to dedicate a film to him that was made while he was still alive, wouldn't it?
I don't think so.  Surely there have been films with a dedication to a participant who died after the production of the film.  Of course, what they might do is dedicate the production of the blu ray to him.
post #593 of 656
Quote:
Originally Posted by Will_B View Post




Terminator Salvation is already dedicated to him. Would be weird to dedicate a film to him that was made while he was still alive, wouldn't it?

I meant a special feature about him and his work.
post #594 of 656
Thread Starter 
 Actually, we've been working on a Stan Winston tribute piece for over a year now... the biggest hurdle is that no studio is willing to license images of anything from their movies to go on another studio's disc... or even to go on a disc from the same studio!  It's pretty ridiculous.

And on "The Terminator", although I doubt the movie itself would be dedicated to Stan posthumously, there is some precedent in that we dedicated "The Abyss" Special Edition to actor and Jim's diver friend Kidd Brewer Jr. (who played Finler), who died between the 1989 and 1993 versions.  His dedication is at the end of the film credits on the SE, but was of course not changed on the 1989 theatrical release.  I'm pushing to have the Blu-ray disc release dedicated to Stan, though.

Assuming I ever get to finish the disc... ;-)

V

PS: Cynthia, Ralphie is correct in that I don't have any control over the color-timing or encoding of "Terminator".  But Lightstorm is in charge of handling the restoration of the film, so you're going to get to see it the way Jim Cameron wants you to see it.  Whether you like it or not, is up to you... 
post #595 of 656
Thanks for the update Van
post #596 of 656
Quote:
Originally Posted by Van Ling View Post

 Actually, we've been working on a Stan Winston tribute piece for over a year now... the biggest hurdle is that no studio is willing to license images of anything from their movies to go on another studio's disc... or even to go on a disc from the same studio!  It's pretty ridiculous.
 

Can't Spielberg intervene on Universal and Dreamworks' behalf as far as the Jurassic Park films and A.I. are concerned? Or for that matter, couldn't Cameron call in a few favors?

(I realize this is all a gross simplification of what I'm sure is a complicated legal situation. Just a thought...) 
post #597 of 656
Quote:
Originally Posted by James_Garner View Post

Mr Ling, I have a question about the new trailer easter eggs. I saw how on "ancillary data" the HD trailers switch from the original T2 trailers to the four new dts-HD trailers, but i forgot how i did it. could you show how to access this egg for future reference? thanks




Quote:
Originally Posted by Van Ling View Post

James, arrow right from the THX trailer button.

V

Just picked up a copy of the Canadian release, which should be the same as US/domestic version, but I can't play the easter eggs as outlined above.  I've tried right arrowing from all the options and all that happens is the menu collapses and highlights the BD-Live menu option.  Has any one managed to activate these trailers ?
post #598 of 656
I understand Mr Ling do not have control over the color timing of the movies, however I would like to use this platform to make a totally geeky color timing remark re any forthcoming T2 new transfert.

So this is adressed to whoever will redo the transfert for the 20th anniversary (and 3D) reissue. I hope you read this eventually :

There's one color timing fix I would love you guys to do, in accordance to what the movie looked like in the theaters.

In the scene where Arnold steps into the bikers bar, the color timing was originally, and in all theaters copies, blue, that is, Cameron blue. You can verify it by looking at the excerpts in the T2 making of (the 20mn one that is on the DVDs and was included in the first laserdisc box set), which was edited right before the movie came out.

For release on LD and all subsequent transferts, the whole scene was re-color timed to clear brown -- I suspect because it was too dark when viewed blue, on then low resolution television screens.

Since HD is now in, and screens are capable of displaying better color and resolutions, I think it would be fair if when re-colored, the scene is back to what it originally was, in accordance to the theaters print release. The way it plays now and the whole atmosphere always bothered me, because it wasn't what it looked like on screen.

I understand sometimes artistic fixes are made for home video transfert, when the filmmaker didn't have the time in the rush of post production to make the movie look like he wanted it to, but I believe this one was purely technical, and based only on how the scene would look on then low resolution tv screens.

That was my 5mn of totally sad geek request, thank you for listening :)
post #599 of 656
post #600 of 656

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